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How to Use, Adapt and Design Sewing Patterns PDF

145 Pages·2010·15.29 MB·English
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How to Use, Adapt and Design Sewing Patterns UUSSPP 000011--000077 cUoKr_re.icntdiodn s _1.indd 1 1111/1/178/0/099 1 12::1510::3532 APMM UUSSPP 000011--000077 cUoKr_re.icntdiodn s _2.indd 2 1111/1/178/0/099 1 12::1511::3039 APMM How to Use, Adapt and Design Sewing Patterns Lee Hollahan UUSSPP 000011--000077 cUoKr_re.icntdiodn s _3.indd 3 1111/1/178/0/099 1 12::1511::3134 APMM Published in 2010 by A&C Black Publishers 36 Soho Square London W1D 3QY www.acblack.com ISBN 978-1-4081-2000-2 Copyright © 2010 Quarto plc All rights reserved. No part of this publication may be reproduced in any form or by any means – graphic, electronic or mechanical, including photocopying, recording, taping, information storage and retrieval systems – without the prior permission in writing of the publisher. A CIP record for this book is available from the British Library. QUAR.USP Conceived, designed and produced by: Quarto Publishing plc The Old Brewery 6 Blundell Street London N7 9BH Senior editor: Lindsay Kaubi Additional text: Sandra Wilson Copy editor: Liz Dalby Art editor and designer: Susi Martin Art director: Caroline Guest Design assistant: Saffron Stocker Photographer: Philip Wilkins Illustrator: Sha Tahmasebi, Chris Taylor, Katie Buglass Picture researcher: Sarah Bell Creative director: Moira Clinch Publisher: Paul Carslake Colour separation by PICA Digital Pte Ltd in Singapore Printed in Singapore by Star Standard Industries (PTE) Ltd 10 9 8 7 6 5 4 3 2 1 UUSSPP 000011--000077 cUoKr_re.icntdiodn s _4.indd 4 1111/1/178/0/099 1 12::1511::3138 APMM Contents About this book 6 Chapter 4: Designing your own patterns 62 Creating your own pattern 64 Chapter 1: Tools and materials 8 Using pattern blocks 66 Essential equipment 10 Making and fitting a toile 68 Choosing fabrics 14 Advanced pattern alterations 72 Chapter 2: All about Designing patterns 80 commercial patterns 18 Simple dart manipulation 84 Why use a commercial pattern? 20 Styling sleeves and cuffs 88 How to measure accurately 22 Styling skirts 93 Buying a commercial pattern 26 Styling dresses 96 Understanding your pattern 28 Collar styles 100 Preparing a commercial pattern 30 Facings and waistbands 105 Preparing your fabric 34 Pocket styles 108 Pinning, marking and cutting out 42 Chapter 5: The pattern blocks 110 Chapter 3: Altering a pattern 46 UK SIZE 8 pattern blocks 112 Simple alterations for UK SIZE 10 pattern blocks 114 commercial patterns 48 UK SIZE 12 pattern blocks 116 Simple bodice alterations 50 UK SIZE 14 pattern blocks 118 Simple sleeve alterations 56 UK SIZE 16 pattern blocks 120 Simple skirt alterations 57 UK SIZE 18 pattern blocks 122 Simple dress alterations 60 UK SIZE 20 pattern blocks 124 Simple trouser alterations 61 Chapter 6: Core sewing techniques 126 Glossary 140 Index 142 Credits 144 UUSSPP 000011--000077 cUoKr_re.icntdiodn s _5.indd 5 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Use 22 All about commercial patterns How to measure accurately 23 HTWAykoePh hwueheeopre on tlaal etw-tolpbals eakchsi lo onamertgpnienoz cybaoet onsit dahdutm,a rylinel s mbim cfleeoeaelatyad a-tssofyuuit rt tsrihelenaemmgu n beegrdonnadtetrmssmy, l iaeeat avnnisredtk lec c.dsxoo.tcur elndumo dte replyapu eilml ntitdpe t oiegrlnhtyatti nr oetr lt yot w obinse t t hait.ics cT.r uKyr eatoete p. 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LlWuaTrieesnshth eianease i tg nnighds tuet lhrhei iemdCneese gpFnos ,tot irh onCirget gBaaninnli inaoagt lgrn i ng pt t htahohreriiremsn dg ppceerneaaire itttsnct osese lhr-isnna ,etp o e. . SaTfohirlim tste hisepr aalle etsniig omttrhnpo loseuf atshlteeer lare tgio.n just tahbeo bveo dayn, da sb ethloisw ty tphee owf agiastr.m ent covers two alteration points: Ubesfeo rthee, rleemngetmhebne rainngd tsoh aolrtteern t hlien es aams e amount front and back. ApOpaalnttetctteereri nrnynog, uy (apo’vau ecg moebsmoi g4umh6g–th e6ftir1 nc)ydoia utlhr at you 1prdtrehe aeLqqetsomtuuiegciirr rnaeeon tddu aep tn fs iaotediozlrcl e cetyt.huhso ete u r SWtimhhehpo eognrrrt taesainhnn otil inrinntege on airands g epa rt rhgtionius ic rdpeeetaas ttistone- raltnihlni,eg eu ngs daethr rmteeh esepsn ieCtc’Fse, ssCh. BaT phoeirs. is 1rtLaGhtehh loatlLqeeuelcfom uer aaocai trm oatfeeo irto dtou ethnt hut aef aenotpa ol tprlned attytd eohhoto st eecnuebi ru rrperes nte dado aqatae mdtupcnsedireoidrrogee ns psnddmi tspa i .ao espitennaihezcd serefe uo .tcsl roirun e yte o oo.n uuetr yo21ytsLWaBtho r roheliLoWyeutgouheo nu irredtnhlrcs tirgannodeaeoeat etnielnuirtna ho eits slngsurlnt eieeohgegap stnrnuranl h slitgtt spni ,hihotnast ehgeefhe ,nrgoet. e hdtysgls rlnpoeo laotreciya uanwuneculit egsnv ewttdt ee enhattli rrir hltnensslno(r es ,edher u seemp sa soaletsi eleae mithr oggopcirtansun ee eagp r,t stg ne.tmrehe hateiTr.enanee ei on si5 tqngo phu6sl uri oart)hinite.hgrtdoreet eio ner.d a traue snlfns o f eor rr s need to make some alterations in order to get the perfect fit. In DressL eSbnhegofotrhrteee nnaeeltdde rddarrteeiossnss 2 Draw a pencil line. this chapter, you’ll learn how to make the most commonly used alterations to commercial patterns in order to improve d2r eMsesa bsyu.re the amount to shorten the 3 Draw a parallel pencil line. a4m Mouanket, aa ncdre saesceu, rfeo lidt wdiothw nta tphee. required 3gworn iatA heinl iigtt ahlninpe eterh ,.s eCTid roFiemt .ho ero rCf fp Btah,t etae nerndx cpseeisecscu eprsea tptohe ert mhe Trousers made shorter Trousers made longer the fit of your garments. UUSSPP 001188--006611 BU1K _c.oinrrdedc t i o6n0s_.indd 60 1111//1168//0099 1102::5115::3573 PAMM UUSSPP 001188--006611 BU1K _c.oinrrdedc t i o6n1s_.indd 61 1111//1168//0099 1102::5125::3523 PAMM UUSSPP 000011--000077 cUoKr_re.icntdiodn s _6.indd 6 1111//2245//0099 32::4570::3116 PPMM A b o u t t h i s b o o k 7 80 Designing your own patterns Designing patterns 81 DNbaTulUddsssioitunrinzsameati oeeitndrnts ee eysesdsg8ewno aa irlfmsuy(osocsUrl iairdortoz tSmar onipehbnk ssnwga i ziitaolmydzlsneol roye y ,atn.opp tu c ay6 Oosegyrrokp)o nt riouudo dses pnfo otr lemhrauted,onoes s taarg fiwytis mtegf yhli o ooraf mrnaonl saiylnnoupr ee pmit tw dgevaoa o d e sediauninsos auattedg enrorusespe e ptswsa ,tmyty ehae lditioethdergega eur ehn.ele p irfnbnItesr festad e er,oly.a spesac oddn ss. sd uotsyeiy gre nt.taeaason srdanmt esto dh nfaryo eorrodetm - ouU ft Kora DDidIgfwagWOydstcspassnthio ioekhneanerlnemnisieaeaesoluanoisnddrlspseat tmwprrsuim siebahc g ig thktsrtollsdhreeieniredaen noniiagu,fgnl,exdh n tei e gillnttcibthtsong nai.oohtrhurn.f t eie’ln etsiIvnspg ieierot eAesgsd ee.e as sni os rn s, fnhwr,tB,ld ptwi hkif o doiran nittmtaa–rrssespooec naoaewgl n tas thrnworw atttrrcwt ekoosdohaktii oolhynssnitphdp yi e intek fnmn ,p wgi gieu oi hosg nptsogggdaw,hrtiraon i cs lne a etpbdltsetdiow hlk hh o uttoeieur tetnahrfeigeaohn d sfvart t te int.ia woeah ,lhreho rwsp ir eT nr wke e oisn idhumwtcianoei n whtiofieetogligtf soa geiah otltsz r ai h ohrban t l liik siergnteuesrit hmi d.sig nn r cea ege e arn ’.st DBpomrctfsacfbgdlwDydttihaahhinomoogfeameaaereie bbieaesatnuswfh ttrrttaro aatrrdohmt oss wapeetsiishtlr ccdiu e inollr ifaetdidt eis ,asowalnahn na cs tei,r nsaftrsntg etgpatmao ieey rhwotttsft.omea h tncaawor o i ei toTrhnns,fuhbt t rbu t dh ignshu tiaios osetce iracnwooe anents itsno fehrcgca m odmh gtt eis paxn h bh lt nwretloao thtfa ehap aerilstcadbseotuorfeehctiehhtpr debi idevtuls iytgtmeced i necce lerst g iseyponnrsricowh ga .dcee ehnarf)na u wny r r alc s ita rTaiao. slrttscswk hlm o.hnhha vi(tchm nhtedWi onrr eeenimotode.il uoehoml rt fno Twnta hafcoueroehshiihtv stttpi rgnaiu atn esweynm efhotio hrn ish vo nign heotfbodr e t o eu tt f sehntvoeoao aaah etleottda opnu ht i bs nwy trse e. ahTdbabistaTdPfpbfoiVwdtnrsolhhtaanrusu rarroiiei r apssonrea oe catdvttnadDmfptyut ttmnappou henaoors y wnsa-eie bortmptnn i lnnbscttlmtseaaptmsireaicageailza eynt tncrat nase.riii rcdonee-ianon ngtknaltdgstIsrkhss rna ngnalfii e. heaayti oegn e tsasn enyts ehi orttnt hu rc cngedohehp usdylomiuttptclrs setteaok e h c fasyr uioo ai –ss teasushyn epitlpilrnzweee hor o .a s oaartrsl ectw aCnenyuhoTtootiloh antmei.r sst h8ntpFe uoguprniteoleBt a y ekooea hoatn ncr(rau w hamsiUl gr eokrnftna destyl smiteae diSioniaof.eegtooc pidn s ctea deena tenFkns kadt,hs gdtons hrn r.sibsethirttttz e nzutt rlerhh h dll e lieobiaaeoi rosdsoneeen fern cfiew ssn n w o6ore sdtmsk lttsl h)iesfto hihfpst r.gn atseo hitets te wesahahehsgragesd p nentrtase eeeleetid yoo nlm, p r .t t so. •••••••Yo WDYPPRPuaiaeer noewrdntsntrsc ekipsilrilln en fngon te rrdmaercdainwgin pga per DIctDnhre eaosater itmdgeen asbrik nateoigs giud cyp epo snaauig trgtn eao ryrnwom bunelr on pocta.wk Itsnnt e f otcrhrlnoi sast h lcl(e hptshaa,ep gy tcoeeours,m ny6poe2uoe–n’dl1le 0ltneo9at s)r n PItfintoo ai rstimhnd ped dio invfsia insdasigu hbsai lmoeol n astu oilizltn ec sdaosizu m eisds tp trrtoyloee, ftspaietsa lycy do ofr oumeorrcu mmrote woaa n nttse o omm yliyeodetou,ah rlusoi nuodrerw eonfonm-wr c beofniontvtdt eisnsyr.gei zsI dnghe aadthrprimeses .ewsn atsy, not only how to create these basic components using the pattern blocks provided with the book, Yo•y•••••••uo DPTSWPESu alctiawrarrnapieo dsssoidesnsldtwldis ogc em inrnf ndsojee eg brbaermosrsdaed usy yrim en fsa aiyzbloelreuicrr tshiazen PtcMabhuruueeepst a tscfts oh rsuwereimzra ietept h i.aant onwdg dd eat enhdsdsedtuu ibcnfrfeorg at r.hyr oeoecn utt o Ptshmineo wao htlahoy lseeu rf roofarfm cset rtteoot c cwhreo jaerktres o eany . over bduest iaglnsos ahnodw sttoy lmesa tnhiaptu slautiet ytohue.m F itnod d oifufet raebnot ut Uomdawftcshhoatnirnsaapereen dmind npas da dpsdgasw rnt uii oegfntnodtoorhs e gre mre sebk mi m2 nlit uaafnom2od,estsg ,crisptnet cm hictdlcataaaios n oydstr oimeestotuw oir o snur pwp nye ugtrwaaah, hmt s rdaoruieteilnehzldsstr neeeeebyteoho. t edn tdoeOhcu.,trf hoer etnyt oa hoosctnphrseeuwte e wn Pwsatcitnmhaardeiddpec d.sutk h,iMs n etliganhe wyg.ea e Ssawprutiirsanirodterg pte w toruwh irptseithtt i hort whsi npntaesrsai i.s pwr etrs aaot dcowohd f ing, 1dba nraFedcrsok sam fcfr ocoyurmomrua trcuh ywse i oondrfgr ke tiyhsnaesgr ndfdo erarasmniwgd tin nop.g iln,o smo, kaf rpaot no atu natd nt hdae sb ssaetcysklse. tAlhinlewe asp yroosnp s otthartenio dn ppwT2raa iaTttghcrteae et cr h9niene6 t )orrd.ea frTYfdce hoti shnpuissege w fnsapoei plartlqmo ppuu re ison–erep dn–e rtic ncihaiensaits u tet ecr hfeo blaits lnhtto hetccbie naklooysu r fceiaoegk rrsai en i tn oathbo lnec orb ostdtlhoroher ceetsbhksi lgeno ppn ceosa kxnoat dttmn(e setpreeonnae c.sg eize e .(cid:2) tmtdowimialoink-eidgnni gmsyi oopeunrnroas cdli oeernesssaaig,ll i natdysne odsafi sghy nooa uwnidr e etoosaw sstern ain nnuttisnoafi leq tphru eaye ro tthg uoraref r etmh-ee nts. UUSSPP 006622--008833 UB2K _A. inLdadyo u 8ts0 corrections_.indd 80 1111/1/275/0/099 1 12::1296::2110 PAMM UUSSPP 006622--008833 UBK2 _A.i nLdady o u8t1s corrections_.indd 81 1111/1/275/0/099 1 10::1399::2349 PAMM 111166 The pattern blocks UK SIZE 12 pattern blocks 111177 The pattern blocks DACB1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 --20 2 1 BFr2ao2cn k2t 3bb oo24dd ii2cc5ee 26 27 --28 2BF9r ao3cn0k t ss3k1k iirr3tt2 33 34 3-5 3 6 S3l7e e3v8e 39 40 41 42Up 43aK 4t 4tS e4I5rZ n4E6 b1472l o48c k49s 50 51 Ss5ce2ae l S5ep3c aua5gp4le e :5t h516 e6s5 q6 p fuoa5a7rt rtie5en8 r s=n5t r91bu sl6coq0t icuo6ka1ns rs.e6 2 oc mn63 h6o4 w65 t o6 6 67 68 69 70 71 72 73 74 75 76 77 78 79 80 DACB E E F F (pages 110–125) GH Grain line • 20cm (8in) GH The blocks I I Ipna tthteisrn s ebcloticokns yfoour ’all fsinkidrt ,b asic MNKLJ Fold lineMNKLJ aorne ala gidri do uwt ith O O bodice, and sleeves in UK QP QP squares that sizes 8–20 (US 6–18). Scale RST Grain line RST represent 1cm tgpTahareneiidrdl osb ortulo ontsh ceamek liwmsaz ekhu etdapo t y p ufoyiatsou tiyuntroe gourlen wrtah fbnriegnl o uecrdke s . GHDACKBEFWLJUXVZYIIJKLABCDEFGH Grain line • 20cm (8in) Grain line • 20cm (8in) GHDACKBEFWLJUXZVYIABCDEFGHIJKL ytopt(3rro⁄fiaa8e iutncnch is)ecne,f sage sp nr otp ao t eatht thappeeasae rltintril nt.y e ersn in the previous chapter to MM Grain line • 20cm (8in) MM NN NN OO OO design your own patterns. QPPQ QPPQ RR RR SS SS TT TT 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32 33 34 35 36 37 38 39 40 41 42 43 44 45 46 47 48 49 50 51 52 53 54 55 56 57 58 59 60 61 62 63 64 65 66 67 68 69 70 71 72 73 74 75 76 77 78 79 80 UUSSPP UBS3 B1132 1-1122-51 c2m5 cUoKrr_e.cintidodn s _ 1.i1n6dd 116 1111//2255//0099 22::1319::2268 PPMM UUSSPP UBS3 B113 21-1122-51 2cm5 cUoKrr_e.cintidodn s _ 1.i1n7dd 117 1111/2/255/0/099 2 2:1:319:2:279 P PMM The different pattern pieces are colour The numbered grid helps you to keep coded, so that it’s easy for you to track of where you are when transferring scale up the specific piece you need. your design to pattern paper. 128 Core sewing techniques Core sewing techniques 129 Core sewing Plain seam Flat-fell seam FAapo1tEIdtdatowS6noe mfnedlreP ierrs at Fc etwee hdlomhmhritahsn hes inerctactw an heiensd( oeos1cfvie ⁄ imca t4eennrqrhnteh ihhbneheeaars u a r)eadv t fmm silttcrse fe ignrkeowrfsea aio reseitatnaf snrosrsmrt coalimeasoieyg hsg anmi .tqgmheotdsem g ehrtheasiu h nrree rtstnikty ee c ngu hicsceiwd wrhld ,et ooldle uiiotsnt i ghsuucenflsc.girl eh i nentroo.sT.n ssent hsrghee bcette heee bo i sesnd aa2sufotsoe np et rkkaP atdpawlacol,rr irolw ephytoll iyr .snwlkpxi t nomsseIhnigetm iiu d. qtenola thoa gah ugrwewoteseen e k ss.liprldyslseia,lk a a whmfenmlgaa eaeal etfod .ek lstpigiudkn eeecg nsk a to Tcs1ZTp1trtsmohahu eehrPCawegiiraeaisglsdv oemma ps e eetniczeirsh .sd dseo aww ae Tgtt lagrrhlstiihe,oungth reehismcwfgaseoa , t asmaaf lirramisai iinmntmgnn1 c mcenpshd.h 5ei.op lot esiaa.c pnrlfsdimehmn gininod s dao tvte(ahl 5velsaml⁄ye8oer i l ncnlre )cagm tah sasotitntdieng sbmo2ralt2ogihi tvun na uiafC eteUi edscllcsj trsh,ots ph-chi is.norieti rainnecenooog s hmawiercson t, ai ee vosntsgiaof se tvgt a lmrissro itta ncfw.cfezniioagnaghwigogos chi, tsiz tthnthtupi.hah n geissgnie ge tet apieh tsc cia eeenshn wsstr i atiioncnwhgf .f aeUbdsrg33tutaoreiohiclgsef l e PSo.iahston hwreUt.e nge ezwdoae ss iaggn no esst ce vzhs ittide eaehehto era eegfwcfso m aa ttesirsihtnste d htcfestdiaig ithn tntc mrsehn igahsea.ee h ialo fagoo.‘ompbtnhroee ag tntan r o ’ or r ApfsaraboBAntnaswsaooaihefeaonwyls nirl r wfbaoa aasaip dtlcanaaauritwmpn teau eisk yretntsdea- celvsls s adeiiefeadhte enn eb bdrigoacanfritc gdl no elsigofieftond tn. ongirosd tnsjsebrd dmoUhre .ea tgdd. l c raiie eajsnnhntosTee uiir el mvh g;ecnnti aegr anaw elvaem g iona g egtpt ei ls iu fsssrltb osiife th mvne ic otr,inna he aookidvasie neseusnse hnn d h dtgra. dt s a t11oasdtfaha tnfoPFibpe tdutocl reha ebilhc sedcdilien’e en sgfrw -a geheftrbo haaa.a1rledwld i.fc l5y iwtn be-cotmerdomi ao eggaosn nee(d-fg5c bst⁄es8 hl.iiso ntneris)ddar e feiirgn sothgh mt e tuopB22onvi an PPedos rlrtetnae hereecse laa ets socyl aittoehdhhy,r eee e rit a froaf rswopan 3lwtr ddoeem edfgteemrdgedirm ter gthe(a 1eeadt⁄p8shrn.i.en e d ) . 33apaowkbellfli illan FStooefhcdaowwpe eiblwainaadn r ognn igscttv ccth he erceetreadorlo .o ig ugguutPshenehpgeie.dnttph h et setaoearrtrli r il lm.atlt s chlnlaemahedyay, ee medrrs s 4staaisll4dao peLy enewEoe g todiir osnstkg hg sceoae eh tft sh we efttracdihnotbkcge ud rh egtiroc h.ehtw.ahv ateen lr t lfhs aoeelll d , C(Tspheoaiwsgre eirns esg f1er 2tewe6s–chi1hn3eng9ri ) qctuoeeucshrs nseei qorvunee csso ares a 3oraoingpu Fdhtp ot tot olshsd iiet dthte hese seew e aaasdmryege,a eismns.o o p twtrhhe eafsa ts cetihndeg 4fewsrtnoi ittCcmhcloo h atmsihn efepgi n a leea6lltdlm etrgh omteewh. e(r T1ao ⁄4shwfine is )ae mwdig lle s. OaO1sa(5 i ⁄vMd8nliivenneeare)esw kl foretroloocl yfaog km st iernstc tiitetmghhkcaee himmir nse ea sedgawn dg1 di gte .h e5o.s cderoimwggdhe wt toa yg itwset2vookd ei Ttigffmh iihaenn r tsi ieehsns aahroheedc.f ae h rtt ath ht ohefweifrn es toieheasvdeadhe mgs.rr l aoeA awcsn pk, d eus rir npcoes eth-3remig Isharottdi tnsce ihld igmeeh satt olacy hproeirvne efseors ri.tmsh ene ede odveedr. SSoiaggfooohbnupfrnnonaropt l oelace rdtrl etaiaumllroc z eovae ipeomncbntaenvhsdntgoenleed s toadtst atr .dh.ut etefn ihloU c Slcw sadoyee ektst a f mu n aswse dtodto krh coa ar vodi ft erwarkhretyu te e t.o rerstenne teukmifxd c ogcteatha kul u,tdti ehl,n rllo saye e r r 1sfa iMzbera icork’fs t tshhueer ftpauoccseki.sti oonn taon dth e tta2hon egF i eorliotlndhnee .tsrh, wea niftadhb wprircreo sanslgo w nsgiitd he s 3stthhe eeWw ft ioupthlcad kraeas dls.l eterla dtiogg ehesta sctothi t fcoohfr ,m 4hpsaar emWvseesh b edtehniree eanmcl l tc tiaoohlnmle .i nptu ltechtkees d , uaathsslree eaifrau ohdl wayg nunedi xdcypel oer etfrhoimeer nisbnc.edegedir n infno erm rtsha ookisrn eg UUSSPP B1248 s_e1w3i9n gU tKe_c.hinndiqdu e 1s2 S8S_.indd 128 1111/1/177/0/099 1 21::3066::4590 APMM UUSSPP B1248 s_e1w3i9n gU tKe_c.hinndiqdu e 1s2 S9S_.indd 129 1111/1/177/0/099 1 21::3066::5500 APMM UUSSPP 000011--000077 UcoKr_re.icntdiodn s _7.indd 7 1111//2255//0099 22::5109::2344 PPMM UUSSPP 000088--001177 cUoKr_re.icntdiodn s _8.indd 8 1111/1/186/0/099 1 62::3288::1436 PAMM Tools and materials In this chapter, you‘ll fi nd all the information you need on the tools and materials essential for sewing and dressmaking. There is a guide to useful equipment and a full discussion on how to select the right fabric for your project. UUSSPP 000088--001177 cUoKr_re.icntdiodn s _9.indd 9 1111/1/186/0/099 1 62::3288::2466 PAMM

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