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MAGGIE STEBER ON FINDING BEAUTY IN THE BLEAKEST OF TIMES AND RISING ABOVE TRAGEDY S(eToptatle 1m36 bpaegres 2+0 8 1p7ag e•s sRupsp.le m15en0t) CATALAONG UEEX CBLYU NSIIIKVNIET A8S -DPISAITGDRE IPBERUOTODRUSCT www.betterphotography.in A STUDY IN INTERPRETATION TINTED UNTINTED Julie Blackmon, Shahria Sharmin, Chieska Fortune Smith & Deepti Asthana on what shaped their work The Indian Photography Festival, Hyderabad... An exclusive glimpse ALSO REVIEWED Canon EF-M 22mm f/2 Godox ThinkLite TT685N the immortal Paul Sahab editorial “Earlier, Those who have been fortunate enough to cross paths or converse with S Paul would have been deeply, indelibly touched by his words, photography used presence and spirit. Paul Sahab, as he was fondly known, practiced, to be about studied, breathed and lived photography, as only a man who was available light. completely consumed by it could. Now, it is From the moment I got to meet him first in 2009, never were our about available conversations about anything but photography. Never did I see his level of energy or enthusiasm recede. At no point did his camera ever leave his side. darkness.” He wasn’t a man to ignore a photographic opportunity, wherever or whenever it presented –S Paul itself to him. He photographed everything and he did so incessantly. He did it with an extraordinary level of skill, sensitivity, speed and ease. “I go where my camera goes,” he once told the security officers at Vigyan Bhavan, just before the commencement of the presentations for the 2nd National Photography Awards (Paul Sahab was the Chairman of the committee for its selection). He was the only one in the audience with a camera in his hands. On another occasion, he admitted, “Nowadays, my body needs rest. I sleep to conserve and build up my energy, so that I can awaken and get to my photography. And if I don’t shoot, I don’t get sleep.” In an interview with Better Photography in 2012, he had said, “Mere andar aag hai kuch naya karne ki, aur yeh aag har din badhti jaa rahi hai.” For Paul Sahab, photography was both a process that he enjoyed, and means to an end. The final image, eventually, was everything to him. Cameras and lenses were the tools of his craft, and he had scores of them from almost every manufacturer. Technique was the key, 4 and he would often push the boundaries of his equipment with it. One evening, at Soochna Bhavan, I found Paul Sahab making a picture of a window and the scene beyond, with his brand new DSLR. His pleasure in the shift to digital was evident when he quipped from behind his camera, “Earlier, photography used to be about available light. Now, it is about available darkness.” But the real magic in Paul Sahab’s craft was in seeing the extraordinary within a seemingly ordinary moment. It was in his telling of an entire story within a single frame... succinctly, subtly, beautifully, with an uncanny understanding of human nature, light, composition, and perfect timing. Often, he would prepare hours or days in advance, studying locations and calculating exposures, in anticipation of a frame. From prime ministers to postal workers, from monuments to the streets, from children at play to the flowers, grass and trees in the National Zoological Park in Delhi… little escaped Paul Sahab’s gaze. During his time as the chief of the photography department at The Indian Express, on more than a few instances, calls were made to the newspaper from the offices of the powers at the helm, demanding explanations for Paul Sahab’s ‘transgressions’. But, to the common man, these very same photographs served to show the human side of an otherwise invisible world. What truly made Paul Sahab a legend was more than all of this. He gave of himself, his photography, knowledge and ideas openly and without holding back, to those who sought it, influencing hundreds of lives and touching thousands more. As critical he was of his own practice and photography, he was just as appreciative of the works by others. Not one to waste time and energy in promoting himself, Paul Sahab was also equally reclusive. Paul Sahab was born on August 19, 1929. Being born on World Photography Day, he was often heard saying, “I was born for photography.” He passed away on August 16, three days short of his 89th birthday. Getting to hear of his passing came as a sudden shock... because in some corner of my mind, despite the inevitability in all things, Paul Sahab was always untiring and immortal. So he was. And so he remains. K Madhavan Pillai [email protected] Better PhotograPhy sePtemBer 2017 V O L U M E 2 1 • I S S U E 4 • S E P T E M B E R 2 0 1 7 CEO-NEWS AND GROUP EDITOR-IN-CHIEF Chief Human Resources Officer, Network18 GET PUBLISHED IN BETTER PHOTOGRAPHY Rahul Joshi P Sakhtivel Participate in online contests, share your best tips and techniques to get your work noticed. Follow EDITORIAL NEWSSTAND & SUBSCRIPTIONS these simple guidelines: For Your Pictures, Reader’s Gallery and Reader’s Tip: Chief Editor Head-Circulation & Subscription Visit http://betterphotography.in/contests and K Madhavan Pillai Kripanand S register yourself on the website Participate in the relavant contests on the page. Deputy Editor-Technical WEST: Mumbai: Sanjay Bhujle, Dinesh Devadiga, Laxman B. There will always be a contest open for you to take part in! Shridhar Kunte NORTH & EAST: Kamal Bisht For Reader’s Gallery contests, make sure the CHENNAI: Karunanithi images have been made using a cellphone Features Writers HYDERABAD: Naveen For Reader’s Tip and Your Pictures contests, Conchita Fernandes include a 100-word note on how and why you shot Newsstand Accounts the image Vedika Singhania Winners of all the contests get featured on our Anant Athavale, Rahul Mankar Tanvi Dhulia website and can be featured in the magazine too. Subscription Team They will also receive special prizes! Senior Editor–Online Kamlesh Mathakar, Vaibhav Ghavale: 9324490187 Send in a synopsis, with low-resolution images for viewing, to contribute articles to the Sanjay Yalavatti Logistics following sections: On Assignment, Step-by-Step, Photofeature, Tips & Tricks, Anant Shirke DESIGN & PRODUCTION Shooting Technique, History, Story Behind the Picture NEWSSTAND & SUBSCRIPTION SERVICES Get in Touch with us: Assistant Art Director For newsstand and trade queries, please write to To have your images reviewed by our panel of experts: Santosh D Kamble at [email protected] [email protected] For any subscription queries, please write to Vaibhav To showcase your best photographs: Mahesh A Jadhav at [email protected] [email protected] To contribute articles and for questions Customercare No-33634760 | 4562 on photography: [email protected] MARKETING & SALES 6 To subscribe to Better Photography online, For your suggestions, appreciation and criticism Vice President Sales & Marketing on the magazine: [email protected] visit http://eshop.infomedia18.in Amit Seth Views and opinions expressed in this magazine are not necessarily ADVERTISING SERVICES those of Network18 Media & Investments Ltd (Network18)*, its publisher and/or editors. We at Network18 do our best to verify the information National Sales Head For advertising and sales queries, please write to published but do not take any responsibility for the absolute accuracy [email protected] of the information. Network18 does not accept the responsibility for any Badri Narayan: 9845045008 investment or other decision taken by readers on the basis of information [email protected] provided herein. Network18 does not take responsibility for returning unsolicited material sent without due postal stamps for return postage. North HEAD OFFICE No part of this magazine can be reproduced without the prior written permission of the publisher. Network18 reserves the right to use the Harshvardhan Verma: 9899555090 Network18 Media & Investments Ltd, information published herein in any manner whatsoever. Rajat Chauhan: 9868103422 “One Indiabulls Centre” Unit No. 501, 5th floor, Published and Printed by Amit Seth on behalf of Network18 West Tower-I Jupiter Textile Mills, Senapati Bapat Media & Investments Ltd. Editor: K Madhavan Pillai Printed Marg, Elphinstone Road, Mumbai-400 016, at Kalajoyothi Process Private Limited W-17/18, MIDC Taloja Shilpa Sethi : 9920112486 Maharashtra, India. District: Raigad, Maharashtra - 410208 & Published at Network18 Media & Investments Ltd., Empire Complex, 1st Sales Support Board Line-3363 4400 Floor, 414, Senapati Bapat Marg, Lower Parel, Mumbai - 400013. Sagar Salunkhe Better Photography is registered with the Registrar of Abhijit Bhoir Newspapers of India under No. 66339. Network18 does not take any responsibility for loss or damage incurred or suffered Printing Manager by any subscriber of this magazine as a result of his/her accepting any invitation/offer published in this edition. Dnyaneshwar Goythale Production Team * Ownership of this magazine stands transferred from Infomedia18 Limited (Infomedia18) to Network18 Media & Investments Limited (Network18) in pursuance of the scheme of arrangement between Network18 and Ravikumar Potdar, Ravi Salian Infomedia18 and their respective shareholders and creditors, as approved by the Hon’ble High Court of Delhi and the necessary approval of Ministry of Information and Broadcasting is being obtained. BETTER PHOTOGRAPHY SEPTEMBER 2017 September 2017 49 60 GearGuide CellphonePhotography 26 Canon EF-M 22mm f/2 38 cellPhoNe test The lightweight, walk- Huawei Honor V9 around prime lens for Feature-packed, but M-Series users should you buy it? 40 One Plus 5 Yet another stellar ON THE COVER phone from OnePlus MAGGiEsTEBEROn findinGBEAuTY in THEBlEAkEsTOf TiMEs And RisinGABOvETRAGEdY 32 Godox ThinkLite TT685N www.betterphotography.in S(eToptatle 1m36 bpaegres 2+0 8 1p7ag e•s sRupsp.le m15en0t) cATAlAOnG uEEx cBlYu nsiiikvniET A8s -dPisAiTGdRE iPBERuOTOdRuscT A TTL camera fl ash with 2.4G radio transmission that gets things just right... at an excellent price! A STuDy in inTerpreTATion tinted 42 Gionee A1 Plus untinted How does the 20MP JSumlieit hB &lac Dkemeopnti, ASshtahharniaa Sohna wrmhaint ,s Chahipeesdk at hFeoirr twunoerk selfi e camera fare on our thfee isntdiviaanl, phhyodteorgarbaapdh..y. test bench? an exclusive glimpse Also Reviewed Canon ef-m 22mm f/2 godox thinklite tt685n PHOTOGRAPH: SHAHRIA SHARMIN DESIGN: SANTOSH D KAMBLE InFocus 72 84 BetterPictures ShowCase PhotoFinish 48 PersPectives 72 sPecial showcase 134 story behiNd the Picture Tinted, Untinted Indian Photography All Work and No Play! How much of one’s art is Festival, Hyderabad —‘Breaker Boys’ by truly and wholly theirs? An exclusive glimpse of Lewis Hine Julie Blackmon what you can expect to The image which led to Shahria Sharmin see at the festival this year the end of child labour in Chieska Fortune Smith the United States Deepti Asthana 84 ProFile Maggie Steber On love, loss, and the spirit of adventure 100 sPecial Features Regulars A Himalayan Tryst An exciting drive with the Audi Quattros in Feedback ............................................................10 the mountains your Pictures ..................................................106 Feedback Send your suggestions, thoughts, and feedback letters to [email protected] “It is unfortunate then ask each one of us to talk about our BetterPictures that despite the inferences. 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I had previously seen Åsa Sjöström’s photograph titled Birthday Educating Young Minds The August 2017 issue Chocolate, which won her a World Press of Better Photography I have been an ardent follower of Anirudh featured an exclusive Photo Award. But I knew very little of her Agarwal’s work. In fact, an earlier story preview of Illuminate, extended body of work on Moldova. I went a photobook featuring that was published in the October 2016 back and did my research, and discovered images shot by the issue of Better Photography titled ‘Nysha that the small eastern European country children under the and Her Sunbeam Talbot’, inspired me to umbrella of New Light, has been infamously dubbed as the photograph my nephew. The moments an NGO in Kolkata. world’s least happy place! It is unfortunate 10 are fl eeting, true, but with children they’re Anirudh Agarwal that despite the abundant beauty of the mentored these children even faster. I recall drawing parallels in his in a 10-day workshop. place, the children in Moldova continue photographs, observing every frame more to battle against various social and closely and acknowledging his precision economic problems. in framing. It was only after I began What I appreciated the most about documenting did I realise that there are Asa’s work was her dedication to the story. several factors at play when photographing a Perhaps it stems from documenting her own child. Anirudh has very successfully bridged country of Sweden, so intently. the gap between staging the red car and the Priyashi Bubna, New Delhi inability to stage his niece’s whims. Development, at What Cost? Last month, I chanced upon the August 2017 issue that carried the coverage of Åsa Sjöström’s Hailing from a small town in Uttrakhand, ‘Home of the Unknown’ photographs shot by the children of sex and having recently moved to New Delhi, was featured in the workers and also those rescued from sex August 2017 issue of I was moved by Parth Gupta’s photographs traffi cking. Anirudh had mentored the Better Photography. depicting the rampant changes in the city, children in a 10-day workshop. The result culminated in a photobook titled Illuminate, PROFILE courtesy Beauty for Freedom (a non-profi t organisation) and New Light (an NGO in Home of the Unknown Kolkata, taking care of these children). Åsa Sjöström creates awareness and intimacy, with a blend of documentary and fine art photography, and personal intent. Sainethra Hariharan discovers a sense of both It was wonderful to read about Anirudh’s affinity and hope within the quiet telling of Sjöström’s stories. eabnodueat vpohuort oing readpuhcya.ting the young minds HUaexnkidrs atu iinnnek t,nh woeooTani wnntwfehh n aseiE tss xt cltat ieithoress ad5tsua ten 0thbwnr g iyneettier te t ms yhEwwat uorwaeRosyrreuiu.yo tnwAlhs pod sRe oepfi ila ouatMhl, nmtbc ob oae ectau alo hontdtsgouo eiosra mn tovat haoa tpperin ,hny ?od, k o r boCpaTfsrhtafyrhi tikoeM oÅzhneuceeoosndl alidlW asnad .S tts eoYot jh ahö(vers assaleterdth,. e iDr i TnePönt alhgbrm tbiee eleayes r ml psm l ifLoe hoPaisowordfh mea t)ceo , ofCh ethta,oh inartal it edtAdgte larrw gweweesodo naaoar rrtB,lny eldli,d i t rcstSr hs htiaiihshnnweisdlo g udsaa2wleryer0ecee 1.ss o 5 n,t .nw do Everyone has a story to tell. Parth Jalan, Ranchi somYeooun eju tsot nheeeadr you. I want to be that someone for those who have no one to Ability To Look Beyond Time hear them. C(coAofotulenlgencgu haesis ttdk a2a u0Fy1ess7 r,t )now ta rohnabendnssee posr’ovu perrit tepehcdreeo m fpoehens so bEotauorc ggwker oatnopue mhl Adsy t g et in wRiIgnngehohro o(ntaiuirrFmhsantt’rpe shtd ot ec’ emBomsbrhr oisooh enrrt ctai tihdsMnhohree ,teldc o raosralallat ea dtyhhesr no,ia ais sdtvea smo sassnf ) c r.gahdB hiIiItae ovgtoehnner oosiinddnssr.l HcErchvaeieaedarbadtÅapr aaiunehprctsyfotnnyc,ns eoriha auu rvshyoemtflsoirtir,bnl eri dwiluo aog jtolieduud meltdn im wweyk fswherssecil frens a ibesoierehtsmoveotcc in enro,crhestbbinSmw.l neyesma awno rhese eaArg i a eelpsfi oc taotci tacw dmrnaemhehurni irfntcnenpad b o e eroeidamtodub o ln o mirtrhStas lnprnotang ovauai hewyidCdnagemkl leecptklme aain griaeosriwaneettlelltbt ldm oots hhntguiaiaschiaoenoeinu eee ttnnaopairruttnngsssliiiiddnnooeeccsssrrt,,.,., of the masters of the medium. She would BETTER PHOTOGRAPHY AUGUST 2017 BETTER PHOTOGRAPHY SEPTEMBER 2017 Twitter: twitter.com/betterphoto Facebook: facebook.com/betterphotography FIND US ONLINE! Youtube: youtube.com/betterphotoindia Website: betterphotography.in Bridging the Technological Gap During my recent visit at home, I stumbled capacity, or any capacity at all. He would upon an old family photo album. It had sporadically take the camera out, mostly on the most exquisite photographs of my special occasions. extended family. The mood and framing, Now when take my camera to him, and the use of light and shadow... and see him look at it, wide-eyed, he it was almost as if these photographs would quickly lose interest. It could capturing daily activities were being be on account of the device appearing made by a professional photographer. foreign to him, as it is not a fi lm camera. However, I couldn’t fi nd my father in any I am planning to gift him one soon, and of the pictures. hopefully I’ll be able to perpetuate his Eventually, I realised that he was the man interest and get him to pursue his hobby, behind the photographs. While growing once again. up, I had never seen him shoot in this Anigha Jain, Ludhiana Reminiscing the Old Days “It is ironic how owing to rapid urbanisation. Looking at on one side we his series Terra Firma, published in the Anurag Banerjee’s ‘Love in Bombay’ (August August 2017 issue of Better Photography, 2017) transported to me to my college days, are engulfed by I have developed a deeper and clearer when my boyfriend and I would hunt for modernisation understanding of what entails the high places in the city. Since both of us lived and can’t fi nd rises and glass facades in metropolitan with our families, it was diffi cult to fi nd a 12 space in the cities. It perfectly aligns, yet juxtaposes with place to just sit and converse. Irani cafes in Asa’s photographs on Moldova (also in the the city wouldn’t entertain us for long, and cities, while same issue). the local baristas were just too crowded. there are It is ironic how on one side we are Beaches became our go-to spot. beautiful areas in engulfed by modernisation and can’t fi nd Mumbai has always had a symbiotic the countryside, space in the cities, while there are beautiful relationship with the sea. It has seen all areas in the countryside, left to disappear moods, be it affection, celebration or left to disappear into oblivion. We move to bigger cities for introspection. It is amazing how Anurag has into oblivion.” a better lifestyle, and in the process end up intertwined the relationship between these Anurag Banerjee’s abandoning our hometowns. This brings me moods. His love for the city and its people, ‘Love in Bombay’ to a crucial question—Development, but at clearly shows in his visual documentation. was featured in the August 2017 issue what cost? I believe that when we are able to separate of the magazine. Vishaal Mudholkar, New Delhi ourselves from our subjects, and yet be a It documents the various part of the storytelling; that is when such corners in the city that What’s in a Mask? couples go to spend time great documentation sees the light of day. with one another. Recently, I came across Kolkata-based Minal Khosla, Mumbai photographer, Sujatro Ghosh’s series comprising of provocative images of women PROFILE in cow masks. This nature of documentation has become the need of the hour. While the emboldened vigilante groups continue to take severe actions against cow siwsla ouumngfehontre tsruainnfeag. t Gaenlhydo l ibsthtel eehf ad csoo bnnresi ultloima knpetteliypo dn oe,u tphri cetreed peraosjyte t h“HcofoesPtte tg ar ih hiotetmen keuootxftti hat een otpbocetrnhg ieaig cccti op sarrotiiwnosh uarnnnesnoairpysea, sterhoi”tdtod y,heftu ge hwahirrmonrreswaefiaag ta t,sanpst h keiaiiyuehotonili nec seudn iidahngesrt.. Itohpettatteo’hhisnnr ae pdd dtt pio orclfeers fihaosnacalimmldbur wmslliset shB ai…tenooon o g tmdpchf co ohtabhumitoana rayperntn a eiositycnsesuot,e ge dtank rttrne.ihoe nPd caeteg ahm tir hnimehtya s pa,ept eflp xutomhuasss cehiisbtdt i ’c rbsft ioah ltceyrie n i.sg biTddpBneoarhuhocpcitaksf uiwe bc imosrthiesotneae dln nnsno yiovt tnt ssmieh s Ltt.e o heoo senvoea exefwm i itntashhe tyBe aic tsnotihe mtA ay epb n kscarulioiyotnrm,yw ada’sgi los sy rBeefe t rsaosui,ine pridstenee frtnsnohj ei rtsatescset e chsra eistt s. 4411 this hypocrisy in his photographs, shot all over the country... of women posing on rIthto seapd cesoa,u nknse taorrfy ,lt ahloneud idmm aamnrkdesd c ailaentaedr n.theeeidr fwoor rskapfeltayc ein. mmh“aeiwlntMm“ahyiBna.tim h.nhctuk.ihgo h.siteln” si ro oAvntwg evlhetHngy eahpretsue ,yhaayrh r Il reatntao oo ohr ndtgIsfaom io snarsBnmdg,geameoo erla h ensmoasna inetitcnpnorniab trcgohgst ilailci aiug sbostnyai iinoesev,dagos”doeessf,.., LAunnguuroaagrd Beadnv merojmeeee gnitvse, s s hCiaornencdh biteat wF eereBnna lnovdeeross ,a inn i Bnmotimmbaatey .lobok at tahe y F I N DI@n As NtbaUagnRreAarGmj eH:e E.aRnEu!rag wpifprwmmhsreehohi oeea tn roiImn shdlttotteat r ooit sot niaa g tdoeratgio ro.nhtscl, al.k ,iaar co pt “etnaoArhh aDdrcsnnaileineo ivutdas lgn ewri edn bscrai hidtnseltfgura fahrt eestiaatamr iei ttoloetei ano nndc,nst ”y s , Minal Khosla, Mumbai BETTER PHOTOGRAPHY AUGUST 2017 AUGUST 2017 BETTER PHOTOGRAPHY BETTER PHOTOGRAPHY SEPTEMBER 2017 SSSSSSnnnnnnaaaaaapppppp SShhoottss Remembering the Legendary S Paul WHat’s nEW Yongnuo 40mm f/2.8 and 100mm The photography Photographer for two years, before joining f/2 lenses community The Indian Express as its Photo Editor in The Yongnuo 40mm f/2.8 lens has a around the country 1962, where he spent the next 26 years. six-blade aperture, mourned the loss Paul, fondly known as Paul Saab, was the a 58mm fi lter of the celebrated fi rst Indian whose portfolio was published diameter, and a minimum focus distance of 0.3m. photographer S Paul, by the celebrated British Journal of The Yongnuo 100mm f/2 lens features a DC motor, a nine-blade aperture, a minimum focus who passed away on Photography, in 1967. He was also the fi rst distance of 0.9m. 16 August, after a bout Indian to win the Nikon International of illness. His infl uence photo contest in 1971. In 2004, B&W laowa 15mm f/2 lens can be felt through the hoards of successful Magazine nicknamed him as ‘the Henri The second lens in the Zero-D lineup photographers like his brother Raghu Rai, Cartier-Bresson of India.’ He was also boasts of being the widest available rectilinear f/2 lens for the Sony who he had mentored. conferred with the National Award for E-system. Its closest focus distance is Born in 1929, in Jhang, Pakistan, Paul’s Lifetime Achievement in Photography, 15cm, and it has a nine blade aperture family moved to Shimla after partition. in 2010. which runs to f/22. The lens will be available for shipping by September, and is priced at USD 850 A self-taught photographer, he discovered Paul photographed until the very end (approx. Rs. 54,510). his passion for photography as a teenager. of his life, staying in constant practice. Later on, after quitting the draftsman’s job, During an interview with BP in 2012, he Yongnuo Yn686EX-Rt Flashgun he was invited by the Indian government had said, “I practice photography like Yongnuo’s fi rst to help build a photography department anyone practices music. Skipping a day in lithium-ion powered 14 fl ash for the Canon RT in Himachal Pradesh, post which, he music is equal to being six days behind. system is compatible worked with the Indian Railways as a Chief I apply the same principle to photography.” with Canon E-TTL and E-TTL II fl ash systems. It features a 2000 mAh Li-ion battery, which is said to power 750 fl ashes at full power. It only takes 1.5 seconds to recycle a full charge, and is capable of working as master or slave. It also comes with the option of optical slave triggering. The fl ash can be used in high-speed sync modes, up to shutterspeeds of 1/8000s. It is priced at USD 150 (approx. Rs. 9610). MMaannffrroottttoo 336600°° vviirrttuuaall RReeaalliittyy RRaannggee The new range of bases, booms, and dollies by Manfrotto are aimed at Virtual Reality content creators. It includes a pump cup with a ul spigot adapter, a mini tripod kit, an a P adjustable dolly, and a panoramic S / head, amongst others. The range ph a starts at USD 35 (approx. Rs. 2240). gr o ot h P “Photography deals exquisitely with appearances, but nothing is what it appears to be.” DUanE MICHals (1932) Duane Michals is an American photographer, known for his photographic innovation. He is widely recognised for his work with multiple exposures, and inclusion of text along with his pictures. He worked as a freelance fashion photographer and portraitist in the 1960s. His artistic photo sequences address philosophical and literary ideas about gender, sexuality, and death. Largely self-taught, Michals’s interest in art fi rst began at the age of 14, which then lead him to pursue graphic designing. It was only in 1958 that he discovered his interest in photography. Better PhotograPhy sePtemBer 2017 snaPshots Fashion Photographer Gösta Peterson Passes Away WHat’s nEW Panasonic Eluga a3 and a3 Plus Gösta Peterson, one of the pathbreaking The Eluga A3 and the Eluga Swedish fashion photographers, passed A3 Pro, both sport 13MP rear cameras and LED fl ash, with away on 28 July in Manhattan. His work was an 8MP camera in the front. published in various U.S. publications like n Priced at Rs. 11,290 and Rs. o 12,790 respectively, the only Esquire and Harper’s Bazaar. ers His most celebrated work changed the face et difference between the two are P their processors and storage of fashion history. It was when he featured sta o capacities. The A3 has 16GB of in-built storage, the once-spurned black model Naomi Sims, G / while the other offers 32GB. on the cover of the New York Times Magazine, aph nokia 8 in 1967. The cover was widely regarded as the otogr The Nokia 8 features a 13MP fi rst by a major American fashion magazine, Ph f/2 rear camera, developed in with a racially mixed readership, to feature the people I photographed, and it wasn’t collaboration with Zeiss, has a black model. He was also known to necessary that they were really beautiful. optical image stabilisation, encourage his subjects like Twiggy, Salvador It was important that they had character, and along with a secondary 13MP monochrome sensor. It also comes Dali and Duke Ellington, to confront the that they had emotion that was interesting. equipped with a dual-tone LED fl ash camera rather than seduce it, trying to get I latched onto that and showed it in my and a front-facing 13MP f/2 camera. characters rather than just beauty. “I selected pictures,” Peterson said. The device sports a 4K video mode too, and is priced at 600 euros (approx. Rs. 45,230). lG Q6 Legendary LIFE Photo Editor, John Morris, No More The LG Q6 is powered by an octa-core Snapdragon 435 SoC processor, along The renowned photo editor, John G New York Times, and was the European with 3GB RAM. It features a 13MP 1166 rear camera, and a 5MP front-facing Morris, who left an indelible stamp correspondent for National Geographic. camera. Its most signifi cant feature is on photojournalism through WWII Despite his passionate interest in the 5.5 inch FullVision display, which is photographs, passed away on 28 July, at a photojournalism, Morris had little said to have a ‘taller-than-usual’ aspect hospital near his home in Paris. interest in being a photographer himself. ratio of 18:9. It comes with 32GB of in-built storage, and is available exclusively on While completing his study from the However, when asked about what he Amazon India for Rs. 14,990. University of Chicago, Morris became viewed as a photojournalist’s essential passionate about photojournalism and qualities, he said, “Timing is all important Miggo agua formed a student magazine called Pulse, in photography. Not just the timing of the Miggo’s new line of camera bags are all storm-proof by the based on the model of LIFE, consequently shutter itself, but knowing when to work and IPX3-standard, and is designed joining the same publication in 1938. when not to work, when to photograph and with durable tarpaulin. He assigned Robert Capa to cover the allied when not to photograph.” The fi rst of the three, the Agua invasion of Normandy, during which Versa pack is designed to give fast and easy access to gear, Capa produced his most iconic photo of and it features an external the landing. access charging arrangement Morris donned several roles in his a for mobile phones. The Agua Drone Lander ap lifetime, in photo departments spread C cthoem DeJsI wMiathv iac alanndd iSnpga mrka td aronnde iss. bTuhilet tAog cuoa nStlaining across various publications. He was bert o is a more compact camera bag, and can carry a the Picture Editor with Ladies’ Home R / full-format DSLR and three professional lenses. Journal, First Executive Editor of Magnum aph Astlal trhtirnege a bta UgSs Da r1e2 0a v(aaiplapbrloex f.o Rrs p. r7e6-9o0r)d eorniwnga,r ds. Photos, Assistant Managing Editor at The otogr Washington Post, Picture Editor of The Ph Better PhotograPhy sePtemBer 2017 EvEnts 16-17 september art and science of Photography Workshop Chennai In Memoriam—the Legendary Arlene Gottfried PRo talk Rear Curtain sync Arlene Gottfried, the NYC is a setting where the flash fires only when street photographer, The workshop for the rear curtain of the passed away on 8 August, at her beginners delves into focal plane shutter home in Manhattan. She had the art and science of moves at the end of photography. It aims to an exposure. breast cancer. Born and raised in educate participants Brooklyn, Gottfried is famously ed omne tdhiuem c,o anlcoenpgt sw oitfh t he known for having captured the ottfri its functions. By the lesser-seen neighbourhoods of e G epnadrt oicfi pthaen tsse wssilli obne, New York City, for decades. Arlen educated on topics After attending the Fashion ph/ ranging from different Institute of Technology, gra camera formats, to the and then holding a job as a oto uses of various kinds photographer at an ad agency, Ph of lenses. The workshop is priced at Rs. 6400 for she transitioned as a freelance through a drug hotspot in New York, where early bird registrations, photographer for some of the biggest people “watch TVs on cars and shoot up in after which the fee will increase. names in publishing like The New York Times the streets”. For more details, visit Magazine, Fortune, LIFE, and The Independent. Daniel Cooney, Gottfrieds’ fine art www.toehold.in/ Over the span of three decades, Gottfried dealer, remembers her as, “Gottfried always photography-workshop- chennai.php published five books titled, Mommie, photographed the people she identified The Eternal Light, Midnight, Sometimes with—the underdogs, the unsung heroes 17 september Overwhelming and Bacalaitos and Fireworks. and the people living on the fringe. I think WePooler DCP Weekend Photowalk One of Gottfried’s most famous photos that’s why people loved her work so much, 111888 shows nuns and children walking in a line there was always something to relate to.” Einstein’s Signed Photo Auctioned for USD 125,000 The iconic photograph of did, Einstein was so amused that vashi Creek, Mumbai The weekend photowalk Albert Einstein sticking UPI he ordered several prints for his offers the opportunity his tongue out has been sold or close friends. While it is popularly tpoh obtuodgdrianpgh nya etunrteh usiasts for USD 125,000 (approx. sse f shown as a cropped version with a tToh ere ofirngea nthiseeirr ss khiallvse. Rbys. N 8a0t ela Dkh Ssa) nadt aenrs a Auuctcitoionn hse. ld hur S oaunclyti Eoninesdte pinh ointo tghrea pphic rtueprer,e tsheen ts iadreonutnifide tdh e52 c liotyc, awtihoicnhs The picture was captured by h/Art the original, where he is seated p serve as promising spots United Press International gra between his hosts, Dr Frank fwoirth nina ttuhree u prhboatno gjurnagplehy. (UPI) photographer, Arthur hoto Aydelotte and his wife. One of The event is free to Sasse, on Einstein’s 72nd P these signed images was sold at an attend, although those birthday celebration. auction for USD 74,324 (approx. Rs. interested will need to Tired of smiling for the pictures that 47 lakhs) in June 2009, making it the most register 48 hours prior. For further details, whole evening, Einstein decided to make a expensive photograph of Einstein in the contact Pankaj Veerkar silly face instead. Initially, UPI was hesitant world. That signed print has now been at +91 -7208543005. to publish the picture. However, when it supplanted by this auction. BBeetttteerr PPhhoottooggrraaPPhhyy sePtemBer 2017

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