An Introduction to the "Glossa Ordinaria" as Medieval Hypertext

142 Pages·2012·2.236 MB·English

by  David A. Salomon

RELIGION AND CULTURE IN THE MIDDLE AGES
An Introduction to the Glossa Ordinaria as Medieval Hypertext
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Series Editors
Denis Renevey (University of Lausanne)
Diane Watt (University of Surrey)
Editorial Board
Miri Rubin (Queen Mary, University of London)
Jean- Claude Schmitt (École des Hautes Études en Sciences Sociales, Paris)
Fiona Somerset (Duke University)
Christiania Whitehead (University of Warwick)
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RELIGION AND CULTURE IN THE MIDDLE AGES
An Introduction to the
Glossa Ordinaria as
Medieval Hypertext
DAvID A. SALOMON
UNIvERSITY OF WALES PRESS
CARDIFF
2012
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© David A. Salomon, 2012
All rights reserved. No part of this book may be reproduced in any material form
(including photocopying or storing it in any medium by electronic means and whether
or not transiently or incidentally to some other use of this publication) without the
written permission of the copyright owner. Applications for the copyright owner’s
written permission to reproduce any part of this publication should be addressed to the
University of Wales Press, 10 Columbus Walk, Brigantine Place, Cardiff CF10 4UP.
www.uwp.co.uk
British Library CIP Data
A catalogue record for this book is available from the British Library.
ISBN 978-0-7083-2493-6 (hardback)
978-0-7083-2494-3 (paperback)
e- ISBN 978-0-7083-2495-0
The right of David A. Salomon to be identified as author of this work has been asserted
in accordance with sections 77 and 79 of the Copyright, Designs and Patents Act 1988.
Typeset by Mark Heslington Ltd, Scarborough, North Yorkshire
Printed by CPI Antony Rowe, Chippenham, Wiltshire
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Contents
Series Editors’ Preface vii
List of Illustrations ix
Acknowledgements xi
Introduction 1
1 The Glossing Tradition and the Glossa Ordinaria 6
2 History, the Text, and the History of the Text 33
3 Reading, Theory, and Reading Theory 63
4 Reading the Glossa Ordinaria: Genesis 1:1, 3:1 and John 1:1 82
5 The Glossa Ordinaria and Hypertext 93
Notes 100
Bibliography 115
Index 127
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series editors’ PrefaCe
Religion and Culture in the Middle Ages aims to explore the interface between medi-
eval religion and culture, with as broad an understanding of those terms as possible. It
puts to the forefront studies which engage with works that significantly contributed to
the shaping of medieval culture. However, it also gives attention to studies dealing with
works that reflect and highlight aspects of medieval culture that have been neglected in
the past by scholars of the medieval disciplines. For example, devotional works and the
practice they infer illuminate our understanding of the medieval subject and its culture
in remarkable ways, while studies of the material space designed and inhabited by
medieval subjects yield new evidence on the period and the people who shaped it and
lived in it. In the larger field of religion and culture, we also want to explore further the
roles played by women as authors, readers and owners of books, thereby defining them
more precisely as actors in the cultural field. The series as a whole investigates the
European Middle Ages, from c.500 to c.1500. Our aim is to explore medieval religion
and culture with the tools belonging to such disciplines as, among others, art history,
philosophy, theology, history, musicology, the history of medicine, and literature. In
particular, we would like to promote interdisciplinary studies, as we believe strongly
that our modern understanding of the term applies fascinatingly well to a cultural period
marked by a less tight confinement and categorization of its disciplines than the modern
period. However, our only criterion is academic excellence, with the belief that the use
of a large diversity of critical tools and theoretical approaches enables a deeper under-
standing of medieval culture. We want the series to reflect this diversity, as we believe
that, as a collection of outstanding contributions, it offers a more subtle representation
of a period that is marked by paradoxes and contradictions and which necessarily
reflects diversity and difference, however difficult it may sometimes have proved for
medieval culture to accept these notions.
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