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John Bale’s 'The Image of Both Churches' PDF

503 Pages·2013·3.236 MB·English
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Studies in Early Modern Religious Tradition, Culture and Society Gretchen E. Minton Editor John Bale’s The Image of Both Churches John Bale’s The Image of Both Churches S TUDIES IN EARLY MODERN RELIGIOUS TRADITION, CULTURE AND SOCIETY VOLUME 6 Editor Irena Backus, University of Geneva Editorial Board Maria Rosa Antognazza, King’s College, London, UK Emidio Campi, University of Zürich, Switzerland Luc Deitz, Bibliothèque nationale de Luxembourg, Luxembourg Carlos Eire, University of Yale, USA Lucas Erne, University of Geneva, Switzerland Mohammed M. Ghaly, University of Leiden, The Netherlands Bruce Gordon, University of Yale, USA Bradley Gregory, Notre Dame University, Indiana, USA Howard Hotson, St. Anne’s College, Oxford, UK Ralph Keen, University of Illinois, Chicago, USA Jill Kraye, The Warburg Institute, London, UK Diarmaid MacCulloch, St. Cross College, Oxford, UK Scott Mandelbrote, Cambridge University, UK Maria-Cristina Pitassi, University of Geneva, Switzerland Lyndal Roper, Balliol College, Oxford, UK Herman J. Selderhuis, Theological University Apeldoorn, The Netherlands Christoph Strohm, University of Heidelberg, Germany Magda Teter, Wesleyan University, USA John L. Thompson, Fuller Theological Seminary, Pasadena, USA Alexandre Vanautgaerden, University of Geneva, Switzerland Piotr Wilczek, University of Warsaw, Poland Studies in Early Modern Religious Tradition, Culture and Society aims to publish monographs, collective volumes and critical editions of texts on the subject of the Christian, Jewish and Islamic tradition, culture and society and the relations between them in the early modern period. The series adopts an interdisciplinary approach and places special emphasis on the sum total of all the religious, cultural, political, social and intellectual changes that took place in the period between the Council of Florence and early Enlightenment. It encourages studies that combine two or more fi elds of research in their enquiry into a particular issue, e.g., religion and philosophy in the 15th century, women’s history and religious reforms in the 16th century, the impact of scientifi c and geographical discoveries on religion or religion and literature throughout the period. Works on the reception of thinkers of the three religions, and on the history of scholarship also fall largely within the scope of the Series. This Series also aims to encourage new ways of studying the three major religions of the early modern period. For further volumes: http://www.springer.com/series/6531 Gretchen E. Minton Editor John Bale’s T he Image of Both Churches Editor Gretchen E. Minton Department of English Montana State University Bozeman , MT , USA Images: All images are reproduced with the permission of the British Library Board ISSN 1572-5596 ISBN 978-94-007-7295-3 ISBN 978-94-007-7296-0 (eBook) DOI 10.1007/978-94-007-7296-0 Springer Dordrecht Heidelberg New York London Library of Congress Control Number: 2013957557 © Springer Science+Business Media Dordrecht 2013 T his work is subject to copyright. All rights are reserved by the Publisher, whether the whole or part of the material is concerned, specifi cally the rights of translation, reprinting, reuse of illustrations, recitation, broadcasting, reproduction on microfi lms or in any other physical way, and transmission or information storage and retrieval, electronic adaptation, computer software, or by similar or dissimilar methodology now known or hereafter developed. Exempted from this legal reservation are brief excerpts in connection with reviews or scholarly analysis or material supplied specifi cally for the purpose of being entered and executed on a computer system, for exclusive use by the purchaser of the work. Duplication of this publication or parts thereof is permitted only under the provisions of the Copyright Law of the Publisher’s location, in its current version, and permission for use must always be obtained from Springer. Permissions for use may be obtained through RightsLink at the Copyright Clearance Center. Violations are liable to prosecution under the respective Copyright Law. T he use of general descriptive names, registered names, trademarks, service marks, etc. in this publication does not imply, even in the absence of a specifi c statement, that such names are exempt from the relevant protective laws and regulations and therefore free for general use. While the advice and information in this book are believed to be true and accurate at the date of publication, neither the authors nor the editors nor the publisher can accept any legal responsibility for any errors or omissions that may be made. The publisher makes no warranty, express or implied, with respect to the material contained herein. Printed on acid-free paper Springer is part of Springer Science+Business Media (www.springer.com) For my mother Acknowledgements John Bale has been my sometime companion since 1994, when I gave my fi rst c onference paper as a graduate student. I had no idea what a long relationship I would have with this intriguing and sometimes diffi cult man, nor did I have any idea that a critical edition of the Image of both Churches would take as long as it has. My ability to sustain this project over these years owes a great deal to many people. First of all, I would like to thank Mark Vessey for his unfailing support of my forays into sixteenth-century Reformers at the earliest stages of my career. Irena Backus, the general editor of Studies in Early Modern Religious Tradition, Culture and Society, has been gracious, supportive, and patient with me since I fi rst proposed this book. I also am deeply appreciative of Tony Dawson, who taught me to be an editor, and to Paul B. Harvey, Jr., who has always been generous with answers to my queries. I n the summer of 2007 I was privileged to be part of an NEH seminar in Antwerp and Oxford entitled ‘The Reformation of the Book: 1450–1700.’ I am grateful to the seminar leaders, John King and Jim Bracken, and to my fellow ‘seminarians,’ who inspired me and taught me as I began focused work on this edition. This is still the only group I have ever been part of whose members understand that when I refer to ‘the’ 40s,’ I mean the 1540s. Numerous trips to research libraries have been made possible by generous grants from Montana State University. The staff at the Folger Shakespeare Library deserves special mention for their assistance during my multiple trips there. Funding from Montana State has also given me the opportunity to employ research assistants at various stages of this project. I thus owe a debt of gratitude to these industrious and smart students. Elizabeth Christensen Paudel, Johanna Doty Sedell, Katie Davison, and especially Nathan Phillips all worked very hard and helped this edition be much more accurate than it could otherwise have been. Thanks also to Thomas Wells, Parker Dunn, and Quentin Miller for their contributions. I wish also to thank my parents, Frank Minton and Carolyn Nunn, for never doubting my ability to persevere in whatever momentous task I decided to under- take. The dedication of this book refl ects not just my mother’s support, but how much I have appreciated her faith, which has neither the fear nor the accusation that too often characterized John Bale and his time. Finally, thank you so much to Kevin vii viii Acknowledgements Brustuen, who never questioned my need to make multiple trips to libraries, who helped me calm down during the moments of extreme stress, and who reads every word I ever write. Such unfailing support and love has made the book possible, and having Kevin and Luke to come home to makes everything worthwhile. Bozeman, MT, USA Gretchen E. Minton June 2013 Contents Introduction ..................................................................................................... 1 The Two Churches Model ............................................................................. 2 Paraphrase or Commentary? ......................................................................... 6 Princely Power and the Elect Nation ............................................................ 8 Apocalyptic Exegesis and History ................................................................ 9 Apocalyptic Sources ................................................................................. 10 The Antichrist ............................................................................................ 11 Numbers and the Pattern of History .......................................................... 12 The Millennium ........................................................................................ 15 The Place of the Image in Bale’s Oeuvre ...................................................... 17 Bale’s Language ............................................................................................ 20 Dating and Publication .................................................................................. 22 The Woodcuts ................................................................................................ 26 The Infl uence of the Image ........................................................................... 28 Note on the Text ............................................................................................ 31 Sample Textual Notes ............................................................................... 32 Conventions............................................................................................... 33 The Image of Both Churches .......................................................................... 35 A Preface Unto the Christian Reader ........................................................... 36 Part I The First Chapter ........................................................................................... 51 The Text ........................................................................................................ 51 The Paraphrase .......................................................................................... 51 The Text ........................................................................................................ 52 The Paraphrase .......................................................................................... 53 The Text ........................................................................................................ 54 The Paraphrase .......................................................................................... 54 ix

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