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Distinguished Figures in Descriptive Geometry and Its Applications for Mechanism Science: From the Middle Ages to the 17th Century PDF

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History of Mechanism and Machine Science 30 Michela Cigola Editor Distinguished Figures in Descriptive Geometry and Its Applications for Mechanism Science From the Middle Ages to the 17th Century History of Mechanism and Machine Science Volume 30 Series editor Marco Ceccarelli, Cassino, Italy Aims and Scope of the Series This book series aims to establish a well defined forum for Monographs and ProceedingsontheHistoryofMechanismandMachineScience(MMS).Theseries publishes works that give an overview of the historical developments, from the earliest times up to and including the recent past, of MMS in all its technical aspects. Thistechnicalapproachisanessentialcharacteristicoftheseries.Bydiscussing technicaldetailsandformulationsandevenreformulatingthoseintermsofmodern formalisms the possibility is created not only to track the historical technical developments but also to use past experiences in technical teaching and research today. In order to do so, the emphasis must be on technical aspects rather than a purely historical focus, although the latter has its place too. Furthermore,theserieswillconsidertherepublicationofout-of-printolderworks with English translation and comments. Thebookseriesisintendedtocollecttechnicalviewsonhistoricaldevelopments of the broad field of MMS in a unique frame that can be seen in its totality as an EncyclopaediaoftheHistoryofMMSbutwiththeadditionalpurposeofarchiving andteachingtheHistoryofMMS.Thereforethebookseriesisintendednotonlyfor researchers of the History of Engineering but also for professionals and students who are interested in obtaining a clear perspective of the past for their future technicalworks.Thebookswillbewritteningeneralbyengineersbutnotonlyfor engineers. Prospective authors and editors can contact the series editor, Professor M. Ceccarelli, about future publications within the series at: LARM: Laboratory of Robotics and Mechatronics DiMSAT—University of Cassino Via Di Biasio 43, 03043 Cassino (Fr) Italy email: [email protected] More information about this series at http://www.springer.com/series/7481 Michela Cigola Editor Distinguished Figures in Descriptive Geometry and Its Applications for Mechanism Science From the Middle Ages to the 17th Century 123 Editor Michela Cigola Department ofCivil andMechanical Engineering University of Cassino andSouthLatium Cassino Italy ISSN 1875-3442 ISSN 1875-3426 (electronic) History of Mechanism andMachineScience ISBN978-3-319-20196-2 ISBN978-3-319-20197-9 (eBook) DOI 10.1007/978-3-319-20197-9 LibraryofCongressControlNumber:2015944151 SpringerChamHeidelbergNewYorkDordrechtLondon ©SpringerInternationalPublishingSwitzerland2016 Thisworkissubjecttocopyright.AllrightsarereservedbythePublisher,whetherthewholeorpart of the material is concerned, specifically the rights of translation, reprinting, reuse of illustrations, recitation, broadcasting, reproduction on microfilms or in any other physical way, and transmission orinformationstorageandretrieval,electronicadaptation,computersoftware,orbysimilarordissimilar methodologynowknownorhereafterdeveloped. The use of general descriptive names, registered names, trademarks, service marks, etc. in this publicationdoesnotimply,evenintheabsenceofaspecificstatement,thatsuchnamesareexemptfrom therelevantprotectivelawsandregulationsandthereforefreeforgeneraluse. The publisher, the authors and the editors are safe to assume that the advice and information in this book are believed to be true and accurate at the date of publication. Neither the publisher nor the authorsortheeditorsgiveawarranty,expressorimplied,withrespecttothematerialcontainedhereinor foranyerrorsoromissionsthatmayhavebeenmade. Printedonacid-freepaper SpringerInternationalPublishingAGSwitzerlandispartofSpringerScience+BusinessMedia (www.springer.com) ’ Series Editor s Preface I am very happy, for the following reason, to present this impressive book in our series.Itisafirstbookofaseriesofstoriesaboutnotableswhohavecontributedto developments of Mechanisms and Machine Science (MMS) from the field of DescriptiveGeometry.Itisimportanttorecognizethemeritsofthesepeopleandto give proper credit for their achievements that are still of modern interest and application.Thus,letushopetohavemoreofthesecontributionsthatareaimedat building an encyclopaedia of who-is-who in the wide areas of MMS, in combi- nation with the other series of ‘Distinguished Figures in MMS’. This book is a brilliant example of the multidisciplinary content and interest in MMS. In addition, as one looks at the outstanding names that appear in this book, a readerwillfindalreadyfamousscientistspresentedwithnovelperspectivesontheir activities, even highlighting aspects that elsewhere might be considered of minor importance.Butthosecontributionsandeffortsweresignificantfortheevolutionof MMS, both in theory and practice, with influential impact even in technological developments. Similarly, some of these notables are presented for the first time in MMS frames, bringing specific attention to outlining their achievements that still have possibilities for modern implementation. I am sure readers will not only find satisfaction in reading this book but will receive inspiration and hope for more historical evaluations and technical evolutions. Thus, I congratulate the editor and authors of this book for the very interesting results and I wish enjoyment to all its readers. Cassino Marco Ceccarelli March 2015 Chief Editor of Series on History of MMS v Contents Descriptive Geometry and Mechanism Science from Antiquity to the 17th Century: An Introduction. . . . . . . . . . . . . . . . . . . . . . . . . 1 Michela Cigola Gerbert of Aurillac (c. 940–1003). . . . . . . . . . . . . . . . . . . . . . . . . . . . 33 Carlo Bianchini and Luca J. Senatore Francesco Feliciano De Scolari (1470–1542) . . . . . . . . . . . . . . . . . . . . 53 Arturo Gallozzi Niccolò Tartaglia (1500c.–1557) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 77 Alfonso Ippolito and Cristiana Bartolomei Federico Commandino (1509–1575) . . . . . . . . . . . . . . . . . . . . . . . . . . 99 Ornella Zerlenga Egnazio Danti (1536–1586). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 129 Mario Centofanti Guidobaldo Del Monte (1545–1607) . . . . . . . . . . . . . . . . . . . . . . . . . . 153 Barbara Aterini Giovan Battista Aleotti (1546–1636) . . . . . . . . . . . . . . . . . . . . . . . . . . 181 Fabrizio I. Apollonio Giovanni Pomodoro (XVI Century) . . . . . . . . . . . . . . . . . . . . . . . . . . 201 Stefano Brusaporci Jacques Ozanam (1640–1718). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 223 Cristina Càndito vii Descriptive Geometry and Mechanism Science from Antiquity to the 17th Century: An Introduction Michela Cigola Abstract The focus of this brief introduction is the common birth and parallel destiny of Descriptive Geometry and Mechanism Science. This argument will comparesomescientistsfromthechosenperiodwhocanbeconsideredofcommon interest between the two disciplines, devoting a chapter to each of them. And especiallyinthisintroductorychapterwewilldiscussfourmajorpersonalities,one forAntiquity(Vitruvius),onefortheMiddleAges(VillarddeHonnecourt),onefor the Renaissance (Filippo Brunelleschi), and finally one for the Baroque period (Giovanni Branca). Introduction DescriptiveGeometryandAppliedMechanics,andmoreparticularlytheTheoryof Mechanisms, which are at first sight disciplines belonging to separate and disjoint fields, actually hide a common birth and parallel destiny. Since ancient times, with Vitruvius and then in the Renaissance with Brunelleschithetwodisciplinesbegantoshareacommondirectionwhich,overthe centuries,tookshapethroughlesswell-knownfiguresuntilthemorerecenttimesin which Gaspard Monge worked. Understood in its modern sense, the Theory of Machines and Mechanisms can betracedbacktothefoundingoftheÉcolePolytechniqueinParisandparticularly to Monge and Hachette, personalities who made a fundamental contribution to the development of Descriptive Geometry. Over the years, a gap has been created between the two disciplines, which now appear to belong to different worlds. In reality, however, there is a very close relationshipbetweenDescriptiveGeometryandAppliedMechanics,alinkbasedon M.Cigola(&) DART-LaboratoryofDocumentation,Analisys,SurveyofArchitecture&Territory, DepartmentofCivil&MechanicalEngineering-UniversityofCassino&SouthernLatium, viaG.DiBiasio43,03043Cassino,Italy e-mail:[email protected] ©SpringerInternationalPublishingSwitzerland2016 1 M.Cigola(ed.),DistinguishedFiguresinDescriptiveGeometry andItsApplicationsforMechanismScience,HistoryofMechanism andMachineScience30,DOI10.1007/978-3-319-20197-9_1 2 M.Cigola extremely solid foundations; just think that without the theoretical foundations of geometry it would not be possible to draw and design mechanical parts such as gears,whileinkinematicsitwouldbelesseasytodesignandpredictthereciprocal movements of the parts in a complex mechanical assembly (Fig. 1). Thereafter, a long list of scholars can be identified who spanned the two dis- ciplines, studying and researching in Descriptive Geometry and Mechanics in alternatingphasesoftheirscientificpaths,andwhowereauthorsofbooksinoneor another subject matter. In this book we will try to better delineate this matter, considering some sci- entistsfromthechosenperiodwhocanbeconsideredofcommoninterest between the two disciplines, devoting a chapter to each of them. And especially in this introductory chapter we will discuss four major personalities, one for Antiquity (Vitruvius),onefortheMiddleAges(VillarddeHonnecourt),onetheRenaissance (Filippo Brunelleschi), and finally one for the Baroque period (Giovanni Branca). In our discussion we will try not to lose sight of the development of the two disciplines, devoting to each personality a brief summary that puts their contribu- tiontothestateoftheart ofthetimeintoproper context.Continuing ourresearch, we will make use of the representations that our authors include in their works, Fig.1 Graphic representationofkinematic schemeofmotion,in “Cinematicadellabiella piana”,1895byL.Allievi, Fig.27 DescriptiveGeometryandMechanismSciencefromAntiquity… 3 analysing alternately drawings of machines and architectural drawings, or func- tional representations in geometric theories. Theanalysesofthesegraphicalrepresentations(whichareoftendesignprojects) will also lead us to talking about drawings, analysing wherein at times the two disciplinesintertwineandsometimesconfronteachother,becausetheywerealways deeply rooted in the culture of their epochs. Infact,theory,basedonpureknowledgeandtechnology,basedonexperiments, for centuries remained two opposite worlds. Since ancient times, in the wake of Aristotelian philosophy, theory was the domain of those who in the Middle Ages were called practitioners of the “liberal arts”, while technology belonged to the “mechanical arts”. In later times, enlargement of the terrestrial and celestial worlds, happening between400and700duetogeographicalandastronomicaldiscoveries,triggereda profound ideological change that accompanies the early developments of technol- ogy; a new philosophical interpretation of the mechanical arts makes its début—a way of knowing linked to active exploration of the nature that exceeds the Aristotelian concept of contemplative science. Technologicaldevelopmenthasineveryagegreatlyinfluenced evolutionofthe representation of design sketches, whether it was related to the representation of architecture or if it was an expression of a project related to mechanics. In par- ticular, the drawings of mechanical elements such as mechanisms, from an initial, highly descriptive, representation, has evolved towards an ever greater clarity of representation that would facilitate a rapid and unequivocal interpretation. In fact, from the Middle Ages to the Renaissance, technical drawing in general and especially that of machines and mechanisms, is not an autonomous encoded language but a figurative representation of an object that only rarely turns into a schematic simplification, with the use of some simple convention that is tradi- tionally applied but not formally declared; in addition, there was still a deeply rootedbeliefthatornamentationenhancesthevalueofthematerial,andthebeauty of its use. Technical drawing in today’s sense comes only with the Industrial Revolution, when production is broken down into various structural levels and the use of the executive project rather than summary schematisation is introduced to clarify the features and perform the design calculations. On the other hand, in terms of Descriptive Geometry, the situation is certainly more complex. On the one hand, it can be considered as a discipline that collects in an organic whole the rules devised by painters and designers to delineate on a flat surface certainfiguresthatarefaithfulimagesofobjectsinthreedimensions.Inthiscase,it is obvious that its origins date back to the origin of man. This understanding of geometry will lead to the development of perspective in painting, with the funda- mentalcontributionofBrunelleschiand,forarchitecture,refinementoftherulesfor the representation of construction projects, whose development is still ongoing today.

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