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Home Studio Setup: Everything You Need to Know from Equipment to Acoustics PDF

194 Pages·2009·5.58 MB·English
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Home Studio Setup This page intentionally left blank Home Studio Setup Everything You Need to Know from Equipment to Acoustics Ben Harris AmsterdAm • Boston • HeidelBerg • london • new York oxford • PAris • sAn diego • sAn frAncisco sing APore • sYdneY • tokYo focal Press is an imprint of elsevier Focal Press is an imprint of Elsevier 30 Corporate Drive, Suite 400, Burlington, MA 01803, USA Linacre House, Jordan Hill, Oxford OX2 8DP, UK Copyright © 2009 Ben Harris. Published by Elsevier Inc. All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, without the prior written permission of the publisher. Permissions may be sought directly from Elsevier’s Science & Technology Rights Department in Oxford, UK: phone: (+44) 1865 843830, fax: (+44) 1865 853333, E-mail: [email protected]. You may also complete your request on-line via the Elsevier homepage (http://elsevier.com), by selecting “Support & Contact” then “Copyright and Permission” and then “Obtaining Permissions.” Recognizing the importance of preserving what has been written, Elsevier prints its books on acid-free paper whenever possible. Library of Congress Cataloging-in-Publication Data Application submitted British Library Cataloguing-in-Publication Data A catalogue record for this book is available from the British Library. ISBN: 978-0-240-81134-5 For information on all Focal Press publications visit our website at www.elsevierdirect.com 09 10 11 12 13 5 4 3 2 1 Printed in the United States of America Working together to grow libraries in developing countries www.elsevier.com | www.bookaid.org | www.sabre.org This book is dedicated to my wife and children for their patience and support; and to all of the passionate home recordists desiring clear, accurate, and pertinent information about home recording. This page intentionally left blank Contents INTRODUCTION........................................................................................................................xiii SECTION 1 ACOUSTICS l ChApTEr 1. Introduction.to.Acoustics.............................................................................3 Fundamentals.of.Acoustics.......................................................................................................4 How.Sound.Travels.Through.Air.........................................................................................4 Frequency.and.Amplitude.....................................................................................................5 Delay.and.Reverberation......................................................................................................6 Common.Acoustic.Problems.....................................................................................................7 Flutter.and.Comb.Filtering...................................................................................................7 Room.Modes............................................................................................................................8 The.Two.Types.of.Acoustic.Treatment..................................................................................9 vii Control......................................................................................................................................10 Isolation...................................................................................................................................12 Control.vs..Isolation...................................................................................................................13 ChApTEr 2. Planning..........................................................................................................15 Programming...............................................................................................................................15 Programming.Questions.....................................................................................................15 Function........................................................................................................................................16 Goals..............................................................................................................................................21 Time.and.Money.........................................................................................................................21 Making.the.Most.of.Your.Room.............................................................................................22 One.Room.or.Two?...............................................................................................................23 One.Large.Room...................................................................................................................23 Desk.and.Speaker.Orientation..........................................................................................23 Making.Your.Room.Work....................................................................................................25 ChApTEr 3. Construction...................................................................................................27 Basic.Construction.Tips.and.Tricks.......................................................................................27 Bass.Traps..............................................................................................................................27 Building.a.Bass.Trap...........................................................................................................28 Diffusion.................................................................................................................................29 viii Contents Buying.or.Building.Diffusers..............................................................................................31 The.Problem.with.Foam......................................................................................................32 Alternatives.to.Foam...........................................................................................................32 Building.Additional.Permeable.Walls...............................................................................33 Wall.and.Floor.Construction..............................................................................................34 Panel.or.Membrane.Absorber............................................................................................35 Common.Problems.and.Solutions.........................................................................................37 Room.Modes..........................................................................................................................37 Equalization...........................................................................................................................38 Absorption...............................................................................................................................39 SECTION 2 EQUIpMENT l ChApTEr 4. Computers.and.Recording.........................................................................43 Digital.Audio.Workstation.(DAW)........................................................................................43 Software-Based.DAW........................................................................................................44 Pro.Tools.vs..Everything.Else...........................................................................................46 Mac.vs..PC..................................................................................................................................47 The.Legitimate.Reasons.to.Choose................................................................................47 Computer.Hardware.................................................................................................................49 The.Processor.......................................................................................................................49 The.Motherboard.................................................................................................................49 RAM.........................................................................................................................................50 USB.and.Firewire.................................................................................................................50 Hard.Drives.............................................................................................................................51 Video.Cards.............................................................................................................................53 Optical.Drives........................................................................................................................54 Sound.Cards.and.Audio.Interfaces..................................................................................54 PCI.Slots..................................................................................................................................55 Plug-Ins........................................................................................................................................56 Stock.vs..Third-Party.Plug-Ins.........................................................................................56 Modeled.vs..Digital..............................................................................................................58 Native.vs..DSP......................................................................................................................59 MIDI.Keyboards,.Synthesizers,.and.Samplers..................................................................59 MIDI.Controllers...................................................................................................................60 Samplers..................................................................................................................................61 Synthesizers..........................................................................................................................62 Loop.Players..........................................................................................................................63  Contents ix ChApTEr 5. The.Front.End..............................................................................................65 Tradition......................................................................................................................................65 Microphones...............................................................................................................................66 Dynamic.Mics........................................................................................................................66 Ribbon.Mics............................................................................................................................67 Condenser.Mics.....................................................................................................................68 Microphone.Polar.Patterns...............................................................................................69 Microphone.Preamplifiers........................................................................................................71 Tubes.vs..Transformers.(Solid.State).............................................................................73 Outboard.Equalizers.and.Compressors..............................................................................74 Analog-to-Digital.Conversion.................................................................................................76 Cables............................................................................................................................................78 Cable.Materials......................................................................................................................78 Cable.Types............................................................................................................................79 ChApTEr 6. Control.and.Monitoring..............................................................................85 Mixing.Consoles.........................................................................................................................85 Mixing.Consoles.vs..Audio.Interfaces.............................................................................85 Analog.vs..Digital.Mixing.Consoles.................................................................................86 Mixing.in.the.Box.or.in.the.Console.................................................................................88 Audio.Interface.Mixer.Functions.....................................................................................88 Control.Surfaces.........................................................................................................................91 Studio.Monitors..........................................................................................................................93 Accuracy,.Power,.and.Fatigue...........................................................................................93 Active.vs..Passive................................................................................................................94 Near,.Mid-,.and.Far.Field...................................................................................................94 Headphones................................................................................................................................95 Open.vs..Closed....................................................................................................................96 ChApTEr 7. Putting.It.All.Together................................................................................97 Connection.Scenarios...............................................................................................................97 Connection.Scenario.1.........................................................................................................97 Connection.Scenario.2........................................................................................................99 Connection.Scenario.3......................................................................................................100 Furniture,.Décor,.and.Ergonomics......................................................................................102 Setting.a.Vibe......................................................................................................................102 Lava.Lamps.and.Lighting.................................................................................................103 Displaying.Art.and.Instruments......................................................................................104

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Whether you have a ton of equipment or just the basic gear this book offers an all you need to know to setting up, running and getting great sound from a project studio. In three parts Harris walks you thought Acoustics, Equipment and Recording Technique. From the basics of acoustic treatment to tec
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