ERIC ED364367: Catalog of Programming 1993-94.

29 Pages·1993·1.5 MB·English

by  ERIC

DOCUMENT RESUME
RC 019 381
ED 364 367
Catalog of Programming 1993-94.
TITLE
Native American Public Broadcasting Consortium,
INSTITUTION
Lincoln, Neb.
PUB DATE
[93]
NOTE
29p.
Reference Materials - Bibliographies (131)
PUB TYPE
MF01/PCO2 Plus Postage.
EDRS PRICE
Alaska Natives; *American Indian Culture; *American
DESCRIPTORS
Indian History; American Indians; Artists; Child
Roaring; Cultural Education; Educational Television;
Family Life; Filmographies; Mythology; Nonformal
Education; *North American History; *Public
Television; *Tribes; *Videotape Recordings
*Native Americans
IDENTIFIERS
ABSTRACT
This catalog indexes and describes over 175 Native
American programs produced for public television and available on
video to public television stations, schools, libraries, and
educational users. Introductory pages describe the development of the
Native American Public Broadcasting Consortium and present brief
biographies of nine Native American producers. An alphabetical index
of program titles categorizes entries and indicates national or
regional interest. Categories ark. arts, ceremony, children, economy,
education, history, lifestyle, and multicultural relations. The
entries are annotated and may indicate running time, year, and
producer. Topics include Native American artists, Captain Richard
Pratt and the Carlyle School for Indians, famous events and people in
Indian/American history, oral tradition, history and culture of
various tribes, North American archeology, religion and spirituality,
myths and legends, efforts of the Oneida to take control of their
children's education, cultural preservation and transmission to the
next generation, ceremonies and rites of passage, the role and
relevance of education in northern Canada, the 1992 White House
Conference on Indian Education, tribal economic development, the
the revival of
success story of a Tohono O'odham high school,
traditional Indian education, and stories that transmit beliefs and
values. Includes an order form and 1993-94 price list for sales and
rental. (SV)
***********************************************************************
Reproductions sup7lied by EDRS are the best that can be made
from the original document.
***********************************************************************
Native American Public Broadcasting Consortium
viimmon
g
fr.1
_...111111.11011.-
U.S. DEPARTMENT 010 EDUCATION
Office cA Educattonal Rosearcn and Improvement
EDUCATIONAL RESOURCES INFORMATION
CENTER (ERIC)
i/This
document has been reproduced as
received from the Parson or organization
originating it.
r.". Minor changes have been made to improve
-PERMISSION TO REPRODUCE THIS
reproduction quality
MATERIAL HAS BEEN GRANTED BY
Points of view or opinions stated in this docu-
ment do riot necessarily represent official
OERI positoon or policy
TO THE EDUCATIONAL RESOURCES
INFORMATION CENTER (ERIC)."
Catalog of Programming
9 4
1 9 9 3
13Cti Cell AVAILABLE
2
About the NAPBC
For over 16 years, the Native American Public Broadcasting Crinsortium-(NAPBC) has been entrusted with the
responsibility of bringing the voices and faces of Native America trithe Publk Broadcasting System. From its humble
beginning as a Public Television program and station membership cirganilation, the NAPBC continues to add new
MAIM AMEWAt
and exciting chapters to its remarkable success story.
r
C.
PUBUCIIIIIWICAZINIG
Partnerships
The NAPBC was the first to co-produce
.with Radio Smithsonian, an American Public
The Corporation for Public Broadcasting
'Radio series entitled, "Spirits of the Present:'
SPIRITS
CORPORATION
has been an active, supportive NAPI3C part-
Presented in 13 half hour segments, this series
ot TIMM
FOR PUBLIC
BROADCASTING
ner since 1977. Additionally, the Nebraska
broke all first-run carriage records in 1992.
Educational TV and Radio Center has served
The Ford Foundation, Ruth Mott Fund and
as NAPBC headquarters for over 16 years.
the Corporation for Public Broadcasting were
funding partners in this highly successful pro-
ject for national audience enjoyment.
..... Over the past 16 years that the NAPBC
t.._X
has been a fuming and program partner with
the Corporation for Public Broadcasting and
public broadcasters, a library of authentic,
culturally educational and entertaining pro-
grams by and about Native Americans has
continued to grow. Currently, the NAPBC is
In 1990, the Corporation for Public
the authoritative national resource, with over
Broadcasting offered the National Miriority
175 programs continually in distribution to
Consortiaof which the NAPBC is a
Public Television stations, schools, libraries
memberthe opportunity to solicit program
and educational users.
development grants to independent and
station-based Native American producers.
These grant funds help defray the costs
Projects
associated with developing and producing
quality Native American programs. Since
In 1981, the NAPBC was the first to do a
1990, the NAPBC has funded 26 productions
planning study on satellite networking for
which are as Illable in this catalog.
Native American communities. In 1992, the
Supporting the iToduction of Native
NAPBC and Nebraska Educational Televi-
American programming ;s just one example of
AIHEC
sion assisted the American Indian Higher
how partnerships help to strengthen the
Education Consortium to identify and
NAPBC's founding charter and mission, "To
develop the means for 27 tribally controlled
produce and encourage the production and
colleges throughout America to use telecom-
successful use of quality public telecom-
munications technology for shared learning.
munications programs by and about Native
The result of this combined effort was a
Americans, for both Native American and
report to Congress.
general audiences."
You can be a partner, too, by becoming an
NAPBC Member. With your membership,
you will receive the NAPBC Newsletter,
periodic mailings about exciting new pro-
grams and other pertinent information. For
details about NAPBC membership, call
800-793-4250.
Programming
AMERICAN
1NDLNThe first Native American program pro-
duced by the NAPBC to air nationally on
PBS was the "American Indian Artist Series
With support from the Corporation for
AIROS
II," in 1983. This past year, four programs
Public Broadcasting Radio Program Fund, the
were nationally broadcast on PBS, all co-
NAPBCin partnership with the Indigenous
produced or funded by the NAPBC. These
Communications Association of Native
highly acclaimed programs were "In the
American Public Radio Stationsis again
White Man's Image," "Last Stand at Little Big
taking advantage of satellite telecommunica-
Horn," "Surviving Columbus" and
tions technology.
"American Indian Dance Theatre!' Represen-
The "American Indian Radio on Satellite
tative photos from these renowned programs
Project" (AIROS) is a national program distri-
appear on the cover of this catalog.
bution service which will utilize the public
radio satellite to bring more Native American
voices to public auidences by 1996. This sytem
will make it possible for 20 Native American
3
radio stations around the country to receive
and distribute programming 24 hours a day.
Table of Contents
Potential
Regional Map
As the NAPBC prepares to move forward
2
into the 21st cenwry, the potential exists for
Program Titles and Subject Index
3
an even greater commitment to support
. .. 7
Native American Producer Biographies
quality Native American programming. By
taking advantage of evolving technologies
Program Descriptions
9
including compressed audio and video, CD
Order Form (enclosed separately)
ROM, Interactive video, distant learning and
Price List (enclosed separately)
satellite interfacing, the NAPBC is ideally
positioned to further its leadership role as the
All Native American Public Broadcasting
authoritative national resource for authentic,
Consortium titles are protected by interna-
culturally educational and entertaining pro-
tional copyright law. It is illegal to attempt to
gramming by and about Native Americans.
reproduce, duplicate or record any NAPBC
film or tape without written permission from
the copyright holder. Purchase or rental does
not include rights for subleasing, commercial
distribution, television broadcast or electronic
About the 1993-94 NA PBC Catalog
transmission of any kind, or rights to copy or
alter the film or tape in whole or in part with-
,
Paging through this edition of the
out specific written consent from the Native
NAPBC Programming Catalog, you will
American Public Broadcasting Consortium.
notice some new features have been added to
assist you in selecting those Native American
programs that best meet your particular needs
or interests. An Order Form and Price List are
enclosed.
On the Cover
A Map
Gracing the cover of this catalog is an
To help you localize your Native
interpretation of an origial petroglyph by
American programming, the NAPBC has
Native American artist Rick Regan..Also pic-
included a map with numeriml designations.
tured are scenes from four programs which
Begin by finding your regional number on the
map. Then check the Indeg to find all thc pro-
recently aired nationally on Pias.
The top photo is from "Last Stand at Lit-
grams bearing that same number. This simple
tle Bighorn"a documentary film re-
procedure will provide you with a list of
Native American programs which will be of
examining the battle from both the white and
Native American perspective.
special interest to the-viewing audience in
The middle left photo is froni"In the
your specific part of the country. Programs
White Man's Image"a compelling story
with national appeal are designated by the
detailing one man's civilizing mission and its
number 12. (See map on page 2.)
devastating effect on a generation of Native
Americans.
The middle right photo is from
"American Indian Dance Theatre: Dances For
This symbol designates those programs
The New Generation"this prestigious com-
available for broadcast. If this symbol does
pany of all-Native American dancers, singers
not appear with the program's 'description,
and musicians show how Native American
no broadcast rights have been granted.
music and dance is passed from generation to
aeneration.
The bottom photo is from "Surviving
Columbus"a program focusing on the
Pueblo cutlure that spans 2,000 years, as told
The NAPBC is pleased to be a sub-
by Pueblo Indians of New Mexico and
distributor for a number of Native American
Arizona.
programs from the PBS Video collection. This
Highly acclaimed, these programs
symbol designates these fine programs.
(exclucring "American Indian Dance Theatre"
New Programs
which will be available soon) are in this
catalog. Order your copy today.
Several new programs are available and
have been identified.
Native American Producers
Once again, biographies of Native
American producers have been included to
acquaint you with some of the people whose
work is available in this catalog.
Use this catalog often to select the Native
American programs that best meet your par-
ticular neeis or interests. And rest assured,
4
each program you select is authentic and of
the highest quality.
CANADA
NEW
ENGLAND
MIDDLE
ATIANTIC
AI CENTRAL/
HAWAII
Mir SOUTH AMERICA
U.S.A.
which
Use this map to help select those Native American programs
will be of particular interest to viewers in your region of the country
the Program
These regional numbers correspond to the numbers listed in
Titles and Subject Index.
7. PACIFIC
1. NEW ENGLAND
8. ALASKA
2. MIDDLE ATLANTIC
9. HAWAII
3. SOUTHEAST
10. CANADA
4. MIDDLE WEST
11. CENTRAL/SOUTH AMERICA
5. SOUTH CENTRAL
12. NATIONWIDE
6. ROCKY MOUNTAIN
and Suty'ect Index
Program Titles
a
This symbol designates the programs available for broadcast.
k
g
V V.
This symbol designates the PBS video collection.
0
4-
I
`th'
_...
....,
9
S
10- 12
Mts I Can Get it for You Wholesale
Aboriginal RI
9
4
as ArtistPortrait of Bob Penn
The America
9
Experience Series (Series) tit}
The America
9
6
nd the Apache Resistance NEW
Geronimo
9
5
times and Angie Debo NEW
Indians, Ou
9
12
1Man's Image
In the Whit
9
6
It Little Big Horn NEW
9
Last Stand
9
Ian ArtistsPart 1 (Series)
American Ind
5 & 7
6,
r & Fritz Soho ider
Alan House
9
6
ma & Helen Hardin
Charles Lol
6
10
ower and Lone Wolf & R.C, Gorman
Medic/nu F
10
fan ArtistsPart 2 (Series)
American Ind
6
10
fsh
#1 Larry Go
6
10
iick-To-See Smith
#2 Jaune Qi
6
10
ringha
#3 Dan Nani
4
10
Amlotte
10
5 & 11
Living WorldThe Oral Tradition
IIII Ancient Spiri
,
8
10
iundred Years Later
Angoon One
1
6
10
UM Spirits
Apache Mou
I
ng IndianFilmed Aspects of the
The Art of Bei
4
10
Culture of t
he Sioux
*
6
10
NEW
' Native American Sculptor
111 Bob Haozous
5
10
III Broken Journ
ey
10
11
final PeopleThen and Now
III Canada's Ori
e
6
11
Children of th
e Long-Beaked Bird
4
I
11
Dancing to Gl ve Thanks
6
I
11
mph)
dB DinehThe
11 - 12
11
I... Thunder Words
111 Distant Voice
6
11
I the Condor
The Eagle an
5
11
Earthshapers
-
4
11
Mound 7
Excavation of
*
*it
1/
8
Eyes of the S
7;
5
1 Muscogee (Creek) People
Folklore of th
12
(Series)
Forest Spirits
2 & 4
12
i Heritage Alive
#1 To Keep
2 & 4
12
ning Path
#2 The Lear
2 & 4
12
I
ifs
#3 Land is
2 & 4
12
rs of Those Yet Unborn
#4 Ancesto
2 & 4
12
rth Tradition
#5 Living w
2 & 4
12
s with PoworPart 1
#6 Dream*
2 & 4
12
s with PowerPart 2
#7 Dreame
/
J
l
I
I
6
12
'
rontier
Forgotten F
i
3
12
Four Corne
Ps of Earth
/2
2
Gannagaro
6
13
ta Fe
111 Gifts of San
5
13
find
The Good lv
6
13
r Sky NEW
Grandfathe
4
13
le
1Crisis at Rosebud
Health Car
4
13
:1 ElkA Sioux Indian Artist
Herman Rei
6
13
The Ancient Ones
Hisatsinom
13
of All (Series)
The Honou
r
10
13
mour of AllPart 1
#1 The H
13
10
mour of AllPart 2
#2 The H
10
13
g Innovations that Work
#3 Shari
8
13
HuteetlK
wukon Memorial Potlatch
4
13
Int from My BrotherDakota Name-Giving
O I Am Differe
14
?diens (Series)
!magas of Ia
14
12
vat Movie Massacre
#1 The G
12
14
en injuns and the Hollywood Gospel
#2 Heath
14
12
bilywood Wins the West
#3 How
12
14
ovie Reel Indians
#4 The M
14
72
int and Wigs
#5 Warps
14
at the Phoenix Heard Museum (Series)
Indian Arts
/4
6
try
#1 Baske
6
14
ig
#2 Painti
/4
6
#3 Potts
V
6
14
#4 Textil
ps
6
14
7
#5 Jewel
6
15
las
#6 Kachl
15
12
) Man's image
in the Whit
6
15
No More Forever
Will Fight
15
10
ell
III John Kim
the SkyA History of the
Journey to
5
15
Coushatta Indians
Alabama
4
15
lead Strong
Keep Your
6
15
st Little Big Horn NEW*
Last Stand
5
2
15
imbo
Legacy
in L
4
15
member
Live and R
3
15
itning
Man of Ligli
4
15
I
Menomine
4
16
n AgricultureThe Winnebago
Minorities I
16
12
lAmerica
Miss India
6
16
n
Ili Mother Co
11 & 12 16
Woundbuilders NEW *
Myths and
12 16
Itin a Nation
Nations Wi
16
5
flow Images
II Native Am
/6
6
Navajo
a
16
6
Navajo Co
!e Talkers
16
1
tquot: A Tribal Portrait
The New
16
6
II A N
Vision: Michael Naranjo NEW
°
5
6
17
trcePortralt of a Pimple
Nez
*
17
ONI'bth
Umonhon
(Series)
asks of the
4
17
timing of the Child/30
#1
c
0
oj
Q.1
.0)
6.0
43"
K4 I
--.
.44
I
4
17
a Warrior/30
#2 Becoming
4
17
) Hunt/30
#3 The Buffet
17
North of 60-0
%tiny Uncertain (Series)
8
17
r to Stay
#1 They Cam
8
to
17
I Experience
#2 The Alask
8
17
o lAm
#3 Tell Me Wh
8
17
of Knowing
#4 New Ways
8
17
,
#5 Mending
crciles and Souls
17
12
y Nations NEW
One Heart, Man
3 & 5
17
luscogee (Creek) Art
1,000 Years of ill
e
3
18
41f-Rellance
111 On the Path to
4
18
O Oscar HoweT
he Sioux Painter
18
rst Light (Series)
People of the F
18
1
Southern New England
#1 Indians in
18
1
anoags of Gay Head
#2 The Wam
18
1
h Indian Community
#3 The Bosto
18
1
lansetts
#4 The Narra
a
5
18
Connecticut
1
#5 Indians of
18
'ExperienceUrban and Rural
1
#6 The India
18
1
me Wampanoags
#7 The Mash
3
18
People of the
econ Plateau
,
6
18
Diver to Win NEW
111 Pride and the
0
5
6
18
and PromisePalutes of the Southwest
Pride, Purpose
7
19
The Probable
easing of Elk Creek (available to NAPBC members only)
6
19
u "First Encounters"
1111 Pueblo People
5
19
The Real Peopi
EI (Series)
5
12 19
)f Grandmothers
#1 A Season
12 19
ongPart 1
#2 Circle of S
19
12
ongPart 2
#3 Circle of S
19
12
#4 Mainstrea
,r)
5
12 19
#5 Awakenin
1
19
12
a Wind
#6 Spirit of t
*
12 19
'ood, Salmon and Roots
#7 Buffalo, B
12 19
the Stick Game
#8 Legend of
19
12
APeople of Rivers
#9 Words of
S
11 & 12
19
Red RoadTo
ard the Techno-Tribal
19
7
wenThe Edison Chiloquin Story
MI Return of the R
20
4
tcred Pole
Return of the S
s)9
20
Roanoak (Serie
20
3
Part 1 NEW
20
3
Part 2 NEW
5
3 20
Part 3 NEW
*
S
20
4
The Runaway
a
e
20
4
People NEW
Sacred Buffalo
20
6
wajo V
3 Seasons of a N
20
8
Life
Songs in Minto
9
4
20
ay Horse NEW
The Spirit of Cr
a
1
20
5
Knokovtee Scott
Strength of Lit
20
6
r
The Sun Oagge
4)
6
21
rams: The Story of the Pueblo People NEW
Surviving Colu
21
Ichak (Series)
Tales of Wesak
21
10
on of the World
#1 The Crest
8
flIll
LI
u.1
I
21
10
t Spring Flood
#2 The Firs
21
10
Crow is Black
#3 Why the
21
10
e the Rabbit
#4 Wapoos
21
10
he Frog
#5 Ayekis t
21
10
r Fox Earned His Name
#6 How th
21
10
chak and the Medicine
#7 Wesake
21
10
me and the Mouse
#8 The Sto
21
10
as Have Stingers
#9 Why Be
21
10
pchak and the First Indian People
#10 Wesak
10 _21
rchak and the Whiskey Jack
#1/ Wesak
21
10
et Rabbit Turin White
#12 Why th
21
10
Dation of the Moon
#13 The Cr
6
21
cod SpiritAn Indian Christmas Story
That One Go
8
21
sked Our Fathers
They Never
22-
6
a Tomorrow's
festerday
22
.
1868 (Series)
The Treaty of
22
4
*
oty of 1868
#1 The Tre
22
4
ck Hills Claim
#2 The Bla
22
4 & 5
tending Bear
The Trial of S
22
I
es (Series) IC
Tribal Legaci
.
22
11
NEW
The Incas
22
11
NEW
The Maya
22
6
.'olumbus: The Story of the Pueblo People NEW
Surviving
*
22
4
.
at Little Big Horn NEW
Last Stand
22
5
a Turtle Shells
22
rGrandfather (Series)
Walking Wit
,
23
10
'Ifni
#1 The Arr
1
23
10
ods
#2 The Wo
23
10
untain
#3 The Mo
,_
23
10
#4 The Val
fey
10,23
NM
#5 The Str
23
10
#6 The Gif
r
24
12
I Warriors
1
24
'Series)
a We Are One
24
4
7 Comes
#1 Mornin
4
24
g From Others
#2 Learnin
4
24
of the Child/20
#3 TUrnin
4
24
fling
#4 Storyte
24
4
fng a Warrior/20
#5 Becom
24
ng for the Summer Hunt
#6 Prepari
25
4
#7 The Da
'0
25
4
rtato Hunt/20
#8 The Bu
25
iries)
Whispers (S
25
7
The Chumash :JEW
Whispers:
25
7
NIEW
The Gabrielino/Tongva
Whispers:
3
25
4
White Man's
Way
25
inge (Series)V
Winds of Ch
*
3
25
12
f Promises 21EW
A Matter o
3
25
12
f Choice HEW
A Matter o
25
6
the Tears of Seven Generations
?JEW
Wiping
3
25
4
30 (Education and the Sioux)
3 Woons
9
Producers
Alexis Isaac Gary RobInsun
Phil Lucas
Native American
The
Alaskan native. Has 20
Public Broadcasting
41; r
years of television experience.
Isaac, TV Production Manager
Consortium
proudly intm-
at KYUK-TV in Bethel, is cur-
duces the Native Producers
rently the only Yup'ik video
4
producer working in Alaska.
whose programs are featured
v
Fluent in his native language,
our catalog.
Isaac began producing
documentaries about the tradi-
As our catalog continues
tional culture and lifestyle of
so will the
to grow yearl
his people in 1980. Isaac has
earned international merit for
number of Native producers.
several other productions,
Along with the NAPBC these
which have been screened at
the National Museum of the
producers are working to
American Indian in New York;
bring new visud perspectives
Arizona native. Member of
the Museum of Man in Paris;
Texas native. Member of
the Choctaw Tribe. Currently
the 2nd Annual International
the Cherokee Nation and the
from their communities, and
an independent producer and
Arctic Film Festival in Ron-
Mississippi Choctaw Nation.
to increase the Quality and
owner of Phil Lucas Produc-
vaniemi, Finland and at the
Currently working as an inde-
tions, Inc. in Santa Fe, New
University of Montreal.
Quantity
pendent producer. Robinson
of programming
Mexico. Lucas has been in the
has been in the business of
business of documentary pro-
PROGRAMS:
for all audiences.
video and documentary pro-
duction for the past 21 years
Eyes of the Spirit
and has established an impres-
duction for 22 years. He has
sive reputation as a filmmaker
They Never Asked Our
spent most of his career
of quality productions that
Fathers
devoted to cultural and educa-
effect social change. As an inde-
tional programs. In his effort to
pendent producer, he has pro-
preserve the rich heritage of his
duced and directed more than
Aboriginal people, he started
35 cultural and educational
videotaping the Creek Nation
programs. He will direct the
people and ceremonies in 1981.
second segment of the Turner
Broadcasting documentary,
PROGRAMS:
"Native Americans. Behind
Broken Journey
the Legend. Beyond the Myths."
He also co-produced TNT's
Folklore of the Muscogee
"The Broken Chain."
(Creek) People
PROGRAMS:
1,000 Years of Muscogee
Winds of Change: A Matter of
(Creek) Art
Promises.
Turtle Shells
Walking With Grandfather
Series
The Honour of All - Part 1
The Honour of All - Part 2
Sharing Innovations that Work
Nez Perce: Portrait of a People
I 0
Images of Indian Series