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Christian Principles of Time and Order in Alfred Hitchcock's Films PDF

100 Pages·2014·0.87 MB·English
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The College at Brockport: State University of New York Digital Commons @Brockport English Master’s Theses English 4-22-2005 The Divine Clockmaker: Christian Principles of Time and Order in Alfred Hitchcock's Films Matthew Dwight Moore The College at Brockport Follow this and additional works at:http://digitalcommons.brockport.edu/eng_theses Part of theFilm and Media Studies Commons Repository Citation Moore, Matthew Dwight, "The Divine Clockmaker: Christian Principles of Time and Order in Alfred Hitchcock's Films" (2005). English Master’s Theses. 39. http://digitalcommons.brockport.edu/eng_theses/39 This Thesis is brought to you for free and open access by the English at Digital Commons @Brockport. It has been accepted for inclusion in English Master’s Theses by an authorized administrator of Digital Commons @Brockport. For more information, please [email protected]. ThDei viCnleko mcakeCrh:r isPtriianlnceo isfTp imaned O rder inA lfred HitFcihlcmosc k's by MatthDewwi gMhoto re A thessuibsm ittott heDede aprtmoefEn ntg loifts hhSe t aUtnei versNeiwtY yo rokf CollaetBg reo ckpionpr trata,il fu lfimlelnotft hree quirfoemrte hndete sgr eoef MastoefAr r ts Apr2i2l2,005 ThDei viCnlceok ma:kC ehrrisPtriianlnceo isfTp ime Oanrdd er inA lfreHdi tchcFoiclkm'ss byM atthDewwi ghMto ore APPROVBEDY: �� /J12-065 d e HIz -v/ c; o Reader date 61aiI; Gradeu aCtommittee 0 (-IL.f-o< date 11 Foredw ar Aso ft hwrei tionftg h tihse snioss c,h olahraassnh ailpdy tzhCeeh ristthieamne s, symbolaodngc yo,s molorgeifecraeolnAf cl freesdH itchcfiolcmkis'dn s et aTihle. moscto mprehweonrsokinh v ieCs h ristthieamHnei st,c h:cT ohcFeki rFsotr- tFyour FilmbsyE, r iRco hmeadrnC ladueC habrwoalws,r itotvefoenrr t yye aargsao dn was nottr antsdel ianEtnog luinst1hi9 9l7 ;idt oe sn oetv ednea lw itthhl ea tswte nyteya rs ofh ifisl mc arEeveertn.h meo sotu tdsitnaHgni tchcockd easloc nhloyl ars superfiocrti aanlgleyn wtiithtahelw leya lotfrh e ligeiloeumsei nnht iwsso rRko.b in WoodD,o ndaS lpoto, BLrielsaldln, me oys ott hperro mifinlemsn cth owlrairtse intellaidng cernetaltayib voetulhtye i sses ubeutsted, n t oi ndcletu heimno ther, presumabilnyc lmduossriicevo eu srusceahssp sychoangaedlnerys stdiiuse,os r, po-sMtarxIisncmo tr.nu sctainneg x tdeed,nd etadi alnealoyfts ihsro efhe ifa sv orite adn mosstu ccefislsmfuIsla , mc laimtihhnaigtC s h riswtoidravlni eiwst hmeo re incluisnitveer pradend teamtadinsot nob et rtedea thwiasyP .e rhtahptishs e wsiilsl inspoitrhefoe rrt sh,fie r stti mteoa, c cetphatip sp roaasacl he gitpiamdraiatgewm i th whitcohr esponasniablAlylfryze edH itchcwoocrkk'.s iii A Dedication Thitsh eisdside sci adt teom yfa thewrh, ofr oma ltlh Iak tn ow ahbi,omw uotdu lhave beeenx cdeiengsluyp poorftm iyev ffeo ,rc trsitwihceanrlee c esansda lroyv,i ng alwaTyhsi.sa lidssdoe c iatteomd y m ot,hw ehrofu edl meyo bseswsiitlohen arni ng adn indtrucdoe met ot hweo dr olffi lmM.y wifep'ast i,ei nnctee,ar dne ksidtnness havbee eidnni spentsofia nbilseh tihnwigos r Ikt .h antkh eaml l. lV TabolCfe o ntents ChapOtne:erT hDei reWchtooK rn ewT oMou ch 1 ............ ............................... ChapTtwe:orO uto fT imieSn h daow ofaD oub.t. ... ..... ... ...... .. ....... 1 . 2... .. . ... . . .. ChapTtherr:De oeinTgi mieRn e aWri dnow 36 .......... ......... .............................. ChapFtoeu:rBr einognT imieNn o rtbhyN orthw.e.s..t.. ...........6.1. .................. ChapFtiev:rTe hEend Times 83 ................. ......................................... ................ Endnotes 87 ........................................................................................................... WorkCsi dt e 90 ..................................................... .............. ...... ......... .................... Abstract AlfreHdi tchdcioscypkel idanh ipse rsoanrtailsa,tn ipdcr ,o fessliioafenn a l underlaysisnugm ptthitaoitnm e c liossa eslsyot ecdi alwaiawtn hod r dtehri;s assputmiiomsna niifensh tife sa tufirlem Tsh.be e liiner faa t iuonniavalels r ysstem, fostedruerdih nifogsr mavteyi earpsr,e pspuosaenis n telClriegaetnotar no randde rly desiTghnre.e latthmeeedso f s avitnigmk ee,e ptiinmgde o,i tnigm aen,bd e ionng timaes suamC eh rismtoiraanbl asiteoydni ndivriedsupaolnt yst,ih pbeoi ssliilbiiotfy redetmipoann,td h iem portoafrn ecien forfaciitwnhig ta hc tiCoonnq.su eenttilmye, servaessam etapfohrlo arw oarnddie nHr i tccohcfikl'msTs h.ie n numleer ab refenrceetsol anteescsl,o cankdss ,c hedturhloeusg hhoicusotp r urse fletchet significaannudcb ei qoufih tidysi vionredleyCr herdi sctoisamno lTohgiryse. l igious paradiigmsa p parienmn ots th imosafj roA merificlanm ssu,ca hsS hadoofaw DoubRte,aW ri ndoawn,Nd o rbtyhN orthwest. ChapOtneer ThDei reWchtooK rne wT oMou ch KeepiTnigm e AlfreHdi tchdciorcekac ptperdo xiomnahetu enldyhr oeudor fws h ahtet ermed "pucrien eomvae"tr hc eo urosfaec artehesarpt a nfinfteydy ea.Ar ssa na uteur operawtiitnhtgih snet usdyisot heedm e,v elaonpa esds iduouest hmwiaockir,nk hg i s producsthioooantne s x ericnmi asseps r oducetfifiocnian edne cnya blhiintmgo accompsluicashb h o untoeuotuposuf tt e r.Ar sot rhpeo pulparrolcyl a"iMamsetodef r Suspenhseae,r, g"u abbelttyth eaanrny o thdeirr ekcnteotwrh ,ie m portoafpn accei ng antdi m;ib nogtahri en tetgotr haselu ccoefcs osm eadnysd u spense-o-fht ihse tools traHdeee .x perimweintnthae rdr altein;vgh etis hsh orfitlemBs,ot nV oya(g1e49 4), runsa pproxitmwaetnetlyy minhuitlseo sn,g ewshNtoi rlfiteblh yNm o,r thwest (1959,)r unasp proxitmwahoto eularyns td w enmtiyn uHteeo sft.e mna nagteotd a ke timoeuo tfh iisn tesncshee fodruc laer ouasnivdna gc at;ifo orne ixnagmphleane d, hiwsi feA,l mar,e vistihteheiodrn eymsoioStnteM .,o ritz, Farnonamun ae lalrlyy. ageaH,si tchbcioocgrka DpohnearSl pdo tpoo ionutHtsi, t chcfaovcokr'pisat set ime wamse moritzriasnicgnh edffiualre2ks0 . W) hadto a llt hoefes lee mehnatvisen commo?nT imAes.a p rofessaisoa nnarta islt,a, n ads af amilmya nt,h e regoufl ation timwea osf p riimmep orttanAocl free Hdi tchcock. AlfreHdi tchcwoaacslk s roa iasseaC d h ristiEarniR.co hAmsea rnC dl aude Chabrsoulg gHeisttc,h cwoocrkik'n sh erceonnttlryit bCouh treidsa troitfat nh e 2 twentiethH-iccsoe rntpduuersmy o.n sctornacteeornsvs eth ren ature ofe ivglo,o d and faitahn bde l,di aemfnaatnirdoe nd empgtuiiaolnntid, n noeca,en ncdco uenstoslt her centtrhaelmt ehsa t dsepveecliofiopcu oatfhl ilrsye ligiousI nC hherriisttaigaen. cosmgoylt,eoh steh emaerse preodnti hcpear teemtdih saet w otrhltedh ,o usgihn ful, wacsr eaatsae nd orsdyesrtoleryam, tl eabsyat n, orGdoedrIa.l m yn oatr gnugti hat Hitchschoacrtkeh de assoufWm ipltliPioaanlm te hyne,i neteeennttuphrr-yoc ponent ofn atutrhaelo logy, thtahtee x riesctoeagnn ncaietz uoiorrnfadgw le o ru llde aodn e toa ssutmhea t itwsa oscr rdeeharotlwoyer;v H eirt,c hwcaopsce kr soannadl ly artistiincfaatlulayt ed awnitdti hm eo radinendrfa ttuhaiistts ie omnp ebrye d Chsrtiiparni ncaicpqlueiisrn e fohdr imsa tyievaeHr ist.c hhciomcskse ali"fdhI ,a ad strrieclti,gu piboruisn. gi.Ind .go nt'htiI nc kab ne l abealC eadt haotrliibscut it,t mayb et hoante e'asru lpyib rngiinnflgu enmcaensl' isaafe n gdu idheiissn teesrts" (quoitnSe pdo Dtaor,1k 5 ). Thoutghshoi bseswsiittohin ma eno dr dieosrft eant turtietbdo Ehnigsl isohrn ess hiisd iosycnhcarraatIci tcamae trbtr,ui titnhpgir se domitnoa nwhtoilrsyl dview, whiwcahsf un damentaslhlaeypdb yb otChhr istoiratdnho oxayn mdo dernity. The centmreatla pthhoGarot d t,hd ei vcilnoec k-cmraekaeatrnoe, rd d eredi sw orld mirrorbeyHd i tchccoacmkea'opps e arainnRc eeaW ri ndiownw hihcehi sse en windaic nlgo Tchka.ct l omcekt apIhp orro,p ionsso eit,r relbeuvrtaa ntth,e r, supresmieglnyi fiHcivsani te.ow f time oins s apb eacsiefiCdch arlilsyt ian interiporonefo t radteUrn.l itkhdeee idset- Chriswtoiralndiivznwie hediw t chhe SupreBmeieni grs e moatneid m perstohpneea rls,p etchtiaintv foermHs i tchcock's 3 wordke monsatc roastmteoh sia csto nstrounc tpterhdie nl cteih pat rCpehrreissetn ts the incoarnfGa otdia ontndh fuel fillmeonfGt o da'nsc ipernotm oifss ael vation. WhaItw idlelm onsittsrh aHatitet c cohcuks'aesn mdan iptuilooafnc oncetpitmuea l iisn timcaotnneelcytw eidtC hh risptrciiianpnol fleasanw d o rder. Any briseufer yvo fH itchcfiolcmks' sr tehvseei agnlisfi coanftic meea nodr dIne r. Rop(e1 498t)h,ae c ceerlatpiancogeft hmee otrnomaeg itPahtielsgi upi'lst y conscieDnicaMel . fo MrIu nr d(e91r5 4T)o,n yw'ast sctho aptasc rucmioamle nt pertatiotn himenu gr doefhr i wsi feE.v einnB onVo yaegvee,t nhw ea thcehl ps detertmhinena ert riarvees olAurtgibuolanty.h, e bleitnwkte iemnane dt hsep iritual connotoaftwli aaonnodsr daerrpe r esienen vte ornyoe fH itchcfiolcmkFs'o.sr exampilnTe h,3e 9 S te(p91s3 5S)t,r anogne Trars a (i1n59 1,V) ert(i91g5o)8 an,d ThBei r(d91s6 3t)i,mi efsu n damelnyt alliwnitkoher dd erd iasnodrT dobe esr u.r e, timsee ranv eusn dneiaebxlopes itfuonrcyt iinao nln la rtriafivlem Hsi.t chcock's filmnso,ut n ltirktaedi ioCnhrails mtoirana plliateyyxs p,l tahitanhtc e r eaotredde r habse codmies joanidnn teeedtd obs e corarnetdch trieesds ,p onsfailblnisool tni ltyy tot hree ligoirco iuvisin cs tiiotnbusuta,tl tsoot he indrievsiiddoueftan hlta st creoantT.ih isac einst trhaelim neo rhtodCohxr istthieaonlr eopgrye siensn utcehd essetnetxiatastsl h c ea tescmhawilr itoiftn ghRseo maCnah tolCihcu racnhd the confesssitoantaelm emnotsPstr ootfed setnaonmtoi nnsa.t i

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significance and ubiquity of his divinely ordered Christian cosmology. central metaphor that God, the divine clock-maker, created an ordered world is experienced, Charlie and Catherine are clearly attracted to him, and he flirts
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