L A I S OCTOBER Books George Baker, Yve-Alain Bois, Benjamin H.D. Buchloh, Leah Dickerman, Hal Foster, Denis Hollier, Rosalind Krauss, Annette Michelson, Mignon Nixon, and Malcolm Turvey, editors, and Catherine de Zegher, executive editor Broodthaers,edited by Benjamin H.D. Buchloh AIDS: Cultural Analysis/Cultural Activism,edited by Douglas Crimp Against Architecture: The Writings of Georges Bataille,by Denis Hollier Painting as Model,by Yve-Alain Bois The Destruction of Tilted Arc: Documents,edited by Clara Weyergraf-Serra and Martha Buskirk Techniques of the Observer: On Vision and Modernity in the Nineteenth Century,by Jonathan Crary Looking Awry: An Introduction to Jacques Lacan through Popular Culture,by Slavoj Zˇizˇek Cinema, Censorship, and the State: The Writings of Nagisa Oshima,by Nagisa Oshima The Optical Unconscious,by Rosalind E. Krauss Gesture and Speech,by André Leroi-Gourhan Compulsive Beauty,by Hal Foster Continuous Project Altered Daily: The Writings of Robert Morris,by Robert Morris Read My Desire: Lacan against the Historicists,by Joan Copjec Fast Cars, Clean Bodies: Decolonization and the Reordering of French Culture,by Kristin Ross Kant after Duchamp,by Thierry de Duve The Duchamp Effect,edited by Martha Buskirk and Mignon Nixon The Return of the Real: The Avant-Garde at the End of the Century,by Hal Foster October: The Second Decade, 1986–1996,edited by Rosalind Krauss, Annette Michelson, Yve- Alain Bois, Benjamin H.D. Buchloh, Hal Foster, Denis Hollier, and Sylvia Kolbowski Infinite Regress: Marcel Duchamp 1910–1941,by David Joselit Caravaggio’s Secrets,by Leo Bersani and Ulysse Dutoit Scenes in a Library: Reading the Photograph in the Book, 1843–1875,by Carol Armstrong Neo-Avantgarde and Culture Industry: Essays on European and American Art from 1965 to 1975, by Benjamin H.D. Buchloh Bachelors,by Rosalind Krauss Suspensions of Perception: Attention, Spectacle, and Modern Culture,by Jonathan Crary Andy Warhol,edited by Annette Michelson Leave Any Information at the Signal: Writings, Interviews, Bits, Pages,by Ed Ruscha, edited and with an introduction by Alexandra Schwartz Guy Debord and the Situationist International: Texts and Documents,edited by Tom McDonough L A I S W, I, B, P E R A S A OCTOBER B T MIT P C, M L, E © 2002 Massachusetts Institute of Technology All rights reserved. No part of this book may be reproduced in any form by any electronic or mechanical means (including photocopying, recording, or information storage and retrieval) without permission in writing from the publisher. This book was set in Bembo by Graphic Composition, Inc., Athens, Georgia, using Quark XPress and was printed and bound in the United States of America. Library of Congress Cataloging-in-Publication Data Ruscha, Edward. Leave any information at the signal : writings, interviews, bits, pages / by Ed Ruscha ; edited and with an introduction by Alexandra Schwartz. p. cm. “An October book” Includes bibliographical references and index. ISBN 0-262-18220-3 (hc. : alk. paper) 1. Ruscha, Edward—Interviews. 2. Artists—United States—Interviews. 3. Ruscha, Edward— Notebooks, sketchbooks, etc. I. Schwartz, Alexandra. II. Title. N6537.R87 A35 2002 760(cid:1).092—dc21 2001045039 C I A xiii Alexandra Schwartz PART ONE WRITINGS 1 S “‘W C S’: S L A,” C H H 3 S “T A P: A S” 4 “S ‘654 T . . .’ L” 6 S H H, 50 WEST COAST ARTISTS 10 S “P: A S” 12 A P E R C R L N M-D P L, A 1985 14 A P E R A L S T F M-D P L, A 1987 16 C “T W” 18 S “W A L A T L W T D’ K W,” C P G 19 PART TWO INTERVIEWS 21 “C VARIOUS SMALL FIRES: E R D H P P” 23 John Coplans “F C S, M. R E A” 28 Douglas M. Davis “E R D H L W C F” 30 Christopher Fox I T T, M 27, 1971 34 “A: I E R” 35 Robert Colacello “R P [ A B U]” 40 David Bourdon “‘M B E U T’” 46 A.D. Coleman “‘I’ N R P’” 51 A.D. Coleman vi C “W R” 55 Howardena Pindell “‘ . . . A K H?’: A I E R” 64 Willoughby Sharp “F I: E R” 73 Diane Spodarek “A C E R” 82 Trina Mitchum I E R H W A, H S 92 Paul Karlstrom “E R: A I” 210 Henri Man Barendse L.A. SUGGESTED BY THE ART OF EDWARD RUSCHA 220 “E R, Y A: D S B N” 225 Patricia Failing “C U E R” 238 Lewis MacAdams “A C E R” 242 Robert Landau and John Pashdag vii C A E “A: L.A.R.T.: E R” 247 Joan Quinn “I E R” 250 Bernard Brunon “P: A I E R” 252 Jana Sterbak “A F W E R” 257 Vicki Sanders “E R: G V A T” 259 Ralph Rugoff “E R” 262 Fred Fehlau “R C: E R’ O A I D A” 269 Chris Hunter “T S M T E R” 272 Kristine McKenna “E R” 274 Bill Berkson “E R” 281 Thomas Beller viii C “H P” 286 Victoria Lautman “A I E R” 288 Bonnie Clearwater “T L W” 296 Ralph Rugoff “C E R” 300 Bernard Blistène “G R E R” 309 Suzanne Muchnic “A C W H E (cid:25), W H K E O S E 1960, T P S 26, 1992” 312 Walter Hopps “A I E R,” J 17, 1994 329 Elizabeth Armstrong “P H N R-” 332 Guy Cross “P A L E I” 336 Steven Rosen “L M S P . . .” 338 Steven Rosen ix
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