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Critical Architecture (Critiques: Critical Studies in Architectural Humaities) PDF

369 Pages·2007·4.97 MB·English
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Critical Architecture Critical Architecture examines the relationship between design and criticism in archi- tecture. Placing architecture in an interdisciplinary context, the book explores architec- tural criticism with reference to fields such as art, cultural and literary criticism, and considers how critical practice in design operates through a number of different modes: buildings, drawings and texts. With 36 chapters by an international cast of leading academics and design- ers, organised under four thematic headings, Critical Architecture brings together a diverse range of projects and writings that challenge the view that the terms ‘design’ and ‘criticism’ should be divided. Introducing key debates in contemporary architectural criticism through text and designs, this accessible single-source publication is ideal for undergraduates and postgraduates studying the practice and theory of art and architecture, as well as all those interested in contemporary architectural discourse. Jane Rendell is Professor of Architecture and Art and Director of Architectural Research at the Bartlett School of Architecture, University College London. Jonathan Hill is Professor of Architecture and Visual Theory and Director of the MPhil/PhD by Architectural Design programme at the Bartlett School of Architecture. Murray Fraser is Professor of Architecture at the University of Westminister in London. Mark Dorrian is Reader in Architecture at the School of Arts, Culture and Environment, University of Edinburgh and Co-Director of Metis. CRITIQUES: Critical Studies in Architectural Humanities A project of the Architectural Humanities Research Association Series Editor:Jonathan Hale (University of Nottingham) Editorial Board: Sarah Chaplin (Kingston University) Mark Dorrian (University of Edinburgh) Murray Fraser (University of Westminster) Hilde Heynen (Catholic University of Leuven) Andrew Leach (University of Queensland) Thomas Mical (Carleton University) Jane Rendell (University College London) Adam Sharr (Cardiff University) Igea Troiani (Oxford Brookes University) This original series of edited books contains selected papers from the AHRA Annual International Conferences. Each year the event has its own thematic focus while sharing an interest in new and emerging critical research in the areas of architectural history, theory, culture, design and urbanism. Volume 1: Critical Architecture Edited by: Jane Rendell, Jonathan Hill, Murray Fraser and Mark Dorrian Volume 2: From Models to Drawings: On Representation in Architecture Edited by: Marco Frascari, Jonathan Hale and Bradley Starkey Volume 3: The Politics of Making: Theory, Practice, Product Edited by: Mark Swenarton, Igea Troiani and Helena Webster AHRA provides an inclusive and comprehensive support network for humanities researchers in architecture across the UK and beyond. It promotes, supports, develops and disseminates high-quality research in all areas of architectural humanities. www.ahra-architecture.org.uk ii Critical Architecture Edited by Jane Rendell, Jonathan Hill, Murray Fraser and Mark Dorrian First published 2007 by Routledge 2 Park Square, Milton Park, Abingdon, Oxon OX14 4RN Simultaneously published in the USA and Canada by Routledge 270 Madison Ave, New York, NY 10016 This edition published in the Taylor & Francis e-Library, 2007. “To purchase your own copy of this or any of Taylor & Francis or Routledge’s collection of thousands of eBooks please go to www.eBookstore.tandf.co.uk.” Routledge is an imprint of the Taylor & Francis Group, an informa business © 2007 Selection and editorial matter, Jane Rendell, Jonathan Hill, Murray Fraser and Mark Dorrian; individual chapters, the contributors All rights reserved. No part of this book may be reprinted or reproduced or utilised in any form or by any electronic, mechanical, or other means, now known or hereafter invented, including photocopying and recording, or in any information storage or retrieval system, without permission in writing from the publishers. British Library Cataloguing in Publication Data A catalogue record for this book is available from the British Library Library of Congress Cataloging in Publication Data Critical architecture / edited by Jane Rendell … [et al.]. p. cm. – (Critiques–critical studies in architectural humanities) Includes index. 1. Architectural criticism. 2. Architectural design. I. Rendell, Jane, 1967– NA2599.5.C75 2007 720.1–dc22 2007002166 ISBN 0-203-94566-2 Master e-book ISBN ISBN10: 0-415-41537-3 (hbk) ISBN10: 0-415-41538-5 (pbk) ISBN10: 0-203-94566-2 (ebk) ISBN13: 978-0-415-41537-8 (hbk) ISBN13: 978-0-415-41538-1 (pbk) ISBN13: 978-0-203-94566-7 (ebk) Contents Illustration credits viii List of contributors x Acknowledgements xviii Introduction: Critical Architecture: Between Criticism and Design Jane Rendell 1 Criticism/Negation/Action 9 Introduction: Criticism/Negation/Action Mark Dorrian 11 Criticality and Operativity Andrew Leach 14 Unfinished Business: The Historical Project after Manfredo Tafuri Teresa Stoppani 22 Architecture as Critical Knowledge David Cunningham 31 Passing through Deconstruction: Architecture and the Project of Autonomy Andrew Benjamin 40 A Critical Position for Architecture Hilde Heynen 48 Militant Architecture: Destabilising Architecture’s Disciplinarity Daniel A. Barber 57 Architecture’s Critical Context: The Athens Activist Experiment Maria Theodorou 67 Criticism in/and/of Crisis: The Australian Context Naomi Stead 76 v Contents Architecture-Writing 85 Introduction: Architecture-Writing Jane Rendell 87 The DROWNING METHOD: On Giving an Account in Practice-Based Research Rolf Hughes 92 The Poetics of Urban Inscription: From Metaphorical Cognition to Counter- Representation Laura Ruggeri 103 Critical Action and Active Criticism Paul Shepheard 112 Film as Spatial Critique Patrick Keiller 115 Architectural History, Friendship and Filmed Conversations Igea Troiani 124 Image, Text, Architecture: The Presence that ‘WAS HERE’ Robin Wilson 129 Fluttering Butterflies, a Dusty Road, and a Muddy Stone: Criticality in Distraction (Haga Park, Stockholm, 2004) Katja Grillner 135 Memoirs: It will have happened already Sharon Kivland 143 Site-Writing: Enigma and Embellishment Jane Rendell 150 Criticism by Design 163 Introduction: Criticism by Design Jonathan Hill 165 Centuries of Ambiguity: Sublime and Beautiful Weather at the Farnsworth House Jonathan Hill 170 Immediate Architecture Philippe Rahm 182 Alvin Boyarsky’s Delicatessen Igor Marjanovic´ 190 Out of the Salon – with Natalie Barney towards a Critically Queer Architecture Katarina Bonnevier 200 Writing about Things and the Doing of Them Ben Nicholson 206 Quilting Jakarta Stephen Cairns 215 vi Contents Where is the Project? Cedric Price on Architectural Action Tim Anstey 220 The Fall: The Allegorical Architectural Project as a Critical Method Penelope Haralambidou 225 On Drawing Forth, Designs and Ideas Victoria Watson 237 The Cultural Context of Critical Architecture 247 Introduction: The Cultural Context of Critical Architecture Murray Fraser 249 ‘I Mean to be Critical, But . . .’ Kim Dovey 252 Critical Post-Critical: Problems of Effect, Experience and Immersion Charles Rice 261 A Critical Architectural Icon and its Contextual Argumentation Elisabeth Tostrup 269 Three Scenarios for a Critical Architecture of Desert Mobility Gini Lee 279 The Responsive City Ana Betancour 288 China as a Global Site: In a Critical Geography of Design Jianfei Zhu 301 Critical Practice Sarah Wigglesworth 309 Architecture for an ‘Active Edge’: The Gateway, Derby Steve McAdam, Fluid 318 Neuland: Disenchanted Utopias for Tel Aviv Alona Nitzan-Shiftan, Ganit Mayslits Kassif and Udi Kassif 325 Beyond Koolhaas Murray Fraser 332 Index 340 vii Illustration credits Maria Theodorou (2002) 73 Laura Ruggeri (1997) 106; (2006) 108 Patrick Keiller (2003), insets courtesy of the BFI (1902) 116, 118 HAPPENinc. (2004) 126 (all), 127 (all) Nigel Green and The Architects’ Journal(2002) 130 Warren and Mosley (2002) 132 (all) Katja Grillner (2004) 137 Sharon Kivland (2002–6) 143; (2005) 149 Penelope Haralambidou (2005) 158 David Cross of Cornford & Cross (2006) 159 Yeoryia Manolopoulou (2004) 172, 175 Philippe Rahm Architects (2005) 184 (all), 185, 186, 187 (all); (2006) 188 The Alvin Boyarsky Memorial Trust, London (1985) 191 Igor Marjanovic (2004) 197 Marie Carlsson (2004) 201–3 Warta Kota(2003) 216 (all), 217 (middle and bottom) Stephen Cairns (2005) 217 (top) Cedric Price Archive, Collection Centre Canadien d’Architecture/Canadian Centre for Architecture, Montréal 220, 221 (all), 222 Marianne Mueller, Mueller Kneer Associates, Architects 223 (top) SHoP Architects (2003) 223 (bottom) Penelope Haralambidou (2004) 229 The Louvre Museum, Paris, and Philadelphia Museum of Art (1998) 233 Victoria Watson 242, 243 Frode Larsen (2005) 272 Nils P. Lotherington (2003) 274 Gini Lee (2002) 280, 282, 283, 284, 284, 285, 287 A+URL 291 City Mine(d) through Tom Deforce, Barcelona 297 viii Illustration credits Atelier Feichang Jianzhu (2006) 304 (top) OMA/AMO Rotterdam (2006), © OMA/Rem Koolhaas, Ole Scheeren 304 (bottom) Paul Smoothy (2001) 309, 312 (all), 313, 314 (all), 315, 316, 317 Fluid (2002) 319 (bottom); (2003) 320; (2004) 319 (top), 321, 322; (2005) 323 (all) Hélène Binet (2004) 322 (all) Domino Press (1975) 326 The Zionist Archive 327 Ganit Mayslits Kassif and Udi Kassif 329 Don Koniak, Karina Tollman, Philipp Misselwitz and Philipp Thomanek; photograph: Jorg Glascher (2004) 330 (1) Galila Yavin and Tamar Zacharovitz 330 (2) Gaston Zahr, Noa Pasharel-Haim, Alasdair Ross Graham, Oded Kidron, Birgit Glaetzel and Omer Weissbein 330 (3) Tamar Navon, Ifat Hollender-Emmer and Michael Ilan 330 (4) Roee Hemed and Jonathan Dror 330 (5) Maor Roytman and Oren Ben Avraham 330 (6) Peter Barber Architects, Donnybrook Quarter, London (2006) 336–7 ix

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Critical Architecture examines the relationship between critical practice in architecture and architectural criticism. Placing architecture in an interdisciplinary context, the book explores architectural criticism with reference to modes of criticism in other disciplines - specifically art critic
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