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Divine Inspiration in Byzantium: Notions of Authenticity in Art and Theology PDF

480 Pages·2022·70.125 MB·English
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DIVINE INSPIRATION IN BYZANTIUM NOTIONSOFAUTHENTICITYINARTANDTHEOLOGY Inthisvolume,KarinKrauseexaminesconceptionsofdivineinspirationand authenticity in the religious literature and visual arts of Byzantium. During antiquity and the medieval era, “inspiration” encompassed a range of ideas regarding the divine contribution to the creation of holy texts, icons, and other material objects by human beings. Krause traces the origins of the notion of divine inspiration in the Jewish and polytheistic cultures of the ancient Mediterranean and Near Eastern worlds and their reception in Byzantine religious culture. Exploring how conceptions of authenticity are employed in Byzantium to claim religious authority, she analyzes texts in arangeofgenres,aswellasimagesindifferentmedia,includingmanuscript illumination,icons,andmosaics.Herinterdisciplinarystudydemonstratesthe pivotalrolethatclaimstothedivineinspirationofreligiousliteratureandart playedintheconstructionofByzantineculturalidentity. Karin Krause is an assistant professor of Byzantine Theology and Visual CultureattheUniversityofChicago.Herresearchhasbeensupportedby the German Research Foundation, the Max Planck Society, Dumbarton Oaks,theGerdaHenkelFoundation,andtheGermanAcademicExchange Service. Her book The Illustrated Homilies of John Chrysostom in Byzantium wonanawardfromtheSoutheastEuropeAssociation. DIVINE INSPIRATION IN BYZANTIUM NOTIONS OF AUTHENTICITY IN ART AND THEOLOGY KARIN KRAUSE UniversityofChicago UniversityPrintingHouse,Cambridgecb28bs,UnitedKingdom OneLibertyPlaza,20thFloor,NewYork,ny10006,USA 477WilliamstownRoad,PortMelbourne,vic3207,Australia 314 321,3rdFloor,Plot3,SplendorForum,JasolaDistrictCentre, NewDelhi 110025,India 103PenangRoad,#05 06/07,VisioncrestCommercial,Singapore238467 CambridgeUniversityPressispartoftheUniversityofCambridge. ItfurtherstheUniversity’smissionbydisseminatingknowledgeinthepursuitof education,learning,andresearchatthehighestinternationallevelsofexcellence. www.cambridge.org Informationonthistitle:www.cambridge.org/9781108830997 doi:10.1017/9781108922050 ©CambridgeUniversityPress2022 Thispublicationisincopyright.Subjecttostatutoryexception andtotheprovisionsofrelevantcollectivelicensingagreements, noreproductionofanypartmaytakeplacewithoutthewritten permissionofCambridgeUniversityPress. Firstpublished2022 PrintedintheUnitedKingdombyTJBooksLimited,PadstowCornwall AcataloguerecordforthispublicationisavailablefromtheBritishLibrary. LibraryofCongressCataloging-in-PublicationData names:Krause,Karin,author. title:DivineinspirationinByzantium:notionsofauthenticityinartandtheology/KarinKrause, UniversityofChicago. description:Cambridge;NewYork,NY:CambridgeUniversityPress,2022.|Includes bibliographicalreferencesandindex. identifiers:lccn2021050152(print)|lccn2021050153(ebook)|isbn9781108830997(hardback)| isbn9781108926218(paperback)|isbn9781108922050(ebook) subjects:lcsh:Authority Religiousaspects Christianity Historyofdoctrines Earlychurch,ca. 30 600.|Authority Religiousaspects Christianity Historyofdoctrines MiddleAges,600 1500.|Bible Inspiration Historyofdoctrines Earlychurch,ca.30 600.|Bible Inspiration Historyofdoctrines MiddleAges,600 1500.|Authorityinart.|Authorityinliterature.|Art, Byzantine Themes,motives. classification:lccbt88.k742022(print)|lccbt88(ebook)|ddc262/.8 dc23/eng/20211118 LCrecordavailableathttps://lccn.loc.gov/2021050152 LCebookrecordavailableathttps://lccn.loc.gov/2021050153 isbn978-1-108-83099-7Hardback CambridgeUniversityPresshasnoresponsibilityforthepersistenceoraccuracyof URLsforexternalorthird-partyinternetwebsitesreferredtointhispublication anddoesnotguaranteethatanycontentonsuchwebsitesis,orwillremain, accurateorappropriate. CONTENTS ListofPlates pagevii ListofFigures ix Acknowledgements xv ListofAbbreviations xvii INTRODUCTION 1 1 THE EARLY CHRISTIAN ICONOGRAPHY OF DIVINE INSPIRATION: NOVEL APPROACHES TO AN OLD PICTORIAL THEME 36 2 INSPIRATION AND THE BIBLE IN THE POST ICONOCLASTIC ERA 87 3 INSPIRATION CONTINUED: THE WRITINGS OF THE CHURCH FATHERS 145 4 DIVINE INSPIRATION BEYOND THE FATHERS 206 5 INSPIRED ICONS 232 6 ACHEIROPOIETOS: THE MANDYLION AS “THE RADIANCE OF GOD’S GLORY AND EXACT IMPRINT OF GOD’S VERY BEING” 273 7 ALLEGORIES OF DIVINE ARTISTRY: THE MANDYLION AND ITS MULTIPLES 320 EPILOGUE 355 v vi CONTENTS Bibliography 360 Index of Manuscripts 418 Index of Biblical Citations 421 General Index 424 PLATES Thecolorplatescanbefoundbetweenpages14and15. 1.1 DivineWisdomdictatingtheGospeltoMarktheEvangelist.RossanoCodex, Rossano,MuseoDiocesanoedelCodice,Ms.1,f.121r.©MuseoDiocesano edelCodice,Rossano. 2.10 LuketheEvangelistwritingdowntheGospelupondivinedictation. St.Petersburg,NationalLibrary,Ms.212,f.141v.©TheNationalLibraryof Russia. 2.17 JohntheEvangelistdictatingtheGospeltoProchorus.MountAthos, DionysiouMonastery,Ms.588,f.225v.©MountAthos,Dionysiou Monastery.Photographer:MonkGabriil. 2.26 TitlepageoftheEpistletotheHebrews.Moscow,StateUniversityLibrary, Ms.gr.2(2280),f.316v.©MoscowStateUniversity. 2.30 DivineWisdomdictatingthePsaltertoDavid.Milan,BibliotecaAmbrosiana, Ms.M54sup.,f.1r.©VenerandaBibliotecaAmbrosiana. 2.35 DavidbetweenWisdomandProphecy.ParisPsalter,Bibliothèquenationale, Ms.gr.139,f.7v.©BibliothèquenationaledeFrance. 3.13 St.JohnChrysostomasthedivinelyinspired“SourceofWisdom.”Milan, BibliotecaAmbrosiana,Ms.A172sup.,f.263v.©VenerandaBiblioteca Ambrosiana.MondadoriPortfolioFotoriproduzione. 3.14 St.Paulwriting.Paris,Bibliothèquenationale,Ms.gr.224,f.6v.© BibliothèquenationaledeFrance. 3.15 ThreecommentatorsonPaul’sEpistles.Paris,Bibliothèquenationale,Ms.gr. 224,f.7r.©BibliothèquenationaledeFrance. 3.23 St.JohnChrysostomwiththetwelve year oldJesusintheTemple.Athens, NationalLibrary,Ms.211,f.226r.©ΕθνικήΒιβλιοθήκητηςΕλλάδος. 3.30 St.GregoryofNazianzusbeinginspiredbyChrist.Jerusalem,Greek Patriarchate,Ms.Saba258,f.1v.©GreekOrthodoxPatriarchate,Jerusalem. Photographer:GaroNalbandian. 3.22 St.JohnChrysostombeingofferedascrolltoeat.Ohrid,ChurchofHagia Sophia©DigitalesForschungsarchivByzanz:https://phaidra.univie.ac.at/o: 1126795.Photographer:HorstHallensleben. 3.32 St.AthanasiustheGreatasthe“SourceofWisdom.”Lesnovo,Churchofthe ArchangelMichael,Narthex.©DiFaB(https://phaidra.univie.ac.at/o:1126 786).Photographer:HorstHallensleben. vii viii LISTOFPLATES 4.6 JamesofKokkinobaphoswithSts.JohnChrysostomandGregoryofNyssa. Paris,Bibliothèquenationale,Ms.gr.1208,f.1v.©Bibliothèquenationalede France. 5.5 MosaicoftheVirginMaryandChristchildintheapse(detail).HagiaSophia, Constantinople.©ByzantineInstituteandDumbartonOaksFieldwork RecordsandPapers,ca.late1920s,DumbartonOaks,TrusteesforHarvard University,Washington,DC.Photographer:SusanBoyd. 6.1 Wingsfromatriptych.Sinai,TheHolyMonasteryofSt.Catherine.By permissionofSaintCatherine’sMonastery,Sinai,Egypt.Photographer: FatherJustin. 7.3 IcondepictingtheAnnunciationtotheVirginMary(detail).Sinai,TheHoly MonasteryofSt.Catherine.©BypermissionofSaintCatherine’sMonastery, Sinai,Egypt.Photographer:FatherJustin.

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