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Erikson on development in adulthood : new insights from the unpublished papers PDF

301 Pages·2002·1.59 MB·English
by  Hoare
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Erikson on Development in Adulthood: New Insights from the Unpublished Papers Carol Hren Hoare OXFORD UNIVERSITY PRESS Erikson on Development in Adulthood This page intentionally left blank Erikson on Development in Adulthood New Insights from the Unpublished Papers Carol Hren Hoare 1 2002 3 Oxford New York Athens Auckland Bangkok Bogotá Buenos Aires Cape Town Chennai Dar es Salaam Delhi Florence Hong Kong Istanbul Karachi Kolkata Kuala Lumpur Madrid Melbourne Mexico City Mumbai Nairobi Paris São Paulo Shanghai Singapore Taipei Tokyo Toronto Warsaw and associated companies in Berlin Ibadan Copyright © 2002 by Oxford University Press Published by Oxford University Press, Inc. 198 Madison Avenue, New York, New York 10016 Oxford is a registered trademark of Oxford University Press. All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, without the prior permission of Oxford University Press. Library of Congress Cataloging-in-Publication Data Hoare, Carol Hren Erikson on development in adulthood : new insights from the unpublished papers / Carol Hren Hoare. p. cm. Includes bibliographical references and index. ISBN 0-19-513175-4 1. Adulthood—Psychological aspects. 2. Erikson, Erik H. (Erik Homburger), 1902–1994 I. Title. BF724.5 .H59 2002 155.6—dc21 2001021918 9 8 7 6 5 4 3 2 1 Printed in the United States of America on acid-free paper To Ray Étude in E This page intentionally left blank Preface A preface permits an author to tell readers what it was that he or she had in mind from the very beginning of a book’s fledgling design, the methods that led to content selection, and, perhaps, the interest that drove the book to completion. This book began more than 12 years ago when I first visited Houghton Library at Harvard University. I wished to gain a more complete under- standing of Erikson’s concepts about the adult and of how he found adults to develop and change when, in fact, they do so. That first visit to the Erik- son papers left me feeling surprised, deflated, and perplexed. Fully expecting to find little more than I had read in his 120 publications, I encountered a di- rectory that listed in excess of 2,000 “items,” each item containing as many as 36 file folders of material. I recall an immediate sense of the impossibility of finding my way through that great bulk of papers. About to abandon the project, I came across a transcript of the Conference on the Adult, sponsored by the American Academy of Arts and Sciences, a manuscript proceedings that is replete with Erikson’s notes, marginalia, ex- clamations, circlings, and question marks. His thoughtful reflections were magnetic and rather amazing to me at the time. Here was a great psychoana- lyst asking over and over again what it means to be an adult and why it is that so many adults seem to settle for a restricted version of what they might yet become, whereas others always seem to create resilient, fresh renditions of themselves throughout the adult years, in effect refusing to endure halted de- velopment and its stagnation. But Erikson baffled me. Why did he question what it means to be an adult when he had first asked that question as early as 1942? Surely, in ways far beyond his adult stage permutations, he had told us what adults are like. But if I had hoped for some instant synthesis of his con- cepts, I was disappointed. In fact, it is only in sweeping through the great breadth of his published and unpublished thought that key concepts about the adult, what Erikson sometimes called adult “images,” emerge. And it is only in placing his stage views aside that those images can come forward. viii Preface That began my quest, one that later took me to the Erikson Institute in Chicago, to the Princeton University audiotapes of Erikson’s Gauss Seminars in Criticism, and to the Library of Congress Papers of Margaret Mead. I re- turned time and again to the Erikson Papers at Houghton Library to extend my reading, an inch at a time, through his musings, notes, annotated off- prints, and letters. I interviewed persons who had known the theorist and could lend access to him as a person, and I had planned to initiate many more of these fascinating conversations. But after 12 interviews about him, I was ready to move forward. Erikson’s thinking, after all, had to come from him. The late Joan Erikson, Erikson’s widow, helped to put me back on track with her keen humor: “If you don’t stop going around talking to peo- ple about Erik,” she said, “this book is going to come out of your ears in- stead of your pen!” To create boundaries for the study, I eventually confined myself to the rich composition section of the Erikson Papers at Houghton Library, to re- lated letters found there and in the Mead Papers, to early drafts of Young Man LutherandIdentity: Youth and Crisisheld by the Erikson Institute, to the Princeton audiotapes of the Erikson seminar series, and to Erikson’s pub- lished writings. The Papers at Houghton Library were a primary source, for those 268 items house Erikson’s candid thoughts and reflections, ideas that would later become rather constricted by the processes of formalized writ- ing, of polishing and editing for publication. Erikson’s six renditions, or “images,” of the adult are the nucleus of this book. Through a process that was defined by Glaser and Strauss as “grounded theory,”1 these renditions emerged from the data in Erikson’s papers. This was a process of unearthing, examining, and clustering his various ideas into content categories, an inductive process in which the six forms of adult arose naturalistically from Erikson’s writings. Two chapters that had once seemed likely to emerge failed to meet the test of substance and fell by the wayside. Approximately halfway through the project, I had anticipated that there would be one chapter on the gender-polarized adult and another on the sens- ing adult. Indeed, Erikson wrote about the way we live out our adult years captured by one or another gender, by gender roles, and by historically chang- ing ideas about those roles. He spoke to the way each adult is somehow bifur- cated because he or she cannot possibly exist in the other gender’s skin, voice, perspective, and biases. In the end, Erikson did not elaborate or conceptualize fully enough to permit a chapter on those thoughts. His nascent ideas had not scaffolded into fully formed concepts. The chapter on the sensing adult was to have considered Erikson’s view of the now-grown person who uses and trusts only a small portion of the sensory apparatus that had once been so essential to childhood perceptions and learning. We are hearing, seeing, tasting, smelling, and touching adults, as well as limbic and rational beings. But Erikson held that we discredit much of the sensory information that comes to us as we continually discover and learn about adult life and its bounds. In the end, Erikson had said too Preface ix little about these instinctual guidance systems. Here, too, his written and spoken words on the topic were in too early a stage of development. His thoughts are both tentative in nature and slim in substance. That this project took more than a decade to complete, interrupted, of course, by teaching responsibilities, seems a rather long a period of time for one book. However, it was important to me to understand both Erikson and his thought. To do this, I had to follow Robert Coles’s advice and read the thinkers Erikson had read.2 In the end, immersion in Kierkegaard, Freud, Lao-Tse, Schopenhauer, St. Augustine, Angelus Silesius, Nietzsche, Goethe, Oswald Spengler, and New Testament verses led me to see the philosopher and spiritual thinker in Erikson. It helped me to place Erikson as a conceptu- alizer whose thoughts did not completely emigrate from Europe to an identity-struggling United States. The entire journey through Erikson’s writ- ings and through those of his conceptual ancestors was one of the very best learning experiences of my adult life. I can only hope that the master, Erik Erikson himself, somehow knows this.

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