Table Of Content

Index 545 Call of Dudy: Bobemian Bagpipes across Borders (DVD), rev. by Mark Levy, 2:362-64 Carolina Chocolate Drops and Joe Thompson (recording), rev. by Thomas Richardson, 3:537-40 Carriacou String Band Serenade: Performing Identity in the Eastern Caribbean, by Rebecca S. Miller, rev. by Tine K. Ramnarine, 1:157-60 “Composition, Authorship, and Ownership in Flamenco, Past and Present,” by Peter Manuel, 1:106-35 Cooper, David, rev. of Tuned Out: Traditional Music and Identity in Northern Ireland, by Fintan Vallely, 1:136-40 D “Dancing in Opposition: Muchongoyo, Emotiona,nd the Politics of Performance in Southeastern Zimbabwe,” by Tony Perman, 3:425-451 DAVIS, RUTH E, Mali: Reflections on the Arab Andalusian Music of Tunisia, rev. by Jonathan Glasser, 1:160-62 Dema: Music from the Marind Anim. Anthology of Music from West Papua #2 (recording), rev. by Mary Lawson Burke, 1:171-73 “Discipline or Dialogue? (A Response to Timothy Rice),” by Suzel Ana Reily, 2:331-33 “Disciplining Ethnomusicology: A Call for a New Approach,” by Timothy Rice, 2:318-325 DOWNING, SONJA LYNN, “Agency, Leadership, and Gender Negotiation in Balinese Girls’ Gamelans,” 1:54-80 Driving the Bow: Fiddle and Dance Studies from Around the North Atlantic 2, edited by lan Russell and Mary Anne Alburger, rev. by Cinzia Yates, 3:530-36 “Dual Framing: Locating Authenticities in the Music Videos of Himalayan Possession Rituals,” by Stefan Fiol, 1:28-53 E EISENBERG, ANDREWJ. , rev. of recording, Singing for Life: Songs of Hope, Healing, and HIV/ AIDS in Uganda, 1:173-75 Ethiopia: Bagana Songs (recording), rev. by Shawn Mollenhauer, 1:168-70 F FATONE, GINA,*‘You'll Break Your Heart Trying to Play It Like You Sing It’: Intermodal Imagery and the Transmission of Scottish Classical Bagpiping,” 3:395-424 FIGUEROA, MICHAELA.., rev. of Playing Across a Divide: Israeli-Palestinian Musical Encounters, by Benjamin Brinner, 3:518-522 FIOL, STEFAN, “Dual Framing: Locating Authenticities in the Music Videos of Himalayan Posses- sion Rituals,” 1: 28-53 G “Gamelan in Prisons in England and Scotland: Narratives of Transformation and the ‘Good Vibra- tions’ of Educational Rhetoric,” by Maria Mendonca, 3:369-394 GLASSER, JONATHAN, rev. of Malaf: Reflections on the Arab Andalusian Music of Tunisia, by Ruth E Davis, 1:160-162 GOLDMAN, JONATHAN, rev.o fM usical Improvisation: Art, Education, and Society, edited by Gabriel Solis and Bruno Nettl, 2:354-57 546 Ethnomusicology, Fall 2010 GRAY, NICHOLAS“,Of One Family? Improvisation, Variationa,n d Composition in Balinese Gendér Wayang,’ 2:224-56 GREENE, PAUL DAVID, rev. of recordings, Inde: Maharashtra: Chants des Konkani de Kochi / India: Maharashtra; Songs of the Konkani from Kochi; Indian Folk Music from Uttar Pradesh; Solemn High Mass of the Syro-Malabar Church; India: Sitar to Bollywood: Sounds of the Subcontinent; Shirin Dabani: Sweet Lips: Music of North Afghanistan, 2:358-61 H HARRIS, RACHEL, The Making of a Musical Canon in Chinese Central Asia: The Uyghur Twelve Mugqam, rev. by Federico Spinetti, 1:147-52 HELLIER-TINOCO, RUTH, rev. of Sounds of the Modern Nation: Music, Culture, and Ideas in Post-Revolutionary Mexico, by Alejandro L. Madrid, 1:141-46 I Inde: Maharashtra: Chants des Konkani de Kochi / India: Maharashtra: Songs of the Konkani from Kochi (recording), rev. by Paul David Greene, 2:358-61 India: Sitar to Bollywood: Sounds of the Subcontinent (recording), rev. by Paul David Greene, 2:358-61 Indian Folk Music from Uttar Pradesh (recording), rev. by Paul David Greene, 2:358-61 J JESSUP, LYNDA, ANDREW NURSE, and GORDON E. SMITH, eds., Around and About Marius Barbeau: Modeling Twentieth-Century Culture, rev. by Brian C. Thompson, 1:152-57 K KAEPPLER, ADRIENNE L.,“The Beholder’s Share: Viewing Music and Dance in a Globalized World, 2:185-201 KALLIMOPOULOU, ELENI, Paradosiaka: Music, Meaning and Identity in Modern Greece, rev. by Alexandra Balandina, 3:522-525 KARTOMI, MARGARET,“ Toward a Methodology of War and Peace Studies in Ethnomusicology: The Case of Aceh, 1976-2009,” 3:452-483 KOCH, GRACE, Oceanic Music Encounters: The Print Resource and the Human Resource: Essays in Honour of Mervyn McLean, edited by Richard Moyle, 2:351-54 KOSKOFE ELLEN, “Response to Rice: A Re-Call of Arms,” 2:329-31 L LEVY, MARK, rev. of DVD, Call of Dudy: Bobemian Bagpipes across Borders, 2:362-64 M MADRID, ALEJANDRO L., Sounds of the Modern Nation: Music, Culture, and Ideas in Post- Revolutionary Mexico, rev. by Ruth Hellier-Tinoco, 1:141-46 Index 547 The Making of a Musical Canon in Chinese Central Asia: The Uyghur Twelve Muqam, by Rachel Harris, rev. by Federico Spinetti, 1:147-52 The Making of Irish Traditional Music, by Helen O’Shea, rev. by Susan Motherway, 3:525- 529 Maluf: Reflections on the Arab Andalusian Music of Tunisia, by Ruth E. Davis, rev. by Jonathan Glasser, 1:160-162 MANUEL, PETER, “Composition, Authorship, and Ownership in Flamenco, Past and Present,” 1:106-35 “*May I Elope’: Song Words, Social Status, and Honor among Female Nepali Dobori Singers,” by Anna Stirr, 2:257-80 MENDONCA, MARIA,“Gamelan in Prisons in England and Scotland: Narratives of Transformation and the ‘Good Vibrations’ of Educational Rhetoric,” 3:369-394 MILLER, REBECCA S., Carriacou String Band Serenade: Performing Identity in the Eastern Caribbean, rev. by Tina K. Ramnarine, 1:157-60 “Mixing for Parlak and Bowing for a Biiytik Ses: The Aesthetics of Arranged Traditional Music in Turkey,” by Eliot Bates, 1:81-105 MOLLENHAUER, SHAWN, rev. of recording, Ethiopia: Bagana Songs, 1:168-70 MOTHERWAY, SUSAN, rev. of The Making of Irish Traditional Music, by Helen O'Shea, 3:525- 529 MOYLE, RICHARD, ed., Oceanic Music Encounters: The Print Resource and the Human Re- source: Essays in Honour of Mervyn McLean, rev. by Grace Koch, 2:351-54 Music and the Play of Power in the Middle East, North Africa and Central Asia, edited by Laudin Nooshin, rev. by John Morgan O'Connell, 2:347-51 Musical Improvisation: Art, Education, and Society, edited by Gabriel Solis and Bruno Nettl, rev. by Jonathan Goldman, 2:354-57 N NOOSHIN, LAUDIN, ed., Music and the Play of Power in the Middle East, North Africa and Central Asia, rev. by John Morgan O'Connell, 2:347-51 O Oceanic Music Encounters: The Print Resource and tbe Human Resource: Essays in Honour of Mervyn McLean, edited by Richard Moyle, rev. by Grace Koch, 2:351-54 O'CONNELL, JOHN MORGAN, rev. of Music and the Play of Power in the Middle East, North Africa and Central Asia, edited by Laudin Nooshin, 2:347-51 “Of One Family? Improvisation, Variation, and Composition in Balinese Gendér Wayang;’ by Nicholas Gray, 2:224-56 O’SHEA, HELEN, The Making of Irish Traditional Music, rev. by Susan Motherway, 3:522-529 P Paradosiakd: Music, Meaning and Identity in Modern Greece, by Eleni Kallimopoulou, rev. by Alexandra Balandina, 3:522-525 PERMAN, TONY, “Dancing in Opposition: Muchongoyo, Emotion, and the Politics of Performance in Southeastern Zimbabwe,” 3:425-451 PIER, DAVID, rev. of DVD, War Dance, 1:176-78 Play It Like It Is: Fiddle and Dance Studies from around the North Atlantic, edited by Ian Russell and Mary Anne Aiburger, rev. by Cinzia Yates, 3:530-36 548 Ethnomusicology, Fall 2010 Playing Across a Divide: Israeli-Palestinian Musical Encounters, by Benjamin Brinner, rev. by Michael A. Figueroa, 3:518-522 R RAMNARINETI,NA K., rev. of Carriacou String Band Serenade: Performing Identity in the Eastern Caribbean, by Rebecca S. Miller, 1:157-60 REILY, SUZEL ANA, “Discipline or Dialogue? (A Response to Timothy Rice),” 2:331-33 “Response to Rice,” by Kofi Agawu, 2:326-29 “Response to Rice,” by Martin Stokes, 2:339-41 “Response to Rice,” by T. M. Scruggs, 2: 333-36 “Response to Rice: A Re-Call of Arms,” by Ellen Koskoff, 2:329-31 “Reviving the Golden Age Again: ‘Classicization; Hindustani Music,and the Mughals,” by Katherine Butler Schofield, 3:484-517 RICE, TIMOTHY, “Disciplining Ethnomusicology: A Call for a New Approach,” 2:318-325 RICE, TIMOTHY, rev. of DVD, Samir Kurtov: A Zurna Player from Bulgaria, 1:178-81 “Rice’s ‘Crisis;” by Mark Slobin, 2:337-38 RICHARDSON, THOMAS, rev. of recordings, Carolina Chocolate Drops and Joe Thompson; American Songster, 3:537-40 RIOS, FERNANDO, “Bolero Trios, Mestizo Panpipe Ensembles, and Bolivia’s 1952 Revolution: Urban La Paz Musicians and the Nationalist Revolutionary Movement,” 2:281-317 RUSSELL, IAN, AND MARY ANNE ALBURGER, eds. Play It Like It Is: Fiddle and Dance Studies from around the North Atlantic and Driving the Bow: Fiddle and Dance Studies from Around the North Atlantic 2, rev. by Cinzia Yates, 3:530-36 S SAKAKEENY, MATT, “‘Under the Bridge’: An Orientation to Soundscapes in New Orleans,” 1: 1-27 Samir Kurtov: A Zurna Player from Bulgaria (DVD), rev. by Timothy Rice, 1:178-81 SCHOFIELD, KATHERINE BUTLER, “Reviving the Golden Age Again: ‘Classicization; Hindustani Music, and the Mughals,” 3:484-517 SCRUGGS,T . M.,“Response to Rice,” 2:333-36 Shirin Dabani: Sweet Lips: Music of North Afghanistan (recording), rev. by Paul David Greene, 2:358-61 Singing for Life: Songs of Hope, Healing, and HIV/AIDS in Uganda (recording), rev. by Andrew J. Eisenberg, 1:173-75 SLOBIN, MARK, “Rice’s ‘Crisis, ”2 :337-38 SOLIS, GABRIEL, AND BRUNO NETTL, eds., Musical Improvisation: Art, Education, and Society, rev. by Jonathan Goldman, 2:354-57 Solemn High Mass of the Syro-Malabar Church (recording), rev. by Paul David Greene, 2:358- 61 Sounds of the Modern Nation: Music, Culture, and Ideas in Post-Revolutionary Mexico, by Alejandro L. Madrid, rev. by Ruth Hellier-Tinoco, 1:141-47 SPINETTI, FEDERICO, rev. of The Making of a Musical Canon in Chinese Central Asia: The Uyghur Twelve Muqam, by Rachel Harris, 1:147-52 STIRR, ANNA,*“‘May I ElopSoeng ’Wo:rds , Social Status,and Honor among Female Nepali Dobori Singers,” 2:257-80 STOKES, MARTIN, “Response to Rice,” 2:339-41 SUGARMAN, JANE, “Building and Teaching Theory in Ethnomusicology: A Response to Rice,” 2:341-44 T THOMPSON, BRIAN C.,rev.of Around and About Marius Barbeau: Modeling Twentieth-Century Culture, edited by Lynda Jessup, Andrew Nurse, and Gordon E. Smith, 1:152-57 “Toward a Methodology of War and Peace Studies in Ethnomusicology: The Case of Aceh, 1976-2009,” by Margaret Kartomi, 3:452-483 Tuned Out: Traditional Music and Identity in Northern Ireland, by Fintan Vallely, rev. by David Cooper, 1:136-41 U “Under the Bridge’: An Orientation to Soundscapes in New Orleans,” by Matt Sakakeeny, 1: 1-27 Vv VALLELY, FINTAN, Tuned Out: Traditional Music and Identity in Northern Ireland, rev. by David Cooper, 1:136-40 VAN BUREN, KATHLEEN J.,“Applied Ethnomusicology and HIV and AIDS: Responsibility, Ability, and Action,” 2:202-23 WwW War Dance (DVD), rev. by David Pier, 1:176-78 The World Map of Music: The Edison Phonograph and the Musical Cartography of the Earth (CD-Rom), rev. by Eliot Bates, 3:541-43 Y YATES, CINZIA, rev. of Play It Like It Is: Fiddle and Dance Studies from around the North Atlantic and Driving the Bow: Fiddle and Dance Studies from Around the North Atlantic 2, edited by Ian Russell and Mary Anne Alburger, 3:530-36 “*You'll Break Your Heart Trying to Play It Like You Sing It’: Intermodal Imagery and the Trans- mission of Scottish Classical Bagpiping,” by Gina Fatone, 3:395-424