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310 Pages·2014·5.82 MB·English
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Arts and Aesthetics in a Globalizing World ASA Monographs ISSN 0066–9679 The Relevance of Models for Social Anthropology, ed M. Banton Political Systems and the Distribution of Power, ed M. Banton Anthropological Approaches to the Study of Religion, ed M. Banton The Social Anthropology of Complex Societies, ed M. Banton The Structural Study of Myth and Totemism, ed E. R. Leach Themes in Economic Anthropology, ed R. Firth History and Social Anthropology, ed I. M. Lewis Socialization: The Approach from Social Anthropology, ed P. Mayer Witchcraft Confessions and Accusations, ed M. Douglas Social Anthropology and Language, ed E. Ardener Rethinking Kinship and Marriage, ed R. Needham Urban Ethnicity, ed A. Cohen Social Anthropology and Medicine, ed J. B. Loudon Social Anthropology and Law, ed I. Hamnett The Anthropology of the Body, ed J. Blacking Regional Cults, ed R. P. Werbner Sex and Age as Principles of Social Differentiation, ed J. La Fontaine Social and Ecological Systems, ed P. C. Burnham and R. F. Ellen Social Anthropology of Work, ed S. Wallman The Structure of Folk Models, ed L. Holy and L. Stuchlik Religious Organization and Religious Experience, ed J. Davis Semantic Anthropology, ed D. Parkin Social Anthropology and Development Policy, ed R. Grillo and A. Rew Reason and Morality, ed J. Overing Anthropology at Home, ed A. Jackson Migrants, Workers, and the Social Order, ed J. S. Eades History and Ethnicity, ed E. Tonkin, M. McDonald and M. Chapman Anthropology and the Riddle of the Sphinx: Paradox and Change in the Life Course, ed P. Spencer Anthropology and Autobiography, eds J. Okely and H. Callaway Contemporary Futures: Perspectives from Social Anthropology, ed S. Wallman Socialism: Ideals, Ideologies and Local Practice, ed C. M. Hann Environmentalism: The View from Anthropology, ed K. Milton Questions of Consciousness, eds A. P. Cohen and N. Rapport After Writing Culture: Epistemology and Praxis in Contemporary Anthropology, eds A. James, A. Dawson and J. Hockey Ritual, Performance, Media, ed F. Hughes-Freeland The Anthropology of Power, ed A. Cheater An Anthropology of Indirect Communication, ed J. Hendry and C. W. Watson Elite Cultures, ed C. Shore and S. Nugent Participating in Development, eds P. Sillitoe, A. Bicker and J. Pottier Human Rights in Global Perspective, ed R. A. Wilson and J. P. Mitchell The Qualities of Time, eds W. James and D. Mills Locating the Field: Space, Place and Context in Anthropology, eds S. Coleman and P. Collins Anthropology and Science: Epistemologies in Practice, eds J. Edwards, P. Harvey and P. Wade Creativity and Cultural Improvisation, eds E. Hallam and T. Ingold Anthropology and the New Cosmopolitanism: Rooted, Feminist and Vernacular Perspectives, ed P. Werbner Thinking Through Tourism, ed J. Scott and T. Selwyn Ownership and Appropriation, eds V. Strang and M. Busse Archaeology and Anthropology, ed D. Shankland The Interview: An Ethnographic Approach, ed J. Skinner Living Beings: Perspectives on Interspecies Engagements, ed Penelope Dransart ASA Publications Officer and Series Editor James Staples (Brunel University, UK) All chapters accepted for inclusion in ASA volumes are sent out for peer review to two or more reviewers in addition to the volume editor. The ASA draws on the expertise of its Editorial Board – appointed from the ASA membership – in selecting appropriate peer reviewers. Editorial Board Aleksandar Boskovic (University of Belgrade, Serbia); Glenn Bowman (University of Kent, UK); Pat Caplan (Goldsmiths, University of London, UK); Emma Crewe (SOAS, University of London, UK); Geert De Neve (University of Sussex, UK); Wenzel Geissler (University of Oslo, Norway, and London School of Hygiene and Tropical Medicine, UK); John Gledhill (University of Manchester, UK); Andrée Grau (University of Roehampton, UK); Jakob Klein (SOAS, University of London, UK); Chris Knight (Radical Anthropology Group); Roland Littlewood (UCL, UK); Nayanika Mookherjee (Durham University, UK); Julie Scott (London Metropolitan University, UK); Mitch Sedgewick (Oxford Brookes University, UK); Jonathan Skinner (Queens University, Belfast, Northern Ireland); Marilyn Strathern (University of Cambridge, UK); Christina Toren (University of St Andrews, UK); Maya Unnithan (University of Sussex, UK); Pnina Werbner (University of Manchester, UK); Gisa Weszkalnys (LSE, UK). Arts and Aesthetics in a Globalizing World Edited by Raminder Kaur and Parul Dave-Mukherji Bloomsbury Academic An imprint of Bloomsbury Publishing Plc Bloomsbury Academic An imprint of Bloomsbury Publishing Plc 50 Bedford Square 1385 Broadway London New York WC1B 3DP NY 10018 UK USA www.bloomsbury.com BLOOMSBURY and the Diana logo are trademarks of Bloomsbury Publishing Plc First published 2014 © The Association of Social Anthropologists, 2014 The Association of Social Anthropologists has asserted its right under the Copyright, Designs and Patents Act, 1988, to be identified as Author of this work. All rights reserved. No part of this publication may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying, recording, or any information storage or retrieval system, without prior permission in writing from the publishers. No responsibility for loss caused to any individual or organization acting on or refraining from action as a result of the material in this publication can be accepted by Bloomsbury or the author. British Library Cataloguing-in-Publication Data A catalogue record for this book is available from the British Library. ISBN: HB: 978-1-4725-1930-6 PB: 978-1-4725-1931-3 ePDF: 978-0-8578-5759-0 ePub: 978-0-8578-5547-3 Library of Congress Cataloging-in-Publication Data A catalog record for this book is available from the Library of Congress. Typeset by Fakenham Prepress Solutions, Fakenham, Norfolk NR21 8NN Contents List of Illustrations ix Notes on Contributors xi Foreword xiv 1 Introduction 1 Raminder Kaur, University of Sussex and Parul Dave-Mukherji, Jawaharlal Nehru University 2 Of Mockery and Mimicking: Gaganendranath Tagore’s Critique of Henri Bergson’s Laughter (1911) 21 Emilia Terracciano, Courtauld Institute of Art and University College London 3 The Return of the Aura: Anish Kapoor: The Studio and the World 39 Denis Vidal, IRD/Paris Diderot/EHESS 4 The Practice of Art: An Alternative View of Contemporary Art-making in Tehran 61 Leili Sreberny-Mohammadi, New York University 5 Art under Siege: Perils and Possibilities of Aesthetic Forms in a Globalizing World 73 Patricia Spyer, Leiden University 6 Hot Bricolage: Magical Mimesis in Modern India 85 Christopher Pinney, University College London 7 Rethinking Waste: Time, Obsolescence, Diversity and Democracy 99 Shiv Visvanathan, O.P. Jindal Global University 8 Slaps, Beatings, Laughter, Adda, Puppet Shows: Naxal Women Prisoners in Calcutta and the Art of Happiness in Captivity 119 Atreyee Sen, University of Manchester vii viii • Contents 9 Rwanda: Healing and the Aesthetics of Poetry 135 Andrea Grieder, University of Zurich and EHESS Paris 10 The Aesthetics of Diaspora: Sensual Milieus and Literary Worlds 153 Pnina Werbner, Keele University and Mattia Fumanti, University of St Andrews 11 For Love’s Sake? Changing Landscapes of Sonic and Visual Aesthetics of Weddings in the Kathmandu Valley (Nepal) 169 Christiane Brosius, University of Heidelberg 12 The Aesthetics of Pirate Modernities: Bhojpuri Cinema and the Underclasses 185 Akshaya Kumar, University of Glasgow 13 Intimacy Out of Place: On the Workings of Smell in an Exhibition on Human Sexuality 205 Susanne Schmitt, University of Munich 14 Consuming Culture: The Refiguration of Aesthetics in Nagaland Cultural Tourism in India’s North East 221 Soumendra Mohan Patnaik, University of Delhi 15 Reflections upon the Meaning of Contemporary Digital Image-making Practices in India 241 Giulia Battaglia, Musée du Quai Branly, Paris and Paolo Favero, University of Antwerp 16 Reflections 259 Marilyn Strathern, University of Cambridge Index 265 List of Illustrations Plates 1 Faith Ringgold, Picasso’s Studio, 1991. 2 Raqs Media Collective Installation view with Raqs Media Collective, The Great Bare Mat, 2012; and The Vinegar Tasters, Japan, Kanō School, 17th century. 3 Sheba Chhachhi’s The Winged Pilgrims, 10 moving image light boxes (digital print on dura trans), 5 Silk and fibreglass Robe objects with motion lamps, sound, 2006–8. 4 Francesco Clemente (in collaboration with an Oriya artist), Story of My Country – I, pigment on rag board, 23 × 40 cm. 5 ‘Terribly sympathetic’, The Realm of the Absurd, lithograph, by Gaganendranath Tagore, Calcutta, 1917. 6 ‘Astronomical scream. The first Bengali Governor. Where is H.E.?’, watercolour on postcard, preparatory sketch for lithograph, by Gaganendranath Tagore, Calcutta, 1919. 7 ‘Premier scream, Montford in labour – behold the outcome’, Reform Screams, lithograph, by Gaganendranath Tagore, Calcutta, 1921. 8 Cloud Gate, Millennium Park, Chicago. 9 Sky Mirror, by Anish Kapoor. Kensington Gardens, London. 10 Cloud Gate’s ‘Omphalos’, Millennium Park, Chicago. 11 John Yesayas, billboard of Jesus overlooking Ambon Island, Ambon, 2006. 12 John Yesayas, billboard at the entrance to a Christian neighbourhood, Ambon, 2011. 13 John Yesayas, painting after a mural: Jesus overlooks the destruction of the Silo church, 2005. 14 Aj ke Dhritarashtra (Today’s Dhritrashtra). A Photoshopped placard displayed at the Ramlila Maidan protest. Mother India is shown being disrobed in the centre of the image, Anna Hazare appears incarnated as Krishna on the left and a blind Manmohan Singh (the Prime Minister) appears on the right above Salman Kalmadi and A. Raja. 15 A modern Karni Bharni image showing actions and their punishments in hell. Photographed in rural Madhya Pradesh in 2011. ix

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An investigation of arts and aesthetics in their widest senses and experiences, presenting a variety of perspectives ranging from the metaphysical to the political. Moving beyond art as an expression of the inner mind and invention of the individual self, the volume bridges the gap between changing
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