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aT The Natalie Zemon Davis Annual Lectures n H n e u n a l a T la e l Published in the same series: The movement we know as the Renaissance used to be regarded as the c ie T H r replacement of one system of ideas and literary and visual conventions u Z y br id e na is s a nc e r e (the “Gothic”) with another system (the “Classical”). However, it has be- e m s o come increasingly obvious that Gothic and Classical coexisted for a long n time, and also that they interacted, producing hybrid forms not only of d Culture, Language, Architecture Lynn Hunt: Measuring Time, Making History thought, art, literature and especially architecture, but also of language, av literature, music, philosophy, law and religion. is Miri Rubin: Emotions and Devotions. The Meaning of Mary in Medieval Religious As the Renaissance movement spread outside Italy, to other parts of Cultures Europe and also beyond, from Goa to Quito, different local traditions Peter Burke made their contribution to the mix. Given the interest in cultural hy- On the Cover: Ute Frevert: Emotions in History—Lost and found bridity long shown by Natalie Davis, this theme allows Burke to pay P Courtyard, Casa de Pilatos, Seville. e homage to the work of Davis as well as to explore what was for long a t e Eva Österberg: Friendship and Love, Ethics and neglected theme in Renaissance studies. r B Politics. Studies in Mediaeval and Early Modern u r History k ABOUT THE AUTHOR e William A. Christian: Divine Presence in Spain Peter Burke is Professor Emeritus of Cultural History at the University and Western Europe, 1500–1960 of Cambridge and Life Fellow of Emmanuel College. His publications include Popular Culture in Early Modern Europe (1978), New Perspec- William Chester Jordan: Men at the Center. tives on Historical Writing (Cambridge, 1991), History and Social T heory H Redemptive Governance under Louis IX (1992), What is Cultural History? (2004), Cultural Hybridity (2009) and y A Social History of Knowledge Volume II: From the Encyclopedie to Wiki- b Katherine Verdery: Secrets and Truths. Ethnography r pedia (2012). i in the Archive of Romania’s Secret Police d r Averil Cameron: Arguing it Out. Discussion in C E U P e entral uropean niversity ress n Twelfth-Century Byzantium a Budapest – New York i s s Sales and Information: a n [email protected] c Website: http://www.ceupress.com e ISBN 9789633860878 90000> ISBN 978-963-386-087-8 9789633 860878 NZ5_cover.indd 1 29.04.2016 11:48:08 Hybrid Renaissance NZ5_Burke.indd 1 29.04.2016 09:54:02 The Natalie Zemon Davis Annual Lecture Series at Central European University, Budapest Series Editor: Gábor Klaniczay NZ5_Burke.indd 2 29.04.2016 09:54:02 Hybrid Renaissance Culture, Language, Architecture Peter Burke Central European University Press Budapest – N ew York NZ5_Burke.indd 3 29.04.2016 09:54:02 © 2016 by Peter Burke Published in 2016 by Central European University Press An imprint of the Central European University Limited Liability Company Nádor utca 11, H-1051 Budapest, Hungary Tel: +36-1-327-3138 or 327-3000 · Fax: +36-1-327-3183 E-mail: [email protected] · Website: www.ceupress.com 224 West 57th Street, New York NY 10019, USA Tel: +1-732-763-8816 E-mail: [email protected] All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, without the permission of the Publisher. ISBN 978-963-386-087-8 ISSN 1996-1197 Library of Congress Cataloging-in-Publication Data Burke, Peter, 1937– Hybrid Renaissance : culture, language, architecture / Peter Burke. pages cm “Revised and expanded version of the Natalie Davis lectures for 2013, delivered at the Central European University in Budapest”—Introduction. Includes bibliographical references and index. ISBN 978-9633860878 (hardbound : alkaline paper) 1. Renaissance—Italy. 2. Cultural fusion—Italy--History. 3. Italy—Court and courtiers—History. 4. Cities and towns—Italy—History. 5. Borderlands— Italy—History. 6. Italy—Civilization—1268–1559. 7. Renaissance. 8. Cultural fusion—History. I. Title. DG533.B867 2015 945’.05—dc23 2014046042 Printed in Hungary NZ5_Burke.indd 4 29.04.2016 09:54:02 For Maria Lúcia NZ5_Burke.indd 5 29.04.2016 09:54:02 NZ5_Burke.indd 6 29.04.2016 09:54:02 Table of Contents List of Illustrations ix Preface and Acknowledgements xi Introduction: An Expanding Renaissance 1 Chapter 1. The Idea of Hybridity 11 Chapter 2. The Geography of Hybridity 43 Chapter 3. Translating Architecture 53 Chapter 4. Hybrid Arts 77 Chapter 5. Hybrid Languages 97 Chapter 6. Hybrid Literatures 113 Chapter 7. Music, Law and humanism 135 Chapter 8. Hybrid Philosophies 153 Chapter 9. Translating Gods 173 Coda. Counter-Hybridization 199 Notes 207 Bibliography 223 Index 253 NZ5_Burke.indd 7 29.04.2016 09:54:02 NZ5_Burke.indd 8 29.04.2016 09:54:02 Illustrations 1. Hampton Court, Surrey. (Photo: Ashley Lauren Pho- tography, CC BY-NC-ND 2.0) 2. Paris, St. Eustache (Photo: wikimedia.org/Wikipedia/ commons/9/9c/904090) 3. Valencia, cathedral, façade. 4. Cathedral, Pienza, façade. (Photo: Heleen Meijer, Flickr http://www.flickr.com/photos/heleenmeijer/ 5214385752 Creative Commons BY 2.0) 5. Cathedral, Pienza, interior. (Photo: Ho Visto Nina Volare, http://www.flickr.com/photos/41099823@NOO/ 652916222 Creative Commons BY-SA 2.0) 6. Church of St Étienne du Mont, Paris. (Photo: Mbzt, http://upload.wikimedia.org/wikipedia/commons/d/d1/ P1020128_Paris Creative Commons BY 3.0) 7. Chapel façade, Peterhouse, Cambridge. 8. Courtyard, Casa de Pilatos, Seville. 9. Boimi Chapel, Lviv (Photo: Jennifer Boyer, http:// www.flickr.com/photos/jennifer boyer/ 5894776062 Creative Commons BY 2.0) 10. Church of La Compañia, Arequipa, Peru. (Photo: Ra- fael Estrella, http://www.flickr.com/photos/rafaelestrel- la/34060817483/ Creative Commons BY-SA 2.0) 11. Fountain, Chiapa de Corzo, Mexico. ix NZ5_Burke.indd 9 29.04.2016 09:54:02

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