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OUPCORRECTEDPROOF–FINAL,5/2/2016,SPi ’ HORACE S EPODES OUPCORRECTEDPROOF–FINAL,5/2/2016,SPi OUPCORRECTEDPROOF–FINAL,5/2/2016,SPi ’ Horace s Epodes Context, Intertexts, and Reception Edited by PHILIPPA BATHER AND CLAIRE STOCKS 1 OUPCORRECTEDPROOF–FINAL,5/2/2016,SPi 3 GreatClarendonStreet,Oxford,OX26DP, UnitedKingdom OxfordUniversityPressisadepartmentoftheUniversityofOxford. ItfurtherstheUniversity’sobjectiveofexcellenceinresearch,scholarship, andeducationbypublishingworldwide.Oxfordisaregisteredtrademarkof OxfordUniversityPressintheUKandincertainothercountries ©OxfordUniversityPress2016 Themoralrightsoftheauthorshavebeenasserted FirstEditionpublishedin2016 Impression:1 Allrightsreserved.Nopartofthispublicationmaybereproduced,storedin aretrievalsystem,ortransmitted,inanyformorbyanymeans,withoutthe priorpermissioninwritingofOxfordUniversityPress,orasexpresslypermitted bylaw,bylicenceorundertermsagreedwiththeappropriatereprographics rightsorganization.Enquiriesconcerningreproductionoutsidethescopeofthe aboveshouldbesenttotheRightsDepartment,OxfordUniversityPress,atthe addressabove Youmustnotcirculatethisworkinanyotherform andyoumustimposethissameconditiononanyacquirer PublishedintheUnitedStatesofAmericabyOxfordUniversityPress 198MadisonAvenue,NewYork,NY10016,UnitedStatesofAmerica BritishLibraryCataloguinginPublicationData Dataavailable LibraryofCongressControlNumber:2015949941 ISBN 978–0–19–874605–8 PrintedinGreatBritainby ClaysLtd,StIvesplc LinkstothirdpartywebsitesareprovidedbyOxfordingoodfaithand forinformationonly.Oxforddisclaimsanyresponsibilityforthematerials containedinanythirdpartywebsitereferencedinthiswork. OUPCORRECTEDPROOF–FINAL,5/2/2016,SPi ’ Editors Preface To say that Horace’s Epodes have received something of a bad press overtheyears—atleastascomparedtotherestofhisworks—would (atfirstsight)seemtobeanunderstatement.Abrasive,bawdy,tricky totranslate,theEpodeshavereceivedcensurefromcriticsandcaused heartpalpitationsamongstundergraduates.Andyetthispugnacious little collection has never ceased to receive support from a vocal minority who felt that the Epodes—far from being inferior to the restofHorace’sworks—offeredarefreshing,intimate,andinvective- ladentakeonHorace’sworld. TheconferenceonHorace’sEpodeswhichwasheldattheUniver- sity of Manchester in 2012 (Ego primus iambos ostendi Latio: Re- evaluating Horace’s Epodes) and which was the inspiration for this volumewasintendedtoaddavoicetothatvocalminoritybyseeking outnewmeaningswithinthecollectionandbyformingnewconnec- tions between it and Horace’s other works, as well as those of other ancient authors. What surprised us as conference organizers, how- ever,wasnotjusthowmuchscopethereisforre-evaluatingHorace’s Epodes in their own right, but especially for re-evaluating their pos- ition within the canon of Rome’s literary texts and within Europe’s literary corpus thereafter, a position which, it turns out, remained surprisinglyprominentuntilthestartofthelastcentury.Andsothe volumewhichhasresultedfromthatconferenceinManchester—this volume—aimstoreflecttheethosofthateventandhopestosurprise its readers with how much Horace-power the Epodes actually have underthehood. PhilippaBather ClaireStocks OUPCORRECTEDPROOF–FINAL,5/2/2016,SPi OUPCORRECTEDPROOF–FINAL,5/2/2016,SPi Acknowledgements There are many people whom we should thank for their help in ensuring that this volume came to fruition. Not least the University of Manchester, which provided funding for the conference in 2012, and the original participants and attendees of that conference for their contributions. Special thanks should also go to Andrew MorrisonandAlisonSharrock,whoofferedadviceinrelationtothe organization of the conference and this subsequent publication. So too, we would like to thank the anonymous readers for their com- ments,andtheproductionteamatOxfordUniversityPresswhohave overseenthisbook’spublication(notablyCharlotteLoveridge,Annie Rose,andCélineLouasli).Onamorepersonalnote,wewouldliketo thank the many family members and friends who have offered their supportalongtheway;hopefullyamongthemaresomenewreaders of Horace’s Epodes who will take as much pleasure in reading this volumeaswehavehadinputtingittogether. OUPCORRECTEDPROOF–FINAL,5/2/2016,SPi OUPCORRECTEDPROOF–FINAL,5/2/2016,SPi Contents ListofEditionsandAbbreviations xi ListofContributors xiii Horace’sEpodes:Introduction 1 1. Lycambaespretusinfidogenerjautacerhostis Bupalo:Horace’sEpodesandtheGreekIambicTradition 31 A.D.Morrison 2. OfCabbagesandKin:TracesofLuciliusintheFirst HalfofHorace’sEpodes 63 IanGoh 3. PoeticJustice:Iambos,Fable,andHorace’sFirstEpode 85 MichaelB.Sullivan 4. GirlsWillBeBoysandBoysWillBeGirls,Or, WhatistheGenderofHorace’sEpodes? 103 EmilyGowers 5. DithyrambicIambics:Epode9anditsGeneral(s’) Confusion 131 ElenaGiusti 6. MonstersintheNight:Hannibal,prodigia,andthe ParallelWorldsofEpode16andOde4.4 153 ClaireStocks 7. TheUnderwoodofSatire:ReadingtheEpodes throughOvid’sIbis 175 TomHawkins 8. Horace’snoxiosissimumcorpus:HoratianImpotence (Epodes)andModeration(Satires,Epistles1)at PetroniusSatyricon130 199 PhilippaBather

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