Valencia ftoc V3 08/23/2011 4:30 PM Valencia ffi rs V3 08/23/2011 4:27 PM HOW TO USE THIS BOOK 1. Come on in. Have a look around. Check out the Table of Contents to see if any- thing catches your eye. Bear in mind that most of the lesson plans can be adapted for other grade levels, so don’t feel obligated to stick strictly to yours. 2. All of our workshops are different, so all of our lesson plans are too. Generally, there’s an outline of the lesson for you, and sometimes a handout for the students. We’ve tried to make them as user-friendly as possible. 3. To help you plan your class, we’ve headed each lesson plan with a time estimate. Th is is how long the class generally runs. In your classroom it might go slower or faster, but we’ve tried to ballpark it for you. 4. As much as we’ve tried to make things fun, we’ve also tried to keep things simple. A three-ring writing circus with actual trained animals and cotton candy machines would be great fun for your students, but a great big headache for you, so we’ve tried to keep the supplies and prep to a minimum. We’ve headed each lesson plan and activity with the list of materials it requires. Most of the time this will consist of things you already have on hand. Fancier fi xings are optional. 5. we encourage you to adapt these lessons to suit you and your students. Th ese lessons were taught in an after-school environment, with students who were there by choice, so we expect they’ll need some tweaking to work for you. Make them yours. 6. Sometimes you might have extra time and want to do something really, really special. When you do, look for the Superteacher bonus activity icon. It looks like this: SUPERTEACHER BONUS ACTIVITIES Superteacher bonus activities are optional additions to the lesson plan that require a little more eff ort, but are guaranteed to dazzle your students. 7. In the Appendix you’ll find some other tools we hope will make your life easier: evaluation rubrics to guide grading, a student self-assessment checklist, and charts to show you which Core Curriculum guidelines each lesson plan meets. 8. We’d love to hear how it goes. Any suggestions? Comments? You can contact us at [email protected]. Send us your own favorite lesson plan, or samples of your students’ fabulous work. We’d love to see it. Valencia ffi rs V3 08/23/2011 4:27 PM Valencia ffi rs V3 08/23/2011 4:27 PM DON’T FORGET to WRITE E L E M E N T A R Y G R A D E S for the 50 ENTHRALLING and EFFECTIVE WRITING LESSONS 5 12 AGES TO 826 National Edited by Jennifer Traig Valencia ffi rs V3 08/23/2011 4:27 PM Copyright © 2011 by 826 National. All rights reserved. Published by Jossey-Bass A Wiley Imprint 989 Market Street, San Francisco, CA 94103-1741—www.josseybass.com No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, photocopying, recording, scanning, or otherwise, except as permitted under Section 107 or 108 of the 1976 United States Copyright Act, without either the prior written permission of the publisher, or authorization through payment of the appropriate per-copy fee to the Copyright Clearance Center, Inc., 222 Rosewood Drive, Danvers, MA 01923, 978-750-8400, fax 978-646-8600, or on the Web at www.copyright.com. Requests to the publisher for permission should be addressed to the Permissions Department, John Wiley & Sons, Inc., 111 River Street, Hoboken, NJ 07030, 201-748-6011, fax 201-748- 6008, or online at www.wiley.com/go/permissions. 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Jossey-Bass books and products are available through most bookstores. To contact Jossey-Bass directly call our Customer Care Department within the U.S. at 800-956-7739, outside the U.S. at 317-572-3986, or fax 317-572-4002. Wiley also publishes its books in a variety of electronic formats and by print-on-demand. Not all content that is available in standard print versions of this book may appear or be packaged in all book formats. If you have purchased a version of this book that did not include media that is referenced by or accompanies a standard print version, you may request this media by visiting http://booksupport.wiley.com. For more information about Wiley products, visit us www.wiley.com. Library of Congress Cataloging-in-Publication Data Don't forget to write for the elementary grades : 50 enthralling and eff ective writing lessons (ages 5 to 12) / 826 National. -- 1st ed. p. cm. ISBN 978-1-118-02431-7 (pbk.) 1. English language – Composition and exercises – Study and teaching (Elementary) – United States. 2. Education, Elementary – Activity programs – United States. I. 826 National (Organization) LB1576.D6345 2011 372.60973--dc23 2011025956 Printed in the United States of America first edition PB Printing 10 9 8 7 6 5 4 3 2 1 Valencia ftoc V3 08/23/2011 4:30 PM TABLE OF CONTENTS FOREWORD XV ACKNOWLEDGMENTS XVII THE AUTHORS XIX THE CONTRIBUTORS XXIII LESSON PLANS 1 TRAGIC LOVE TALES (BY 6-YEAR-OLDS) . . . . . . 1 by Joan Kim and Roberto Carabeo Just what it sounds like. 2 WRITING FOR PETS . . . . . . . . . . 6 by Jennifer Traig Students gain confi dence in their language skills by writing a short story for a pet, then reading it to a pet audience. Ideal for very young writers, kindergarten through fourth grade. 3 FORT PARTY! . . . . . . . . . . . . 9 by Maggie Hanks In this workshop, students build forts using tables, couches, sheets, clamps, whatever you have around. Th ey then go into the forts and do writing exercises. Best for grades two and up. 4 MAKE-BELIEVE SCIENCE . . . . . . . . . 14 by Amie Nenninger Facts take a backseat to fi ction in this incredibly inventive workshop. Students compose their own wacky faux-science journal. A great way to get more science-minded students interested in creative writing. Ideal for students fi fth grade and younger. v Valencia ftoc V3 08/23/2011 4:30 PM 5 OH, YOU SHOULDN’T HAVE, REALLY . . . (OR, HOW TO WRITE A JON SCIESZKA PICTURE BOOK) . . . . . . 22 by Jon Scieszka Students learn how a master children’s book author gets his ideas, and are invited to create their own. Great for grades two through four. 6 SPACE EXPLORATION FOR BEGINNERS: WHAT TO DO WHEN YOU MEET AN ALIEN . . . . . . . . . 29 by Moira Cassidy Junior Space Explorers get the opportunity to “travel” to other worlds, record their experiences in their personal Space Exploration Logs, and make a scale model of one of the alien creatures they meet on their journey. NO SPACE TRAVEL EXPERIENCE NECESSARY. Ideal for grades two through four. 7 MAGIC REALISM . . . . . . . . . . . 34 by Aimee Bender What if sneezes brought good luck? What if you wrote about it? Our favorite magic realist invites students to imagine a world that’s just slightly off . Ideal for older writers, fi fth grade and up. 8 RECYCLED ELVES: FAIRY TALE DO-OVERS . . . . . . 36 by Lucas Gonzalez and Chris Molnar Rewriting fairy tales. Good for grades three to six. 9 CREATING A GUIDE TO MODERN GIRLHOOD . . . . . 40 by Meghan Adler Learn how to write your autobiography, using a variety of techniques and styles popular in best-selling books for girls. We will do numerous drawing and writing activities. Best for grades fi ve and up. 10 HOW TO WRITE A HOW-TO . . . . . . . . . 47 by Jory John Author Jory John teaches students how to write incredibly useful how- tos, like “How to Avoid a Bath or Shower for as Long as Possible, and Maybe Even Longer.” Ideal for grades four and up. vi Table of Contents Valencia ftoc V3 08/23/2011 4:30 PM 11 TALKING TRASH! . . . . . . . . . . . 51 by Holly M. Dunsworth and Juliet Weller Dunsworth Students learn the basics of artifact/trash interpretation and create their own fascinating descriptions of found objects and “trash” artifacts. Neanderthals welcome. Ideal for grades three to six. 12 WHY DID THE CHICKEN CROSS THE LESSON PLAN? WRITING JOKES AND RIDDLES . . . . . . . . 59 by Marcy Zipke Th is introduction to writing jokes and puns encourages language play. Ideal for the very youngest writers—third grade and younger. 13 SPY SCHOOL . . . . . . . . . . . . 62 by Kate Pavao and Jennifer Traig Th is intensive spy-training program encourages descriptive writing, code wordplay, and imaginative reporting. Best for slightly older writers, fourth grade through sixth. 14 LITERARY MASH-UPS . . . . . . . . . . 72 by Susan Voelker and Susan Meyer Kids write genre mash-ups (like a romantic horror story). Best for grades fi ve and up. 15 BRAIN SPELUNKING . . . . . . . . . . 76 by Scott Beal Using Rorschach blots, picture prompts, and automatic writing techniques, we will plumb the inner depths of our minds and see what comes of it. Best for grades fi ve and up. 16 PJ PARTY . . . . . . . . . . . . . 80 by Amy Sumerton, Jason DePasquale, and Chloe Durkee Students learn to craft expert bedtime stories. Trust us: wearing pajamas helps. Good for grades two through fi ve. Table of Contents vii Valencia ftoc V3 08/23/2011 4:30 PM 17 ANY WHICH WAY: CHOOSING YOUR OWN ADVENTURE . . . 82 by Lindsey Plait Jones Students learn about the basic elements of telling a story, then create their own multichoice adventures. For grades two through six. 18 LIFE-SIZE BOARD GAME! . . . . . . . . . 89 by Katherine Fisher and Jessica Morton In this workshop, we use a life-size game board—where we are the moving pieces. We start off by creating the writing-inspired rules together. Once we’ve collectively thought up the most amazing board game that will soon sweep the nation, we play it together. Best for grades three and up. 19 BRAINS! OR, WRITING WITH ZOMBIES . . . . . . 91 by Brad Brubaker Students interview a real-life zombie, then use what they learn to write their own zombie stories. BRAINS! Good for grades two through fi ve. 20 HOW TO WRITE A COMIC . . . . . . . . . 95 by Todd Pound and Jennifer Traig Students learn to tell stories in both written and visual media. Ideal for students who think they don’t like to write. Th is class is designed for students in fourth grade and higher. 21 THE MEANING OF LIFE (THE SHORT ANSWER): WRITING BIG, LARGE, AND SMALL! . . . . . . 105 by Elizabeth Alexander and Kathleen Goldfarb In this workshop, we bravely identify our own big questions and explore them in stories that are both goofy and serious. Best for grades three and up. 22 HOW TO SURVIVE ANYTHING . . . . . . . 108 by Rebecca Wasley What do you tell your teacher when you forgot your homework? How can you get out of doing your chores? How do you stop aliens from taking over the planet? It’s about time someone put together a book of how to survive absolutely anything—and that someone is you! Good for grades three and up. viii Table of Contents
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