Collection Thinking Collection Thinking is a volume of essays that thinks across and beyond crit- ical frameworks from library, archival, and museum studies to understand the meaning of “collection” as an entity and as an act. It offers new models for understanding how collections have been imagined and defined, assem- bled, created, and used as cultural phenomena. Featuring over 70 illustrations and 21 original chapters that explore cases from a wide range of fields, including library and archival studies, literary studies, art history, media studies, sound studies, folklore studies, game stud- ies, and education, Collection Thinking builds on the important scholarly works produced on the topic of the archive over the past two decades and contributes to ongoing debates on the historical status of memory institu- tions. The volume illustrates how the concept of “collection” bridges these institutional and structural categories and generates discussions of cultural activities involving artifactual arrangement, preservation, curation, and cir- culation in both the private and the public spheres. Edited and introduced collaboratively by three senior scholars with expertise in the fields of litera- ture, art history, archives, and museums, Collection Thinking is designed to stimulate interdisciplinary reflection and conversation. This book will be of interest to scholars and practitioners interested in how we organize materials for research across disciplines of the humanities and social sciences. With case studies that range from collecting Barbie dolls to medieval embroideries, and with contributions from practitioners on record collecting, the creation of sub-culture archives, and collection as artistic practice, this volume will appeal to anyone who has ever wondered about why and how collections are made. Jason Camlot is a Professor of English and Research Chair in Literature and Sound Studies at Concordia University in Montreal, Canada. Martha Langford is the Research Chair and Director of the Gail and Stephen A. Jarislowsky Institute for Studies in Canadian Art, a Distinguished University Research Professor in the Department of Art History in Concordia University (Montreal), and a fellow of the Royal Society of Canada. Linda M. Morra is a Full Professor in English at Bishop’s University, Sherbrooke, Canada. Collection Thinking Within and Without Libraries, Archives and Museums Edited by Jason Camlot, Martha Langford, and Linda M. Morra First published 2023 by Routledge 4 Park Square, Milton Park, Abingdon, Oxon OX14 4RN and by Routledge 605 Third Avenue, New York, NY 10158 Routledge is an imprint of the Taylor & Francis Group, an informa business © 2023 selection and editorial matter, Edited by Jason Camlot, Martha Langford, Linda M. Morra; individual chapters, the contributors The right of Jason Camlot, Martha Langford, Linda M. Morra to be identified as the authors of the editorial material, and of the authors for their individual chapters, has been asserted in accordance with sections 77 and 78 of the Copyright, Designs and Patents Act 1988. All rights reserved. No part of this book may be reprinted or reproduced or utilised in any form or by any electronic, mechanical, or other means, now known or hereafter invented, including photocopying and recording, or in any information storage or retrieval system, without permission in writing from the publishers. Trademark notice: Product or corporate names may be trademarks or registered trademarks, and are used only for identification and explanation without intent to infringe. British Library Cataloguing-in-Publication Data A catalogue record for this book is available from the British Library Library of Congress Cataloging-in-Publication Data A catalog record has been requested for this book ISBN: 978-1-032-25254-4 (hbk) ISBN: 978-1-032-25255-1 (pbk) ISBN: 978-1-003-28230-3 (ebk) DOI: 10.4324/9781003282303 Typeset in Times New Roman by SPi Technologies India Pvt Ltd (Straive) Contents List of Figures viii List of Contributors xi Acknowledgments xvii Preface xix SUSAN M. PEARCE Introduction: Collection Thinking 1 JASON CAMLOT, MARTHA LANGFORD, AND LINDA M. MORRA PART 1 Ontology 25 1 Ontology 27 JASON CAMLOT 2 Incautious Stewardship of Library Collections: Creating Collections Where They Don’t Exist, Losing Collections Where They Do 35 JOSHUA HUTCHINSON 3 Indexing Intimacies: The Affective Collections of André Breton and Samuel M. Steward 50 PETER DUBÉ 4 Collecting Children in Coraline and Harry Potter 61 COLETTE SLAGLE 5 Edible Enigmas: Food Riddles and Enigmatical Bills of Fare 75 NATHALIE COOKE, ANNA DYSERT, AND MERIKA RAMUNDO vi Contents 6 A Variantology of Research Collections: The Residual Media Depot 91 DARREN WERSHLER 7 Situationist Stuff: Collection as Explanatory Accumulation 119 JOHAN KUGELBERG (WITH JASON CAMLOT) PART 2 Agency 127 8 Agency 129 LINDA M. MORRA 9 Audible Collections: What Remains of Voices on the Radio 137 KATHERINE MCLEOD 10 Collection as Biography: The Pierre and Annie Cantin Collection 154 VALÉRIE BOUCHARD 11 “The Relics … What Are They?”: Locating Florence Nightingale in Her Childhood Library 170 GEOFFREY ROBERT LITTLE 12 Creating, Collecting, and Curating: Mothers Pass Down Barbie Traditions 181 EMILY R. AGUILÓ-PÉREZ 13 Collecting Copies: The Fabiola Project by Francis Alÿs 196 GEORGIA PHILLIPS-AMOS 14 Audio Aficionados: The School of Collecting Very Old Sound Recordings 208 PATRICK FEASTER Contents vii PART 3 Community 215 15 Community 217 MARTHA LANGFORD 16 Made to Move: Convent Embroidery Collections and Communities of Care 226 ANNA WAGER 17 Collect Them All (Again): Digital Collection as Nostalgic Incentive in Fire Emblem Heroes 241 ALEX CUSTODIO 18 Off the Grid: Exploring the Human Networks in Underground Art Making and Collection Building 257 HÉLÈNE BROUSSEAU AND JESSICA HÉBERT 19 Finding Fireweed: Magazine Metadata as Archive of Feminist Movement 274 FELICITY TAYLER 20 The People and the Text: An Inclusive Collection 292 DEANNA REDER AND MARGERY FEE 21 Raging: Revisiting Raging Dyke Network 306 NICKY BIRD Conclusion, or How to Use this Book Now That You Have Read It 320 JASON CAMLOT, MARTHA LANGFORD, AND LINDA M. MORRA Index 327 Figures 0.1 Ali Barillaro, Mordecai Richler Library, Concordia University, Montreal, 2021. 14 5.1 “An Anigmatical Bill of Fare,” in Elenor Poole (additions by Jo.h Cobb), Cookery Book (1733–1827). Manuscript. 79 5.2 In “Riddles and Other Puzzles,” schoolboy exercises in verse and other poems, early–mid-nineteenth century. Manuscript. 80 5.3 From “An Invitation to an Entertainment with the Bill of Fare,” from Pleasing variety for Miss Mary Arnold / [by] Mrs. Stapleton, c. 178-?. Manuscript. 81 5.4 WorldCat database, Detailed record of Eliza Smithson, Eliza Smithson, 21 February 1805 [Smithson Riddle Book]. 82 5.5 Entry for “riddles (documents),” “Art & Architecture Thesaurus,” in Getty Vocabularies, Getty Research Institute website. 83 6.1 Darren Wershler, Residual Media Depot, Retro Gaming Cables SNES/SFC SCART cable with CSYNC, 2021. 101 6.2 Darren Wershler, Residual Media Depot, The Depot’s 1 CHIP-03 Super Famicom, after performing the installation of Console5’s CSYNC Restore/Repair kit, 2021. 106 6.3 Darren Wershler, Residual Media Depot, The Depot’s New-Style Super NES with Borti’s RGB Bypass Board, Version 4.1a with S-Video, 2021. 107 6.4 Darren Wershler, Residual Media Depot, The Depot’s New-Style Super NES with Voultar’s SNES 1CHIP/Mini RGB Bypass Kit, Version .79, 2021. 108 6.5 Darren Wershler, Residual Media Depot, Mainboard stamp on The Depot’s SNES-02, 2021. 109 6.6 Darren Wershler, Residual Media Depot, 1CHIP-02 with SNES RGB Bypass Board Version 4.1a, installed in the Depot’s 1CHIP-02 with missing CSYNC, 2021. 109 6.7 Darren Wershler, Residual Media Depot, A Depot Super Famicom with a custom component video mod, 2021. 111 Figures ix 7.1 Johan Kugelberg, Buddy Esquire storage space, c. 2010. 121 7.2 Michael Daley, Ira Cohen archive—first-pass sort, Boo-Hooray, New York, 2009. 122 7.3 Michael Daley, Jonas Mekas, Johan Kugelberg, and Larry Clark, Boo-Hooray, New York, 2013. 123 7.4 Johan Kugelberg, May 68: Street Posters from the Paris Rebellion. Exhibition view, Hayward Project Space, London, UK, 2008. 124 10.1 Selected objects. Musée de la civilisation, Annie Cantin and Pierre Cantin donation. 156 10.2 Attributed to Louis Jobin, Sheep, 1900–1925. Annie Cantin collection. 159 10.3 Photographer unknown, Étienne-Victor Cantin in his jewelry shop, Quebec City, c. 1908. 163 13.1 Installation view of Francis Alÿs: Fabiola, 20 September 2007 to 6 April 2008, Dia at the Hispanic Society. 197 13.2 Installation view of Francis Alÿs: The Fabiola Project, 21 May 2016 to 28 October 2018, Byzantine Fresco Chapel, The Menil Collection, Houston. 199 13.3 Installation view of Francis Alÿs: The Fabiola Project, 21 May 2016 to 28 October 2018, Byzantine Fresco Chapel, The Menil Collection, Houston. 203 14.1 Reuben Haskins’ Trip ’Round the World in His Air Ship: the childhood antique store find that introduced the author to the “descriptive specialty.” 209 14.2 Looking through 78s at the legendary Toad Hall in Rockford, Illinois—a place the author learned about through the collectors’ grapevine, 2008. Photo: Ronda L. Sewald. 210 14.3 “Friend Guy, I’m making you a record”: a home-recorded phonograph cylinder won on eBay, 1999. Photo: M. Shahinoor Rahman. 211 14.4 78 record shelving in the author’s basement, Bloomington, Indiana, USA, 2020. 213 14.5 Early home recordings and spoken letters: avid collectors of these are few and far between, 2020. 214 16.1 Society of St. Margaret, vestments displaying notable etching technique, late nineteenth century. 229 16.2 Society of St. Margaret, cope hood depicting the conversion of Paul on the road to Damascus, late nineteenth century. 230 16.3 Society of St. Margaret, cope, silk on purple velvet, 1880–1900. 232 16.4 Society of St. Margaret, display cases, lone cope on display in the Elizabeth Hoare Gallery, 2018. 237 17.1 Nintendo, Fire Emblem Heroes: Mini Acrylic Figure Collection. Volume 1. Released February 2018. 243