Handbook of Phenomenological Aesthetics PDF
Preview Handbook of Phenomenological Aesthetics
HANDBOOK OF PHENOMENOLOGICAL AESTHETICS CONTRIBUTIONSTOPHENOMENOLOGY INCOOPERATIONWITH THECENTERFORADVANCEDRESEARCHINPHENOMENOLOGY Volume59 SeriesEditors: NicolasdeWarren,WellesleyCollege,MA,USA DermotMoran,UniversityCollegeDublin,Ireland. EditorialBoard: LilianAlweiss,TrinityCollegeDublin,Ireland ElizabethBehnke,Ferndale,WA,USA RudolfBernet,Husserl-Archief,KatholiekeUniversiteitLeuven,Belgium DavidCarr,EmoryUniversity,GA,USA Chan-FaiCheung,ChineseUniversityHongKong,China JamesDodd,NewSchoolUniversity,NY,USA LesterEmbree,FloridaAtlanticUniversity,FL,USA AlfredoFerrarin,UniversitàdiPisa,Italy BurtHopkins,SeattleUniversity,WA,USA Kwok-YingLau,ChineseUniversityHongKong,China Nam-InLee,SeoulNationalUniversity,Korea DieterLohmar,UniversitätzuKöln,Germany WilliamR.McKenna,MiamiUniversity,OH,USA AlgisMickunas,OhioUniversity,OH,USA J.N.Mohanty,TempleUniversity,PA,USA JunichiMurata,UniversityofTokyo,Japan ThomasNenon,TheUniversityofMemphis,TN,USA ThomasM.Seebohm,JohannesGutenberg-Universität,Germany GailSoffer,Rome,Italy AnthonySteinbock,SouthernIllinoisUniversityatCarbondale,IL,USA ShigeruTaguchi,YamagataUniversity,Japan DanZahavi,UniversityofCopenhagen,Denmark RichardM.Zaner,VanderbiltUniversity,TN,USA Scope Thepurposeoftheseriesistoserveasavehicleforthepursuitofphenomenologicalresearchacrossa broadspectrum,includingcross-overdevelopmentswithotherfieldsofinquirysuchasthesocialsciences andcognitivescience.Sinceitsestablishmentin1987,ContributionstoPhenomenologyhaspublished nearly60titlesondiversethemesofphenomenologicalphilosophy.Inadditiontowelcoming monographsandcollectionsofpapersinestablishedareasofscholarship,theseriesencouragesoriginal workinphenomenology.ThebreadthanddepthoftheSeriesreflectstherichandvariedpresenceof phenomenologicalthinkingtoseminalquestionsofhumaninquiryaswellastheincreasingly internationalreachofphenomenologicalthinking. HANDBOOK OF PHENOMENOLOGICAL AESTHETICS editedby HANS RAINER SEPP CharlesUniversity,Prague,CzechRepublic and LESTER EMBREE FloridaAtlanticUniversity,BocaRaton,FL,USA 123 Editors Prof.HansRainerSepp Prof.LesterEmbree CharlesUniversityPrague FloridaAtlanticUniversity FacultyofHumanities CollegeofArtsandLetters UKˇríže10 P.O.Box3091 CZ–15800Praha5 BocaRaton,FL33431-0881 CzechRepublic USA [email protected] [email protected] ISSN0923-9545 ISBN978-90-481-2470-1 e-ISBN978-90-481-2471-8 DOI10.1007/978-90-481-2471-8 SpringerDordrechtHeidelbergLondonNewYork LibraryofCongressControlNumber:2009929301 ©SpringerScience+BusinessMediaB.V.2010 Nopartofthisworkmaybereproduced,storedinaretrievalsystem,ortransmittedinanyformorby anymeans,electronic,mechanical,photocopying,microfilming,recordingorotherwise,withoutwritten permissionfromthePublisher,withtheexceptionofanymaterialsuppliedspecificallyforthepurposeof beingenteredandexecutedonacomputersystem,forexclusiveusebythepurchaserofthework. Printedonacid-freepaper SpringerispartofSpringerScience+BusinessMedia(www.springer.com) Contents AestheticExperience. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1 EdwardS.Casey Aisthesis . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 9 JagnaBrudzin´ska Appearance . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 17 TANIToru Architecture . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 25 TimothyK.Casey AntonioBanfi. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 29 GabrieleScaramuzza Beauty . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 33 SimoneNeuber SimonedeBeauvoir . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 41 SaraHeinämaa OskarBecker . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 45 MarkusOphälders ChineseAesthetics . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 49 CHENZhiyuan WaldemarConrad(1878–1915) . . . . . . . . . . . . . . . . . . . . . . . . 53 DanielaAngelucci Creativity . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 57 MarioTeodoroRamírez Cubism . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 63 AndreaPinotti Dance . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 67 GediminasKaroblis JacquesDerrida(1930–2004) . . . . . . . . . . . . . . . . . . . . . . . . . 71 TerriJ.Hennings Dream . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 75 HansRainerSepp v vi Contents MikelDufrenne(1910–1995) . . . . . . . . . . . . . . . . . . . . . . . . . 81 EdwardS.Casey EcologicalAesthetics. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 85 TedToadvine Empathy . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 93 AndreaPinotti Enjoyment . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 99 Ma˘da˘linaDiaconu Fashion . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 107 CésarMorenoMárquez Film . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 111 ElenadelRío EugenFink(1905–1975) . . . . . . . . . . . . . . . . . . . . . . . . . . . . 119 HansRainerSepp Hans-GeorgGadamer(1900–2002) . . . . . . . . . . . . . . . . . . . . . . 123 MirkoWischke MoritzGeiger(1880–1937) . . . . . . . . . . . . . . . . . . . . . . . . . . 127 LiciaFabiani GenderAesthetics . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 131 GayleSalamon NicolaiHartmann(1882–1950) . . . . . . . . . . . . . . . . . . . . . . . . 135 MirkoWischke MartinHeidegger(1889–1976) . . . . . . . . . . . . . . . . . . . . . . . . 137 FrançoiseDastur MichelHenry(1922–2002) . . . . . . . . . . . . . . . . . . . . . . . . . . 141 RuudWelten DietrichvonHildebrand(1889–1977) . . . . . . . . . . . . . . . . . . . . 145 JohnF. Crosby EdmundHusserl(1859–1938) . . . . . . . . . . . . . . . . . . . . . . . . . 151 JohnB.Brough Imagination. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 155 NatalieDepraz IndiaandInterculturalAesthetics . . . . . . . . . . . . . . . . . . . . . . 161 RamAdharMall RomanIngarden(1893–1970). . . . . . . . . . . . . . . . . . . . . . . . . 167 AndrzejGniazdowski JapaneseWorlds . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 171 O¯HASHIRyo¯suke FritzKaufmann(1891–1958) . . . . . . . . . . . . . . . . . . . . . . . . . 177 ChristianLotz Contents vii EmmanuelLevinas(1906–1995) . . . . . . . . . . . . . . . . . . . . . . . 181 DanielMarcelle Literature . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 187 PolVandevelde HenriMaldiney(1912–) . . . . . . . . . . . . . . . . . . . . . . . . . . . . 193 ElianeEscoubas Jean-LucMarion(1946–) . . . . . . . . . . . . . . . . . . . . . . . . . . . 197 MichaelStaudigl Media . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 201 PaulMajkut MauriceMerleau-Ponty(1908–1961) . . . . . . . . . . . . . . . . . . . . . 207 GalenA.Johnson Metaphor . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 211 AnnamariaLossi Methodology . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 215 LesterEmbree Music . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 223 AugustoMazzoni MauriceNatanson(1924–1996) . . . . . . . . . . . . . . . . . . . . . . . . 231 MichaelD.Barber Nature. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 235 CathrinNielsen NISHIDAKitaro(1870–1945). . . . . . . . . . . . . . . . . . . . . . . . . 241 KANATASusumu JoséOrtegayGasset(1883–1955) . . . . . . . . . . . . . . . . . . . . . . 245 JavierSanMartín Painting . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 249 ElianeEscoubas JanPatocˇka(1907–1977) . . . . . . . . . . . . . . . . . . . . . . . . . . . 255 LudgerHagedorn Photography . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 259 CHEUNGChan-Fai Play . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 265 CathrinNielsen PoliticalCulture . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 269 HelmutKohlenberger Religion . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 275 BálazsM.Mezei Representation . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 281 JohnB.Brough viii Contents MarcRichir(1943–) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 287 JürgenTrinks PaulRicoeur(1913–2005) . . . . . . . . . . . . . . . . . . . . . . . . . . . 291 YvankaB.Raynova HeinrichRombach(1923–2004) . . . . . . . . . . . . . . . . . . . . . . . 295 GeorgStenger Jean-PaulSartre(1905–1980) . . . . . . . . . . . . . . . . . . . . . . . . . 299 PhilippeCabestan MaxScheler(1874–1928) . . . . . . . . . . . . . . . . . . . . . . . . . . . 303 WolfhartHenckmann HermannSchmitz(1928–). . . . . . . . . . . . . . . . . . . . . . . . . . . 307 AnnaBlume AlfredSchutz(1899–1959) . . . . . . . . . . . . . . . . . . . . . . . . . . 311 AndreasGeorgStascheit SecondarySenses . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 317 Ma˘da˘linaDiaconu GustavGustavovichŠpet(1879–1937) . . . . . . . . . . . . . . . . . . . . 321 TatyanaSchedrina Style . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 325 AndreaPinotti Theater . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 331 NUKIShigeto FranceVeber(1890–1975) . . . . . . . . . . . . . . . . . . . . . . . . . . . 339 DeanKomel VirtualReality . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 343 ChristianRabanus WorkofArt . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 351 CathrinNielsen TheCoreofPhenomenologicalAesthetics:ASuggestedBibliography . . 359 AbouttheAuthors . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 365 Index . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 377 Preface Historically,phenomenologybeganinEdmundHusserl’stheoryofmathematicsand logic, went on to focus for him on transcendental first philosophy and for others on metaphysics, philosophical anthropology, and theory of interpretation. The con- tinuing focus has thus been on knowledge and being. But if one began without thoseinterestsandwithanunderstandingofthephenomenologicalstyleofapproach, one might well see that art and aesthetics make up the most natural field to be approached phenomenologically. Contributions to this field have continually been made in the phenomenological tradition from very early on, but, so to speak, along theside.(Thesituationhasbeensimilarwithphenomenologicalethics.)Agreatdeal ofthoughtaboutartandaestheticshasneverthelessaccumulatedduringacenturyand ahandbooklikethepresentoneislongoverdue. TheprojectofthishandbookbeganinconversationsoverdinnerinSepp’sapart- mentinBaden-BadenatoneeveningofthehotEuropeansummerintheyear2003.As thingsworkedout,heknewmoreaboutwhomtoaskandhowmuchspacetoallocate toeachentryandEmbreeknewmoreabouthowtoconducttheinviting,preliminary editing, and prodding of contributors who were late returning their criticized drafts and copyedited entries and was able to invest the time and other resources fromhis endowed chair. That process took longer than anticipated and there were additional unfortunatedelaysduetofactorsbeyondtheeditors’scontrol. The contributors are thanked first of all for their contributions from which we editors have been the first to learn a great deal, but also for their patience with the delays.Weregrettosaythatoneofourauthors,AnnaBlume,diedin2008intheage of41.HerarticleonHermannSchmitzreflectshergreatinterestinsubjectivity,art, and aesthetic experience from a phenomenological point of view. We thank Steffen Kammler (Rostock) for correcting the proof on the copyedited final version of this article. Dr. Daniel Marcelle, Embree’s research assistant at Florida Atlantic University, is thanked for his quick understanding of the tasks involved and his utterly reli- able efforts. And Maja de Keijzer of Springer Publishers was her usual cheerful, understanding,andsupportiveself. Prague,CzechRepublic HansRainerSepp BocaRaton,Florida LesterEmbree November2008 ix
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