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Curriculum as Spaces: Aesthetics, Community, and the Politics of Place PDF

148 Pages·2014·4.416 MB·English
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45 Curriculum as Spaces: Aesthetics, Community, and c the Politics of Place can be viewed as a holistic u approach to education, conservation, and commu- r nity development that uses place as an integrating r context for learning. It argues that curriculum and i c place is a much deeper subject, with roots in aes- u thetics, community, and politics that go beyond the individual and profoundly address the formation of l u our current belief system. m Despite the unique efforts described in this book to address the curriculum of space, major is- sues persist in our educational system. First, the a rigor of curriculum studies is not usually applied s to this complex field that encompasses philosophy, aesthetics, geography, social theory, and history. s p Second, the conflict caused by studying the place without contextualizing it within the larger social a milieu ignores the nuances of our intimately glob- c al social network. Third, current responses ignore e the uncritical assessment of underrepresented groups within the theoretical landscape. With these s problems in mind, Curriculum as Spaces introduc- es foundational principles that ask us to imagine C the full realization of curriculum spaces and show A us how to examine the philosophical and cultural LL E roots of these most essential principles. J O P David M. Callejo Pérez is Associate Provost at Sagi- É R naw Valley State University. He has authored books E and published over 75 papers on civil rights, iden- Z , B tity, urban and rural education, Latino/a(s), higher R education, policy, and evaluation. E A U L Donna Adair Breault is Professor and Department T , Head in Childhood Education and Family Studies at W Missouri State University. She has authored books H I and articles focusing on Dewey’s theory of inquiry, T www.peterlang.com E curriculum, educational leadership, and organiza- tional dynamics within higher education. P E William L. White is an Associate Professor of Edu- T E R cational Foundations at the State University of New L A York–Buffalo. He serves as the Chair of the Depart- N G ment of Social and Psychological Foundations of Ed- ucation as well as the College’s Director of Faculty Development. 45 Curriculum as Spaces: Aesthetics, Community, and c the Politics of Place can be viewed as a holistic u approach to education, conservation, and commu- r nity development that uses place as an integrating r context for learning. It argues that curriculum and i c place is a much deeper subject, with roots in aes- u thetics, community, and politics that go beyond the individual and profoundly address the formation of l u our current belief system. m Despite the unique efforts described in this book to address the curriculum of space, major is- sues persist in our educational system. First, the a rigor of curriculum studies is not usually applied s to this complex field that encompasses philosophy, aesthetics, geography, social theory, and history. s p Second, the conflict caused by studying the place without contextualizing it within the larger social a milieu ignores the nuances of our intimately glob- c al social network. Third, current responses ignore e the uncritical assessment of underrepresented groups within the theoretical landscape. With these s problems in mind, Curriculum as Spaces introduc- es foundational principles that ask us to imagine C the full realization of curriculum spaces and show A us how to examine the philosophical and cultural LL E roots of these most essential principles. J O P David M. Callejo Pérez is Associate Provost at Sagi- É R naw Valley State University. He has authored books E and published over 75 papers on civil rights, iden- Z , B tity, urban and rural education, Latino/a(s), higher R education, policy, and evaluation. E A U L Donna Adair Breault is Professor and Department T , Head in Childhood Education and Family Studies at W Missouri State University. She has authored books H I and articles focusing on Dewey’s theory of inquiry, T www.peterlang.com E curriculum, educational leadership, and organiza- tional dynamics within higher education. P E William L. White is an Associate Professor of Edu- T E R cational Foundations at the State University of New L A York–Buffalo. He serves as the Chair of the Depart- N G ment of Social and Psychological Foundations of Ed- ucation as well as the College’s Director of Faculty Development. curriculum as spaces A Book Series of Curriculum Studies William F. Pinar General Editor Volume 45 The Complicated Conversation series is part of the Peter Lang Education list. Every volume is peer reviewed and meets the highest quality standards for content and production. PETER LANG New York  Bern  Frankfurt  Berlin Brussels  Vienna  Oxford  Warsaw david m. callejo pérez, donna adair breault, william l. white curriculum as spaces aesthetics, community, and the politics of place PETER LANG New York  Bern  Frankfurt  Berlin Brussels  Vienna  Oxford  Warsaw Library of Congress Cataloging-in-Publication Data Callejo-Pérez, David M. Curriculum as spaces: aesthetics, community, and the politics of place / David M. Callejo Pérez, Donna Adair Breault, William L. White. pages cm. — (Complicated conversation: a book series of curriculum studies; v. 45) Includes bibliographical references. 1. Curriculum planning—Social aspects. 2. Education—Curricula—Social aspects. 3. Place-based education. I. Breault, Donna Adair. II. White, William L. III. Title. LB2806.15.C28 375’.001—dc23 2014027214 ISBN 978-1-4331-2511-9 (hardcover) ISBN 978-1-4331-2510-2 (paperback) ISBN 978-1-4539-1431-1 (e-book) ISSN 1534-2816 Bibliographic information published by Die Deutsche Nationalbibliothek. Die Deutsche Nationalbibliothek lists this publication in the “Deutsche Nationalbibliografie”; detailed bibliographic data are available on the Internet at http://dnb.d-nb.de/. The paper in this book meets the guidelines for permanence and durability of the Committee on Production Guidelines for Book Longevity of the Council of Library Resources. © 2014 Peter Lang Publishing, Inc., New York 29 Broadway, 18th floor, New York, NY 10006 www.peterlang.com All rights reserved. Reprint or reproduction, even partially, in all forms such as microfilm, xerography, microfiche, microcard, and offset strictly prohibited. Printed in the United States of America TABLE OF CONTENTS Acknowledgments vii Prologue—Origins and Foundations xi Chapter 1. T he Transactional Spaces of Curriculum: Rethinking “Community” and Re-Engaging Educators 1 Chapter 2. The Aesthetic Moment in Education 17 Chapter 3. D isrupting our Imagined Communities: The Role of Ritual in Promoting Cosmopolitan Curriculum Communities 33 Chapter 4. R e-Assessing and Re-Capturing Space Through Radical Curriculum 49 Chapter 5. Urban Spaces 67 Chapter 6. Curriculum as Transactional Aesthetic 83 Conclusion 101 References 109 acknowledgments What began as a conversation about urban education, spaces and commu- nities at a hotel lobby became a year-long endeavor to discover who we were as individuals undertaking this approach to space and curriculum. In that year, we have relied on the ideas, patience, and support of many people who believed that our work would find a voice and audience within the academic public. David M. Callejo Pérez wishes to thank Peter Lang Publishing and their staff for their vision in seeing the value of our work. I would also like to thank William Pinar for welcoming our book into the Complicated Conversation Series. And of course, to two great co-authors, Donna and Bill, and their partnership in this book. I would also like to express gratitude to my mentor and friend, Stephen M. Fain, for his contin- ued support and wisdom. Additionally, Donald Bachand at Saginaw Valley State University for his investment in conversations about this and many other topics. As in my life, this project has benefited and grown immeasur- ably from the understandings offered by my amazing wife, Emily Callejo, whose vision is on display in the cover, and two enchanting daughters, Icie and Annie, who remind me of my role and purpose. Last, as always, I thank my parents, Jose and Barbara, who encouraged and sacrificed for me to thrive. viii curriculum as spaces I would like to thank my wonderful colleagues, William and David, with whom I have enjoyed the conversations and challenges regarding our thinking throughout this process. I am also thankful for my mentors, Deron Boyles, Dorothy Huenecke, who introduced me to Dewey and aesthetics as a graduate student years ago, and for Brad Stone, who asked a college sophomore to read Richard Sennett’s work. It was while sitting in the Philip Weltner Library at Oglethorpe University and reading Sennett’s work that I was first and deeply intrigued by notions of space. I am also thankful for my family. Rick’s support has been felt across continents as he begins his Fulbright in Moldova, and Audrey and Niamh have graciously given Mommy space to finish whatever she has been doing at the computer. Thank you all, near and far, for the impact you’ve had in my work and my life. During the journey that became this book, there were many fellow sojourners who not only accompanied me, but also provided feedback and the courage to continue. First, of course, are my fellow authors, David and Donna. From informal discussions about the nature of space, the rising tide of national curriculum that denies the importance of locality in education, and the importance of thinking critically about the educational environment, an idea was born and the book began to take shape. At each junction along the path, we shared our thoughts, encouraged discussion, and most importantly maintained not only progress toward a goal, but also friendships. I would also like to thank my spouse, Dr. Sarah Beth Hinderliter. Her work on communi- ties and the evolving ways in which aesthetics, politics, and education, seen through the lens of Jacques Rancière’s philosophy, was instrumental in con- ceptualizing and completing my sections of the Communities as Spaces. There is no doubt that the many conversations and the gentle ways in which Beth clarified complex ideas helped lead me toward a deeper and richer understand- ing of aesthetics and education. However, Beth was not only a comforting intellectual presence. She also helped me find the time and energy to work toward completion of the book as deadlines approached and multiple tasks loomed. And finally, I wish to thank Lennon, Sophie, and Zora. Each and every day, they remind me in many ways how beautiful life is.

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