Inhuman networks ii Inhuman networks soCIaL meDIa anD the arChaeoLoGY oF ConneCtIon Grant Bollmer Bloomsbury academic an imprint of Bloomsbury Publishing Inc NEW YORK • LONDON • OXFORD • NEW DELHI • SYDNEY Bloomsbury Academic An imprint of Bloomsbury Publishing Inc 1385 Broadway 50 Bedford Square New York London NY 10018 WC1B 3DP USA UK www.bloomsbury.com BLOOMSBURY and the Diana logo are trademarks of Bloomsbury Publishing Plc First published 2016 © Grant Bollmer, 2016 All rights reserved. No part of this publication may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying, recording, or any information storage or retrieval system, without prior permission in writing from the publishers. No responsibility for loss caused to any individual or organization acting on or refraining from action as a result of the material in this publication can be accepted by Bloomsbury or the author. Library of Congress Cataloging-in-Publication Data Names: Bollmer, Grant, author. Title: Inhuman networks: social media and the archaeology of connection / Grant Bollmer. Description: New York: Bloomsbury Academic, 2016. | Includes index. Identifiers: LCCN 2016003586 (print) | LCCN 2016011462 (ebook) | ISBN 9781501316159 (hardback) | ISBN 9781501316166 (ePub) | ISBN 9781501316173 (ePDF) Subjects: LCSH: Mass media and culture. | Mass media and technology. | Social media. | BISAC: SOCIAL SCIENCE / Media Studies. | TECHNOLOGY & ENGINEERING / General. | SOCIAL SCIENCE / Anthropology / Cultural. Classification: LCC P94.6.B65 2016 (print) | LCC P94.6 (ebook) | DDC 302.23–dc23 LC record available at http://lccn.loc.gov/2016003586 ISBN: HB: 978-1-5013-1615-9 ePub: 978-1-5013-1616-6 ePDF: 978-1-5013-1617-3 Cover image © Alexandra Ribeiro / EyeEm / Getty Images Typeset by Deanta Global Publishing Services, Chennai, India Contents List of Figures viii acknowledgments x Introduction: Connectivity, Flow, Citizenship, Archaeology 1 how to make a person into an internet router 1 Governing the inhuman 6 Imagining a technological humanism 10 social media beyond social media 14 toward a media archaeology of social media 16 Chapters 18 Coda 20 Part One: Network Archaeologies 23 The network, or, the other of western modernity 23 1 Biology: Vital Technologies, Anatomical Networks 27 Blood and the machine 27 The weaving of networks 30 networks of the body 33 Vitality and the management of fluidity 37 The body as a network of fabric and fluid 41 Pathologies of the networked body 43 2 Society: Railroads, Red Scares, and Racism 46 Vitality, technology, society 46 Liberal capitalism and the unification of the iron network 48 material chaos and immaterial control 52 social networks, communism, and anti-semitism 57 The social network as an anti-semitic political imaginary 65 3 Economy: Banking on a Networked Society 68 money makes the network flow ’round 68 how disconnection apparently led to the Great Depression 69 how to make a bank a social network 73 Contents money as a social bond 85 From economy to universality 89 Coda Universality: From Network Archaeologies to Nodal Citizenship 98 Part Two: Nodal Citizens 109 Data as citizens 109 Citizenship, states, networks 111 4 Death: Living Forever on Social Media 115 millions now living will never die 115 animating the recordings of the deceased 119 “to be haunted virtually is just another way to stay connected” 121 Your data are the real you, your body is extraneous 125 5 Labor: Giving Life to Data 134 The economics and aesthetics of bots 134 The political economy of social media 138 The self as algorithm, or, your mind is a bunch of bots 143 The cultural significance of click fraud 149 6 Truth: The Politics of Performing the Total Self 156 truth in data 156 The revolution will be visible 158 Postcolonial blogging and the speech of the subaltern 162 “transparency” as political agency 164 Identity, visibility, and nodal citizenship 168 Failed nodal citizens 171 Part Three: Beyond Social Media, or, a World Without People 177 From social media to social networks 177 networks, neoliberalism, and the problem of the exterior 178 7 Contagion: The Inevitable Failure of Connectivity 183 epidemics of connectivity 183 Pathologies of self-management 187 “Infectobesity,” or, the epidemiology of fat 188 social networks of contagious obesity 192 economic flows, network pathologies 199 The unbearable pointlessness of doing anything 202 vi Contents 8 (Political) Theory: How to Disempower Friends and Pathologize People 204 The network and the apocalypse 204 The political intimacy of connection 210 Complexity, inevitability, unknowability 220 Critical theory, climate change, annihilation 226 a world without a people 230 notes 233 Index 271 vii LIst oF FIGures Figure 1: mark, a homeless hotspot, pictured with his 4G miFi router at the 2012 south by southwest Conference and Festival. 1 Figures 2 and 3: advertisements for Facebook’s internet.org, sydney, australia, February 2015. 4 Figure 4: a “head-dress” made of “chenille and bead net-work.” From G. Brodie, “Fashions for February,” Harper’s New Monthly Magazine, February 1864. 32 Figure 5: william harvey and the discovery of blood circulation. From harvey’s Anatomical Treatise on the Movement of the Heart and Blood in Animals. 40 Figure 6: nesta webster’s 1926 diagram of “The socialist network.” 61 Figure 7: nesta webster’s 1922 “Chart of the world revolution.” 62 Figure 8: tom Dickson managing the morality of his employees in American Madness. 75 Figure 9: The bank robbery in American Madness. 75 Figure 10: Communication and gossip in American Madness. 76 Figure 11: Panic in American Madness. 76 Figure 12: Contemplating suicide in American Madness. 77 Figure 13: Contemplating suicide in It’s a Wonderful Life. 80 Figure 14: a young George Bailey dreams of financial prosperity in It’s a Wonderful Life. 81 Figure 15: “every time a bell rings, an angel gets his wings,” from It’s a Wonderful Life. 81 Figure 16: “own Your own home” in It’s a Wonderful Life. 82 Figure 17: “remember no man is a failure who has friends,” from It’s a Wonderful Life. 83 Figure 18: Community and friendship as a flow of money in It’s a Wonderful Life. 84 Figure 19: Paul Baran’s diagrams for centralized, decentralized, and distributed networks. 100 List of Figures Figure 20: Paul Baran’s diagram for an informational network that would connect multiple, different forms of technology. 101 Figure 21: arPanet, march 1977. 106 Figure 22: Zoe reveals her digital immortality to her father in Caprica. 116 Figure 23: Caprica’s first Cylon. 116 Figure 24: Google’s reCaPtCha. 151 Figure 25: “Free amina arraf.” a viral image posted on Facebook during the political uprisings in syria, protesting the detainment of amina abdullah arraf al-omari. 167 Figure 26: encountering the “blanks” of The World’s End for the first time. 204 Figure 27: The warehouse of “blanks” in The World’s End. 205 Figure 28: remaining forever youthful in The World’s End. 206 Figure 29: The network withdraws in The World’s End. 207 Figure 30: Jason russell’s Kony 2012. 213 Figure 31: Kony 2012: “right now there are more people on Facebook than there were on the planet 200 years ago.” 213 Figure 32: Kony 2012: “humanity’s greatest desire is to belong and connect. . .” 214 Figure 33: The connective power of social media in Kony 2012. 214 Figure 34: The connective power of social media in Kony 2012. 215 Figure 35: Kony 2012: “every single person in the world started this way. . .” 215 ix
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