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Band & String Educational Resources - The FJH Music Company Inc. PDF

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CONCERT BAND • STRING ORCHESTRA METHODS EDUCATIONAL RESOURCES WARM-UPS AND STUDIES COLLECTIONS Establish solid fundamentals with your ensemble using proven teaching methods, logical sequencing, and exciting music! CONCERT BAND Measures of Success™...............................................................................................................................................................................2-3 Warm-ups and Beyond.................................................................................................................................................................................4 Rhythms and Beyond....................................................................................................................................................................................5 Superior Bands in Sixteen Weeks...............................................................................................................................................................6 Chorales and Rhythm Etudes for Superior Bands....................................................................................................................................7 Scales and Tuning Exercises for Superior Bands.....................................................................................................................................7 Lessons in Performance...............................................................................................................................................................................8 Concert Time Collections............................................................................................................................................................................8 STRING ORCHESTRA New Directions®for Strings........................................................................................................................................................................9 Superior Strings in Sixteen Weeks...........................................................................................................................................................10 The Fiddler’s Wrist.....................................................................................................................................................................................11 Lessons in Performance.............................................................................................................................................................................11 Introducing… AComprehensive MusicianshipBand Method DEBORAH A. SHELDON • BRIAN BALMAGES • TIMOTHY LOEST • ROBERT SHELDON PERCUSSIONWRITTENANDEDITED BY DAVID COLLIER A P -A CD BOUT THE LAY LONG S • Each track includes a demo version with professional musicians followed by accompaniment only • Outstanding accompaniments explore a wide variety of musical styles to keep practice exciting and interesting Book 1 “Success in 6 Minutes, 30 Seconds” AComprehensiveMusicianshipBandMethod Visit www.fjhmusic.com/mos to hear highlights of CD 1 LWaniondoe dEswl e1ic.nt1rd is-c , 3 BB.a1rsa0sss, the accompaniment tracks! (cid:1) (cid:2) 2009 (cid:1)(cid:2)2009TheFJHMusicCompanyInc( BB208CD1 duplicationisaviolationofapplicablelaws. Contact FJH today or visit www.fjhmusic.com/mos to request your complimentary copy! A Comprehensive Musicianship Band Method A B BOUT THE OOK • Unique chapter organization provides a goal-oriented format • 6 full-page assessments include: Critical Listening Playing By Ear Theory and Terminology Composing / Arranging Performance • Wealth of classical and world music representing over 20 composers and 17 countries • 15 pieces for full band • Duets, rounds, & 2 solos with piano accompaniment • 2 Play-Along CDs feature demo and performance tracks with professional musicians • Featured in SmartMusic®, the award-winning learning software • Correlates with art and world history • Incorporates the National Standards for Music Education • Additional features including conducting, rhythm review, clapping exercises, scales, and more! S I PECIAL NSTRUMENT BOOKS HORN • Gives the student / teacher the ability to choose from three different approaches • All three approaches are designed to teach students the same range of notes by the end of the second chapter (Opus) • Special pages for horns only to help establish solid fundamentals and train the ear to improve pitch accuracy PERCUSSION • The percussion book is a total approach, including both battery and keyboard percussion instruments • Percussion-only exercises throughout the method reinforce concepts and provide additional challenges • Includes pictures describing the technique to hold and play each instrument • Contains a wealth of performance opportunities including: 4 snare drum solos 2 accessory percussion ensembles 2 full percussion ensembles 1 timpani solo 2 solos for keyboard percussion ©2010 The FJH Music Company Inc. All rights reserved. The music contained herein cannot be reproduced without explicit, written permission from FJH. EDUCATION W - B A R M U P S A N D E Y O N D A C o m p r e h e n s i v e R e h e a r s a l B o o k f o r D e v e l o p i n g B a n d s BY TIMOTHY LOEST with Percussion By Kevin Lepper Veteran middle school band director Timothy Loest has drawn from two decades of 10 Concert C Minor experience to create an all-encompassing 1.&Mibno44r sFciœavlees –œ Quarœter Nœotes œ œ œ œ w ,arpœeggioœ œ œ w warm-up book, appropriate for elementary, F middle, and smaller high school programs. 2.&Mibno24r sFciœavlees –œ Eighœth Nœotesœ œ œ œ ˙ ,arœpeggioœ œ œ ˙ Its logical sequence addresses technical issues P 3.&Thibrd44sœ œ œ œ œ œ ˙ , œ œ œ œ œ œ ˙ , at a variety of levels. In addition to a wealth f , of chorales and scales, the book incorporates &&b œœ œœ œœ œ œ œ ˙ œ œ œ œ œ œ ˙ articulation and flexibility studies, and an , 4.&Expba24ndiœng œIntœervœals˙ œœœœ ˙ œœœœ ˙ œœœœ ˙ in-depth glossary of musical terms, providing 4 5&.÷PS4o4eburcn¿fœudœss pso¿‰œifo HJœnoœ ¿œmFeeœa¿‰tuJœre˙œœœœŒœ‰Óœœjœœœœ¿œœ¿‰Jœ˙¿œ ¿‰Jœ œœœœœŒLœiœsteœÓnœ anœd œw˙atcFhœœ c…aIrœ‰efuJœllŒyœœ a…sI œ‰tœheJœ pœercœœuœsœsœioœœn sœœp˙ec‰t‰ioœjJœn ƒpœœlays. amhnausssw iacediradsne tsdo. Paqneur eacsrutrisaosynio son fp epodseeurcdcu abstoysir oy Kno euevnxigener Lcriespepser 6.&Folfblo34wso tlohœ/eso Lliœeadeœr——˙—.——ba—nœd—œ——œ———˙—.——soP—lœo/s—oliœ——œ—œ—œ——˙.———ban—œd—œ—œ——œ—œ——˙.—— tohfa itn wdiivlli dsuiganl ipfiecracnutslysi oimnipsrtso,v we hthilee tdeecvhenlioqpuieng &bsoloœ/Fsoliœœœœ ˙. baœnd œœœœ ˙. alflœ œ œ œ œ œ ˙. œ Œ Œ the overall sound of your ensemble. Warm- p ups and Beyond is an ideal resource for BB203CL every developing band library. BB203CS Conductor 24.95 • Basic and Advanced Warm-ups BB203FL Flute 5.95 Scales BB203OB Oboe 5.95 Arpeggios 18 BBBB220033BCSLN BBa≤sCsolaorninet 54..9955 Interval Studies 1.Major Scale and Arpeggio – QuarterC Nootnescert B≤Major BB203BCL B≤Bass Clarinet 4.95 CChhoorrdal ePsrogressions &44sFc˙aleœœ œœœœ ˙ œœ œœœœ w ,ar˙peggiœo œ ˙ œœ w BBBB220033ATSSXX EB≤≤ATleton oSra Sxaoxpohpohnoene 55..9955 • Key Change Studies 2&.Ma44joPsrœc aSlecaœle aœndœ Arœpegœgioœ – Eigœhth œNoœtesœœœœ w ,aœrpeggœioœœ œœ w BB203BSX E≤Baritone Saxophone 4.95 3.Major Chords BBBBBBBB222200003333FTBTHBBPCNN BFTBr a≤HorTmiotrorubnnmoenp-eEetuphonium 5554....99995555 •• AFlretxiciublialittiyo nS tSutduidesie s 4&&.&Th42i44rdLpffœsiI˙s˙teœn toœ theœ direIc˙˙Vœtionœ of œthe movœinV˙˙gœ basœs paœrt. Iœ˙˙œœ ,,œII˙˙œœœ œVVœœœœVVœœœœœwœwUII œœœ BBBB220033BTTUC TBuabriatone T.C. 55..9955 • GSylomssbaorlys, oafn Md uSsiigcnasl Terms, 65.÷.CDP44heofrdroœ>cgÓmui.nœ>sgasœ> tti˙œhiozceœnz PœM zFiœezveœtzoaeœotzt œurzSsœrczealÓœezœzœzœzœzœzœzœzpœœœœŒœfœ>Ó.œ>œ>˙œzœzœzœzœzœzœzœzÓœzœzLœziœsztœeznœz aœznœdzp œœwœaœtŒcœh cafŒrœ>ef.œ>ulœœ>lzyœz aœzsœ ztŒhœ>e. œ>pœeœ>zrœczzuœzsœszionœœ se…Icœœti‰‰o…nIJœjœ plÓÓays. BBBB220033MPELRT MPearclluest sPioenrcussion 54..9955 • Appendices Containing &44p˙ #˙ ˙N˙ ˙ ˙ f˙. Œ ˙ b˙ ˙ ˙ ˙ #˙ ˙NU˙ Scale Sheets 7.Chromatic Scale p • PeTFEruicnxnugeisnrescgriiio snNneg soF CtEeehmasatpurthrsea ss iaznindg BB203C8&L&.&CPhM44œœ44FooFrdœaœNeœœloreœ aktœ#eœoyœœ—œ si—œgœœnœœa#—tœurœœ—e!—œœœ—œœ#œ—œœ#œ—œœ˙˙—œ˙˙—,—#Fœ,œ—œPœ—œœœœ#—œœœ—œœœ—œœ#—œœw—œœ—,œœ—œœ—œœœœ#—œbœ#œ—˙˙—˙œ˙—,f—,bœœœF—œœœ—œœbœ—œœNœœ—œœœ—œœ—œœœ—bœ—rœœiJotœ.œh—œanbœœ—nœ VGœœo.—EllbU˙˙ee—rr ˙˙lWiwn—ug,n1d—6,6e6r Sticking Systems Basic Rudiments Playing Techniques for Accessory Instruments AND BEYOND R B H Y T H M S A N D E Y O N D 2 1 L e s s o n s i n R hy t h m S k i l l D e v e l o p m e n t f o r A l l M u s i c i a n s BY TIMOTHY LOEST and Timothy Wimer Rhythms and Beyond: 21 Lessons in Rhythm Skill Development for All 8 Musicians helps students understand Lesson 4 fmuansdtaemrinegn tiaml prhoyrttahnmt icco cuonntcinegp tssk willhsi.le Eighth RestThe eigh==t uhdpo rbweensatbt ereatceives o44ne-‰half b‰eat ‰iEni √®gth‰imthe ,R ‰seos etis‰ght o‰f the‰m can fit into each measure. Eighth Rests on Downbeats (1)(+)(2)(+)(3)(+)(4)(+) Through 21 sequential lessons, students Eighth rests can replace downbeat eighth notes. learn how rhythms are constructed, 44‰ jœ ‰ jœ ‰ jœ ‰ jœ Eighth Rests on Upbeats (1) +_ (2) +_ (3) +_ (4) +_ counted, and played. Most importantly, Eighth rests can replace upbeat eighth notes. they discover how to read and perform 44jœ ‰ jœ ‰ jœ ‰ jœ ‰ Lesson 4 Exercises 1_ (+) 2_ (+) 3_ (+) 4_ (+) nota• tAeSspdttupr idrrnohegpnysrt,tis ahG timneu cifstloau rard ,ut iV nssegoi i:gwc Pheii,tta h.an nAod,L BmLa omnrdue,!s ic 321 444444œ1_œ1_œœ+_œ+_œœ2_œ2_œœ+_œ+_œœ3_œ3_œœ+_œ+_œœ4_œ4_œœ+_œ+_œ(‰1‰1_jœ)jœ(+j_œ+‰)(‰2‰2_jœ)Tjœj(+_iœ+p‰):(‰3T‰3_jœ)hjœi+j(_œn+‰k)(‰ 4‰e4j_œ)igjœh(+j_œ+‰th)-nœ1_œo1_œteœ+_ œs+_œuœb2_œ2_dœiœv+_œ+_iœsiœo3_œ3_œn.+_œ+_œœ4_œ4_œ+_œ+_œ(œ1‰1_jœ)(+j_œ+‰)(œ2‰2_jœ)œ+(j_œ+‰)(œ3‰3_jœ)(+j_œ+‰)(Œ4‰4_jœ)+(j_œ+‰)...... 5 • Note and Rest Studies 4 441_œ_+_œ_2_œ_+_œ_(3‰_)+_jœ_(4‰_)+_jœ_ (1_œ1)+_œ_(2_œ2)+_œ_(3_œ3)+_(4_œ4)+_ 1_œ_+_œ_2_œ_+_œ_(3‰_)+_jœ+(4‰_)+j_œ+ 1_œ_++(Œ2_+)_3_œ_++(Œ4(4++)).. Whole, Half, and Quarter Notes and Rests BB207 Eighth and Sixteenth Notes, Rests, and Combinations • Meter Studies BB207 5.95 ®√ , ∑√ , ´√ , ∑≈ (cut time), and ¥≤ (slow and fast) • Advanced Studies 22 Tied Notes Dotted Notes 6 44œœœœœœœœœœ œ. œjœœœœ œœœœœœœœœœœœœœœœœœœœœœœ .. Syncopation (common time and cut time) Triplets 7 cœœœ˙ œœœœ œ œœœœœœœ. œjœœœœœœœœœœœ˙ .. • Special Activities and Assessments 8 44_œ_œ_œ_œ+(Œ3+)_œ_œ _œ+(Œ2+)_œ_œ_œ_œ+ _œ_œ_œ_œ_œ_œ_œ_œ_œ_œ_œ_œ_œ (1‰)_œj_œ_œ_œ_œ_œ_œ+.. ERAxecMeitnirvfcyoiistsriteeceessr y itpn hRrcaehltvu yaidtorheuem:s flsuyn l efaorrn setudd ceonntcsepts 109D444u4cetœ_œ+œ_œœ∑_œœœ_œ_œœ_œœ_œ_œ_œœ_œ_œœ.+œ2∑œ_jœœ_œœ_œœ_œ_œ_œ_Óœœ_œœ_œœ_œœ_œœÓ+œ(Œ3œ+œ)(4‰)_jœŒœœ_œ_œœœ_Œœœ_œœ_œŒœ_œœ_œœ_œœ_œœœ+...... Rhythm Reviews BAFFLINGBARLINES Music Math TSehpea firrastte m theea nsuortee so af neadc rhe slitns ein htaos m beeeansu srteasr tbeyd d froarw yionug. barlines in the correct places. Baffling Barlines a 44œ œ ˙ œ TipŒ:This Óis a horizontaœl Mœusicœ Maœth aŒctivityœ! œ œœ ‰ œj˙ b cœ œ œ œ ‰ œj˙. œ. œj‰ œj‰ œj œ œjœ œjœ c 44œœ‰œjœœœœœœœœœœœœœœœ‰œœœœœœœ‰œœœœœ œœœœœœ‰œjœ BB207 SUPERIOR PERFORMANCE Outstanding educational resources by Quincy C. Hilliard SUPERIOR BANDS IN SIXTEEN WEEKS A Systematic Approach to Developing Superior TONE, INTONATION, BALANCE, & TECHNIQUE Often directors begin the school year by immediately focusing on music for their fall concerts. Consequently, fundamentals are sometimes set aside. Superior Bands in Sixteen Weeks focuses on balancing music and technique throughout the school year. During the first few months of school, when directors evaluate the strengths and weaknesses of their ensembles, this text becomes a key component in improving any weaknesses. By using this all-inclusive 6 approach, directors will spend more time working on fundamental issues at the beginning of the year, leaving the remainder of the year open for great music making. A sound musical foundation always leads to a tremendous performance. Section 1: TONE BB204 8.95 • Band Balance (short chorales) • Chromatic Warm-ups • Lip Flexibility Effective in small group Section 2: TECHNIQUE instruction, private lessons, • Major and Minor Scales and large ensemble classes • Scales in Thirds • Chromatic Scales • Arpeggios Percussion rudiments are • Breath Control Exercises integrated throughout • Rhythm Reinforcement the book Section 3: BALANCE Notes on festival and concert • Warm-up and Tuning Chorales preparation, based on decades of adjudication experiences Section 4: INTONATION AND PERCUSSION RUDIMENTS • Intonation Test • Pitch Tendencies and Recommended Adjustments for each instrument • Common Percussion Rudiments included for reference WITH SUPERIOR BANDS with text written and edited by Deborah A. Sheldon/Gary D. Barton CHORALES AND RHYTHM ETUDES FOR SUPERIOR BANDS Organized Instruction for Advancing Skills in TONE PRODUCTION,BLEND, BALANCE, & TECHNICAL PRECISION Chorales and Rhythm Etudes for Superior Bands follows the same sixteen-week instruction calendar found in Superior Bands in Sixteen Weeks, making it a great companion resource for directors who have already discovered the value of Quincy C. Hilliard’s teaching concepts. It is designed to develop skills in musicianship that focus on tone production, balance, blend, and technical precision. The book 7 can be effective in small or large ensemble settings, BB206 9.95 sectionals, and private instruction. SCALES AND TUNING EXERCISES FOR SUPERIOR BANDS A Systematic Approach to Improving SCALES, INTONATION, & BALANCE The newest addition to the bestselling Superior Bands series, Scales and Tuning Exercises for Superior Bands is a great resource for bands looking to improve intonation and balance through scale studies, chorales and harmonized exercises. This book can be used as a daily warm-up for intermediate or advanced ensembles. In contrast to other scale books, this book actually teaches all scales as opposed to just presenting them. Students will understand why a scale sounds as it does and where it fits into BB209 7.95 music-making. Special tips for playing chorales and harmonized studies are also included. A phenomenal resource! CONCERT BAND COLLECTIONS Lessons in Performance for Beginning and Developing Bands Book 1: Around the World Full-length recordings are Deborah A. Sheldon and Robert Sheldon available at www.fjhmusic.com After many years of commitment to music education, Deborah and Robert Sheldon are pleased to introduce the exciting and innovative publication Lessons in Performance, Book 1: Around the World. Featuring 15 pieces with full score analyses, techniques for conducting and teaching, background information, and supplemental exercises, Lessons in Performance bridges the gap between the rehearsal and concert halls. Also ideal for cross-curricular teaching, all supplemental material strategically incorporates the National Standards. This complete package is a cost-effective collection of exceptional music and outstanding educational guidance created by the dynamic Sheldon team. We are sure you will want to add this volume to your young band’s curriculum! BB205CS Conductor/Teacher’s Manual (includes CD) 24.95 BB205TP1 B≤Trumpet 1 4.50 BB205FL Flute 4.50 BB205TP2 B≤Trumpet 2 4.50 BB205OB Oboe 4.50 BB205FHN F Horn 4.50 BB205BSN Bassoon 4.50 BB205TBN Trombone 4.50 BB205CL1 B≤Clarinet 1 4.50 BB205BBC Baritone-Euphonium 4.50 8 BB205BCL2 B≤Clarinet 2 4.50 BB205BTC Baritone T.C. 4.50 BB205BCL E≤ Bass Clarinet 4.50 BB205TU Tuba 4.50 BB205AS1 E≤ Alto Sax 1 4.50 BB205MLT Mallet Percussion 4.50 BB205AS2 E≤ Alto Sax 2 4.50 BB205SB Snare Drum/Bass Drum 4.50 BB205TSX B≤Tenor Sax 4.50 BB205AP Auxiliary Percussion 4.50 BB205BSX E≤Baritone Sax 4.50 Concert Time Concert Time Beginning Band Developing Band Book 1 Book 1 (BB201) (BB202) Brian Balmages, Quincy C. Andrew Balent, Lloyd Conley, Hilliard, and Les Taylor and Robert Longfield These two collections are dedicated to challenging, strengthening, and rewarding young musicians. Each book features 15 pieces that have never been in print before and are only available in these collections. With three different composers represented in each book, you are sure to find a wide variety of pieces that will easily satisfy your programming needs throughout the entire year. BB201CS/BB202CS Conductor’s Score (includes CD) 24.95 BB201TP1/BB202TP1 B≤Trumpet 1 3.95 BB201FL/BB202FL Flute 3.95 BB201TP2/BB202TP2 B≤Trumpet 2 3.95 BB201OB/BB202FL Oboe 3.95 BB201FHN/BB202FHN F Horn 3.95 BB201CL1/BB202CL1 B≤Clarinet 1 3.95 BB201TBB/BB202TBB Trombone/Baritone-Euphonium/Bassoon 3.95 BB201CL2/BB202CL2 B≤Clarinet 2 3.95 BB201BTC/BB202BTC Baritone T.C. 3.95 BB201BCL/BB202BCL B≤ Bass Clarinet 3.95 BB201TU/BB202TU Tuba 3.95 BB201ASX/BB202ASXE≤ Alto Sax 3.95 BB201BEL/BB202BEL Bells 3.95 BB201TSX/BB202TSX B≤ Tenor Sax 3.95 BB201PER/BB202PER Percussion 3.95 BB201BSX/BB202BSX E≤Baritone Sax 3.95 STRING ORCHESTRA NEW DIRECTIONS® New Directions®For Strings is timely, utilizes current FOR S T R I N G S technology, is aligned with the National Standards, and takes a fresh, innovative, and A Comprehensive String Method comprehensive approach to string music education. JOANNE ERWIN • KATHLEEN HORVATH What a wonderful addition to ROBERT D. McCASHIN • BRENDA MITCHELL beginning string music education. WITH SUPPLEMENTAL ENSEMBLE MUSIC BY American String Teacher ELLIOT DEL BORGO AND SOON HEE NEWBOLD August 2008 Violin Book 1 NEW DIRECTIONS® Cello Book 2 FORSTRINGS NEW DIRECTIONS® FORSTRINGS A Comprehensive String Method JOANNE ERWIN • KATHLEEN HORVATH ROBERT D. McCASHIN • BRENDA MITCHELL A Comprehensive String Method WITHSUPPLEMENTALENSEMBLEMUSICBY ELLIOT DEL BORGO ANDSOON HEE NEWBOLD JOANNE ERWIN • KATHLEEN HORVATH ROBERT D. McCASHIN • BRENDA MITCHELL WITHSUPPLEMENTALENSEMBLEMUSICBY INCLUDES 2 PLAY-ALONG CDs ELLIOT DEL BORGO ANDSOON HEE NEWBOLD INCLUDES 2 PLAY-ALONG CDs 9 •A product of over 100 years of combined teaching •Emphasizes the integration of new skills with previously experience mastered techniques •The first method written by a team of pedagogues •Provides authentic assessment materials that measure representing each of the four stringed instruments student learning •Introduces all four strings from the outset •Includes a variety of concert pieces by Soon Hee Newbold and Elliot Del Borgo •Refinement of style for both left hand and bow arm skills •Provides an Advanced Techniques section that challenges •Provides a systematic introduction of duets, rounds, the further development of right and left-hand skills and ensemble music for the development of aural skills •Features two unique solo pieces for each instrument •Incorporates the National Standards throughout •Teaches a musically sound approach that results in the development of advanced skills SB303VN/SB304VN Violin (includes 2 CDs) 8.95 SB303VLA/SB304VLA Viola (included 2 CDs) 8.95 SB303VC/SB304VC Cello (includes 2 CDs) 8.95 SB303DB(A)/SB304DB(A) Double Bass (A Position) (includes 2 CDs) 8.95 SB303DB(D)/SB304DB(D) Double Bass (D Position) (includes 2 CDs) 8.95 SB303PIA/SB304PIA Piano Accompaniment 14.95/12.95 SB303TM/SB304TM Teacher’s Manual 39.95 TECHNIQUE, TONE AND BALANCE SUPERIOR STRINGS IN SIXTEEN WEEKS A Systematic Approach to Developing Superior TONE, INTONATION, BALANCE, & TECHNIQUE Peggy Wheeler & Carrie Lane Gruselle One Book focuses on bowing, tone, and expression, features melody in all sections of the orchestra, and provides systematic approaches to the following issues: Tone and Intonation • Harmonized scale warm ups SB305 7.95 10 • Tuning to open strings in various patterns • String crossing with three note chords and arpeggios Balance • Simple chorales for work on balance • Chorale melodies distributed among all instruments Technique • Scales presented in “string order” • Bowing and rhythm patterns • Weekly progressive rhythm exercises Interpretation • Twenty short excerpts from orchestral repertoire • Excerpts emphasize the relationship of bowing style to articulation and interpretation Festival Preparation • Tips for a healthy approach to performance

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B≤ Trumpet. 5.95 arpeggio œ œ œœ œœ w. & 4. 4Listen to the direction of the moving bass part. I. IV f. ˙˙. ˙˙ Major Scale and Arpeggio – Quarter Notes. 2.
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