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Calibrations: Reading for the Social PDF

221 Pages·2003·0.84 MB·English
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C a l i b r a t i o n s PUBLIC WORLDS Dilip Gaonkar and Benjamin Lee, Series Editors VOLUME 12 Ato Quayson, Calibrations: Reading for the Social VOLUME 11 Daniel Herwitz, Race and Reconciliation: Essays from the New South Africa VOLUME 10 Ulf Hedetoft and Mette Hjort, editors, The Postnational Self: Belonging and Identity VOLUME 9 Claudio Lomnitz, Deep Mexico, Silent Mexico: An Anthropology of Nationalism VOLUME 8 Greg Urban, Metaculture: How Culture Moves through the World VOLUME 7 Patricia Seed, American Pentimento: The Invention of Indians and the Pursuit of Riches VOLUME 6 Radhika Mohanram, Black Body: Women, Colonialism, and Space VOLUME 5 May Joseph, Nomadic Identities: The Performance of Citizenship VOLUME 4 Mayfair Mei-hui Yang, Spaces of Their Own: Women’s Public Sphere in Transnational China VOLUME 3 Naoki Sakai, Translation and Subjectivity: On “Japan” and Cultural Nationalism VOLUME 2 Ackbar Abbas, Hong Kong: Culture and the Politics of Disappearance VOLUME 1 Arjun Appadurai, Modernity at Large: Cultural Dimensions of Globalization A Q T O U A Y S O N C a l i b r a t i o n s R e a d i n g f o r t h e S o c i a l PUBLIC WORLDS, VOLUME 12 UNIVERSITY OF MINNESOTA PRESS MINNEAPOLIS LONDON Copyright 2003 by the Regents of the University of Minnesota All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photo- copying, recording, or otherwise, without the prior written permission of the publisher. Published by the University of Minnesota Press 111 Third Avenue South, Suite 290 Minneapolis, MN 55401-2520 http://www.upress.umn.edu Library of Congress Cataloging-in-Publication Data Quayson, Ato. Calibrations : reading for the social / Ato Quayson. p. cm. — (Public worlds ; v. 12) Includes bibliographical references and index. ISBN 0-8166-3839-X (alk. paper) — ISBN 0-8166-3840-3 (PB : alk. paper) 1. African literature—20th century—History and criticism. 2.Marxist criticism. 3.Mimesis in literature. 4.Postcolonialism in literature. I.Title. II.Series. PN849.A35 Q38 2003 809'.896—dc21 2003002161 Printed in the United States of America on acid-free paper The University of Minnesota is an equal-opportunity educator and employer. 12 11 10 09 08 07 06 05 04 03 10 9 8 7 6 5 4 3 2 1 ≈ For Abiola Irele and Biodun Jeyifo two exemplary African literary critics and for Kamau in the hope that he may grow to understand This page intentionally left blank Contents Acknowledgments ix Introduction: Mimesis, Dialectics, and the Bounding of Analytic Fields xi 1 Literature, Anthropology, and History in Ghosh’s In an Antique Land 1 2 Social Imaginaries in Transition: Culture Heroism and the Genres of Everyday Life 30 3 African Postcolonial Relations through a Prism of Tragedy 56 4 Symbolization Compulsions: Freud, African Literature, and South Africa’s Process of Truth and Reconciliation 76 5 Disability and Contingency 99 6 Literature and the Parables of Time 125 Notes 153 Bibliography 165 Index 175 This page intentionally left blank Acknowledgments I wish to thank the following people for their comments on various drafts of different chapters: Anjali Prabhu, Richard Feldstein, Barbara Bodenhorn, Sinead Garrigan-Mattar, Mark Wormald, Tejumola Olaniyan, Priya Gopal, and Achille Mbembe. I also thank Mary Jacobus for critical feedback on a talk I gave to her Psychoanalysis and Humanities Seminar in Cambridge, which became the material for chapter 4. A very special thanks to Valentina for her forbearance in the onrush of frenzy that accompanied the finishing of this book, and to Jijo and Abena for their constant reminder that laughter is indeed the best medicine. ≈ ix ≈

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Ato Quayson explores a practice of reading that oscillates rapidly between domains-the literary-aesthetic, the social, the cultural, and the political-in order to uncover the mutually illuminating nature of these domains. He does this not to assert the often repeated postmodernist view that there is
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