8 F E! 14 S O VIC MASTERCLASS! SLOW SHUTTER SPEED EFFECTS E D G A PA RT E P X E O CTOBER 2004 THE WORLD’S BIGGEST DIGITAL PHOTOGRAPHY MAGAZINE www.dcmag.co.uk BACK GARDEN SAFARI! TAKE YOUR BEST-EVER NATURE & FLOWER SHOTS 8 How to get super-sharp close-ups of fl owers, insects & birds 8 Digital darkroom techniques to improve your images 8 The gear you need for great results in all conditions 100 CAMERAS WHERE TO GO... IMAGE EDITING RATED INSIDE! FIND YOUR PERFECT GEAR... 8 ERFXIOCRLLUSLSTIE VUIE G!KO R DEVIGIEITWA!L 8VHbeoIVawmI tDos &aLd IcdGo lrHoeuaTrlei sEdtiF cs FpliEogtChlitTg hSts ATghoUeth TbiUce sbMtu piNlldai cnDegsAs f&oYr Sw r eoOdo UddleTaenrd, s ON TEST! 9771479 October 2004 0 TOP A4 PHOTO 0 1 0 PRINTERS GO 0 3 HEAD TO HEAD £ PAGE 58 14.9 09 Printed in the UK Get a clean cover every month by subscribing! Call 0870 444 8680 W elcome Even though they’re now becoming affordable, do you really need a digital SLR? here seems to be no stopping the rise of the budget digital “If you’re T SLR. First the Canon 300D got us excited, then the Nikon Create realistic D70 got in on the act, and in the next couple of months serious, you light effects we’re expecting new models from Pentax, Olympus and Canon. These using our in- want to get releases are likely to provoke a massive price war for your pennies and depth guide PAGE 98 pounds, but before we all get carried away, there’s an important the best kit, question that needs to be answered: do you really need an SLR? On the face of it, this seems like a foolish question. After all, if you’re and doesn’t serious about your hobby, you want the best equipment in your price range, and doesn’t that automatically mean an SLR? Well, not that mean necessarily. In the days of fi lm, the main advantages of an SLR were the interchangeable lenses, a wealth of manual controls and, of course, a an SLR? Not viewfi nder that delivered almost 100% image coverage. Today’s digital compact has the latter two qualities in spades, while high zoom ranges necessarily” are now beginning to make some people question the value of interchangeable lenses. Would you rather carry a largish SLR with a selection of lenses or a compact eight-megapixel camera with a high TELL US WHAT YOU THINK zoom range? It’s a choice that really boils down to how you like to OF THIS AND OTHER ISSUES ON OUR FORUMS shoot. Are you someone who goes out specifi cally to take photographs WWW.DCMAG.CO.UK or do you take your camera with you, taking shots and scenes as you happen across them? The size of the camera isn’t the only consideration. The quality of the optics makes a massive difference to the fi nal image. The size of the sensor (usually larger in SLRs) is also a factor. Here, SLRs come out on top… for the time being. The fi nal major difference is the technology we love to hate, the Electronic Viewfi nder. I must admit that I can’t stand them, but what do you think? I want to know what format your next camera is going to be. Email me with your thoughts on the subject and we’ll print the best responses in the magazine. Best wishes Our promise to you ■ We will show you how to capture and ■ We have a cast-iron policy of editorial create better pictures, give clear, independence. All our kit is reviewed as- independent buying recommendations on sold. We discourage our journalists from the latest kit, and deliver two CDs or one accepting gifts from advertisers. DVD packed with the best PC software. ■ We welcome your opinions on the ■ We use boxes, tips, quick fi xes, quality magazine, ideas for articles, Adam Evans Editor photography, walkthroughs and diagrams photography, thoughts and questions. to show you how to improve your ■ Send them in today – see the [email protected] photographic and image-editing skills. email addresses below. Get in touch… ■ Articles/ideas for publication and general enquires [email protected] ■ Customer services/subscriptions departments 003 Digital Camera Magazine Future Publishing, 30 Monmouth Street, Bath, BA1 2BW +44 (0)1225 442244 www.dcmag.co.uk Customer services 0870 444 8475 The team... Your Experts Adam Evans Editor [email protected] Andrea Thompson Deputy Editor [email protected] Rob Bowen Art Editor [email protected] Christy Walters Designer [email protected] SUBSCRIPTIONS & BACK ISSUES If you have a query regarding a subscription or back issue, Our team of professionals offer an unparalleled wealth of knowledge or would like to place an order, please contact our customer services team: Telephone: +44 (0)870 4448680 Email: [email protected] EDITORIAL CONTRIBUTORS Steve Bavister, Helen Bradley, George Cairns, Mark Harris, PETE MARTIN STEVE BAVISTER AIDAN O’ROURKE Rod Lawton, Pete Martin, Aidan O’Rourke, Derek Lea, Tom Professional Professional Professional Mackie, Tim Shelbourne, Mark Sparrow, Rachel Spooner, Mark Wheatley, Mark Wilson. Elizabeth Raderecht photographer and photographer and photographer and magazine writer magazine editor technical expert PHOTOGRAPHIC CONTRIBUTORS (Where not credited inside) Future Network Photo Studio, Pete Martin specialises Steve Bavister is one of Aidan O’Rourke is a Photolibrary.com, Getty Images in travel journalism and the UK’s best-known freelance photographer Advertising photography. He runs an online photo library photographic writers, with decades of and contributor to the Manchester Evening Jacquie Duckworth Sales Director and works for photography, craft and travel experience in fi lm and digital. He has edited News. He lectures on digital photography 0207 317 2679 [email protected] magazines. Despite all this, he still fi nds time photographing magazines in the past and around the UK and is the mainstay of our in- Chris Thomas Ad Manager 020 7317 2600 [email protected] to share his wisdom with us, each month. now writes for us every month. depth support section, Hotline. Jim Cohen Sales Executive 0207 317 2635 [email protected] Advertisement typesetting J Jays Ltd GEORGE CAIRNS ROD LAWTON TIM SHELBOURNE New media Image-editing Camera expert Professional digital Ali Jennings New Media Editor [email protected] professional Rod Lawton has artist and writer Steve Pashley Online Editor George Cairns is an reviewed virtually Tim Shelbourne, now a [email protected] expert in producing every digital camera digital convert and Sarah Williams Software Copyright Co-Ordinator [email protected] amazing artwork using ever released. A self- formally a traditional Photoshop. He welcomes your suggestions for confessed technical nut, he reviews fi ve illustrator, made the switch to digital after his Circulation and marketing Fiona Tully Marketing Manager future creative projects. He also produces cameras each month for us, giving him an fi rst encounter with Photoshop. His in-depth Clare Tovey Production Manager many of the video lessons on our discs, unparalleled wealth of experience with which knowledge of the intricacies of image editing Katty Pigott Production Co-ordinator bringing the art of image editing to life. to compare and contrast. is second to none. Mike Thorne Team Buyer International licensing Simon Wear International Licensing Director HELEN BRADLEY MARK HARRIS DEREK LEA Senior management Photographer Photographer and Professional digital Nick Merritt Managing Editor and digital artist technical journalist artist and writer Lynda Burgess Assistant Publisher James Binns Publisher Helen Bradley is a Mark Harris has been a Derek Lea is famous photographer and photography writer for around the world for his multimedia collage over 10 years – and has Photoshop art work. The artist. Equally at home behind a camera or performed product testing duties on both creator of innumerable magazine covers, his computer, her knowledge of Paint Shop Pro, Which? and T3 magazines. Your Lab Test work incorporates disciplines as diverse as coupled with a no-nonsense Plain English expert each month, his technical knowledge digital imaging, photography, illustration, 3D approach, is extraordinarily impressive. will guide you past the pitfalls. modelling and writing. Future Publishing Ltd is part of The Future Network plc. The Future Network produces carefully targeted specialist Next month magazines for people who share a passion. We aim to satisfy that passion by creating titles offering value for money, reliable ON information, smart buying advice and which are a pleasure to read. Today we publish more than 100 magazines in the UK, US, France and Italy. Over 100 international editions of our magazines SALE are also published in 30 other countries across the world. The Future Network plc is a public company quoted on the London Stock Exchange (symbol: FNET). 8 Thursday FULL DETAILS ON PAGE 145 Non-executive Chairman: Roger Parry 7th Oct Chief Executive: Greg Ingham Group Finance Director: John Bowman Tel +44 1225 442244 www.thefuturenetwork.plc.uk Distributed by Great night shots Marketforce (UK) ltd, 5th Floor, Low Rise Building, Kings Reach Tower, Stamford Street, London, SE1 9LS. Tel 020 7633 3300 Printed in England Learn how to shoot amazing © Future Publishing Ltd 2004 Disclaimer Submissions to the magazine come under cityscapes, fi rework scenes worldwide licence to print and syndicate. All contributions to Digital Camera Magazine are accepted on the basis of a non- and much more… exclusive worldwide licence to publish or license others to do so, unless otherwise agreed in advance in writing. We reserve the right to edit letters. We cannot accept liability for mistakes or misprints, or any damage to equipment or possessions arising from use of this publication, its discs or software. Due to unforeseen circumstances, it may sometimes be necessary to make last-minute changes to advertised content, for magazine 004 and discs. Contents DCM#25 BACK GARDEN SAFARI! GET YOUR BEST-EVER NATURE & FLOWER SHOTS 8 Take super-sharp close-ups of fl owers, insects & birds 8 Master digital darkroom techniques for better images 8 Learn the secrets of professional garden photographers COVER FEATURE STARTS PAGE 30 G etup&go EXTRA p105 Buyers’ Guide THE ULTIMATE GUIDE TO SHOPPING AROUND PAGE 111 All the best places to go and things to shoot Some features and functions are must- haves for the creative digital photographer, Getup&go p62 and so we’ve trawled our review pages to Top 10 transport shots p66 give you the most comprehensive buyers’ guide to digital cameras on the market Trailblazers p70 Panoweaver FlashSlider 3.0 Effortlessly create interactive You don’t need any knowledge of panoramas that viewers can scroll Flash to create superb Flash-driven around, zoom into 106 slideshows, thanks 107 and much more! P AGE to FlashSlider P AGE 006 REGULARS Hotshots The best photos we’ve seen this month p10 Eyewitness The latest breaking news p16 Viewfi nder Reader letters p22 Subscribe Save money and don’t miss an issue! p28 Back issues Complete your collection p69 Trailblazers Travel shots from around the world p70 Next month The lowdown on issue 26 p145 R EVIEWS p43 Back page The big picture p146 Independent testing PHOTOSHOP p85 SHOOT p73 Brush up on brushes Master panning Brushes are an integral part of Photoshop and Add impact to wildlife and sports photos in this extensive guide, Derek Lea explains with the fi rst part of Andrea Thompson’s how you can use them to improve your shots new series on slow shutter speeds 74 P AGE Q&A Your photos 86 P AGE Aidan O’Rourke answers all your Adam Evans and Andrea photography questions and provides Thompson give their expert We test Rollei’s fi rst entry in the digital market, a 6MP compact camera p44 Recolouring tricks etispsse anntida la hdivnitcse, P AGE 76 arenaadlyesri sp hoof tyoosur P AGE 82 Turn your black and white photos into full-colour masterpieces – it’s easy with Helen Bradley’s step-by-step guide PAINT SHOP PRO p97 Realistic lights Coloured lights NIKON’S COOLPIX SIX NEW A4 PHOTO The fi rst part of Tim Shelbourne’s In the second part of this tutorial, 5200 REVIEWED p48 PRINTERS RATED p58 guide shows you how to create Tim Shelbourne reveals how you stunningly realistic 98 can simulate 100 REVIEWED THIS MONTH… lighting effects P AGE coloured lighting P AGE Rollei Prego dp6300 p44 Nikon CoolPix 5200 p48 Konica Minolta DiMAGE X31 p50 Pentax Optio S30 p52 Sony DSC-W1 p54 91 P AGE Manfrotto Neotec MN458B p56 Photogia & PhotoPerfect 4.4 p56 Perfect panoramas Paint Shop Pro Photo Album 5 p57 Tom Mackie reveals all the techniques Canon 1475D p59 and tricks you need to take amazing Epson R300 p59 panoramic shots Look sharp! Your photos HP 7660 p59 Tim Shelbourne reveals why the This month’s batch of reader HP 7960 p60 Unsharp Mask tool is the best way shots are scrutinised by Epson R800 p60 to sharpen up soft, P AGE 101 Andrea Thompson P AGE 102 blurred images and Adam Evans Canon i990 p60 IN THE NEWS THIS MONTH… TURN OVER FOR Panasonic reveals new FZ20 p16 Paint Shop Pro 9 – full details p17 92 FULL DISC CONTENTS P AGE Sony launches high-MP compact p18 All the latest on Fuji’s new S3 Pro p20 007 UK’s best discs DVD BONUS! More videos, full software, project fi les and plug-ins than any other magazine! PUHVSOIOIDNTNOEGEOLSD YYH IT OTOOUIUNOPTRO NBD R7RVI5AUD LSF RHOEEN ES PanoWeaver 2.0 p106 VIDEO TUTORIALS Panoramic PANOWEAVER images! Learn how to quickly stitch Use this powerful software to together a 3-dimensional create interactive 360º or 180º panorama using this panoramic images from your month’s featured product fi sh-eye lens photos. The and the sample fi les on program includes sample the coverdisc images so you can get started straight away! 000000000011111111 FantaMorph p107 PLUS! Animations Your FREE RECOLOURING Turn your photographs Photoshop Apply creative hand- into a morphing animation colouring techniques to in a few, easy steps book your images. Also contains great hints for colouring 8 Create pro images old black and white 8 Repair damaged shots photographs… 8 Enhance your photos 8 Make subjects fl awless 00000000002222222222 www.dcmag.co.uk The UK’s best digital photography magazine has a fantastic community site on the internet – join in today! STAINED Visit us online! GLASS WINDOWS Missed the perfect shot? No worries! Re-create beautiful lighting effects ince its launch in 2002, meet thousands of other Digital Camera using layers and fi lters in S dcmag.co.uk has turned into Magazine readers, discuss each month’s Paint Shop Pro one of the UK’s biggest and issues, swap tips and techniques, add most dynamic digital photography your own kit reviews, read our tutorials, 0000000000333333333 communities, and we really hope you’ll post your pictures and more. You can pop along to the site and join in! even click through from our camera We put up articles from every issue of reviews to the relevant page at one of the magazine for you to download, plus the UK’s top retailers and buy online! you can meet the team online in our Nobody else offers you such a simple, forums and talk about specifi c issues and comprehensive service, so what are you ideas you want to share. You’ll be able to waiting for? Visit dcmag.co.uk today! 008 H otshots Outstanding reader images SHOT OF THE MONTH LADYBUG Heather McFarland “I found the profi le of this ladybug walking on the fl ower interesting, but I only had time to grab a couple of shots before it fl ew away. Shot with a Nikon CP950, macro mode, 1/100 sec at F6.7, centre- weighted metering.” [w] www.hkmphotos.com POST YOUR COMMENTS ONLINE! www.dcmag.co.uk/hotshots 010 02 SNOWY OWL Anne Hardy “This picture of a snowy owl was taken on my Nikon Coolpix 5700 at a wildlife centre. It was sitting near the front of the cage and posed very obligingly for me.” [e] [email protected] 03 IDYLL Bob Jones “This was shot with a Canon EOS D60 in the Vale of Clwyd in North Wales. It was taken on a sunny day, with scudding clouds.” [w] www.imaginewales.com 011 05 UNTITLED Erik Rosen “This was taken with a Sony F707 at a local conservatory. The butterfl y was kind enough to pose for me, and it sat patiently while I came perilously close for a macro shot.” [e] [email protected] 04 BILSDALE Anthony Smith “This panorama is made from 16 individual pictures. All the RGB levels were adjusted to the same level in Elements 2.0 and then I stitched them together using ArcSoft Panorama Maker 3.0.” [e] [email protected] 012 06 SEA FISHING Tim Bird “This was taken on Medewi Beach in Bali. I was there shooting the surfers, but this fi sherman looked great with the waves as a backdrop. It was shot on a Canon EOS 10D.” [w] www.timbird.co.uk [w] www.horizonvr.com 07 TRITONE FLOWER Chris Mason “This was taken in the early hours of the morning, using my Olympus E20 set on macro mode at 1/250sec f2.4. I cropped the original shot and then used Photoshop CS to converted it to a Tritone image to highlight the texture of the petals.” [e] treguard@blueyonder. co.uk 08 A SKEGNESS SUNSET Graham Perkin “This was taken in Skegness as the sun went down. I used a Canon 300D with a 75- 300mm lens in landscape mode, and then I touched up the contrast in Photoshop.” [e] [email protected] 07 08 013