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Drawing Architecture and the Urban PDF

475 Pages·2016·30.39 MB·English
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Acknowledgments This book developed from many discussions with students and colleagues on why and how to analyse case studies and why this is relevant to design methods and design research. Many of the included projects continuously re-emerged in conversations on design. I am grateful to all those who have contributed to the book, often in more than one way. Without them, it would not have been possible. The direct and indirect contributions included reviews of the book proposal, debates of case studies, helping with the production of drawings, provision of essential drawing material, analysis and sources, and permission to use drawings and images for reproduction. I thank: Adrian Lahoud, Alvaro Arancibia Tagle, Aristide Antonas, Charles Rice, Chen Shao, Christopher Lee, Cyan Jingru Cheng, Freda Yuen, Gabriella Nunes Pinta Gama, Guillem Pons, Hillia Lee, Jie Zhu, Ji Yoon Gu, Leonhard Clemens, Longning Qi, Marcin Ganczarski, Miao Yu, Monia De Marchi, Naina Gupta, Qinhe Yi, Runze Zhang, Seokjae Song, Simon Goddard, Shazia Ahmed, Tarsha Finney, Tianyi Shu, Ungers Archive for Architectural Research (UAA), Valerio Massaro, Yana Petrova, Yang Sun, Yating Song, Yu- Hsiang Hung and Yuwei Wang. The book would, of course, also not exist without the unwitting contribution by the authors of the analysed projects and, as I believe, their critical knowledge of precedents. I am especially indebted to Sakiko Goto and her tremendous assistance in researching the case studies and producing the drawings. Without her tireless efforts, this book would not exist. Thank you also to the editorial team Calver Lezama, Miriam Murphy and David Sassian, but especially to Helen Castle at Wiley for supporting the book and their patience. The research was financially supported by the Architectural Research Fund from the Bartlett School of Architecture, University College London. Drawing Architecture and the Urban Sam Jacoby This edition first published 2016 ∐ 2016 John Wiley & Sons Ltd Registered office John Wiley & Sons Ltd, The Atrium, Southern Gate, Chichester, West Sussex, PO19 8SQ, United Kingdom For details of our global editorial offices, for customer services and for information about how to apply for permission to reuse the copyright material in this book please see our website at www.wiley.com. All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, except as permitted by the UK Copyright, Designs and Patents Act 1988, without the prior permission of the publisher. Wiley publishes in a variety of print and electronic formats and by print-on-demand. Some material included with standard print versions of this book may not be included in e-books or in print-ondemand. If this book refers to media such as a CD or DVD that is not included in the version you purchased, you may download this material at http://booksupport.wiley.com. For more information about Wiley products, visit www.wiley.com. Designations used by companies to distinguish their products are often claimed as trademarks. All brand names and product names used in this book are trade names, service marks, trademarks or registered trademarks of their respective owners. The publisher is not associated with any product or vendor mentioned in this book. Limit of Liability/Disclaimer of Warranty: while the publisher and author have used their best efforts in preparing this book, they make no representations or warranties with respect to the accuracy or completeness of the contents of this book and specifically disclaim any implied warranties of merchantability or fitness for a particular purpose. It is sold on the understanding that the publisher is not engaged in rendering professional services and neither the publisher nor the author shall be liable for damages arising herefrom. If professional advice or other expert assistance is required, the services of a competent professional should be sought. A catalogue record for this book is available from the British Library. ISBN 978-1-118-87940-5 (paperback) ISBN 978-1-118-87947-4 (ebk) ISBN 978-1-118-87949-8 (ebk) ISBN 978-1-118-87950-4 (ebk) Executive Commissioning Editor: Helen Castle Project Editor: Miriam Murphy Assistant Editor: Calver Lezama Cover design, page design and layouts by Artmedia, London Printed in Italy by Printer Trento Srl Cover images ∐ Sam Jacoby with Sakiko Goto For further content go to: www.wiley.com/go/drawingarchitecture CONTENTS Introduction 1 Conventions Point, Line, Plane and Volume Plan Conventions Orthographic Projections (Elevation) Cut-Away Views (Plan and Section) Paraline Drawings Perspective Drawings Graphic Conventions Line Weight, Style and Type Line Weight Hatching, Texture, Material and Shading Colour Drawing Scale and Paper Size Annotation and Dimensioning 2 Architecture Description Context: Location Plan and Site Section Building: Plan, Elevation and Section Building: Axonometric and Perspective Analysis Context: Figure-Ground Plan Context: Orientation Building: Massing Building: Structural Organisation Building: Programme Building: Circulation-to-Use Building: Part-to-Whole Building: Repetitive-to-Unique Building: Geometrical Order Building: Parti Comparison Free Plan vs Raumplan Deconstruction of Whole to Parts Vertical vs Horizontal (Collective Forms of Living) Sectional Organisation Landscape and Landform Modularity Comparative Matrices Massing Conceptual Organisation Disposition Distribution Circulation Difference Growth 3 The Urban Description Urban Plan Land Use Density Circulation (Transport) Open Spaces Infrastructures Analysis Figure-Ground Plan Hierarchies and Organisation Part-to-Whole and Repetitive-to-Unique Built Environment Phasing Comparison Block Urban Plan Enclave Ground Infrastructures Comparative Matrices Size Distribution Hierarchy and Layering Difference Growth Architectural Types and Urban Morphology 4 Transformation Typological Transformation Timeline: Prison Architecture Comparative Matrix: Parliament Buildings Comparative Diagrams: Plenary Types in Parliament Buildings Typological Transformation Diagrams Transformative Matrix: Merged and Offset Types Design Examples Tokyo Podium The City Campus The Chinese Unit CitÉ Housing Drawing Acknowledgements and References Index EULA List of Illustrations Introduction Alvaro Arancibia Tagle, Cité Housing in Santiago de Chile (AA Projective Cities, 2013) Figure 1: ‘Plate 1’ showing the comparative proportions of the five architectural orders (Tuscan, Doric, Ionic, Corinthian and Composite) as measured by the petit module, in Claude Perrault, Ordonnance des cinq espèces de colonnes selon la méthode des anciens (Paris: Coignard, 1683) Figure 2: ‘Les cinq Ordres d'Architecture dans une mème hauteur suivant Vignole’ [The five Orders of architecture drawn at the same height after Vignola], in Pierre Nativelle, Nouveau traité d'architecture (Paris: Dupuis, 1729) Figure 3 : ‘Plan des églises les plus remarquables bâties depuis l'an 326 jusqu'en 1764’ [Plans of the most remarkable churches built from 326 to 1764], in Julien-David Le Roy, Histoire de la disposition et des formes différentes que les Chrétiens ont données á leurs temples depuis le règne de Constantin le Grand jusqu'á nous (Paris: Desaint & Saillant, 1764 Figure 4: ‘Plate 1’ showing the parallel, formal development of the temple type, in Julien-David Le Roy, Les Ruines des plus beaux monuments de la Grèce, 2nd Edition (Paris: Delatour, 1770) Figure 5: ‘Plate 20, Ensemble d'édifices, résultants de divisions du carré, du parallélogramme et de leurs combinaisons avec le cercle’ [Building ensembles, resulting from the divisions of the square, the parallelogram and their combinations with the circle], in Jean-Nicolas-Louis Durand, Précis des leçons d'architecture données á l'École Royale Polytechnique, Volume 1 (Paris: the author, 1802) Figure 6: ‘Plate 21, Marche á suivre dans la composition d'un projet quelconque’ [Procedure to be followed in the composition of any project], in Jean-Nicolas-Louis Durand, Précis des leçons d'architecture données á l'École Royale Polytechnique, Volume 1 (Paris: the author, 1813 edition) Figure 7: Sketch of morphological transformation of rectangular formal elements. Oswald Mathias Ungers with Jürgen Sawade and Jonas Geist, competition for student housing for the Technische Hogeschool Twente in Enschede, Netherlands (1963). Courtesy of the Ungers Archiv für Architekturwissenschaften Figure 8: A panopticon and panorama based on the principles of Jeremy Bentham's panopticon model (1791) and Robert Barker's panorama building (1792). Drawn by Longning Qi and Qinhe Yi (2014). Alvaro Arancibia Tagle, Cité Housing in Santiago de Chile (AA Projective Cities, 2013)

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Drawing is an important means to analyse information and develop rigorous arguments both conceptually and visually. Going beyond the how-to drawing manual, this book provides an instrumental approach to drawing, especially computer-generated drawings; it outlines how drawings should be used to conve
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