Table Of Content

FLOSS + Art - - - 2 - - - - - - 3 - - - = = = = = = = = = = Published 2008 by GOTO10 in association with OpenMute GOTO10 12 rue Charles Gide 86000 Poitiers France [email protected] www.goto10.org ISBN 978-1-906496-18-0 = = = = = = = = = = Except for that which originally appeared elsewhere and is republished here or that which carries its own license, all content is published under the following conditions: Copyright © 2008 the authors and GOTO10 Compiled and edited by: Aymeric Mansoux and Marloes de Valk = = = = = = = = = = Permission is granted to copy, distribute and/or modify this document under the terms of any of the following licenses: (1) the GNU General Public License as published by the Free Software Foundation; either version 2 of the License, or any later version. To view a copy of this license, visit http://www.gnu.org/copyleft/gpl.html or send a letter to the Free Software Foundation, Inc., 59 Temple Place— Suite 330, Boston, MA 02111-1307, USA. (2) the GNU Free Documentation License as published by the Free Software Foundation; either version 1.2 of the license or any later version. To view a copy of this license, visit http://www.gnu.org/copyleft/fdl.html or send a letter to the Free Software Foundation, Inc., 59 Temple Place— Suite 330, Boston, MA 02111-1307, USA. (3) the Free Art License; either version 1.3 of the license or any later version. To view a copy of the license, visit http://artlibre.org/licence/lal/en/ = = = = = = = = = = = = = = = = = = = = TABLE OF CONTENTS - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - Aymeric Mansoux, Marloes de Valk 006 Preface - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - Pedro Soler 014 Artists and Free Software – an Introduction - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - Femke Snelting 018 Generous Practices: A Fictional Conversation, Based on Emails, Physical Encounters, IRC and a Skype session - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - Julien Ottavi 028 The ‘Free’ and New Creative Practices: Open Source Modular Art-efacts - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - oRx-qX 034 Information Nomads and Community Surfing - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - Ivan Monroy Lopez 046 Software Cult - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - Martin Howse 054 Free Time - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - Simon Yuill 064 All Problems of Notation Will be Solved by the Masses: Free Open Form Performance, Free/Libre Open Source Software, and Distributive Practice - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - Olga Goriunova 092 Autocreativity: The Operation of Codes of Freedom in Art and Culture - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - Sher Doruff 118 Who Done It? Ethico-Aesthetics, the Production of Subjectivity and Attribution - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - Florian Cramer 128 The Creative Common Misunderstanding - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - Hans-Christoph Steiner 138 Copyright is for Copying - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - Prodromos Tsiavos 154 Common(s) Issues for Digital Art Libraries: From Open Licensing to Open Collaboration - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - Ross Rudesch Harley 170 From Open Circuits to Open Distribution: Can Video Artists Adopt FLOSS Strategies as their Own? - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - Michael van Schaik 180 The Shrink-Wrapped Design Process - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - Ricardo Lafuente 192 Appropriation and Type – Before and Today - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - Nancy Mauro-Flude 206 Linux for Theatre Makers: Embodiment & Nix Modus Operandi - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - Alex McLean 224 Live coding for free - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - Thor Magnusson 232 Expression and Time: the question of strata and time management in creative practices using technology - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - Dave Griffiths 248 On free software art, design, communities and committees - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - Eleonora Oreggia 254 The Piksel Big Bang - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - Fabianne Balvedi 262 Free Studios - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - Shahee Ilyas 270 F/LOSS and the Computer Culture of the Maldives - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - Alejandra Maria Perez Nuñez 280 FLOSS, it’s Relation with Southern Time - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - Rob Myers 294 Open Source Art Again - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - Credits and Aknowledgments 314 = = = = = = = = = = = = - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - 6 Preface - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - Aymeric Mansoux Marloes de Valk - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - __ __| | | _| - - - - - - - - - - - - - - - - - - - - Aymeric Mansoux & Marloes de Valk 7 - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - 8 Preface - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - Aymeric Mansoux & Marloes de Valk 9 - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - 10 Preface - - - - - - - - - - - - - - - - - - - - - - - - - - -