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342 Pages·2016·6.129 MB·English
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Innovative Methods in Media and Communication Research Edited by Sebastian Kubitschko and Anne Kaun Innovative Methods in Media and Communication Research Sebastian Kubitschko • Anne Kaun Editors Innovative Methods in Media and Communication Research Editors Sebastian Kubitschko Anne Kaun University of Bremen (ZeMKI) Södertörn University Bremen, Germany Huddinge, Sweden ISBN 978-3-319-40699-2 ISBN 978-3-319-40700-5 (eBook) DOI 10.1007/978-3-319-40700-5 Library of Congress Control Number: 2016956372 © The Editor(s) (if applicable) and The Author(s) 2016 This work is subject to copyright. All rights are solely and exclusively licensed by the Publisher, whether the whole or part of the material is concerned, specifically the rights of translation, reprinting, reuse of illustrations, recitation, broadcasting, reproduction on microfilms or in any other physical way, and transmission or information storage and retrieval, electronic adaptation, computer software, or by similar or dissimilar methodology now known or hereafter developed. The use of general descriptive names, registered names, trademarks, service marks, etc. in this publication does not imply, even in the absence of a specific statement, that such names are exempt from the relevant protective laws and regulations and therefore free for general use. The publisher, the authors and the editors are safe to assume that the advice and information in this book are believed to be true and accurate at the date of publication. Neither the publisher nor the authors or the editors give a warranty, express or implied, with respect to the material contained herein or for any errors or omissions that may have been made. Printed on acid-free paper This Palgrave Macmillan imprint is published by Springer Nature The registered company is Springer International Publishing AG The registered company address is: Gewerbestrasse 11, 6330 Cham, Switzerland F ‘I M oreword to nnovatIve ethods In M C r ’ edIa and oMMunICatIon esearCh How we research the social world can seem to be the concern only of pro- fessional academics. Even among academics, books about methods tend to be the books you consult only when you have to, while debates about methods (methodological debates), although they sometimes come to the fore in particular academic fields, generally do so under disguise, as dis- putes about ‘ontology’, new paradigms, and the like. A major collection of essays by young scholars on what is at stake in innovative methods is therefore a notable event. The context indeed could not be more urgent. The transformations of what we still try to call the ‘media’ environment over the past quarter- century have been profound. Twenty-five years ago the challenge for media and communications scholars was to reflect on the implications of expanding television channels and everyday video recording. In the early years of the internet’s commercialization, modes of internet access seemed to play out in a parallel world of their own—the world of ‘cyberspace’— which attracted its explorers and methodological pioneers. Yet their work could safely be ignored by the mainstream of media research, although by 2000 it was clear that the internet was going at some point to bring major transformations. Those times of ‘normal science’ and quarantined exploration seem unrecognizable today. The past fifteen years have disturbed the comfort- able division of labor in media research between mainstream and innova- tive margins, and in their course dismantled the boundaries around media research itself. No actual or would-be researcher of ‘media’ today can avoid the questions of where exactly to ‘cut in’ to our lives with media, why v vi FOREWORD TO ‘INNOVATIVE METHODS IN MEDIA AND COMMUNICATION... make that cut exactly, and relying on what combination of research tech- niques and skills. Not only have the surface features of media, the range of their contents, the modes of their production or delivery to audiences, and the complexity of their intertextual connections changed hugely in the past fifteen years, but so too has the way in which media contents, media choices, and media-related practices are embedded in daily life. Entirely new portals of media consumption now exist (such as YouTube and social media platforms); meanwhile, the options for, in some sense, ‘producing’ media content, or distributing it on a significant scale, have also expanded massively. The result is a complexity, a flux, that is genuinely puzzling at times, posing major difficulties in how to capture it. Yet this is only the first transformation whose impacts on how we research the social world must be considered. Two further transforma- tions stem from the nature of the internet itself, distinctive features that have only become clear, to most of us at least, in the past five to eight years. During its first few years, the internet was predominantly discussed as a space of freedom, a space into which human agency could expand by acquiring more information, making personal connections, joining up information and things in new ways: a ‘technology of freedom’, in Ithiel de Sola Pool’s resonant phrase. As the size, depth, and multi-layeredness of internet space expanded, it increasingly became clear that much work is needed simply to keep track of the proliferating variety of the things we do online, or with/through media reached online: this was the so- called practice turn in media research that has broken apart the traditional boundaries of media studies since the early 2000s. Looking back, however, this transformation was to be succeeded by a further transformation potentially much more disruptive to the study not just of media, but of the social world in all its forms. This third trans- formation has reconfigured the specialist space of media research as part of a wider continuum in which information and computer science, soci- ology of the economy and information, legal studies, and many other disciplinary traditions converge. This third transformation derived from changes deep within the production of online content and online interac- tion spaces, which have profoundly altered the nature of the internet as an infrastructure. The impetus came primarily from a crisis in the advertising industries, which could no longer reliably reach their audiences in a world of proliferating informational content: the result was the construction, over time, of ever more sophisticated ways of tracking automatically what people do online, as they do it, and the distribution of that data for value FOREWORD TO ‘INNOVATIVE METHODS IN MEDIA AND COMMUNICATION... vii within and beyond the media industries, a story that Joseph Turow in par- ticular has told brilliantly. The corporate gathering of consumer data goes back to the late 1980s, as Turow’s former Annenberg School colleague Oscar Gandy uncovered, and states have, of course, for two centuries tried to gather data about citizens. However, the latter state-based gathering was for a very long time confined to discrete chunks of information related to isolated moments, aggregated only with difficulty, and affording only broad snapshots of populations. Automated tracking of computer-based action, driven by corporate innovations (cookies and the like) and com- bined with huge increases in networked computing power, has, however, in the past decade normalized continuous data gathering in every domain of online life. The embedded software that gathers and processes such data has become a banal, if often hidden, element of doing anything online. The resulting rise of data collection has been so profound that it is now driving new types of object in the world. The ‘internet of things’ is just a catchy phrase for something rather more interesting: the routine embedding not simply of online connection, but automated data gather- ing and data processing in an infinitely expandable set of everyday objects and tools. Parallel transformations in information gathering and process- ing have been under way in specialized domains, such as the physical and medical sciences, trading markets, and so on. From the combination of these many ‘local’ transformations has come the phenomenon of ‘Big Data’ and the banal installation of automated data surveillance in every stream of social life. The methodological challenges that flow from this profound transfor- mation in how the world is ‘mediated’ through online infrastructures are twofold: first, we have at work in daily life devices and systems for track- ing people, bodies, and objects, which may, or may not, generate social knowledge; second, and not tracked by the new devices and systems them- selves, there are the social, political, and cultural adjustments to the pres- ence of such tracking in daily life, which generate new types of reflexive problem for human subjects that, in turn, require new ways of studying those problems and how they are, or are not, resolved. In response to these more recent transformations and challenges, some commentators seem to have lost their head completely. When Chris Anderson, the editor of Wired magazine, proclaimed Big Data as the har- binger of the ‘End of Theory’ (a claim noted, and rejected, in this book’s introduction), he mistook the role of commentator for legislator; fortu- nately, until now, the world has ignored his imperious proposal. Much viii FOREWORD TO ‘INNOVATIVE METHODS IN MEDIA AND COMMUNICATION... more interesting have been the adjustments to the universalization of data tracking by multiple scholars across many parts of the social sciences, which are reflected in this book. Far from leading to the ‘end of theory’ or—Anderson’s rhetoric had gone even wider—the redundancy of all her- meneutic approaches to the world, the emergence of ‘big’ data (which is never quite as comprehensive as its proselytes claim) becomes itself an important issue to be thought about in terms of the changes it brings to the texture of the social world. In addressing these challenges, themselves driven by deep changes in the technologies through which the world is mediated, there is no way of avoiding thinking about the consequences of Technology for innovations in method, the topic of this book’s Part II. Yet the consideration of technol- ogy, as I have implied, is inadequate unless grounded in an understand- ing of the stuff out of which the world is put together (in part a matter of prior naturalizations of technology), addressed in the book’s Part I on Materiality. None of this would be so interesting if we insisted on ignoring its consequences for our experience of the social world, which is addressed in the book’s Part III on Experience. The result, undeniably, is to increase massively the scale of information about the social world that requires interpretation, necessitating in turn better ways of presenting the data of social research (and indeed corporate and state research too), dis- cussed in Part IV on Visualization. The richness of this book’s explorations is hugely to be welcomed. At a time emphatically not of ‘normal science’, whether in media research or the social sciences generally, we need a book like this that brings together young scholars in a collective endeavor to discover how much method— and sophisticated, theoretically informed innovation in method—matters for the quality of social life. April 2016 Nick Couldry London School of Economics and Political Science C ontents 1 An Introduction to Innovative Methods in Media and Communication Research 1 Sebastian Kubitschko and Anne Kaun Part I Materiality 13 Saskia Sassen 2 Engaging (Past) Participants: The Case of radicalprintshops.org 17 Jess Baines 3 A Materialist Media Ecological Approach to Studying Urban Media in/of Place 37 Erin Despard 4 Socio-spatial Approaches for Media and Communication Research 59 Segah Sak ix x CONTENTS Part II Technology 75 Noortje Marres 5 Neither Black Nor Box: Ways of Knowing Algorithms 81 Taina Bucher 6 Sketching Bitcoin: Empirical Research of Digital Affordances 99 Pablo R. Velasco 7 Beyond Blobology: Using Psychophysiological Interaction Analyses to Investigate the Neural Basis of Human Communication Phenomena 123 Richard Huskey 8 As We Should Think? Lifelogging as a Re-emerging Method 139 Alberto Frigo Part III Experience 161 Sarah Pink 9 Visual Ethnography and the City: On the Dead Ends of Reflexivity and Gentrification 167 Emily LaDue 10 Exploring Inclusive Ethnography as a Methodology to Account for Multiple Experiences 189 Paola Sartoretto 11 Interviewing Against the Odds 207 Neha Kumar

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