Alienation, Anarchy, and Masculinity in Juan Goytisolo's Count Julian PDF
Preview Alienation, Anarchy, and Masculinity in Juan Goytisolo's Count Julian
DDiissssiiddeenncceess HHiissppaanniicc JJoouurrnnaall ooff TThheeoorryy aanndd CCrriittiicciissmm Volume 1 Issue 2 Article 5 November 2012 AAlliieennaattiioonn,, AAnnaarrcchhyy,, aanndd MMaassccuulliinniittyy iinn JJuuaann GGooyyttiissoolloo’’ss CCoouunntt JJuulliiaann Ellen Mayock Washington and Lee University Follow this and additional works at: https://digitalcommons.bowdoin.edu/dissidences RReeccoommmmeennddeedd CCiittaattiioonn Mayock, Ellen (2012) "Alienation, Anarchy, and Masculinity in Juan Goytisolo’s Count Julian," Dissidences: Vol. 1 : Iss. 2 , Article 5. Available at: https://digitalcommons.bowdoin.edu/dissidences/vol1/iss2/5 This Article / Artículo is brought to you for free and open access by the Journals at Bowdoin Digital Commons. It has been accepted for inclusion in Dissidences by an authorized editor of Bowdoin Digital Commons. For more information, please contact [email protected]. AAlliieennaattiioonn,, AAnnaarrcchhyy,, aanndd MMaassccuulliinniittyy iinn JJuuaann GGooyyttiissoolloo’’ss CCoouunntt JJuulliiaann KKeeyywwoorrddss // PPaallaabbrraass ccllaavvee Juan Goytisolo, Masculinity, Alienation, Anarchy This article / artículo is available in Dissidences: https://digitalcommons.bowdoin.edu/dissidences/vol1/iss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