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51 Pages·2015·0.34 MB·English
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HHAARRRRYY''SS HHOOTTTTEERR AATT TTWWIILLIIGGHHTT _________________________________________ A full-length comedy by Jonathan Dorf This script is for evaluation only. It may not be printed, photocopied or distributed digitally under any circumstances. Possession of this file does not grant the right to perform this play or any portion of it, or to use it for classroom study. www.youthplays.com [email protected] 424-703-5315 Harry's Hotter at Twilight © 2011 Jonathan Dorf All rights reserved. ISBN 978-1-62088-459-1. Caution: This play is fully protected under the copyright laws of the United States of America, Canada, the British Commonwealth and all other countries of the copyright union and is subject to royalty for all performances including but not limited to professional, amateur, charity and classroom whether admission is charged or presented free of charge. Reservation of Rights: This play is the property of the author and all rights for its use are strictly reserved and must be licensed by his representative, YouthPLAYS. This prohibition of unauthorized professional and amateur stage presentations extends also to motion pictures, recitation, lecturing, public reading, radio broadcasting, television, video and the rights of adaptation or translation into non-English languages. Performance Licensing and Royalty Payments: Amateur and stock performance rights are administered exclusively by YouthPLAYS. No amateur, stock or educational theatre groups or individuals may perform this play without securing authorization and royalty arrangements in advance from YouthPLAYS. Required royalty fees for performing this play are available online at www.YouthPLAYS.com. Royalty fees are subject to change without notice. Required royalties must be paid each time this play is performed and may not be transferred to any other performance entity. All licensing requests and inquiries should be addressed to YouthPLAYS. Author Credit: All groups or individuals receiving permission to produce this play must give the author(s) credit in any and all advertisements and publicity relating to the production of this play. The author’s billing must appear directly below the title on a separate line with no other accompanying written matter. The name of the author(s) must be at least 50% as large as the title of the play. No person or entity may receive larger or more prominent credit than that which is given to the author(s) and the name of the author(s) may not be abbreviated or otherwise altered from the form in which it appears in this Play. Publisher Attribution: All programs, advertisements, flyers or other printed material must include the following notice: Produced by special arrangement with YouthPLAYS (www.youthplays.com). Prohibition of Unauthorized Copying: Any unauthorized copying of this book or excerpts from this book, whether by photocopying, scanning, video recording or any other means, is strictly prohibited by law. This book may only be copied by licensed productions with the purchase of a photocopy license, or with explicit permission from YouthPLAYS. Trade Marks, Public Figures & Musical Works: This play may contain references to brand names or public figures. All references are intended only as parody or other legal means of expression. This play may also contain suggestions for the performance of a musical work (either in part or in whole). YouthPLAYS has not obtained performing rights of these works unless explicitly noted. The direction of such works is only a playwright’s suggestion, and the play producer should obtain such permissions on their own. The website for the U.S. copyright office is http://www.copyright.gov. COPYRIGHT RULES TO REMEMBER 1. To produce this play, you must receive prior written permission from YouthPLAYS and pay the required royalty. 2. You must pay a royalty each time the play is performed in the presence of audience members outside of the cast and crew. Royalties are due whether or not admission is charged, whether or not the play is presented for profit, for charity or for educational purposes, or whether or not anyone associated with the production is being paid. 3. No changes, including cuts or additions, are permitted to the script without written prior permission from YouthPLAYS. 4. Do not copy this book or any part of it without written permission from YouthPLAYS. 5. Credit to the author and YouthPLAYS is required on all programs and other promotional items associated with this play's performance. When you pay royalties, you are recognizing the hard work that went into creating the play and making a statement that a play is something of value. We think this is important, and we hope that everyone will do the right thing, thus allowing playwrights to generate income and continue to create wonderful new works for the stage. Plays are owned by the playwrights who wrote them. Violating a playwright's copyright is a very serious matter and violates both United States and international copyright law. Infringement is punishable by actual damages and attorneys' fees, statutory damages of up to $150,000 per incident, and even possible criminal sanctions. Infringement is theft. Don’t do it. Have a question about copyright? Please contact us by email at [email protected] or by phone at 424-703-5315. When in doubt, please ask. CAST OF CHARACTERS EUPHORIA, female, bloodthirsty vampire. FIRST TO GO, male or female, the first to get killed, repeatedly. RANDOM LUNATIC, female, something of an authorial representative. UPTIGHT KNOW IT ALL WIZARD, female, companion to our young hero wizard. HARRY, male, aka important post-pubescent guy wizard, one of our heroes. ROB, male, aka silly sorta sexy guy wizard. STELLA, female, aka sulky boring chick, hopelessly in love with a vampire. HOT SHIRTLESS GUY, male, a heroic werewolf in love with Stella. EDWARD COHEN, aka tortured sexy vampire, male, hopelessly in love with Stella. OFFSTAGE VOICE, male or female. ROAST CANARY, female but pretending to be male daughter of powerful vampire Don Canary. MARY CANARY, female, one-eyed but more feminine daughter of Don Canary. DONNA CANARY, female, wife to Don Canary. DON CANARY, male, leader of the Canary Vampire family. FIRST HENCHMAN, male or female, Canary henchman. SECOND HENCHMAN, male or female, Canary henchman. VAMPIRE IN TRAINING, male or female, human recently turned vamp. JACK, teenage boy trying to put the moves on his date. MARILYN, teenage girl, not looking to go too far on her date. SARA, female, friend of teenage girl. MARCIE, female, friend of teenage girls. TEEN GIRLS, friends of Sara, Marcie and the teenage girl, played by ensemble members. LATKES COHEN, sister of tortured sexy vampire, a visionary. LOXY COHEN, sister of tortured sexy vampire, dating Corney Cohen. CORNEY COHEN, tough guy vampire brother of Edward Cohen. STROMBO COHEN, vampire brother of Edward Cohen. VILLAGERS, male or female, played by ensemble members. THE FINE DINER, female, the ultimate evil wizard. PROFESSOR BAKE, male or female, follower of The Fine Diner. FIRST FINE DINER, male or female, follower of The Fine Diner. SECOND, THIRD AND FOURTH FINE DINERS, male or female, followers of The Fine Diner, played by ensemble members. DUFUS MCFLY, male, follower of The Fine Diner. WACKO MCFLY, male, son of Dufus McFly. NEVILLE CHAMBERLAIN, female, not a student at Pigskins. ALICES ONE, TWO, THREE, FOUR AND FIVE, female, played by members of the ensemble. NARRATOR, either gender. DELIVERY GUY, either gender. THE DORMOUSE, female, half-brother—yes, you read that right—to headmaster Harvey Lapin. RADIO ANNOUNCER, either gender. STORE P.A., either gender. STORK, either gender, delivery person for Stella's baby. It is expected that most productions will use multiple casting. With some creativity, it's possible to stage the play with roughly 12 actors (5 males, 7 females). Of course, it's just as easy to use 50 or more, as in addition to the named speaking roles above, there are many opportunities for additional fine diners, Alices, villagers, etc. It is possible to cut Strambo Cohen and give his lines to Corney. Similarly, it is possible to cut the Fourth Fine Diner and give the lines to Dufus McFly. PRODUCTION NOTES The references to Vogue and Esquire may be updated as appropriate. For productions outside of the US, the line in scene 1 that refers to American actors can be changed to Canadian, Australian, etc. British productions may change the response to the line to "Of course we're still British. Queen and country. Hip hip!" In the Alhambra HS production, they used a minimal set which flew in and out. Alternatives include area staging or putting set pieces on rollers/wheels. Feel free to be creative and minimalist with your set. For example, Alhambra turned the poppy field into a single box. The more ridiculous, the better. ACKNOWLEDGEMENT Harry's Hotter at Twilight was first produced by Alhambra High School (Alhambra, CA) in May 2011. Harry's Hotter at Twilight 7 ACT I SCENE 1 (Lights up. A sign says, "Welcome to Spork, Washington." Somewhere outside in a lonely looking place. EUPHORIA, bloodthirsty female vampire, backs the FIRST TO GO into a corner. The First to Go screams.) EUPHORIA: (Advancing:) There's no one to hear you scream. FIRST TO GO: Wait! EUPHORIA: I'm a vampire. I need to feed. FIRST TO GO: This isn't fair. I get like a minute of stage time. EUPHORIA: This is a one-act. It's important that they establish me as a threat right away. FIRST TO GO: But you're not even the main— (Euphoria grabs the First to Go by the throat, cutting him off. Enter the RANDOM LUNATIC, female.) RANDOM LUNATIC: Actually, we're going full-length. Way too much material to squeeze into 30 minutes. EUPHORIA: Who are you? RANDOM LUNATIC: (Exiting, in a maniacal sing-song:) I killed Serious White, I killed Serious White... (The Random Lunatic exits.) (Euphoria closes in for the bite/kill.) FIRST TO GO: Wait! EUPHORIA: What? FIRST TO GO: I don't even have a name. EUPHORIA: Sure you do—you're First to Go. © Jonathan Dorf This is a perusal copy only. Absolutely no printing, copying or performance permitted. 8 Jonathan Dorf (Euphoria attacks, biting First to Go's neck and feeding until First to Go collapses—and Euphoria drags him off. Enter a trio of teen wizards: UPTIGHT KNOW IT ALL GIRL WIZARD, SILLY SORTA SEXY GUY WIZARD, and IMPORTANT POST-PUBESCENT GUY WIZARD. Euphoria returns to hide out of their sight.) UPTIGHT KNOW IT ALL GIRL WIZARD: I don't think we're in England anymore. SILLY SORTA SEXY GUY WIZARD: Gloomy like England. IMPORTANT POST-PUBESCENT GUY WIZARD: (Reading the sign:) Welcome to Spork. SILLY SORTA SEXY GUY WIZARD: Are we still British? UPTIGHT KNOW IT ALL GIRL WIZARD: American actors can't do British accents. It would be a disaster. (Beat.) A spork is a dining utensil. Very suspicious. IMPORTANT POST-PUBESCENT GUY WIZARD: People are disappearing everyday. SILLY SORTA SEXY GUY WIZARD: I wouldn't be surprised if someone disappeared from this very spot. UPTIGHT KNOW IT ALL GIRL WIZARD: All the signs point to You Know (Always done by everyone in a falsetto akin to "yoo hoo":) Who-oo. IMPORTANT POST-PUBESCENT GUY WIZARD: Wands out. (They pull out their wands.) UPTIGHT KNOW IT ALL GIRL WIZARD: What is it? SILLY SORTA SEXY GUY WIZARD: Does your wedgie hurt? IMPORTANT POST-PUBESCENT GUY WIZARD: Blood. © Jonathan Dorf This is a perusal copy only. Absolutely no printing, copying or performance permitted. Harry's Hotter at Twilight 9 (He points at the blood left by Euphoria.) IMPORTANT POST-PUBESCENT GUY WIZARD: But first, some back story. (The Silly Sorta Sexy Wizard turns his back to the audience.) UPTIGHT KNOW IT ALL GIRL WIZARD: No, silly, back story is all the things that happened before we got here. SILLY SORTA SEXY GUY WIZARD: I knew that. (Beat as he turns around:) This is awkward. UPTIGHT KNOW IT ALL GIRL WIZARD: Yes, conveying the back story is often awkward. (Important Post-Pubescent Guy Wizard clears his throat purposefully.) UPTIGHT KNOW IT ALL GIRL WIZARD: Sorry. I'm secretly attracted to this Silly Sorta Sexy Guy Wizard, so sometimes my mouth gets so nervous that it just won't stop, which makes people think I have the hots for a certain Important Post-Pubescent Guy Wizard because they're practically joined at the hip, but that's a Princess Leia-Luke Skywalker thing. (Beat.) Carry on. IMPORTANT POST-PUBESCENT GUY WIZARD: Sorry. All the nervous talking made me lose my train of thought. UPTIGHT KNOW IT ALL GIRL WIZARD: Were you about to tell us that when you were a baby, a powerful evil wizard led a bunch more evil wizards called the Fine Diners, and they tried to enslave the world in their kitchens, making outrageously complex dishes, sauces that simmered for days on end, baking a neverending parade of unpronounceable pastries... SILLY SORTA SEXY GUY WIZARD: (Cringing:) Sfogliatelle. Kaiserschmarrn. Charlotte russe. © Jonathan Dorf This is a perusal copy only. Absolutely no printing, copying or performance permitted. 10 Jonathan Dorf UPTIGHT KNOW IT ALL GIRL WIZARD: Or were you going to skip all that and tell us that You Know Who-oo killed your parents, but your mother's love for you was so strong that it's left you with a permanent wedgie? IMPORTANT POST-PUBESCENT GUY WIZARD: Her grip. Her grip was so strong. SILLY SORTA SEXY GUY WIZARD: (To audience:) I always wondered 'bout that wedgie. When I was a first-year wizard, I was always getting hung by my shorts, but once you get let down, you just give a yank, maybe a shake or a good pull and you're good as new. (Beat.) Sometimes I give a little look-see in the change room or when it's near lights out, 'cause we're roommates—not 'cause I'm checkin' it out—not that there's anything wrong if my wand did swing that way, but I have a secret crush on a certain Uptight Know It All Girl Wizard. I just want to know how the wedgie works. Like when he puts on a fresh pair of undies, does it magically crawl up? IMPORTANT POST-PUBESCENT GUY WIZARD: Did you just say you've been— SILLY SORTA SEXY GUY WIZARD: No. IMPORTANT POST-PUBESCENT GUY WIZARD: Good. That would be weird. SILLY SORTA SEXY GUY WIZARD: Yeah. I only told the audience about that. IMPORTANT POST-PUBESCENT GUY WIZARD: (Beat.) This blood is fresh. Or it was before you both delivered long monologues. UPTIGHT KNOW IT ALL GIRL WIZARD: And look at the artistic arrangement. EUPHORIA: (Aside—as are all her remarks in this scene:) I guess I'm just an artiste. © Jonathan Dorf This is a perusal copy only. Absolutely no printing, copying or performance permitted.

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In the Alhambra HS production, they used a minimal set which flew in and out. Alternatives include area staging or putting set pieces on rollers/wheels.
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Most books are stored in the elastic cloud where traffic is expensive. For this reason, we have a limit on daily download.