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ERIC ED414219: A Creative Concept in Teaching Math to Art Students: Make-a-Problem. PDF

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DOCUMENT RESUME SO 027 775 ED 414 219 Biller, Jerry AUTHOR A Creative Concept in Teaching Math to Art Students: TITLE Make-a-Problem. 1994-00-00 PUB DATE 9p.; Paper presented at the Annual National Conference on NOTE Liberal Arts and Education of Artists (8th, New York, NY, October 12-15, 1994). Speeches/Meeting Guides - Classroom Teacher (052) PUB TYPE Papers (150) MF01/PC01 Plus Postage. EDRS PRICE *Art Education; *Creativity; Elementary Secondary Education; DESCRIPTORS Instructional Materials; *Interdisciplinary Approach; *Mathematics Anxiety; *Mathematics Instruction ABSTRACT This paper describes the "Make-A-Problem" activity through which students can reframe their attitudes toward mathematics by putting art into the mathematics class. "Make-A-Problem" contains three sections: (1) problem--the student creates a problem dealing with a specific concept (2) picture--an artistic interpretation of the assigned by the instructor; problem/concept is included in this area; and (3) solution--the problem formulated by the student is solved. Drawing the picture allows the students to put the concept into perspective (a schema) and results in increased comprehension. This approach allows for the lessening of mathematics anxiety and increased learning on the part of the students. (EH) ******************************************************************************** Reproductions supplied by EDRS are the best that can be made from the original document. ******************************************************************************** 1 STUDENTS: TEACHING MATH TO ART A CREATIVE CONCEPT IN Make-A-Problem Jerry Biller Ring ling School of Art and Design Sarasota, Florida Tell me and I forget. Show me and I remember. Involve me and I understand. Confucius involve which offer the student an opportunity to environments Learning Make-A-Problem, solving activities such as the themselves in unique problem their learning of ownership and control in allow them to obtain a sense design mathematical the freedom to individually process. Accentuating validates the their respective backgrounds representations through focus on experiences knowledge. The student reviews past importance of their prior skills combined with the right-brained through "mathematical eyes" which are now of an artist. U.S. DEPARTMENT OF EDUCATION Office of Educational Research and Improvement PERMISSION TO REPRODUCE AND EDUCATIONAL RESOURCES INFORMATION DISSEMINATE THIS MATERIAL CENTER (ERIC) This document has been reproduced as HAS BEEN GRANTED BY received from the person Or organization sEeky originating it O Minor changes have been made to improve isiLLE-x reproduction Quality. Points of view or opinions stated in this docu- ment do not necessarily represent official OERI position or policy. TO THE EDUCATIONAL RESOURCES INFORMATION CENTER (ERIC) AVAILABLE BEST COPY 2 2 maker of patterns A mathematician is a . . the His patterns, like the paintei's or the ideas, like the poet's, must be beautiful; fit together in a colors or the words, must Beauty is the final test. harmonious way. the world for There is no permanent place in ugly mathematics. G. H. Hardy which to change a students state Make-A-Problem is an activity through into their math class. attitude toward math by putting art of mind and reframe their provide It is the instructor's "role to challenged. Students learn best when they are learning" (U.S. motivate mathematical stimulating problems and environment to lectured, telling and 1993). In the past, educators Department of Education, student in the learning process. problems. Few involved the showing how to work of instruction in longer be the operative form "Teaching as telling" can no provided for multiple opportunities must be mathematics classrooms. Instead, The role of an educator in mathematics (Merseth, 1993). students to engage with and educate the student. constantly to challenge, motivate, the '90s and beyond is of a math concept constructing a personal interpretation The process involved in Einstein said, "The reference is a critical skill. As through application of artistic solution, which may be often more essential than its formulation of a problem is experimental merely a matter of mathematical or 3 3 the "right answer." The conditioned to focus Traditionally, students have been on throughout the years have had a techniques and tools developed assessment Today, conservation focus on the problem solving process. continual narrowing of tools which the development of assessment of time and materials has promoted point. Questions right answer should not be an end need only be bubbled in. The stimulated. through which other thought processes are should serve as the medium mathematics learning, we need Council stated, "To reform The California Math make sense of complex that measure student's ability to assessment instruments hypotheses, to work with poorly defined situations, to formulate and refine define and state than one solution, and to problems or problems with more Educational Department of Education, 1989). The problems" (Californii's State education as that of American Policies Commission defined the central purpose The common strengthens all other educational purposes. "which runs through and 1981). The development of the ability to think" (Shane, thread of education - is the and Make-A-Problem address the need of extending techniques used in strengthening mathematical content and concepts. student 1) PROBLEfvf - the Make-A-Problem (Figure 1) contains three sections: that is assigned by the problem that deals with the specific concept must make up a AVAILABLE BEST COPY 4 problem/concept is artistic interpretation of the instructor, 2) PICTURE - an student formulated SOLUTION - the problem that the included in this area, and 3) problems in their this form is solved. The student uses in the first section of Drawing the picture their own structured problems. textbook as examples to make (schema) and into their own perspective allows the student to put the concept "Students who construct their own results in inceased comprehension. their mathematical potential" (U.S. mathematical understanding transform clusters learners learn, they store knowledge in Department of Education). "As depends on prior schemata, so that all learning and organize these clusters into everyday life and need to relate their learning to knowledge" (Merseth). Students need reasoning their respective careers. They understand how it can be used in and business affairs. knowledge to handle their personal abilities along with factual created by the and the classroom environment The structure of curriculum for the the needs of the student. It is not uncommon instructor should encompass mathematical tasks. The high anxiety when involved in art student to experience for these fails to establish a comfort zone traditional mathematics classroom intuitively Judith Katz describes them as students. In a study of art students, they like short term colleges. She notes that different from those at liberal arts creativity and imagination. assignments that allow independent projects and enjoy 3EST COPY AVAILABLE 5 5 this assignments, Make-A-Problem targets By bringing art into mathematics reduce element of comfort. This in turn serves to learning style and adds the at the through the questionnaires that students receive anxiety. This is confirmed (100%) of the (Figure 2). One hundred percent beginning and end of each course after change in attitude toward mathematics comments reflect a positive completion of the course. the opportunity for improving the learning The year 2000 will bring with it Of primary concern are the classroom environment experiences of all students. that provide the student with opportunities and curriculum structure. Both must and living (Shane). Courses that the relationship between learning expose them to far a student must include the necessary fall outside the realm of natural interest Make-A-Problem that interest into coursework, just as steps to incorporate need to leave the classroom math assignments. Art students integrates art into the and better understanding of mathematics. with a positive attitude, open mind, BEST COPY AVAILABLE 6 6 Make-A-Problem form. Figure Example 1. MAKE-A-PROBLEM NAME. CHAPTER/SECTION DATE, MAJOR, COURSE, TOPIC, PROBLEM PICTURE SOLUTION 7 7 Make-A-Problem Questionnaire. Figure Example 2. Name, Make-A-Problem Date, QUESTIONNAIRE Course, toward math? experience anxiety 1. Do you reduce Make-A-Problem activity 2. Does the toward math? anxiety you have any activity increase Make-A-Problem 3. Does the topics covered? understanding of the your Comments: 8 References AmemantAltienatlittizalathemalica. California Math Council (1989). of Education. California State Department California: Sacramento They Learn Know and How Will Do Art Students Need to Katz, J. (1988). What 44-57. Styles. ArtsidAcademe. L It? Interest and Learning & Brandt, R.S., Arrendondo, D.E., GJ., Pickering, DJ., Marzano, R.J., Blackburn, McRel Institute. Dinicusign&QflAaming. Missouri: Moffett, CA. (1992). Essay About Mathematics Old Is The Shepherd?: An Merseth, K. (1993). How 548-554. Indiana: Phi Delta Kappan 24(7), Education. Bloomington, and Learning Transforming Ideas far Tea Office of Research (1993). California: U.S. Department number 065-00-0560-3). Mathautigs (GPO stock of Education. Millennium. Indiana: (1981). Educating for a New Shane, H, & Tabler, B. Education Foundation. of the Phi Delta Kappan Diamond Jubilee Publication Florida: Idea Factory, icathingfmCancattuALChangcModel. Stepan, J. (1994). Inc. Answers. Science and Wanted: More Questions Fewer Yager, R. (1987). 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