How to Make Anime

73 Pages·1·2.686 MB·English

by  Side Animation

16/10/2022 14:57 listeningside sideA
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tress clinch

Introduction. Although the expression may vary depending on the work and direction, the
tool basic expression of cell animation is to draw smooth, well-defined lines. As an
essential basic skill for an animator (animator), it is necessary to be able to
Rules and Etiquette
trace (crimp) the rough lines of the original drawing with well-defined lines. In
About Timesheets
addition to the beauty of the lines, the artist must also ensure that there are
tress clinch
no mistakes in light of the character settings and, if necessary, follow up on
Video Creation
any deficiencies in the original drawings. This is the first skill that must be
Procedures mastered, as good or bad tresses not only affect the appearance of the
Techniques for characters, etc., but also affect the middle split*.
Roughness of lines and inaccuracies of shape are rarely corrected in the middle division, and
the middle split
in fact, there is a risk of deterioration.
Example 1:
Gyakkapachi
First...
Air air bubbles
Example 2:
Look carefully at the original
Turning around
drawings and supervising artists (if
Example 3:
necessary).
Walking After viewing the character setting
Example #4: Waxed table, storyboards, etc., and
wires understanding what is to be drawn,
cut, and the situation, etc.
Example 5: Wave
feeding - shinning Start working on it.
Example 6: Effects
-Example
Collection
TIPS!
A collection of
examples of works
that come to mind

Afterword/Reference

The air vent, eye popping, fluttering
hair, etc., etc., etc., etc.
If there is a cell separation, the cell

Each item is to be tresed on a
separate sheet of paper.
The cell (layer) composition is correctly
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business efficiently and reliably.
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solid line stress

While taking care not to destroy the
atmosphere of the original, clean
the square while turning the paper
to a position where it is easy to
draw lines. There is no need to
draw long lines all at once. Just
connect lines of a length that is
easy to draw and make it look like a
clean line.

Currently, thin, even-gauge lines
seem to be the mainstream, but
some works require a stronger or
weaker line.

Use clear, crisp lines to ensure that
the image will be captured during
scanning (data conversion and
importing).
Why do the lines in the video have to be
thick and smooth?
(Explanation for video trainees of self-production circles)

The relationship between your eyes and your hair
Depending on the work or
character, or depending on the
direction, there are cases where
the eyes can be seen through the
hair. In the original picture
Even if the gestures are drawn, be
sure to check how the actual
process is done before making the
tracing.

TIhnr esaodmleess cases, the painted line
itself may be used as a part of the
expression, but in most cases, the
color tress are drawn as a boundary
of the paint division, so draw the
color as evenly and thinly as
possible without interruption.
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*Example of a tresure
Shadows, highlights, and other fill lines
Boundary line between eyes and skin
Paint lines for clothing patterns, etc.
Effects
bridge line

After finishing one piece of the dress, compare the original image and the
crimped video image to see if the nuance of the original image has been picked
up. If there is a discrepancy in the size of the bust up by one line, the image is
too far off (use this as a rule of thumb).

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Tress tips

1. Be aware of the relationship
between the line you are currently
drawing and the lines that intersect
or adjoin it.
In the case of the example, the
hair, cheeks, and eyes come from
the front, but the lines that come to
the front are emphasized more than
those at the back.
2. Be aware of the texture of the
Tpahret "yIo" ua nadre t hceu r"rIe"n atrlye dthraew fiirnsgt .t wo
words that come to mind.
Do.
The difference in texture
between the hardness of the hair
clip and the softness of the hair,
and the difference in the texture
3. The ends of flowing lines, such
of the material.
as hair, are done with a brush.
The "knowledge" is then used to
mI'ma kgeo itnhge ttore usssee sit. as a kind of a
"wipe".
Using the so-called "nuki"
technique, the end of the line glides
without abruptly breaking off.
Use the most appropriate
processing methods.

TheE overing inifa lt hpeic stuarmee t hwaot rmk aakneds tthhee vsiadmeoe ccrhya?r acter are drawn, there are
naturally various differences depending on the artist. It is not only the
pattern of the picture, but also the way of drawing the line. Even in the
original picture of an animation, individuality appears depending on the
animator. Being able to witness such differences first hand is quite
enjoyable, and is a perk of being an animator. When a good original picture
was passed around during my working days, I was allowed to copy it for
reference. Among the many original drawings, there are some animators
who draw original drawings and corrections that make animators weep.
One such troublesome or rather difficult animator is Ms. Yukiko
Kamimura. Let me warn you so that you do not misunderstand, it is not
that he is difficult to understand or that he is dirty. On the contrary, she
draws lines so beautifully and carefully that if you are a bad animator,
there is a great danger that the lines will not "clinch up" and will look
dirtier than the original. There was a time when he used a fine sine pen to
draw the color-tressed parts (because it was easier to draw without
applying pressure... or was it?) I remember that he used a tool that could
not be undone if he made a mistake, yet there was not the slightest sign of
hesitation, and the lines were smooth and beautiful.
Another thing that made the animation industry cry was the original
drawings of Yoshikazu Yasuhiko. Yoshikazu Yasuhiko's recently published
"Yoshikazu Yasuhiko Animation Drawings" (機動戦⼠ガンダム) once again
showed his greatness and became the talk of the industry. During my
working days, I was fortunate enough to have the opportunity to view one
of Mr. Yasuhiko's original drawings on video. The lines are soft and fluid
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despite being drawn in pencil. As I remember Yasuhiko's name from the
impression of the beautiful lines drawn with a brush in the manga "Arion"
before "Gundam", I was impressed by the lines in front of my eyes.
However, as a video artist, it is very difficult to use such lines without
losing the beauty of the lines.
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How do you get it right? I remember that it took a lot of effort just to get
the image to look right. Of course, a moving image is all about movement,
but as an artist, it is my nature to want to keep a beautiful picture as
beautiful as possible.

The last work of "Yoshikazu Yasuhiko", the animator Yoshikazu
Yasuhiko, was not released as a media in Japan until the last video/LD.
There are many speculations as to why. There are various speculations
about the reason on the net, but it is really regrettable.
In addition to the splendid animators who participated in this project, we
were also able to enjoy the acting of Goro Nosano and Kanemi Shiozawa,
the acting instruction of Koichi Chiba, the sound director and voice actor
who supported them (thank you very much for your support!), and the theme song
sung by George Yanagi (whose "I'm crying..." is one of the most popular songs I've ever
heard). ), and the theme song sung by George Yanagi ("I'm crying in the rain..."). I
think it's only natural to want to see and preserve the skills of these late
great creators in a better form.... (By the way, the music is by Hisa no Yuzuru!)
I was in the midst of drawing a huge amount of monobai, octopus,
dongame, smoke and other stuff. It was a happy time for me when I was
drawing a lot of monobai, octopus, dongame, smoke, etc. I hope you will
make a beautiful media version of this work!

 The Day After Tomorrow: George Yanagi

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Video Creation Procedure
Introduction.
The main part of the video work is the creation of the middle section. As you
tool work out your own way of doing things, the speed of your work will increase.
Rules and Etiquette
About Timesheets
Create a plan (atari) for the movement
tress clinch
While working on the original
Video Creation
prints, check the flow of the
Procedures
movement and draw a rough sketch
Techniques for
for the number of sheets to be used
the middle split for the middle split. If there are any
Example 1: claws, we will take them into
Gyakkapachi consideration and create the
movement (play and trajectory).
Air air bubbles
*When you become accustomed to
Example 2:
this stage, you will be able to
Turning around
complete the work at this stage by
Example 3:
simulation in your mind, and you
Walking
will be able to immediately start
Example #4: Waxed drafting, and depending on the
wires content, you will be able to make a
Example 5: Wave clear drawing of the piece and then
feeding - shinning split it into two pieces.
Example 6: Effects
-Example
Collection
TIPS!
rough sketch
A collection of
examples of works
After rough sketching with a black
that come to mind
pencil, complete the preliminary

Afterword/Reference drawing while carefully checking

the previous and following
drawings. Take the utmost care to
ensure that there are no character
collapses or deviations in trajectory,
etc., and that the drawing does not
deviate from the assumptions made
in the original.
Don't be too conscious of the frame
and don't make the pose or shape
too dull.
To draw a character well, be aware
of what cannot be seen under the
clothes, and pay attention to
balance and drawing using auxiliary
lines and center lines.
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Dem4otnstration of
animha tion drawing and
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video creation
ot
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Flap, flap, flap
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The name "Animation Basis
nt
From "Encyclopedia of basic
at
knowledge".
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This name isn not familiar to me.
(There is no speociff ic name for it in the first
place. th
I don't think I deid ...), the technology is a
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Essential for nimeters. The term "the
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or, if you can't do this, a decent
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You can't doc t hings like split the
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Parapara: The video numbers are arranged from
the bottom of this
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I guess that's why...
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flap
(sound
of
somethin
g light
and thin
such as
a fan
moving
through
the air)
When we posted a video on Twitter showing how to handle paper, including both of
the above, the response was "very positive" and "very positive.
I've received a lot of "retweets/requests", so I'll summarize them here again.

...flipping through
The image is an example of not so good. Let's practice so that paper may be
delayed smoothly. It is a technique that all the people concerned with
production should learn even if it is not a painter.
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