Afterimage 2005 - 2006: Vol 33 Index & Table of Contents

4.2 MB·English

Photographs by David Hilliard, essays by Mori and Other Tintypes” at Foelick Gallery, History of Mormons and the Movies” (feature). University of Texas at Austin). 33.6, pp. 40-41.
Charlotte Cotton, and interview with Vince Portland, OR). 33.1, pp. 38-39. 33.6, pp. 26-29. American landscape. “Dichotomies
Aletti). 33.1, p. 48. Tang, Jeannine. “Flights of Fancy” (exhibition Young, Marnin. “The Past is the New Coalesce” by Tracey Fugami (exhibition review:
. (media noted: Exquisite Pain by Sophie Calle). review: “Tracey Moffatt: Love and Adventures” Future” (exhibition review: “The Image “Chris Jordan: Intolerable Beauty: Portraits of
33.3, p. 59. at Victoria Miro Gallery, London, UK, and Wrought: Historical Photographic Approaches American Mass Consumption” at Photographic
. (media noted: Young America: The “Tracey Moffatt: Love” at Steven Kasher Gallery, in the Digital Age” at Hood Museum of Center Northwest, Seattle, WA). 33.4, pp. 38-39
Dageurreotypes of Southworth and Hawes edited by New York, NY). 33.6, pp. 38-39. Art, Dartmouth, Ransom Center Galleries, American politics. “Representations of the
Grant B. Romer and Brian Wallis. 33.3, p. 61. Tay, Sharon Lin. “Stunning Simplicity” University of Texas at Austin). 33.6, pp. 40-41. Unreal: Bush’s Orwellian Newspeak” by Henry
. (media noted: Ron Jude: Alpine Star at George exhibition review: “Abbas Kiarostami: Visions Zellen, Jody. “Electronic Wizardry” A. Giroux (feature). 33.3, pp. 18-27.
Eastman House). 33.4, p. 54. of the Artist” at Victoria & Albert Museum, exhibition review: “Tim Hawkinson” at American Media Literacy Association.
. (media noted: é by Masao Yamamoto). London, UK). 33.2, pp. 47-48 Whitney Museum of American Art, New York, “Education for a New Millennium” by Karen
33.6, p. 52. . “From Discipline to Control” (book review: NY, and Los Angeles County Museum of Art, vanMeenen (report: National Media Education
Rajotte, James. “CEPA Gallery at 30” Protocol: How Control Exists After Decentralization by CA). 33.2, pp. 50-51. Conference, San Francisco, CA). 33.2, pp. 10-
portrait: Center for Exploratory and Perceptual Alexander R. Galloway). 33.6, p. 49. . ‘Animated Journeys” (exhibition review: I.
Arts, Buffalo, NY). 33.1, pp 13-14. Thomas, Jen. “Sculptural Books Stand and “William Kentridge: 7 Fragments for Georges Amundson, Garth. “Who Wears the Pants?”
. (media noted: Bettina Rheims: Female Trouble by Deliver” (exhibition review: “Stand and Deliver: Méliés” at Museum of Contemporary Art at by Amanda Norenberg (exhibition review:
Bettina Rheims). 33.1, p. 48. Engineering Sculpture in Book Format” at Pacific Design Center, CA). 33.6, p. 42. “Garth Amundson: Home Ec.” at SHIFT
. (media noted: /00 American Independent Films Center for Book and Paper Arts, Columbia . “Can U C Me?” (book review: WebAffairs by Collaborative Studio, Seattle, WA). 33.1, pp.
by Jason Wood). 33.2, p. 59. College Chicago, IL). 33.3, p. 50. Show-n-tell). 33.6, p. 48. 46-47
. “Esther Parada: 1938-2005” (news/ . (media noted: The Three Incestuous Sisters by Zimmermann, Patricia R. “Beyond CNN” Appropriation of photographs. “Meaning,
Audrey Niffenegger). 33.4, p. 54. conference report: Asian Media Information Memory, and Misogyny: L/FE Photographer
. (media noted: Water Being Water by David Thompson, Seth. (media noted: Soft Cinema: and Communications Conference, Beijing, Hansel Mieth’s Monkey Portrait” by Dolores
Goldes). 33.3, p. 61. Navigating the Database by Lev Manovish and China). 33.2, pp. 15-16. Flamiano (feature). 33.2, pp. 22-30.
. (media noted: Magnum Ireland edited by Andreas Kratky). 33.2, p. 61. “Imbedded Public Histories” (film review: Arago, Francois. he Ethic of the Spectator:
Brigitte Lardinois and Val Williams). 33.4, p. 53. “Bit by Bit” (exhibition review: Precious Places by Scribe Video Center). The Citizenry of Photography” by Ariella
Rogerson, Stephanie. “Not Unspoken” “Rhizome ArtBase 101” at New Museum of 33.5, pp. 51-52. Azoulay (feature). 33.2, pp. 41-42.
exhibition review: “Glen Ligon: Some Contemporary Art, New York, NY). 33.3, pp. Arbus, Diane. “Mining the Beautiful” by Jill
Changes” at Power Plant, Toronto, Ontario, 43-44. Conner (essay). 33.6, p. 18.
and the Contemporary Art Museum Houston, . “Recourse Lost” (exhibition review: “Jeremy SUBJECT Archive of Polish Experimental Film.
TX, and the Warhol Museum, Pittsburgh, PA). Blake: The Winchester Trilogy” at On-Site “CCA Warsaw Beyond Ruins” by Joanna
33.3, pp. 48-49. Gallery, Reinberger Galleries, Cleveland 1000 Journals Project. “Cross-Pollination” by Heatwole (portrait: Centre for Contemporary
Roth, Nancy. “Mother Board” (book review: Institute of Art, OH). 33.4, pp. 40-41. Amber Hares (portrait: 1000 Journals Project). Art, Warsaw, Poiand, with an interview with
My Mother was a Computer: Digital Subjects and . “Computer-Based Art Radiates Grounded 33.3, pp. 16-17 Lukasz Ronduda). 33.2, pp. 18-20.
Literary Texts by N. Katherine Hayles). 33.5, Ideas” (exhibition review: “All Digital” at Academia. “Democracy’s Promise and the Archiving. “Rich Material” by Catherine
pp. 47-48. Musuem of Contemporary Art Cleveland, OH). Politics of Worldliness: Implications for Public Amidon (exhibition review: “Archive Fever: A
Shaw, Tate. (media noted: Having Been Said: 33.5, pp. 34-35. Intellectuals” by Henry A. Giroux. (feature Digital Wonder Room” at Hood Museum of
Wintings and Interviews of Lawrence Weiner 1968- Tryforos, Tina. (media noted: Everything | Aw: 33.6, pp. 20-25. Art, Dartmouth College, Hanover, NH). 33.4,
2003 edited by Gerti Fietzek). 33.1, p. 49. A Year in the Life of My Mouth by Tucker Shaw). Acconci, Vito. (media noted by Amber Hares: p. 39.
. “Electro-fying the Midwest” (portrait: 33.5, p. 54. Language to Cover a Page: The Early Writings of Vito Argentina.“ History and Memory” by Janina
Electromediascope, Kansas City, MO). 33.2, Valyi, Gabor. “Activism Without Borders” Acconci edited by Craig Dworkin). 33.6, p. 53. A. Ciezadlo (film review: Burnt Oranges by Silvia
p. 21. conference report: RE:Activism: Re-Drawing ACME Physics. “Art, Science, and Malagrino). 33.4, pp. 46-48.
. “Punching the Keys” (portrait: Journal of the Boundaries of Activism in a New Media Imagination” by Adriane Little (exhibition Art centers/ organizations. “CEPA Gallery
Artists’ Book [7AB/). 33.4, pp. 18-19. Environment, Budapest, Hungary). 33.3, pp. review: “Pluto’s Cave: Making Visible the at 30” by James Rajotte (portrait: Center for
. ‘A Tough Commute” (book review: No Longer 6-7. Invisible” by ACME Physics at Big Orbit Exploratory and Perceptual Arts, Buffalo, NY).
Innocent: Book Art in America 1960-1980 by Betty vanMeenen, Karen. “Education for a New Gallery, Buffalo, NY, and New Jersey City 33.1, pp. 13-14.
Bright). 33.5, pp. 46-47. Millenium” (conference report: National University Visual Arts Gallery, Jersey City, NJ). . “CCA Warsaw Beyond Ruins” by Joanna
Siedman, Marlene. (media noted: What Good Media Education Conference, San Francisco, 33.5, p. 41. Heatwole (portrait: Centre for Contemporary
are the Arts? by John Carey). 33.6, p. 53. CA). 33.2, pp. 10-11. Activism. “Archaeological Digging in the June Art, Warsaw, Poland, with an interview with
Siomopoulos, Anna. “What W,J.T. Mitchell . “Out of the West” (festival report: Galway Gloom” by Roger Hallas (report: 51" Robert Lukasz Ronduda). 33.2, pp. 18-20.
Wants” (book review: What Do Pictures Film Fleadh, Ireland). 33.2, pp. 16-17. Flaherty Seminar). 33.1, pp. 7-8. “Intersection for the Arts at Forty” by Sarah
Want?: The Lives and Loves of Images by WJ.T. . “Catalyzing Media” (event report: New . ‘Activism Without Borders” by Gabor Valyi Lidgus (portrait: Intersection for the Arts, San
Mitchell). 33.4, pp. 48-50. Mexico Media Literacy Project, Catalyst report: RE:Activism: Redrawing the Boundaries Francisco, CA). 33.3, pp. 15-16.
Speer, Moira. (media noted: Pixel Surgeons: Institute, Albuquerque, NM). 33.3, pp. 12-14. of Activism in a New Media Environment, Artistic practice. “Questionable Autonomy”
Extreme Manipulations of the Figure in . “Lessons in Literacy” (conference report: Budapest, Hungary). 33.3, pp. 6-7. by Kirsi Peltomaki (book review: Museum
Photography by Martin Dawber). 33.3, p. 60. Literacy in a Media Age, Ithaca College, . “Representations of the Unreal: Bush’s Highhghts: The Writings of Andrea Fraser by Andrea
Stanley, Sarah. “Waiting in Silence” Ithaca, NY, and 2005 Conference on Media Orwellian Newspeak” by Henry A. Giroux Fraser, edited by Alexander Alberro). 33.3, pp.
exhibition review: “Bart Michiels: The Course Literacy, Massachusetts Institute of Technology, feature). 33.3, pp. 23-26. 57-59.
of History” at Foley Gallery, New York, NY). Cambridge, MA). 33.4, pp. 10-13 . “Learning To Be Human: An Interview with . “B.C. and A.D.” by Tracey Fugami
33.1, pp. 41-42. . ‘A Hunger for Images” (report: Le Mois de William Pope.L” by Alisia Chase (feature). 33.4, exhibition review: “Hershmanlandia: The Art
. “First Day of Remorse” (book review: la Photo a Montréal, Canada). 33.4, pp. 13-17. pp. 20-23. and Films of Lynn Hershman Leeson” at Henry
Vanishing by Antonin Kratochvil). 33.2, pp. . “Image and Imagination” (book review: Advertising. “Catalyzing Media” by Art Gallery, Seattle, WA). 33.4, pp. 43-45.
57-58. Image and Imagination edited by Martha Karen vanMeenen (report: New Mexico Artistic h develop
Strate, Lance. “Taking Issue” (book review: Langford). 33.4, p. 15. Media Literacy Project, Catalyst Institute, “When Research Needs Another Name” by
Media Ecologies: Materialist Energies in Art and . “Pedagogy and Pluralism” (conference Albuquerque, NM). 33.3, pp. 12-14. Harris Fogel (report: Sensuous Knowledge 2
Technoculture by Mathew Fuller). 33.3, pp. 55-56. report: 43" Society for Photographic Education . “Photo Economics” by Patricia Johnston Conference, Solstrand, Norway). 33.5, p. 12.
Strosnider, Luke. (media noted: Being There: National Conference, Chicago, IL). 33.6, p. 15. book review: The Corporate Eye: Photography and Artists’ books/ Book art. “Artists’ Books as
Medical Student Morgue volunteers Following 9-11 by Watney, Simon. “Tunnel! Vision: Photographic the Rationalization of American Commercial Culture, Catalyst” by Tony White (report: Artists’ Books
Barry M. Goldstein). 33.3, p. 59. Education in Britain in the 1980s” (feature). 1884-1929 by Elspeth H. Brown). 33.5, pp. Conference). 33.1, p. 12.
. (media noted: The Ongoing Moment by Geoff 33.4, pp. 32-36. 49-50. . “Book Spaces City Spaces” by Johanna
Dyer). 33.4, p. 54. Webb, Sarah (media noted: Better Things by AIPAD. “Location, Location, Location” by Bill Drucker (book reviews: Berlin in the Time of
. (media noted: Niagara by Alec Soth). 33.5, Douglas Holleley). 33.1, pp. 47-48. Kouwenhoven (report: AIPAD’s Photography the Wall by John Gossage and Flicker by Emily
p. 54. . “Finding Meaning” (symposium report: The Show 2006, New York, NY). 33.5, pp. 6-7. McVarish). 33.2, pp. 55-57
. “Gordon Parks: 1912-2006” (news/ Meaning of Photography, Sterling and Francine Aitken, Doug. “Narrative Remixed” by Tracey . “Sculptural Books Stand and Deliver” by Jen
obituaries). 33.6, p. 4. Clark Art Institute, Williamstown, MA). 33.4, Fugami (exhibition review: “Doug Aitken: Thomas (exhibition review: “Stand and Deliver:
. (media noted: Instant Light: Tarkovsky Polaroids pp. 9-10. Interiors” at Henry Gallery, Seattle, WA). 33.1, Engineering Sculpture into the Book Format”
by Andrey Tarkovsky). 33.6, p. 53 . “The Medium’s Message” (exhibition pp. 40-41. at Center for the Book & Paper Arts, Columbia
Sweeney, Kathleen. “Grris Make Movies: review: “The Perfect Medium: Photography Alter-egos. “Animated Journeys” by Jody College Chicago, IL). 33.3, p. 50.
The Emergence of Women-led Filmmaking and the Occult” at Metropolitan Museum of Zellen (exhibition review: “William Kentridge: - “Punching the Keys” by Tate Shaw (portrait:
Initiatives for Teenage Girls” (feature). 33.3, Art, New York, NY). 33.5, pp. 35-36. 7 Fragments for Georges Méliés” at Museum of Journal of Artists’ Books [JAB/). 33.4, pp. 18-19.
pp. 37-42. Werlin, Seth. (media noted: Jours in Food, John Contemporary Art at Pacific Design Center, Los . “A Tough Commute” by Tate Shaw (book
. “Supernatural Girls” (essay) 33.5, pp. 13-16. Baldessani by John Baldessari). 33.2, p. 61. Angeles, CA). 33.6, p. 42. review: Vo Longer Innocent: Book Art in America,
Swerdlin, Mana. “En Foco Celebrates 30" Wetzel, Heather. (media noted: Deep South Alternate personalities. “Can U C Me?” by 1960-1980 by Betty Bright). 33.5, pp. 46-47.
Year” (portrait: En Foco, Bronx, NY). 33.1, photographs and essay by Sally Mann). 33.2, Jody Zellen (book review: webAffairs by Show-n- . “At the Crossroads” by Tony White
pp. 14-15. p. 60. tell). 33.6, p. 48. conference report: Book Arts Academic
. (media noted: Identity: Conversations with White, Tony. “Artists’ Book as Catalyst” Alternative exhibition spaces. “Extending Educators Working Group Meeting, University
Benedetto Vecchi by Zygmunt Bauman). conference report: Artists’ Book Conference, the Frame: An Interview with Susan Meiselas” of Alabama, Tuscaloosa, AL). 33.6, p. 10.
33.3, p. 60. Wellesley College, MA). 33.1, p. 12. by Joanna Heatwole and Mariola Mourelo . “Down Under But Not Out Back” by Scott
. (media noted: Beyond Green: Toward a . “At the Crossroads” (conference report: feature). . p. 20. McCarney (report: Focus on Artists’ Books III,
Sustainable Art by Stephanie Smith and Book Arts Academic Educators Working Group Alternative process photography. “The Artspace Mackay, Queensland, Australia). 33.6,
Victor Margolin). 33.4, p. 53. Meeting, University of Alabama, Tuscaloosa, Past Is the New Future” by Marnin Young pp. 13-14.
Sykes, Claire. “Spectral Innocence” AL). 33.6, p. 10. exhibition review: “The Image Wrought: Art school. “When Art Was Fun” by Lisa
(exhibition review: “Susan Seubert: Memento Wolltheim, Peter. “Latter-Day Screens: A Historical Photographic Approaches in the Hunter (book review: Captured: A Film/Video
Digital Age” at Ransom Center Galleries,
History of the Lower East Side edited by Clayton Patterson). 33.4, pp. 50-51. Lukasz Ronduda). 33.2, pp. 18-20. Cc i levision. “Is Cc
Patterson). 33.4, pp. 50-51. . “15 Minutes of Frame” by Jill Conner (book Chat rooms. “Can U © Me?” by Jody Zellen in Jeopardy?” by Lyell Davies (news). 3°
Artspace Mackay. “Down Under But review: Andy Warhol Screen Tests: The Films of Andy book review: webAffairs by Show-n-tell). 33.6, . “Uncertain Future for Community
Not Out Back” by Scott McCarney (report: Warhol Catalogue Raisonné, Volume 1 by Callie p. 48. TV” by Lyell Davies (news). 33.4, p. 4.
Focus on Artists’ Books III, Artspace Mackay, Angell). 33.6, p. 47. Chicago landscap¢s. “Life on the Road: Art Computer-based art. “Computer-Based Art
Queensland, Australia). 33.6, pp. 13-14. Book art. see Artist books. Sinsabaugh’s Midwest Landscapes” by Stephen Radiates Grounded Ideas” by Seth Thompson
Art-spectator interface. “Stunning Book art education/ educators. “At the Longmire (feature). 33.1, pp. 17-23. exhibition review: “All Digital” at Museum
Simplicity” by Sharon Lin Tay (exhibition Crossroads” by Tony White (report: Book Arts . “Bob Thall on Art Sinsabaugh and of Contemporary Art Cleveland, OH). 33.5,
review: “Abbas Kiarostami: Visions of the Academic Educators Working Group Meeting, Photographing Chicago” by Stephen Longmire pp. 34-35.
Artist” at Victoria & Albert Museum, London, University of Alabama, Tuscaloosa, AL). 33.6, interview). 33.1, pp. 18-22. . “Orientalizing Sexism: Hye Rim Lee’s
UR). 33.2, pp. 47-48. p. 10. Chinese art. “Future Perfection” by Dale TOKI” by Barry King. (feature) 33.4, pp. 25-
. “Finding Meaning” by Sarah Webb Brakhage, Stan. “Electro-fying the Midwest” Hudson (report: Future Perfect: Contemporary 29.
symposium report: The Meaning of by Tate Shaw (portrait: Electromediascope, Chinese Art and the Question of the Archive, Concept-based art/artists. “Hiding in
Photography, Sterling and Francine Clark Art Kansas City, MO). 33.2, p. 21. Cornell University, Ithaca, NY). 33.3, pp. 7-8. Front of a Camera” by Stephen Longmire
Institute, Williamstown, MA). 33.4, pp. 9-10. Brauchli, Byron. “The Past Is the New Christenberry, William. “The Muse of exhibition review: “Photo-Respiration: Tokihiro
. “What WJ.T. Mitchell Wants” by Anna Future” by Marnin Young (exhibition review: Place and Time: An Interview with William Sato Photographs” at Art Institute of Chicago,
Siomopoulos (book review: What Do Pictures “The Image Wrought: Historical Photographic Christenberry” by Robert Hirsch (feature). 33.3, IL). 33.2, pp. 53-54.
Want?: The Lives and Loves of Images by WJ.T. Approaches in the Digital Age” at Ransom pp. 29-33, 36. . “Orientalizing Sexism: Hye Rim Lee’s
Mitchell). 33.4, pp. 48-50. Center Galleries, University of Texas at Austin). Christianity. “Magnificent Obsessions” by TOKI” by Barry King (feature). 33.4, pp. 25-29.
Asian film. “Festival Focus on Asia” by 33.6, p. 41. Robert Cagle (comparative book review: Concerned photography. “Extending the
Anne Ciecko (report: Focus on Asia-Fukuoka Breder, Hans. “Intermedia: Forty YearsO n South Korean Golden Age Melodrama: Gender, Genre, Frame: An Interview with Susan Meiselas”
International Film Festival, Japan; Pusan and Beyond” by J. Sage Elwell (feature). 33.5, and National Cinema edited by Kathleen McHugh by Joanna Heatwole and Mariola Mourelo
International Film Festival, South Korea; pp. 27-29. and Nancy Abelmann and New Aorean Cinema feature). 33.5, p. 20.
Dubai International Film Festival, United Brett, Karen. “A Hunger for Images” by edited by Chi-Yun Shin and Julian Stringer). Conferences. “Artist? Books as Catalyst” by
Arab Emirates; and International Film Festival Karen vanMeenen (report: Le Mois de la Photo 33.6, p. 50. Tony White (report: Artists’ Books Conference).
Rotterdam, The Netherlands). 33.5, pp. 10-11. a Montréal, Canada). 33.4, p. 16. Church of Jesus Christ of Latter-Day 33.1, p. 12.
Asian media. “Beyond CNN” by Patricia R. Brigham Young University. “Latter-Day Saints (LDS). “Latter-Day Screens: A History . “Education for a New Millennium” by
Zimmermann (report: Asian Media Information Screens: A History of Mormons and the of Mormons and the Movies” by Peter Karen vanMeenen (report: National Media
and Communication Conference, Beijing, Movies” by Peter Wollheim (feature). 33.6, p. 27. Wollheim (feature). 33.6, pp. 26-29. Education Conference, San Francisco, CA).
China). 33.2, pp. 15-16. Bright, Betty. “Artist’ Books as Catalyst” by Cityscape. “Subculture Communication” by 33.2, pp. 10-11.
Asian Media Information and Tony White (report: Artists’ Books Conference Johanna Drucker (book review: Schablone Berlin “Beyond CNN” by Patricia R. Zimmermann
Communications Conference. “Beyond 53.1, p. 12. by Caroline Koebel and Kyle Schlesinger). report: Asian Media Information and
CNN” by Patricia R. Zimmermann (report: . “A Tough Commute” by Tate Shaw (book 3 p. #2. Communication Conference, Beijing, China).
Asian Media Information and Communication review: No Longer Innocent: Book Art in America, Civic engagement. “Representations of the 3.2, pp. 15-16.
Conference, Beijing, China). 33.2, pp. 15-16. 1960-1980 by Betty Bright). 33.5, pp. 46-47. Unreal: Bush’s Orwellian Newspeak” by Henry . “Media, Biases, Environments” by Corey
Authoritarianism. “Democracy’s Promise British photography in the 1980s. “Tunnel A. Giroux (feature). 33.3, pp. 23-26. Anton (report: Media Ecology Association
and the Politics of Worldliness: Implications Vision: Photographic Education in Britain in Civil contract of photography. “The Convention, New York, NY). 33.3, p. 9.
for Public Intellectuals” by Henry A. Giroux the 1980s” by Simon Watney (feature). 33.4, Ethic of the Spectator: The Citizenry of . “Activism Without Borders” by Gabor Valyi
feature). 33.6, p. 24. pp. 32-36. Photography” by Ariella Azoulay (feature). 33.2, report: RE:Activism: Redrawing the Boundaries
Batchen, Geoffrey. “Finding Meaning” by Brose, Lawrence. “CEPA Gallery at 30” by pp. 39-44. of Activism in a New Media Environment,
Sarah Webb (symposium report: The Meaning James Rajotte (portrait: Center for Exploratory Civilian death during War on Terror. Budapest, Hungary). 33.3, pp. 6-7.
of Photography, Sterling and Francine Clark Art and Perceptual Arts, Buffalo, NY). 33.1, pp. “Portraits of Outrage” by Ryan Holmberg . “Confronting Consolidation” by Dustin
Institute, Williamstown, MA). 33.4, pp. 9-10. 13-14. exhibition review: “Picturing Atrocity: Kidd (report: 2005 NAMAC Conference,
. “A Hunger for Images” by Karen Bublex, Alain. “A Hunger for Images” by Photography in Crisis” at City University of Philadelphia, PA). 33.3, pp. 10-11.
vanMeenen (report: Le Mois de la Photo a Karen vanMeenen (report: Le Mois de la Photo New York, New York, NY). 33.5, pp. 37-38. . “Sereenspace” by Perry Bard (report: Urban
Montréal, Canada). 33.4, p. 17. a Montréal, Canada). 33.4, p. 16. Clancy, Patrick. “Electro-fying the Midwest” Screens 05, Stedelijk Museum Amsterdam, The
Baxter, Ian and Louise Chance Baxter. Buguet, Edouard. “The Medium’s Message” by Tate Shaw (portrait: Electromediascope, Netherlands). 33.3, pp. 11-12.
“A Hunger for Images” by Karen vanMeenen by Sarah Webb (exhibition review: “The Perfect Kansas City, MO). 33.2, p. 21. . “Catalyzing Media” by Karen vanMeenen
report: Le Mois de la Photo 4 Montréal, Medium: Photography and the Occult” at Clark, Larry. “Mining the Beautiful” by Jill report: New Mexico Media Literacy
Canada). 33.4, p. 16. Metropolitan Museum of Art, New York, NY). Conner (essay). 33.6, p. 18. Project Catalyst Institute, Albuquerque, NM).
Bay Area. “A Sense of Community” by Erin 33.5, p. 36. Coffer, John. “The Past Is the New Future” by 33.3, pp. 12-14.
Garcia (exhibition review: “Bay Area Now 4” at Burdin, Anthony. “Anthony, Come to Marnin Young (exhibition review: “The Image . “When Research Needs Another Name”
Yerba Buena Center for the Arts, San Francisco, Dinner’” by Emily Kuenstler (exhibition review: Wrought: Historical Photographic Approaches by Harris Fogel (report: Sensuous Knowledge 2
CA). 33.3, pp. 45-46. “Anthony Burdin” at CCA Wattis Institute for in the Digital Age” at Ransom Center Galleries, Conference, Solstrand, Norway). 33.5, p. 12.
Beauty. “Mining the Beautiful” by Jill Conner Contemporary Arts, San Francisco, CA). 33.1, University of Texas at Austin). 33.6, p. 40. . “Atrocious Images” by Alexandra Neel
essay). 33.6, p. 16. pp. 42-43. Cohen, Lynne. “Out of Place” by Maria report: Picturing Atrocity: Photography in
Bellmer, Hans. “The Impermanence of Burtynsky, Edward. “Dichotomies Coalesce” Antonella Pelizzari (exhibition review: “Lynne Crisis conference, City University of New York,
Memory” by Bill Kouwenhoven (report: 3" by Tracey Fugami (exhibition review: “Chris Cohen: Mixed Messages” at Hasted Hunt New York, NY). 33.5, pp. 38-39.
Hamburg Photography Triennial). 33.1, pp. Jordan: Intolerable Beauty: Portraits of Gallery, New York, NY). 33.6, p. 46. . “Cinema Scope” by Alisia Chase (report:
9-10. American Mass Consumption” at Photographic Collaboration. “Intersection for the Arts At Society for Cinema and Media Studies
“Mining the Beautiful” by Jill Conner Center Northwest, Seattle, WA). 33.4, pp. 38-39. Forty” by Sarah Lidgus (portrait: Intersection Conference, Vancouver, British Columbia).
essay). 33.6, p. 16. Bush administration. “Representations of for the Arts, San Francisco, CA). 33.3, pp. 33.6, p. 6.
Berlin, Germany. “Subculture the Unreal: Bush’s Orwellian Newspeak” by 15-16. . “Still Kicking” by Kirsi Peltomaki (report:
Communication” by johanna Drucker (book Henry A. Giroux (feature). 33.3, pp. 18-27. . “Cross-Pollination” by Amber Hares College Art Association Annual Conterence,
review: Schablone Berlin by Caroline Koebel and Cage, John. “Intermedia: Forty Years On portrait: 1000 Journals Project). 33.3, pp. 16-17. Boston, MA). 33.6, pp. 8-9.
Kyle Schlesinger). 33.5, p. 42. and Beyond” by J. Sage Elwell (feature). 33.5, . ‘A Sense of Community” by Erin Garcia . “At the Crossroads” by Tony White (report:
Berners-Lee, Tim. “Web Design’s Long pp. 27-29. exhibition review: “Bay Area Now 4” at Yerba Book Arts Academic Educators Working Group
First Decade: A Micro-Meta-History” by Peter Campbell, David. “World Press Photo 2005” Buena Center for the Arts, San Francisco, CA). Meeting, University of Alabama, Tuscaloosa,
Lunenfeld (feature). 33.5, pp. 21-24. by Bill Kouwenhoven (news). 33.1, p. 4. 33.3, pp. 45-46. AL). 33.6, p. 10.
The Black Factory. “Learning To Be Human: Careers in the arts. “Still Kicking” by Kirsi . “Imbedded Public Histories” by Patricia “Down Under But Not Out Back” by Scott
An Interview with William Pope.L” by Alisia Peltomaki (report: College Art Association R. Zimmermann (film review: Precious Places by McCarney (report: Focus on Artists’ Books III,
Chase (feature). 33.4, pp. 20-23. Annual Conference, Boston, MA). 33.6, pp. 8-9. Scribe Video Center). 33.5, pp. { Artspace Mackay, Queensland, Australia). 33.6,
Blackford, Katherine. “Photo Economics” Cc Al a . “Elements of College Art Assocation (CAA). “Still pp. 13-14.
by Patricia Johnston (book review: The Corporate Experience” by Johanna Mizgala ‘exhibition Kicking” by Kirsi Peltomaki (report: College Art . “Pedagogy and Pluralism” by Karen
Eye: Photography and the Rationalization of American review: “Alexandre Castonguay: Elements” Association Annual Conference, Boston, MA). vanMeenen (report: 43" Society for
Commercial Culture, 1884-1929 by Elspeth H. at Musée d’Art Contemporain de Montréal, 33.6, pp. 8-9. Photographic Education National Conference,
Brown). 33.5, p. 49. Canada). 33.5, pp. 39-40. Color photography. “Mining the Beautiful” Chicago, IL). 33.6, p. 15.
Black masculinity. “Not Unspoken” by Cataloguing films. “|5 Minutes of Frame” by Jill Conner (essay). 33.6, p. 18. Consumption. “Dichotomies Coalesce” by
Stephanie Rogerson (exhibition review: “Glenn by Jill Conner (book review: Andy Warhol Screen - “Out of Place” by Maria Antonella Pelizzari Tracey Fugami (exhibition review: “Chris
Ligon: Some Changes” at Power Plant, Toronto, Tests: The Films of Andy Warhol Catalogue Raisonné, exhibition review: “Lynne Cohen: Mixed Jordan: Intolerable Beauty: Portraits of
Ontario; Contemporary Art Museum Houston, Volume I by Callie Angell). ‘ Messages” at Hasted Hunt Gallery, New York, American Mass Consumption” at Photographic
TX; and the Warhol Museum, Pittsburgh, PA). Censorship. “Archaeological Digging in the NY). 33.6, p. 46. Center Northwest, Seattle, WA). 33.4, pp. 38-39.
33.3, pp. 48-49. June Gloom” by Roger Hallas (report: 51" Coming-of-age narrative. “Supernatural . “Photo Economics” by Patricia Johnston
Blake, Jeremy. “Recourse Lost” by Seth Robert Flaherty Seminar). 33.1, pp. 7-8. Girls” by Kathleen Sweeney (essay). 33.5, pp. book review: The Corporate Eye: Photography and
Thompson (exhibition review: “Jeremy Blake: Center for Exploratory and Perceptual 13-16. the Rationalization of American Commercial Culture,
The Winchester Trilogy” at On-Site Gallery, Arts (CEPA). “CEPA Gallery at 30” by James Community arts. “Intersection for the Arts At 1884-1929 by Elspeth H. Brown). 33.5, pp.
Cleveland Institute of Art, OH). 33.4, pp. 40-41. Rajotte (portrait: Center for Exploratory and Forty” by Sarah Lidgus (portrait: Intersection for 49-50.
Body and beauty. “Mining the Beautiful” by Perceptual Arts, Buffalo, NY). 33.1, pp. 13-14. the Arts, San Francisco, CA). 33.3, pp. 15-16. Copyright laws/ procedures. “Fair Use
Jill Conner (essay). 33.6, pp. 16-19. Centre for Contemporary Art, Warsaw. . “A Sense of Community” by Eric Garcia. Statement Launched” by Pat Aufderheide
Bohemian circles. “When Art Was Fun” by “CCA Warsaw Beyond Ruins” byJ oanna (exhibition review: Bay Area Now 4, (news). 33.4, p. 4
Lisa Hunter (book review: Captured: A Film/Video Heatwole (portrait: Centre for Contemporary Yerba Buena Center for the Arts, San Francisco, Coyne, Nancy Ann. “Archival (Re)Collections”
History of the Lower East Side edited by Clayton Art, Warsaw, Poland, with an interview with California). 33.3, pp. 45-46. by Rembert Hueser (exhibition review: “Nancy
Ann Coyne: Archiving Memory” at University 33.5, pp. 51-52. 3" Hamburg Photography Triennial). 33.1, Kasher Gallery, New York, NY). 33.6, pp. 38-39.
of Minnesota, Elmer L. Andersen Library, Dokument 05. “Magnetic North” by pp. 9-10. . “Animated Journeys” by Jody Zellen
Minneapolis, MN). 33.3, pp. 47-48. Bill Kouwenhoven (report: Dokument 05 Female identity. “Onentalizing Sexism: Hye exhibition review: “William Kentridge: 7
Creative Camera. “Peter Turner: 1947- Photojournalism Workshop, Oslo, Norway). Rim Lee’s TOKI” by Barry King (feature). 33.4, Fragments for Georges Méliés” at Museum of
2005” by David Brittain (remembrance/news). 33.4, pp. 6-7. pp. 25-26. Contemporary Art at Pacific Design Center,
33.2, p. 4. Domestication. “Who Wears the Pants?” by . “Grrls Make Movies: The Emergence of Los Angeles, CA). 33.6, p. 42.
Cullinan, Deborah. “Intersection for the Arts Amanda Norenberg (exhibition review: “Garth Women-led Filmmaking Intiatives for “15 Minutes of Frame” by Jill Conner (book
At Forty” by Sarah Lidgus (portrait: Intersection Amundson: Home Ec.” at SHIFT Collaborative Teenage Girls” by Kathleen Sweeney (feature review: Andy Warhol Screen Tests: The Films of
for the Arts, San Francisco, CA). 33.3, pp 15-16 Studio, Seattle, WA). 33.1, pp. 46-47. 33.3, pp. 37-42. Andy Warhol Catalogue Raisonné, Volume I by Callie
Cummings, Donigan. “\ Hunger for Drawing. “Animated Journeys” by Jody Zellen . “Loose Translation” by Paola Ferrario Angell). 33.6, p. 47.
Images” by Karen vanMeenen (report: Le Mois exhibition review: “William Kentridge: 7 exhibition review: “Shirin Neshat” at Gladstone Film events. “Archacological Digging in the
de la Photo 4 Montréal, Canada). 33.4, p. 16. Fragments for Georges Méliés” at Museum of Gallery, New York, NY). 33.4, pp. 45-46. June Gloom” by Roger Hallas (report: 51
Curatorial practice. “Future Perfection” Contemporary Art at Pacific Design Center, . “Supernatural Girls” by Kathleen Sweeney Robert Flaherty Seminar). 33.1, pp. 7-8.
by Dale Hudson (report: Future Perfect: Los Angeles, CA). 33.6, p. 42 essay). 33.5, pp. 13-16 . “Electro-fying the Midwest” by Tate Shaw
Contemporary Chinese Art and the Question Dress-O-Grams. “Spectral Innocence” by . “Mining the Beautiful” by Jill Conner portrait: Electromediascope, Kansas City, MO
of the Archive, Cornell University, Ithaca, NY). Claire Sykes (exhibition review: “Susan Seubert: essay). 33.6, pp. 16-19. 33.2, p. 21.
33.3, pp. 7-8. Memento Mori and Other Tintypes” at Froelick Ferguson, Jesseca. “The Past Is the New Filmmaking. “Grris Make Movies: The
. “Rich Material” by Catherine Amidon Gallery, Portland, OR). 33.1, pp. 38-39 Future” by Marnin Young (exhibition review: Emergence of Women-led Filmmaking
exhibition review: “Archive Fever: A Digital Drucker, Johanna. “Punching the Keys” by “The Image Wrought: Historical Photographic Initiatives for Teenage Girls” by Kathleen
Wonder Room” at Hood Museum of Art, Tate Shaw (portvait: Journal of Artists’ Books Approaches in the Digital Age” at Ransom Sweeney (feature). 33.3, pp. 37-42
Dartmouth College, Hanover, NH). 33.4, pp. (JAB). 33.4, pp. 18-19. Center Galleries, University of Texas at Austin “Latter-Day Screens: A History of
39-40. Diisseldorf School. “Getting Beyond: Is 33.6, p. 41. Mormons and the Movies” by Peter Wollheim
Cyberspace theory. “Privileged Play Spaces” Photography a Lost Tradition?” by Sara L. Festivals, film/video. “Venice and the feature). 33.6, pp. 26-29.
by Dale Hudson (book review: Interactive Realism: Marion (feature). 33.6, p. 33. Moving Image” by Maeve Connolly (report: Finnish photography. “To the Finland
The Poetics of Cyberspace by Daniel Downes). 33.3, Dutcher, Richard. “Latter-Day Screens: A Biennale Venice 2005). 33.1, pp 10-11. Station” by Bill Kouwenhoven (report: Backlight
pp. 53-54 History of Mormons and the Movies” by Peter . “Out of the West” by Karen vanMeenen 05, Tampere, Finland). 33.4, p. 7
Datta, Arko. “World Press Photo 2005” by Bill Wollheim (feature). 33.6, p. 28. report: Galway Film Fleadh, Galway, Ireland). Fluxus. “When Art Was Fun” by Lisa Hunter
Kouwenhoven (news). 33.1, p. 4. Edison, Thomas. “Foundling Films” by Jenn 33.2, pp. 16-17. book review: Captured: A Film/Video History of
Décarie project. “Learning To Be Human: Libby (symposium report: Orphans 5: Science, . “Love Fest” by Ian Morrison (report: the Lower East Side edited by Clayton Patterson
An Interview with William Pope.L” by Alisia Industry and Education, University of South International Film Festival Rotterdam, 33.4, pp. 50-51
Chase (feature). 33.4, pp. 20-23. Carolina, Columbia, SC). 33.6, p. 11 Rotterdam, The Netherlands). 33.5, pp. 7-8. . “Intermedia: Forty Years On and Beyond”
Deleuze, Gilles. “From Discipline To Electromediascope. “Hlectro-fying “Festival Focus on Asia” by Anne Ciecko by J. Sage Elwell (feature). 33.5, pp. 26- 27
Control” by Sharon Lin Tay (book review: the Midwest” by Tate Shaw (portrait: report: Focus on Asia-Fukuoka International Fontcuberta, Joan. “Foam Follows Function”
Protocol: How Control Exists After Decentralization by Electromediascope, Kansas City, MO). 33.2, Film Festival, Japan; Pusan International Film by Bill Kouwenhoven (photo event report:
Alexander R. Galloway). 33.6, p. 49. p. 21. Festival, South Korea; Dubai International Foam_Fusion, FotoMuseum Amsterdam, The
Democracy. “Activism Without Borders” by Endangered habitats. “First Day of Film Festival, United Arab Emirates; and Netherlands). 33.6, p. 12.
Gabor Valyi. (conference report: RE: Activism: Remorse” by Sarah Stanley (book review: International Film Festival Rotterdam, The FotoM: A d (FOAM). “Foam
Re-Drawing the Boundaries of Activism in a Vanishing by Antonin Kratochvil). 33.2, pp. Netherlands). 33.5, pp. 10-11. Follows Function” by Bill Kouwenhoven (photo
New Media Environment, Budapest, Hungary). 57-58 Festivals, photography. “Ihe event report: Foam_Fusion, FotoMuseum
33.3, pp. 6-7. En Foco. “En Foco Celebrates 30" Year” by Impermanence of Memory” by Bill Amsterdam, The Netherlands). 33.6, p. 12
. “Representations of the Unreal: Bush’s Ilana Swerdlin (portrait: En Foco, Bronx, Kouwenhoven (report: 3" Hamburg Foucault, Michel. “Tunnel Vision:
Orwellian Newspeak” by Henry A. Giroux NY). 33.1, pp. 14-15. Photography Triennial). 33.1, pp. 9-10. Photographic Education in Britain in the 1980s”
feature). 33.3, pp. 18-27. Ensminger, Michael. “A Hunger for Images” . “Viva Madrid” by Paola Ferrario (report: by Simon Watney (feature). 33.4, pp. 35-36.
. “Democracy’s Promise and the Politics of by Karen vanMeenen (report: Le Mois de la PHotoEspatia, Madrid, Spain). 33.2, pp. 12-13. Freedman, Brad. “Punching the Keys” by
Worldliness: Implications for Public Photo a Montréal, Canada). 33.4, p. 14. “Arles Flying High” by Bruno Chalifour Tate Shaw (portrait: Journal of Artists’ Books
Intellectuals” by Henry A. Giroux (feature). Environmental art. “| ()() Suns and the report: 36" Rencontres d’Arles 2005, Arles, (FAB). 33.4, pp. 18-19
33.6, pp. 20-25. Nuclear Sublime: An Interview with Michael France). 33.2, pp. 13-14 Freedom of speech and expression. “Is
Derrida, Jacques. “Rich Material” by Light” by Robert Hirsch (feature). 33.1, pp. 24- “Magnetic North” by Bill Kouwenhoven Community TV inJ eopardy?” by Lyell Davies
Catherine Amidon (exhibition review: “Archive 9g report: Dokument 05 Photojournalism news). 33.2, p. 7.
Fever: A Digital Wonder Room” at Hood . “First Day of Remorse” by Sarah Stanley Workshop, Oslo, Norway). 33.4, pp. 6-7. “Activism Without Borders” by Gabor Valyi
Museum of Art, Dartmouth College, Hanover, book review: Vanishing by Antonin Kratochvil). “To the Finland Station” by Bill conference report: RE:Activism: Re-Drawing
NH). 33.4, pp. 39-40. 33.2, pp. 57-58. Kouwenhoven (report: Backlight 05, Tampere, the Boundaries of Activism in a New Media
DiCorcia, Philip-Lorca. “Getting Beyond: Is . “Dichotomies Coalesce” by Tracey Finland). 33.4, p. 7 Environment, Budapest, Hungary). 33.3, pp.
Photography a Lost Tradition?” by Sara L. Fugami (exhibition review: “Chris Jordan: “Looking at Time” by Bill Kouwenhoven 6-7.
Marion (feature). 33.6, p. 35. Intolerable Beauty: Portraits of American report: Noorderlicht 2005 Photofestival, “Pedagogy and Charity” by Seth Cameron
Digital art. “Orientalizing Sexism: Hye Rim Mass Consumption” at Photographic Center Groningen, The Netherlands). 33.4, p. 8. exhibition review: “First Light: Teaching
Lee’s TOKI” by Barry King (feature). 33.4, Northwest, Seattle, WA). 33.4, pp. 38-39. “A Hunger for Images” by Karen Photography in Kabul” at School of Visual Arts,
pp. 25-26. Evan, Walker. “The Muse of Place and Time: vanMeenen (report: Le Mois de ia Photo a New York, NY). 33.4, pp. 41-42.
. “B.C. and A.D.” by Tracey Fugami An Interview with William Christenberry” by Montréal, Canada). 33.4, pp. 13-17. . “Democracy’s Promise and the Politics of
exhibition review: “Hershmanlandia: The Art Robert Hirsch (feature). 33.3, pp. 30-32 . “From Russia With Love” by Bill Worldliness: Implications for Public
and Films of Lynn Hershman Leeson” at Henry Everyday objects. “Out of Place” by Maria Kouwenhoven (report: 6" International Intellectuals” by Henry A. Giroux (feature
Art Gallery, Seattle, WA). 33.4, pp. 43-44 Antonella Pelizzari (exhibition review: “Lynne Photography Month In Moscow: Photobiennale 33.6, pp. 20-25.
Digital photo essay. “Extending the Frame: Cohen: Mixed Messages” at Hasted Hunt 2006, Russia). 33.6, pp. 7-8. Garaicoa, Carlos. “Mapping the Trajectory
An Interview with Susan Meiselas” by Joanna Gallery, New York, NY). 33.6, p. 46. Film/ filmmakers. “More of What It Is: of Vision” by Julia Friday (exhibition review
Heatwole and Mariola Mourelo (feature). 33.5, Exhibition space. “Rich Material” by Catching Up With Chris Marker” by Jay “New Photography ’05: Carlos Garaicoa,
p. 20. Catherine Amidon (exhibition review: “Archive Murphy (feature). 33.2, pp. 31-37. Bertien van Manen, Philip Pisciotta,
Digital studies. “Frontal Assault” by Johanna Fever: A Digital Wonder Room” at Hood “Stunning Simplicity” by Sharon Lin Tay Robin Rhode” at Museum of Modern Art, New
Drucker (book review: User: Info TechnoDemo by Museum of Art, Dartmouth College, Hanover, exhibition review: “Abbas Kiarostami: Visions York, NY). 33.6, pp. 43-44
Peter Lunenfeld). 33.3, pp. 51-52. NH). 33.4, pp. 39-40. of the Artist” at Victoria & Albert Museum, Gender roles. “Supernatural Girls” by
Dirty War of Argentina. “History and Experimental media. “Intermedia: Forty London, UK). 33.2, pp. 47-48. Kathleen Sweeney (essay). 33.5, pp. 13-16
Memory” by Janina A. Ciezadlo (film review: Years On and Beyond” by J. Sage Elwell . “Recourse Lost” by Seth Thompson Gerritzen, Mieke. “Frontal Assault”
Burnt Oranges by Silvia Malagrino). 33.4, p. 46. feature). 33.5, pp. 29-30. exhibition review: “Jeremy Blake: The by Johanna Dracker (book review: User:
Divas Direct. “Grris Make Movies: The . “Flights of Fancy” by Jeannine Tang Winchester Trilogy” at On-Site Gallery, Info TechnoDemo by Peter Lunenteld). 33.3, pp.
Emergence of Women-led Filmmaking exhibition review: “Tracey Moffatt: Love and Cleveland Institute of Art, OH). 33.4, pp. 40-41. 51-52.
Initiatives for Teenage Girls” by Kathleen Adventures” at Victoria Miro Gallery, London, . “B.C. and A.D.” by Tracey Fugami Ghosts. “Recourse Lost” by Seth Thompson
Sweeney (feature). 33.3, pp. 37-42. UK, and “Tracey Moffatt: Love” at Steven exhibition review: “Hershmanlandia: The Art exhibition review: “Jeremy Blake: The
Doane, Mary Ann. “Finding Meaning” by Kasher Gallery, New York, NY). 33.6, pp. 38-39 and Films of Lynn Hershman Leeson” at Henry Winchester Trilogy” at On-Site Gallery,
Sarah Webb (symposium report: The Meaning The Factory. “15 Minutes of Frame” byJ ill Art Gallery, Seattle, WA). 33.4, pp. 43-45. Cleveland Institute of Art, OH). 33.4, pp. 40-41.
of Photography, Sterling and Francine Clark Conner (book review: Andy Warhol Screen . “History and Memory” by Janina A. . “The Medium’s Message” by Sarah Web»
Art Institute, Williamstown, MA). 33.4, pp. 9-10. Tests: The Films of Andy Warhol Catalogue Raisonné, Ciezadlo (film review: Burnt Oranges by Silvia exhibition review: “The Perfect Medium:
Documentary film/ filmmakers. Volume I by Callie Angell). 33.6, p. 47. Malagrino). 33.4, pp. 46-48. Photography and the Occult” at Metropolitan
“Archaeological Digging in the June Gloom” Familial narratives. “Truth Is Stranger Than . “Foundling Films” by Jenn Libby Museum of Art, New York, NY).
by Roger Hallas (report: 51" Robert Flaherty Fiction” by Tracey Fugami (exhibition review: symposium report: Orphans 5: Science, 33.5, pp. 35-36.
Seminar). 33.1, pp. 7-8. “Tim Roda: Photographs” at Greg Kucera Industry and Education, University of South Gilbreth, Frank and Lillian. “Photo
. “Fair Use Statement Launched” by Pat Gallery, Seattle, WA). 33.6, p. 45. Carolina, Columbia, SC). 33.6, p. 11. Economics” by Patricia Johnston (book review:
Aufderheide (news). 33.4, p. 4. Fantasy. “Can U C Me?” by Jody Zellen (book . “Latter-Day Screens: A History of Mormons The Corporate Eye: Photography and the Rationalization
“Imbedded Public Histories” by Patricia review: webAffairs by Show-n-tell). 33.6, p. 48. and the Movies” by Peter Wollheim of American Commercial Culture, 1884-1929 by
R. Zimmermann (film review: Precious Places by Farley, Denis. “A Hunger for Images” by Karen feature). 33.6, pp. 26-29. Elspeth H. Brown). 33.5, p. 49.
Scribe Video Center). vanMeenen (report: Le Mois de la Photo a . “Flights of Fancy” byJ eannine Tang Cc 4 y ly Mag:
Documentary theory Montréal, Canada). 33.4, p. 16 exhibition review: “Tracey Moffatt: Love and (GUM). ‘From Russia With Love” by Bill
Histories” by Patricia R. Zimmermann (film Fashion photography. “The Impermanence Adventures” at Victoria Miro Gallery, London, Kouwenhoven (report: 6" Iniernational
review: Precious Places by Scribe Video Center). of Memory” by Bill Kouwenhoven (report: UK, and “Tracey Moffatt: Love” at Steven Photography Month In Moscow: Photobiennale
2006, Russia). 33.6, pp. 7-8. and 2005 Conference on Media Literacy, and Films of Lynn Hershman Leeson” at Henry Massachusetts Institute of Technology,
Graduate programs. “At the Crossroads” Massachusetts Institute of Technology, Art Gallery, Seattle, WA). 33.4, pp. 43-45. Cambridge, MA). 33.4, pp. 11-12.
by Tony White (report: Book Arts Academic Cambridge, MA). 33.4, p. 12. “Elements of Experience” by Johanna “Pedagogy and Pluralism” by Karen
Educators Working Group Meeting, University Hol ibrance. “Archival Mizgala (exhibition review: “Alexandre vanMeenen (report: 43" Society for
of Alabama, Tuscaloosa, AL). 33.6, p. 10. Re)Collections” by Rembert Hueser (exhibition Castonguay Elements” at Musée d’Art Photographic Education National Conference,
Greenburg, Clement. “Mining the Beautiful” review: “Nancy Ann Coyne: Archiving Contemporain de Montréal, Canada). 33.5, Chicago, IL). 33.6, p. 15.
by Jill Conner (essay). 33.6, p. 16. Memory” at University of Minnesota, pp. 39-40. Jolly, Martyn. “A Hunger for Images” by
Guerilla-style filmmaking. “When Art Was Elmer L. Andersen Library, Minneapolis, MN). “Art, Science, and Imagination” by Adriane Karen vanMeenen (report: Le Mois de la Photo
Fun” by Lisa Hunter (book review: Captured: A 33.3, pp. 47-48. Little (exhibition review: “Pluto’s Cave: Making a Montréal, Canada). 33.4, pp. 16-17.
Film/Video History of the Lower East Side edited by Homelessness. “ Learning to be Human: An Visible the Invisible” by ACME Physics at Big Jordan, Chris. “ Dichotomies Coalesce” by
Clayton Patterson). 33.4, pp. 50-51 Interview with William Pope.L” by Alisia Orbit Gallery, Buffalo, NY, and New Jersey City Tracey Fugami (exhibition review: “ Chris
Hall, Stuart. “Latter-Day Screens: A History Chase (feature). 33.4, pp. 20-23. University Visual Arts Gallery, Jersey City, NJ). Jordan: Intolerable Beauty: Portraitso f
of Mormons and the Movies” by Peter Hood Museum ofA rt. “Rich Material” 33.5, p. 41. American Mass Consumption” at Photographic
Wollheim (feature). 33.6, p. 29. Catherine Amidon (exhibition review: “Arc fa “Out of Place” by Maria Antonella Pelizzari Center Northwest, Seattle, WA). 33.4, pp. 38-39.
Hamburg Photography Triennial. Fever: A Digital Wonder Room” at Hood exhibition review: “Lynne Cohen: Mixed Journal of Artists’ Books (JAB). “Punching
“The Impermanence of Memory” by Museum of Art, Dartmouth College, Hanover, Messages” at Hasted Hunt Gallery, New York, the Keys” by Tate Shaw (portrait: Journal of
Bill Kouwenhoven (report: 3 Hamburg NH). 33.4, pp. 39-40. NY). 33.6, p. 46. Artists’ Books [JAB/). 33.4, pp. 18-19.
Photography Triennial). 33.1, pp. 9-10. House Bill H.R.3146. “ Is Community TV in Institutional authority. “ Democracy’s Journalism. “An Outpost of Strength’: The
Hawkinson, Tim. “Electronic Wizardry” Jeopardy?” by Lyell Davies (news). 33.2, p. 7. Promise and the Politics of Worldliness: Las Angeles Times Performs Law and Order
by Jody Zellen (exhibition review: “Tim Human condition. “Objects of Desire” by Implications for Public Inte! ete sed by Henry Versus Chaos During the Watts Rebellion of
Hawkinson” at Whitney Museum of American Adi Louria-Hayon (exhibition review: “ Leora A. Giroux (feature). 33.6, pp. 2 1965” by Weena Perry (feature). 33.1, pp. 32-37.
Art, New York, NY, and Los Angeles County Laor” at Dvir Gallery, Tel-Aviv, Israel, and Snstieasionnlination of art. Rich Material” Kamandy, Maood. “Pedagogy and Charity”
Museum of Art, CA). 33.2, pp. 50-51. “Leora Laor: Images of Light” at Daiter by Catherine Amidon (exhibition review: by Seth Cameron (exhibition review: “First
Hershman Leeson, Lynn. “B.C. and Contemporary, Chicago, IL). 33.3, pp. 44-45. “Archive Fever: A Digital Wonder Room” at Light: Teaching Photography in Kabul” at
A.D.” by Tracey Fugami (exhibition review: Human impact on the land. “! (0) Suns Hood Museum of Art, Dartmouth College, School of Visual Arts, New York, NY). 33.4,
“Hershmanlandia: The Art and Films of Lynn and the Nuclear Sublime: An Interview with Hanover, NH). 33.4, pp. 39-40. pp. 41-42.
Hershman Leeson” at Henry Art Gallery, Mic -“ Light” by Robert Hirsch (feature). 33.1, Interactive art. “Computer-Based Art Kiarostami, Abbas. “Stunning Simplicity”
Seattle, WA). 33.4, pp. 43-45. pp. 24-29. Radiates Grounded Ideas” by Seth Thompson by Sharon Lin Tay (exhibition review: “Abbas
‘Computer-Based Art Radiates Grounded . “First Day of Remorse” by Sarah Stanley exhibition review: “All Digital” at Museum Kiarostami: Visions of the Artist” at Victoria &
Ideas” by Seth Thompson (exhibition review: book review: Vanishingb y Antonin Kratochvil of Contemporary Art Cleveland, OH). 33.5, Albert Museum, London, UK). 33.2, pp. 47-48.
“All Digital” at Museum of Contemporary Art 33.2, pp. 57-58. pp. 34-35. Kodak Brownie. “The Muse of Place
Cleveland, OH). 33.5, pp. 34-35 “Dichotomies Coalesce” by Tracey “Elements of Experience” by Johanna and Time: An Interview with William
Higgins, Dick. “ Intermedia: Forty Years On Fugami (exhibition review: “Chris Jordan: Mizgala (exhibition review: “Alexandre Christenberry” by Robert Hirsch (feature). 33.3,
and Beyond” by J. Sage Elwell (feature). 33.5, Intolerable Beauty: Portraitso fA merican Castonguay: Elements” at Musée d’Art pp. 31-32.
p- 26 Mass Consumption” at Photographic Center Contemporain de Montréal, Canada). 33.5, Kreuzhage, Andrea. “Cross-Pollination” by
Higher education. “ Democracy’s Promise Northwest, Seattle, WA). 33.4, pp. 38-39. pp. 39-40. Amber Hares (portrait: 1000 Journals Project).
and the Politics of Worldliness: Implications Human rights. “Representations of the Interiors. “Out of Place” by Maria Antonella 33.3, p. 17.
for Public Intellectuals” by Henry A. Giroux Unreal: Bush’s Orwellian Newspeak” by Henry Pelizzari (exhibition review: “ Lynne Cohen: Ku Klux Klan. “ The Muse of Place and Time:
feature). 33.6, pp. 20-22 A. Giroux (feature). 33.3, pp. 21-22. Mixed Messages” at Hasted Hunt Gallery, New An Interview with William Christenberry” by
Hiller, Lejaren a. “ Photo Economics” by “Dichotomies Coalesce” by Tracey York, NY). 33.6, p. 46. Robert Hirsch (feature). 33.3, pp. 32-33.
Patricia Johnston (book review: The Corporate Fugami (exhibition review: “ Chris Jordan: Intermedia.“ Intermedia: Forty Years On Labat, Tony. “Objects Collected, Images
Eye: Photography and the Rationalization of Amencan Intolerable Beauty: Portraits of American and Beyond” by J. Sage Elwell (feature). 33.5, Understood” by Emily Kuenstler (exhibition
Commercial Culture, 1884-1929 by Elspeth H. Mass Consumption” at Photographic Center pp. 27-29. review: “ Tony Labat: Trust Me” at New
Brown). 33.5, p. 50. Northwest, Seattle, WA). 33.4, pp. 38-39. Intermedia and video art MFA programs. Langton Arts, San Francisco, CA). 33.4, pp.
Hine, Lewis. “ Photo Economics” by Patricia Identity. “Grris Make Movies: The Emergence “Intermedia: Forty Years On and Beyond” by 42-43.
Johnston (book review: The Corporate Eye: of Women-led Filmmaking Initiatives for J. Sage Elwell (feature). 33.5, pp. 27-29. Landscape photography. “! (0 Suns and the
Photography and the Rationalization of American Teenage Girls” by Kathleen Sweeney (feature). International photography. “To the Finland Nuclear Sublime: An Interview with Michael
Commercial Culture, 1884-1929 by Elspeth H. 33.3, pp. 37-42. Station” by Bill Kouwenhoven (report: Backlight Light” by Robert Hirsch (feature). 33.1, pp.
Brown). 33.5, p. 50. “Orientalizing Sexism: Hye Rim Lee’s 05, Tampere, Finland). 33.4, p. 7. 24-29.
Hirawaka, Noritoshi. “A Hunger for TOKI” by Barry King (feature). 33.4, pp. 25-29. International Photography Month In “First Day of Remorse” by Sarah Stanley
Images” by Karen vanMeenen (report: Le Mois “B.C. and A.D.” by Tracey Fugami Moscow. “From Russia With Love” by book review: Vanishing by Antonin Kratochvil).
de la Photo 4 Montréal, Canada). 33.4, p. 14. exhibition review: “Hershmanlandia: The Art Bill Kouwenhoven (report: 6" International 33.2, pp. 57-58.
Historical photographic processes. and Films of Lynn Hershman Leeson” at Henry Photography Month In Moscow: Photobiennale Language. “Praising Postman” by Robert K.
“Spectral Innocence” by Claire Sykes Art Gallery, Seattle, WA). 33.4, pp. 43-45. 2006, Russia). 33.6, pp. 7-8. Blechman (report: Perspectives on Postman: A
exhibition review: “Susan Seubert: Memento “Truth Is Stranger Than Fiction” by Tracey Internet art. “Bit by Bit” by Seth Thompson Symposium, New York University, New York,
Mori and Other Tintypes” at Froelick Gallery, Fugami (exhibition review: “ Tim Roda: exhibition review: “Rhizome ArtBase 101” at NY). 33.6, p. 14.
Portland, OR). 33.1, pp. 38-39 Photogr aphs” at Greg Kucera Gallery, Seattle, New Museum of Contemporary Art, New York, Language and code. “Mother Board” by
“The Past Is the New Future” by Marnin NY). 33.3, pp. 43-44. Nancy Roth (book review: My Mother Was a
Young (exhibition review: “” The Image Wrought: 1 ” by Jody Zellen (book Internet ethics. “ From Discipline To Control” Computer: Digital Subjects and Literary Texts by N.
Historical Photographic Approaches in the review: webs tickbsp Show-n-tell). 33.6, p. 48 by Sharon Lin Tay (book review: Protocol: Katherine Hayles). 33.5, pp. 47-48.
Digital Age” at Ransom Center Galleries, “Mining the Beautiful” by Jill Conner How Control Exists After Decentralization by Laor, Leora. “Objects of Des by Adi
University of Texas at Austin). 33.6, pp. 40-41. essay). 33.6, p. 18. Alexander R. Galloway). 33.6, p. 49. Louria-Hayon (exhibition review: “Leora Laor”
History and affect. “Archacological Digging Installation. “Narrative Remixed” tv y Tracey Internet theory. “ From Discipline To at Dvir Gallery, Tel-Aviv, Israel, and “Leora
in the June Gloom” by Roger Hallas (report: 51" Fugami (exhibition review: “Doug Aitken: Control” by Sharon Lin Tay (book review: Laor: Images of Light” at Daiter Contemporary,
Robert Flaherty Seminar). 33.1, pp. 7-8. Interiors” at Henry Gallery, Seattle, WA). 33 Protocol: How Control Exists After Decentralization by Chicago, IL). 33.3, pp. 44-45.
History of book art in America. “A Tough pp. 40-41. Alexander R. Galloway). 33.6, p. 49. Lavoie, Vincent. “A Hunger for Images” by
Commute” by Tate Shaw (book review: .Vo “Anthony, Come to Dinner” by Emily Intersection for the Arts. “Intersection for Karen vanMeenen (report: Le Mois de la
Longer Innocent: Book Art in America, 1960-1980 by Kuenstler (exhibition review: “Anthony Burdin” the Arts At Forty” by Sarah Lidgus (portrait: Photo a Montréal, Canada). 33.4, p. 15.
Betty Bright). 33.5, pp. 46-47 at CCA Wattis Institute for Contemporary Arts, Intersection for the Arts, San Francisco, CA). Lee, Hye Rim. “Orientalizing Sexism: Hye
History of documentary film. “Reviewing San Francisco, CA). 33.1, pp. 42-43. 33.3, pp. 15-16. Rim Lee’s TOKI” by Barry King (feature). 33.4,
Orthodoxies” by Roger Hallas (book review: A “More of What It Is: Catching Up With Isolation. “Objects of Desire” by Adi Louria- pp. 25-29.
New History of Documentary Film byJ ack C. Ellis Chris Marker” by Jay Murphy (feature). 33.2, Hayon (exhibition review: “ Leora Laor” at Le Mois de la Photo 4 Montréal. “A
and Betsy A. McLane). 33.5, pp. 43-44. pp. 31-37. Dvir Gallery, Tel-Aviv, Israel, and “Leora Laor: Hunger for Images” by Karen vanMeenen
History of photography. “The Medium’s “Plato’s Cave” by Lynn Cazabon (exhibition Images of Light” at Daiter Contemporary, report: Le Mois de la Photo 4 Montréal,
Message” by Sarah Webb (exhibition review: review: “SlideShow” at Baltimore Museum of Chicago, IL). 33.3, pp. 44-45. Canada). 33.4, pp. 13-17.
“The Perfect Medium: Photography and the Art, MD, and the Contemporary Arts Center, Israeli-Palestinian conflict. “The Wall Levy, Ellen K. “Still Kicking” by Kirsi
Occult” at Metropolitan Museum of Art, New Cincinatti, OH). 33.2, pp. 45-46. of Palestine” by Bruno Chalifour (exhibition Peltomaki (report: College Art Association
York, NY). 33.5, pp. 35-36. “Stunning Simplicity” by Sharon Lin Tay review: “Larry Towell: No Man’s Land” at Annual Conference, Boston, MA). 33.6, pp. 8-9.
“Photo Economics” by Patricia Johnston exhibition review: “Abbas Kiarostami: Visions Stephen Bulger Gallery, Toronto, Canada, Lewis, Richard. “The Past Is the New
book review: The Corporate Eye: Photography and of the Artist” at Victoria & Albert Museum, and Henri Cartier-Bresson Foundation, Paris, Future” by Marnin Young (exhibition review:
the Rationalization of American Commercial Culture, London, UK). 33.2, pp. 47-48. France). 33.1, pp. 44-45. “The Image Wrought: Historical Photographic
1884-1929 by Elspeth H. Brown). 33.5, pp. “Inmate Intimac * by Clayton Campbell “The Ethie of the Spectator: The Citizenry Approaches in the Digital Age” at
49-50. exhibition review: “ Fiona Tan: Correction” at of Photography” by Ariella Azoulay Ransom Center Galleries, University of Texas
History of Web design. “Web Design’s Long UCLA Hammer Museum, Los Angeles, CA, (feature). 33.2, pp. 39-44. at Austin). 33.6, p. 41.
First Decade: A Mic ro-Me ta-History” by Peter and New Museum of Contemporary Art, New Jarmusch, Jim. “When Art Was Fun” by Lisa LIFE magazine. “Meaning, Memory, and
Lunenfeld (feature). 33.5, pp. 21-24. York, NY). 33.2, pp. 5 k Hunter (book review: Captured: A Film/Video Misogyny: LIFE Photographer Hansel Mieth’s
Hlynsky, David. '“A hos r for Images” by “Rich Material” by Catherine Amidon History of the Lower East Side edited by Clayton Monkey Portrait” by Dolores Flamiano (feature).
Karen vanMeenen (report: Le Mois de la exhibition review: “Archive Fever: A Digital Patterson). 33.4, pp. 50-51. 33.2, pp. 22-30.
Photo a Montréal, Canada). 33.4, p. 16. Wonder Room” at Hood Museum of Art, Jenkins, Henry. “Lessons in Literacy” Light, Michael. “1()0 Suns and the Nuclear
Hobbs, Renee. “Lessons in Literacy” by Dartmouth College, Hanover, NH). 33.4, p. 39. by Karen vanMeenen (report: Literacy in Sublime: An Interview with Michael Light” by
Karen vanMeenen (report: Literacy in the . “B.C, and A.D.” by Tracey Fugami the Media Age, Ithaca College, Ithaca, NY, Robert Hirsch (feature). 33.1, pp. 24-29.
Media Age, Ithaca College, Ithaca, NY, (exhibition review: “Hershmanlandia: The Art and 2005 Conference on Media Literacy, Light-emitting diode (LED) screens.
“Screenspace” by Perry Bard (report: Urban Museum of Art, CA). 33.2, pp. 50-51. 33.6, pp. 50-51 Museum of Art, Dartmouth College, Hanover,
Screens 05, Stedelijk Museum Amsterdam, The Media and culture. “Deep Focus: A Report Memory. “Archival (Re)Collections” by NH). 33.4, pp. 39-40.
Netherlands). 33.3, pp. 11-12. on the Future of Independent Media” by Chris Rembert Hueser (exhibition review: “ Nancy Nachtwey, James. “Mining the Beautiful” by
Ligon, Glenn. “Not Unspoken” by Stephanie Burnett (news). 33.1, p. 5 Ann Coyne: Archiving Memory” at University Jill Conner (essay). 33.6, p. 17.
Rogerson (exhibition review: “Glenn Ligon: “Education for a New Millennium” by of Minnesota, Elmer L. Andersen Library, National Alliance for Media Arts and
Some Changes” at Power Plant, Toronto, Karen vanMeenen (report: National Media Minneapolis, MN). 33.3, pp. 47-48. Culture (NAMAC). “Deep Focus: A Report
Ontario; Contemporary Art Museum Education Conference, San Francisco, CA). “History and Memory” by Janina A. on the Future of Independent Media” by Chris
Houston, TX ; and the Warhol Museum, 3.2, pp. 10-11. Ciezadlo (film review: Burnt Oranges by Silvia Burnett (news). 33.1, p. 5.
Pittsburgh, PA). pp. 48-49. “Activism Without Borders” by Gabor Vialyi Malagrino). 33.4, pp. 46-48. . “Confronting Consolidation” by Dustin
Lower East Side. “When Art Was Fun” by conference report: RE:Activism: Re-Drawing “Portraits of Outrage” by Ryan Holmberg Kidd (report: 2005 NAMAC Conference,
Lisa Hunter (book review: Captured: A Film/Video the Boundaries of Activism in a New Media exhibition review: “ Picturing Atrocity: Philadelphia, PA). 33.3, pp. 10-11.
History of the Lower East Side edited by Clayton Environment, Budapest, Hungary). 33.3, pp. Photography in Crisis” at City University of Nauman, Bruce. “Animated Journeys”
Patterson). 33.4, pp. 50-51. 6-7 New York, New York, NY). 33.5, pp. 37-38. by Jody Zellen (exhibition review: “Wilham
Lunenfeld, Peter. “Frontal Assault” *Catalyzing Media” by Karen vanMeenen Memory and loss. “History and Memory” by Kentridge: 7 Fragments for Georges Méliés”’ at
by Johanna Drucker (book review: User: report: New Mexico Media Literacy Project, Janina A. Ciezadlo (film review: Burnt Oranges by Museum of Contemporary Art at the Pacific
Info TechnoDemo by Peter Lunenfeld). 33.3, pp. Catalyst Institute, Albuquerque, NM). 33.3, Silvia Malagrino). 33.4, pp. 46-48. Design Center, Los Angeles, CA). 33.6, p. 42.
51-52. pp. 12-14. Michel, Alan. “Lessons in Literacy” by Karen Neshat, Shirin. “Loose Translation” by Paola
Luster, Deborah. “The Past Is the New “Frontal Assault” by Johanna Drucker (book vanMeenen (report: Literacy in the Media Ferrario (exhibition review: “Shirin Neshat”
Future” by Marnin Young (exhibition review: review: User: InfoTechnoDemo by Peter Lunenteld). Age, Ithaca College, Ithaca, NY, and 2005 at Gladstone Gallery, New York, NY). 33.4,
“The Image Wrought: Historical Photographic 33.3, pp. 51-52. Conference on Media Literacy, Massachusetts pp. 45-46.
Approaches in the Digital Age” at Ransom “Lessons in Literacy” by Karen vanMeenen Institute of Technology, Cambridge, MA). Netscape browser. “Web Design’s Long
Center Galleries, University of Texas at Austin). report: Literacy in the Media Age, Ithaca 33.4, p. 12. First Decade: A Micro-Meta-History” by Peter
33.6, p. 41. College, Ithaca, NY, and 2005 Conference Michiels, Bart. “Waiting in Silence” by Sarah Lunenfeld (feature). 33.5, pp. 21-24.
Lux, Loretta. By the Beautiful” by Jill on Media Literacy, Massachusetts Institute of Stanley (exhibition review: “Bart Michiels: The New documentary. “Extending the Frame:
Conner (essay). 33.6, p. 18. Technology, Cambridge, MA). 33.4, pp. 10-13 Course of History” at Foley Gallery, New York, An Interview with Susan Meiselas” by Joanna
Magazines/journals. ° ‘En Foco Celebrates Media art. “ Deep Focus: A Report on the NY). 33.1, pp. 41-42. Heatwole and Mariola Mourelo (feature). 33.5,
30" Year” by Ilana Swerdlin (portrait: En Foco, Future of Independent Media” by Chris Burnett Middle Eastern film. “Festival Focus on pp. 17-20.
Bronx, NY). 33.1, pp. 14-15. news). 33.1, p. 5. Asia” by Anne Ciecko (report: Focus on Asia- New Media. “More of What It Is: Catching
. “Cross-Pollination” by Amber Hares “Confronting Consolidation” by Dustin Fukuoka International Film Festival, Japan; Up With Chris Marker” by Jay Murphy
(portrait: 1000 Journals Project). 33.3, pp. 16-17. Kidd (report: 2005 NAMAC Conference, Pusan International Film Festival, South Korea; feature). 33.2, pp. 31-37.
“Punching the Keys” by Tate Shaw (portrait: Philadelphia, PA). 33.3, pp. 10-11. Dubai International Film Festival, United “Activism Without Borders” by Gabor Valyi
Journal of Artists’ Books [7AB/). 33.4, pp. 18-19. Media arts organizations. “Deep Focus: A Arab Emirates; and International Film Festival report: RE:Activism: Redrawing the Boundaries
Magnum. (media noted by James Rajotte: Report on the Future of Independent Media” Rotterdam, The Netherlands). 33.5, pp. 10-11. of Activism in a New Media Environment,
Magnum Ireland edited by Brigitte Lardinois by Chris Burnett (news). 33.1, p. 5. Midwest landscapes. “Life on the Road: Art Budapest, Hungary). 33.3, pp. 6-7.
and Val Williams). 33.4, p. 53. Media ecology. “Deep Focus: A Report on the Sinsabaugh’s Midwest Landscapes” by Stephen “Bit by Bit” by Seth Thompson (exhibition
Malagrino, Silvia. “History and Memory” by Future of Independent Media” by Chris Burnett Longmire (feature). 33.1, pp. 17-23. review: “Rhizome ArtBase 101” at New
Janina A. Ciezadlo (film review: Burnt Oranges by news). 33.1, p. 5. Mieth, Hansel. “Meaning, Memory, and Museum of Contemporary Art, New York, NY).
Silvia Malagrino). 33.4, pp. 46-48. “Activism Without Borders” by Gabor Valyi Misogyny: LIFE Photographer Hansel Mieth’s 33.3, pp. 43-44.
Male desire. “Orientalizing Sexism: Hye Rim (conference report: RE:Activism: Re-Drawing Monkey Portrait” by Dolores Flamiano (feature). “Intermedia: Forty Years On and Beyond”
Lee’s TOKI” by Barry King (feature). the Boundaries of Activism in a New Media 33.2, pp. 22-30. by J. Sage Elwell (feature). 33.5, pp. 29-30.
33.4, pp. 27-29. Environment, Budapest, Hungary). 33.3, pp. Miller, Steve. “At the Crossroads” by Tony . “Computer-Based Art Radiates Grounded
Male identity. “Objects Collected, Images 6-7. White (report: Book Arts Academic Educators Ideas” by Seth Thompson (exhibition review:
Understood” by Emily Kuenstler (exhibition “Media, Biases, Environments” by Corey Working Group Meeting, University of “All Digital” at Museum of Contemporary Art
review: “ Tony Labat: Trust Me” at New Anton (report: Media Ecology Association Alabama, Tuscaloosa, AL). 33.6, p. 10. Cleveland, OH). 33.5, pp. 34-35.
Langton Arts, San Francisco, CA). 33.4, p. 43. Convention, New York, NY). 33.3, p. 9. Minority artists. “En Foco Celebrates 30" “Mother Board” by Nancy Roth (book
Manan, Sally. (media noted by Heather Wetzel: “Taking Issue” by Lance Strate (book Year” by Ilana Swerdlin (portrait: En Foco, review: My Mother was a Computer: Digital Subjects
Deep South by Sally Mann). 33.2, p. 60. review: Media Ecologies: Materialist Energies in Art Bronx, NY). 33.1, pp. 14-15. and Literary Texts by N. Katherine Hayles). 33.5,
Marker, Chris. “More of What It Is: Catching and Technoculture by Matthew Fuller). 33.3, pp. Mitchell, W.J.T. "What WJ.T. Mitchell pp. 47-48.
Up With Chris Marker” by Jay Murphy 55-56. Wants” by Anna Siomopoulos (book review: New Mexice Media Literacy Project.
(feature). 33.2, pp. 31-37. “Praising Postman” by Robert K. Blechman What Do Pictures Want?: The Lives and Loves of “Catalyzing Media” by Karen vanMeenen
Marketing culture. “Catalyzing Media” report: Perspectives on Postman: A Symposium, Images by WJ.T. Mitchell). 33.4, pp. 48-50. report: New Mexico Media Literacy Project,
by Karen vanMeenen (report: New New York University, New York, NY). 33.6, Modeling/ posing for camera. “ 15 Minutes Catalyst Institute, Albuquerque, NM). 33.3, pp.
Mexico Literacy Project, Catalyst Institute, p. 14. of Frame” by Jill Conner (book review: Andy 12-14.
Albuquerque, NM). pp. 12-14. Media Ecology Association. “Media, Biases, Warhol Screen Tests: The Films of Andy Warhol Newspeak. “Representations of the Unreal:
“Photo Economics” by Patricia Johnston Environments” by Corey Anton (report: Media Catalogue Raisonné, Volume 1 by Callie Angell). Bush’s Orwellian Newspeak” by Henry A.
(book review: The Corporate Eye: Photography and Ecology Association Convention, New York, 33.6, p. 47. Giroux (feature). 33.3, pp. 18-27.
the Rationalization of American Commercial Culture, NY). 33.3, p. 9. Modernism. “Getting Beyond: Is Photography New technology. “ Love Fest” by Ian Morrison
1884-1929 by Elspeth H. Brown). 33.5, pp. Media education. “Education for a New a Lost Tradition?” by Sara L. Marion (feature). report: International Film Festival Rotterdam,
49-50. Millennium” by Karen vanMeenen (report: 33.6, p. 32. The Netherlands). 33.5, pp. 7-8.
Marsh, Lynne. “A Hunger for Images” by National Media Education Conference, San Modernization. “Photo Economics” by “Intermedia: Forty Years On and Beyond”
Karen vanMeenen (report: Le Mois de la Photo Francisco, CA). 33.2, pp. 10-11. Patricia Johnston (book review: The Corporate by J. Sage Elwell (feature). 33.5, pp. 25-30.
a Montréal, Canada). 33.4, p. 14. Media literacy. “Catalyzing Media” by Eye: Photography and the Rationalization of American “Mother Board” by Nancy Roth (book
Martel, Caroline. “Foundling Films” by Jenn Karen vanMeenen (report: New Mexico Commercial Culture, 1884-1929 by Elspeth H. review: My Mother Was a Computer: Digital Subjects
Libby (symposium report: Orphans 5: Science, Media Literacy Project, Catalyst Institute, Brown). 33.5, pp. 49-50. and Literary Texts by N. Katherine Hayles). 33.5,
Industry and Education, University of South Albuquerque, NM). 33.3, pp. 12-14. “Magnificent Obsessions” by Robert Cagle pp. 47-48.
Carolina, Columbia, SC). 33.6, p. 11. “Lessons in Literacy” by Karen vanMeenen comparative book review: South Korean Golden Nineteenth-century imagery. “Spectral
Mass consumption. “Dichotomies Coalesce” report: Literacy in the Media Age, Ithaca Age Melodrama: Gender, Genre, and National Cinema Innocence” by Claire Sykes (exhibition review:
by Tracey Fugami (exhibition review: “ Chris College, Ithaca, NY, and 2005 Conference edited by Kathleen McHugh and Nancy “Susan Seubert: Memento Mori and Other
Jordan: Intolerable Beaucy: Portraits of on Media Literacy, Massachusetts Institute of Abelmann and New Aorean Cinema edited by Chi- Tintypes” at Froelick Gallery, Portland, OR).
American Mass Consumption” at Photographic Technology, Cambridge, MA). 33.4, pp. 10-13. Yun Shin and Julian Stringer). 33.6, pp. 50-51. 33.1, pp. 38-39.
Center Northwest, Seattle, WA). 33.4, pp. 38-39 Media manipulation. “Representations of Moffatt, Tracey. “Flights of Fancy” by Non-digital technologies. “Animate
Matriarchy. “History and Memory” by Janina the Unreal: Bush’s Orwellian Newspeak” by Jeannine Tang (exhibition review: “ Tracey Journeys” by Jody Zellen (exhibition review:
A. Ciezadlo (film review: Burnt Oranges by Silvia Henry A. Giroux (feature). 33.3, pp. 18-27. Moffatt: Love and Adventures” at Victoria Miro “William Kentridge: 7 Fragments for Georges
Malagrino). 33.4, pp. 46-48. Media studies. “Beyond CNN” by Patricia R. Gallery, London, UK, and “Tracey Moffatt: Meéliés” at Museum of Contemporary Art at
The Matrix. “From Discipline To Control” Zimmermann (report: Asian Media Information Love” at Steven Kasher Gallery, New York, NY). Pacific Design Center, Los Angeles, CA). 33.6,
by Sharon Lin Tay (book review: Protocol: How and Communication Conference, Beijing, 33.6, pp. 38-39. p- 42.
Control Exists After Decentralization by Alexander R. China). 33.2, pp. 15-16. Mormon film. “ Latter-Day Screens: A Noorderlicht. “Looking at Time” by Bill
Galloway). 33.6, p. 49. Meiselas, Susan. “ Extending the Frame: An History of Mormons and the Movies” by Peter Kouwenhoven (report: Noorderlicht 2005
McLuhan, Marshall.“ Taking Issue” by Lance Interview with Susan Meiselas” by Johanna Wollheim (feature). 33.6, pp. 26-29. Photofestival, Groningen, The Netherlands).
Strate (book review: Media Ecologies: Materialist Heatwole and Mariola Mourelo (feature). 33.5, Mormonism. “Latter-Day Screens: A 33.4, p. 8.
Energies in Art and Technoculture by Matthew pp. 17-20. History of Mormons and the Movies” by Peter No Strings Foundation. “No Strings
Puller). 33.3, pp. 55-56. Méliés, Georges. “Animated Journeys” Woltheim (feature). 33.6, pp. 26-29. Foundation Debuts” by Clayton Campbell
Meatyard, Ralph Eugene. “Photo Synthesis” by Jody Zellen (exhibition review: “William Morrison, Bill. “Foundling Films” by Jenn news). 33.2, p. 6.
by David L. Jacobs (book reviews: The Art of Kentridge: 7 Fragments for Georges Méliés” at Libby (symposium report: Orphans 5: Science, Nuclear power. “| (0 Suns and the Nuclear
Frederick Sommer: Photography, Drawing, Collage Museum of Contemporary Art at the Pacific Industry and Education, University of South Sublime: An Interview with Michael Light” by
by Keith F. Davis, et al., and Ralph Eugene Design Center, Los Angeles, CA). 33.6, p. 42. Carolina, Columbia, SC). 33.6, p. 11. Robert Hirsch (feature). 33.1, pp. 24-29.
Meatyard by Ralph Eugene Meatyard and Guy Melodramas. “Magnificent Obsessions” by Munkacsi, Martin. “The Impermanence of Nueva Luz. “En Foco Celebrates 30" Year” by
Davenport). 33.5, pp. 44-45. Robert Cagle (comparative book review: Memory” (report: 3° Hamburg Photography Ilana Swerdlin (portrait: En Foco, Bronx, NY).
Mechanized art. “Electronic Wizardry” South Korean Golden Age Melodrama: Gender, Genre, Triennial) by Bill Kouwenhoven. 33.1, pp. 9-10. 33.1, pp. 14-15.
by Jody Zellen (exhibition review: “Tim and National Cinema edited by Kathleen McHugh Museum studies. “Rich Material” by Online sex communities. “Can U C Me?”
Hawkinson” at Whitney Museum of American and Nancy Abelmann and New Korean Cinema Catherine Amidon (exhibition review: “Archive by Jody Zellen (book review: webAffairs by Show-
Art, New York, NY, and Los Angeles County edited by Chi-Yun Shin and Julian Stringer). Fever: A Digital Wonder Room” at Hood n-tell). 33.6, p. 48.
Orphan film. “Foundling Films” by Jenn . “Meaning, Memory, and Misogyny: LIFE Britain in the 1980s” by Simon Watney (feature). Cohen: Mixed Messages” at Hasted Hunt
Libby (symposium report: Orphans 5: Science, Photographer Hansel Mieth’s Monkey Portrait” 33.4, pp. 32-36, Gallery, New York, NY). 33.6, p. 46.
Industry and Education, University of South by Dolores Flamiano (feature). 33.2, pp. 22-30. Photography trade fairs. “Location, Professionalism. “Democracy’s Promise
Carolina, Columbia, SC). 33.6, p. 11. . “The Ethic of the Spectator: The Citizenry Location, Location” by Bill Kouwenhoven and the Politics of Worldliness: Implications
Orwellian . “Representations of the of Photography” by Ariella Azoulay (report: AIPAD’s Photography Show 2006, New for Public Intellectuals” by Henry A. Giroux
Unreal: Bush’s Orwellian Newspeak” by Henry (feature). 33.2, pp. 39-44. York, NY). 33.5, pp. 6-7. (feature). 33.6, p. 23.
A. Giroux (feature). 33.3, pp. 18-27. . “Hiding in Front of a Camera” by . “Evolution of a Photo Fair” by Clayton Protocological logic. “From Discipline To
Osterman, Mark and France Scully. “The Stephen Longmire (exhibition review: “Photo- Campbell (report: Photo |.a., Santa Monica, Control” by Sharon Lin Tay (book review:
Past Is the New Future” by Marnin Young Respiration: Tokihiro Sato Photographs” at Art CA). 33.5, pp. 8-9. Protocol: How Control Exists After Decentralization by
(exhibition review: “The Image Wrought: Institute of Chicago, IL). 33.2, pp. 53-54. Photography vs. painting. “Getting Beyond: Alexander R. Galloway). 33.6, p. 49.
Historical Photographic Approaches in the . “First Day of Remorse” by Sarah Stanley Is Photography a Lost Tradition?” by Sara L. Psychology in image-making. “|5 Minutes
Digital Age” at Ransom Center Galleries, (book review: Vanishing by Antonin Kratochvil). Marion (feature). 33.6, p. 35. of Frame” byJ ill Conner (book review: Andy
University of Texas at Austin). 33.6, p. 40. 33.2, pp. 57-58. Photo L.a. “Evolution of a Photo Fair” by Warhol Screen Tests: The Films of Andy Warhol
Paik, Nam June. “Nam June Paik: 1932- . “The Muse of Place and Time: An Clayton Campbell (report: Photo l.a., Santa Catalogue Raisonné, Volume 1 by Callie Angell).
2006” by Luke Strosnider (obituaries/news). Interview with William Christenberry” by Monica, CA). 33.5, pp. 8-9. 33.6, p. 47.
33.5, p. 5. Robert Hirsch (feature). 33.3, pp. 29-33, 36. Photojournalism. “World Press Photo 2005” Public, Educational, and Government
. “Intermedia: Forty Years On and Beyond” . “Objects of Desire” by Adi Louria-Hayon by Bill Kouwenhoven (news). 33.1, p. 4. (PEG) tel “IsC ity TV in
by J. Sage Elwell (feature). 33.5, pp. 25, 27. (exhibition review: “Leora Laor” at Dvir Photo sculptures. “Seeing is Believing” by Jeopardy?” by Lyell Davies (news). 33.2, p. 7.
Pajunen, Timo Tauno. “Timo Tauno Pajunen: Gallery, Tel-Aviv, Israel, and “Leora Laor: Tracey Fugami (exhibition review: “Oliver ~. “Uncertain Future for Community Access
1945-2005” by Darwin Marable (obituaries/ Images of Light” at Daiter Contemporary, Herring: Taking and Making” at Frye Art TV” by Lyell Davies (news). 33.4, p. 4.
news). 33.2, p. 4. Chicago, IL). 33.3, pp. 44-45. Museum, Seattle, Washington). 33.2, pp. 48-49. Public intellectual. “Democracy’s Promise
Papapetrou, Polixeni. “A Hunger for . “A Hunger for Images” by Karen Pisciotta, Phillip. “Mapping the Trajectory and the Politics of Worldliness: Implications
Images” by Karen vanMeenen (report: Le Mois vanMeenen (report: Le Mois de la Photo a of Vision” by Julia Friday (exhibition review: for Public Intellectuals” by Henry A. Giroux
de la Photo 4 Montréal, Canada). 33.4, p. 14. Montréal, Canada). 33.4, pp. 13-17. “New Photography ’05: Carlos Garaicoa, (feature). 33.6, pp. 22-25.
Parada, Esther. “Esther Parada: 1938-2005” . “Extending the Frame: An Interview with Bertien van Manen, Philip Pisciotta, Public pedagogy. “Representations of the
byJ ames Rajotte (obituaries/news). 33.3,p. 4. Susan Meiselas” by Joanna Heatwole and Robin Rhode” at Museum of Modern Art, New Unreal: Bush’s Orwellian Newspeak” by Henry
Parisi, Ron. “Mining the Beautiful” byJ ill Mariola Mourelo (feature). 33.5, pp. 17-20. York, NY). 33.6, pp. 43-44. A. Giroux (feature). 33.3, pp. 18-27.
Conner (essay). 33.6, p. 19. . “Photo Synthesis” by David L. Jacobs (book Police brutality. “‘An Outpost of Strength’: Public space. “Screenspace” by Perry Bard
Parks, Gordon. “Gordon Parks: 1912-2006” reviews: The Art of Frederick Sommer: Photography, The Los Angeles Times Performs Law and Order (report: Urban Screens 05, Stedelijk Museum
by Luke Strosnider (obituaries/news). 33.6, p. 4. Drawing, Collage by Keith F. Davis, et al., Versus Chaos During the Watts Rebellion of Amsterdam, The Netherlands). 33.3, pp. 11-12.
Parr, Martin. “A Hunger for Images” by and Ralph Eugene Meatyard by Ralph Eugene 1965” by Weena Perry (feature). 33.1, pp. 35-36. . “Imbedded Public Histories” by Patricia
Karen vanMeenen (report: Le Mois de la Photo Meatyard and Guy Davenport). 33.5, pp. 44-45. Polish arts. “CCA Warsaw Beyond Ruins” R. Zimmermann (film review: Precious Places by
a Montréal, Canada). 33.4, pp. 13-14. . “Mapping the Trajectory of Vision” by Julia by Joanna Heatwole (portrait: Centre for Scribe Video Center). 33.5, pp. 51-52.
Passage of time. “Narrative Remixed” by Friday (exhibition review: “New Photography Contemporary Art, Warsaw, Poland, with an . “Out of Place” by Maria Antonella Pelizzari
Tracey Fugami (exhibition review: “Doug 05: Carlos Garaicoa, Bertien van Manen, Philip interview with Lukasz Ronduda). 33.2, pp. (exhibition review: “Lynne Cohen: Mixed
Aitken: Interiors” at Henry Gallery, Seattle, Pisciotta, Robin Rhode” at Museum of Modern 18-20. Messages” at Hasted Hunt Gallery, New York,
WA). 33.1, pp. 40-41. Art, New York, NY). 33.6, pp. 43-44. Political art. “Inmate Intimacy” by Clayton NY). 33.6, p. 46.
. “Hiding in Front of a Camera” by . “Truth Is Stranger Than Fiction” by Campbell (exhibition review: “Fiona Tan: Queer sexuality. “Who Wears the Pants?” by
Stephen Longmire (exhibition review: “Photo- Tracey Fugamii (exhibition review: “Tim Roda: Correction” at UCLA Hammer Museum, Amanda Norenberg (exhibition review: “Garth
Respiration: Tokihiro Sato Photographs” at Art Photographs” at Greg Kucera Gallery, Seattle, Los Angeles, CA, and New Museum of Amundson: Home Ec.” at SHIFT Collaborative
Institute of Chicago, IL). 33.2, pp. 53-54 WA). 33.6, p. 45. Contemporary Art, New York, NY). 33.2, pp. Studio, Seattle, WA). 33.1, pp. 46-47.
. “The Muse of Place and Time: An Photographic authorship. “! (0) Suns 52-53. . “Not Unspoken” by Stephanie Rogerson
Interview with William Christenberry” by and the Nuclear Sublime: An Interview with . “Activism Without Borders” by Gabor Valyi. exhibition review: “Glenn Ligon: Some
Robert Hirsch (feature). 33.3, pp. 31-32. Michael Light” by Robert Hirsch (feature). 33.1, (conference report: RE:Activism: Re-Drawing Changes” at Power Plant, Toronto, Ontario;
Pedagogy of photography. “Pedagogy and pp. 24-29. the Boundaries of Activism in a New Media Contemporary Art Museum Houston, TX;
Charity” by Seth Cameron (exhibition review: Photographic education. “Tunnel Vision: Environment, Budapest, Hungary). 33.3, pp. and the Warhol Museum, Pittsburgh, PA). 33.3,
“First Light: Teaching Photography in Kabul” Photographic Education in Britain in the 1980s” 6-7. pp. 48-49.
at School of Visual Arts, New York, NY). 33.4, by Simon Watney (feature). 33.4, pp. 32-36. Pope.L, William. “Learning To Be Human: Racism. “‘An Outpost of Strength’: The Los
pp. 41-42. . “Pedagogy and Charity” by Seth Cameron An Interview with William Pope.L” by Alisia Angeles Times Performs Law and Order Versus
Performance art. “Learning To Be Human: (exhibition review: “First Light: Teaching Chase (feature). 33.4, pp. 20-23. Chaos During the Watts Rebellion of 1965” by
An Interview with William Pope.L” by Alisia Photography in Kabul” at School of Visual Arts, Post-feminist discourse. “Supernatural Weena Perry (feature). 33.1, pp. 32-37.
Chase (feature). 33.4, pp. 20-23. New York, NY). 33.4, pp. 41-42. Girls” by Kathleen Sweeney (essay). 33.5, pp. . “Meaning, Memory, and Misogyny: LIFE
. “B.C. and A.D.” by Tracey Fugami . “Pedagogy and Pluralism” by Karen 13-16. Photographer Hansel Mieth’s Monkey Portrait”
(exhibition review: “Hershmanlandia: The Art vanMeenen (report: 43" Society for Posthuman. “Mother Board” by Nancy Roth by Dolores Flamiano (feature). 33.2, pp. 28-29.
and Films of Lynn Hershman Leeson” at Henry Photographic Education National Conference, (book review: My Mother Was a Computer: Digital . “Not Unspoken” by Stephanie Rogerson
Art Gallery, Seattle, WA). 33.4, pp. 44-45. Chicago, IL). 33.6, p. 15. Subjects and Literary Texts by N. Katherine Hayles). (exhibition review: “Glenn Ligon: Some
Pfersick, Peter. “Peter Pfersick: 1942-2005” Photographic organizations/ 33.5, pp. 47-48. Changes” at Power Plant, Toronto, Ontario;
by Darwin Marable (obituaries/news). 33.2, “World Press Photo 2005” by Bill Kouwenhoven Postman, Neil.“ Taking Issue” by Lance Strate Contemporary Art Museum Houston, TX;
p. 5. (news). 33.1, p. 4. (book review: Media Ecologies: Materialist Energies and the Warhol Museum, Pittsburgh, PA). 33.3,
Phantasm. “Orientalizing Sexism: Hye Rim Photographs of atrocity. “Portraits of in Art and Technoculture by Matthew Fuller). 33.3, pp. 48-49.
Lee’s TOKI” by Barry King (feature). 33.4, Outrage” by Ryan Holmberg (exhibition review: pp. 55-56. . “Learning To Be Human: An Interview with
pp. 27-29. “Picturing Atrocity: Photography in Crisis” at . “Praising Postman” by Robert K. Blechman William Pope.L” by Alisia Chase (feature). 33.4,
PhD studio programs. “When Research City University of New York, New York, NY). (report: Perspectives on Postman: A Symposium, pp. 20-23.
Needs Another Name” by Harris Fogel (report: 33.5, pp. 37-38. New York University, New York, NY). 33.6, Ready-made. “Orientalizing Sexism: Hye
Sensuous Knowledge 2 Conference, Solstrand, Photography events. “Location, Location, p. 14. Rim Lee’s TOKI” by Barry King (feature). 33.4,
Norway). 33.5, p. 12. Location” by Bill Kouwenhoven (report: Post-medium. “Intermedia: Forty Years On pp. 25-26.
PHotoEspafia. “Viva Madrid” by Paola AIPAD’s Photography Show 2006, New York, and Beyond” by J. Sage Elwell (feature). 33.5, Real vs. virtual. “Computer-Based Art
Ferrario (report: PHotoEspafia, Madrid, Spain). p. 27. Radiates Grounded Ideas” by Seth Thompson
33.2, pp. 12-13. . “Foam Follows Function” by Bill Postmodern photography. “Dichotomies (exhibition review: “All Digital” at Museum
Photographers. “Life on the Road: Art Kouwenhoven (report: Foam_Fusion, Coalesce” by Tracey Fugami (exhibition review: of Contemporary Art Cleveland, OH). 33.5,
Sinsabaugh’s Midwest Landscapes” by Stephen FotoMuseum Amsterdam, The Netherlands). “Chris Jordan: Intolerable Beauty: Portraits of pp. 34-35.
Longmire (feature). 33.1, pp. 17-23. 33.6, p. 12. American Mass Consumption” at Photographic Reel Grrls. “Grris Make Movies: The
. “100 Suns and the Nuclear Sublime: An Photography foundations. “No Strings Center Northwest, Seattle, WA). 33.4, pp. 38-39. Emergence of Women-led Filmmaking
Interview with Michael Light” by Robert Hirsch Foundation Debuts” by Clayton Campbell Postmortem photographs. “Spectral Initiatives for Teenage Girls” by Kathleen
(feature). 33.1, pp. 24-29. Innocence” by Claire Sykes (exhibition review: Sweeney (feature). 33.3, pp. 37-42.
. “Spectral Innocence” by Claire Sykes Photography in American business. “Susan Seubert: Memento Mori and Other Regionalism. “Life on the Road: Art
(exhibition review: “Susan Seubert: Memento “Photo Economics” by Patricia Johnston (book Tintypes” at Froelick Gallery, Portland, OR). Sinsabaugh’s Midwest Landscapes” by Stephen
Mori and Other Tintypes” at Froelick Gallery, review: The Corporate Eye: Photography and the 33.1, pp. 38-39. Longmire (feature). 33.1, pp. 17-23.
Portland, OR). 33.1, pp. 38-39. Rationalization of American Commercial Culture, Preservation. “Rich Material” by Catherine . “Bob Thall on Art Sinsabaugh and
. “Waiting in Silence” by Sarah Stanley 1884-1929 by Elspeth H. Brown). 33.5, pp. Amidon (exhibition review: “Archive Fever: A Photographing Chicago” by Stephen Longmire
(exhibition review: “Bart Michiels: The Course 49-50. Digital Wonder Room” at Hood Museum of (interview). 33.1, pp. 18-22.
of History” at Foley Gallery, New York, NY). Photography theory. “The Ethic of the Art, Dartmouth College, Hanover, NH). 33.4, Rencontres d’Arles. “Arles Flying High” by
33.1, pp. 41-42. Spectator: The Citizenry of Photography” by pp. 39-40. Bruno Chalifour (report: 36" Rencontres d’Arles
- “The Wail of Palestine” by Bruno Chalifour Ariella Azoulay (feature). 33.2, pp. 39-44. President George W. Bush. “Representations 2005, Arles, France). 33.2, pp. 13-14.
(exhibition review: “Larry Towell: No Man’s . “Finding Meaning” by Sarah Webb of the Unreal: Bush’s Orwellian Newspeak” by Rephotographing. “| (0 Suns and the
Land” at Stephen Bulger Gallery, Toronto, (symposium report: The Meaning of Henry A. Giroux (feature). 33.3, pp. 18-27. Nuclear Sublime: An Interview with Michael
Canada, and Henri Cartier-Bresson Foundation, Photography, Sterling and Francine Clark Art Print culture. “Mother Board” by Nancy Light” by Robert Hirsch (feature). 33.1, pp.
Paris, France). 33.1, pp. 44-45. Institute, Williamstown, MA). 33.4, pp. 9-10. Roth (book review: My Mother Was a Computer: 24-29.
. “Who Wears the Pants?” by Amanda ~. “A Hunger for Images” by Karen Digital Subjects and Literary Texts by N. Katherine Reverse motion. “Animated Journeys” byJ ody
Norenberg (exhibition review: “Garth vanMeenen (report: Le Mois de la Photo a Hayles). 33.5, pp. 47-48. Zellen (exhibition review: “William Kentridge:
Amundson: Home Ec.” at SHIFT Collaborative Montréal, Canada). 33.4, p. 13. Private space. “Out of Place” by Maria 7 Fragments for Georges Méliés” at Museum of
Studio, Seattle, WA). 33.1, pp. 46-47. —. “Tunnel Vision: Photographic Education in Antonella Pelizzari (exhibition review: “Lynne Contemporary Art at the Pacific Design Center,
Los Angeles, CA). 33.6, p. 42. Herring: Taking and Making” at Frye Art Frederick Sommer: Photography, Drawing, Collage Andrey Tarkovsky). 33.6, p. 53.
Rhesus monkey story. “Meaning, Memory, Museum, Seattle, Washington). 33.2, pp. 48-49. by Keith F. Davis, et al., and Ralph Eugene Technology. “Screenspace” by Perry Bard
and Misogyny: LIFE Photographer Hansel Semiotics. “Tunnel Vision: Photographic Meatyard by Ralph Eugene Meatyard and Guy report: Urban Screens 05, Stedelijk Museum
Mieth’s Monkey Portrait” by Dolores Flamiano Education in Britian in the 1980s” by Simon Davenport). 33.5, pp. 44-45. Amsterdam, The Netherlands). 33.3, pp. 11-12.
(feature). 33.2, pp. 28-29. Watney (feature). 33.4, pp. 34-35. Sontag, Susan. “Mining the Beautiful” byJ ill . “Privileged Play Spaces” by Dale Hudson
Rhode, Robin. “Mapping the Trajectory of . “From Discipline To Control” by Sharon Conner (essay). 33.6, p. 17. book review: Interactive Realism: The Poehes of
Vision” by Julia Friday (exhibition review: “New Lin Tay (book review: Protocol: How Control Exists Sound. “Narrative Remixed” by Tracey Cyberspace by Daniel Downes). 33.3, pp. 53-54.
Photography '05: Carlos Garaicoa, Bertien After Decentralization by Alexander R. Galloway). Fugami (exhibition review: “Doug Aitken: . “B.C. and A.D.” by Tracey Fugami
van Manen, Philip Pisciotta, Robin Rhode” at 33.6, p. 49 Interiors” at Henry Gallery, Seattle, WA). 33.1, exhibition review: “Hershmanlandia: The Art
Museum of Modern Art, New York, NY). 33.6, Senate Bills $.1349 and S.1504. “Is pp. 40-41. and Films of Lynn Hershman Leeson” at Henry
pp. 43-44. Community TV in Jeopardy?” by Lyell Davies . “Anthony, Come to Dinner™ by Emily Art Gallery, Seattle, WA). 33.4, pp. 43-45
Richter, Gerhard. “|()0 Suns and the Nuclear news). 33.2, p. 7. Kuenstler (exhibition review: “Anthony Burdin” . “Web Design’s Long First Decade: A Micro-
Sublime: An Interview with Michael Light” by Sensuous Knowledge Conference. “When at CCA Wattis Institute for Contemporary Arts, Meta-History” by Peter Lunenfeld (feature).
Robert Hirsch (feature). 33.1, p. 27. Research Needs Another Name” by Harris Fogel San Francisco, CA). 33.1, pp. 42-43. 33.5, pp. 21-24.
. “Getting Beyond: Is Photography a Lost report: Sensuous Knowledge 2 Conference, . “Objects Collected, Images Understood” . “Elements of Experience” by Johanna
Tradition?” by Sara L. Marion (feature). 33.6, Solstrand, Norway). 33.5, p.12. by Emily Kuenstler (exhibition review: “Tony Mizgala (exhibition review: “Alexandre
p. 34 Seubert, Susan. “Spectral Innocence” by Labat: Trust Me” at New Langton Arts, San Castonguay: Elements” at Musée d’Art
Riot coverage. “An Outpost of Strength’: Claire Sykes (exhibition review: “Susan Seubert: Francisco, CA). 33.4, pp. 42-43. Contemporain de Montréal, Canada). 33.5,
The Los Angeles Times Performs Law and Order Memento Mori and Other Tintypes” at Froelick . “B.C. and A.D.” by Tracey Fugami pp. 39-40.
Versus Chaos During the Watts Rebellion of Gallery, Portland, OR). 33.1, pp. 38-39. exhibition review: “Hershmanlandia: The Art . “Art, Science, and Imagination” by Adriane
1965” by Weena Perry (feature). 33.1, pp. 32-37. Sexism. “Orientalizing Sexism: Hye Rim Lee’s and Films of Lynn Hershman Leeson” at Henry Little (exhibition review: “Pluto’s Cave: Making
Robert Flaherty Seminar. “Archaeological TOKI” by Barry King (feature). 33.4, pp. 27-29 Art Gallery, Seattle, WA). 33.4, pp. 43-45. Visible the Invisible” by ACME Physics at Big
Digging in the June Gloom” by Roger Hallas Simon Jr., John F. “Computer-Based Art South African artists. “Animated Journeys” Orbit Gallery, Buffalo, NY, and New Jersey City
report: 51" Robert Flaherty Seminar). 33.1, Radiates Grounded Ideas” by Seth Thompson byJ ody Zellen (exhibition review: “William University Visual Arts Gallery, Jersey City, NJ).
pp. 7-8. exhibition review: “All Digital” at Museum Kentridge: 7 Fragments for Georges Méliés” at 33.5, p. 41.
Roda, Tim. “Truth Is Stranger Than Fiction” of Contemporary Art Cleveland, OH). 33.5, Museum of Contemporary Art at the Pacific . “Mother Board” by Nancy Roth (book
by Tracey Fugami (exhibition review: “Tim pp. 34-35. Design Center, Los Angeles, CA). 33.6, p. 42. review: My Mother Was a Computer: Digital Subjects
Roda: Photographs” at Greg Kucera Gallery, Singer, Brian. “Cross-Pollination” by Amber South Korean cinema. “Magnificent and Literary Texts by N. Katherine Hayles). 33.5,
Seattle, WA). 33.6, p. 45. Hares (portrait: 1000 Journals Project). Obsessions” by Robert Cagle (comparative book pp. 47-48.
Ronduda, Lukasz. “CCA Warsaw Beyond 33.3, pp. 16-17. review: South Korean Golden Age Melodrama: Gender, Teenage experience. “Supernatural Girls” by
Ruins” by Joanna Heatwole (portrait: Centre Singl learning “Grris Genre, and National Cinema edited by Kathleen Kathleen Sweeney (essay). 33.5, pp. 13-16.
for Contemporary Art, Warsaw, Poland, with an Make Movies: The Emergence of Women-led McHugh and Nancy Abelmann and .Vew Korean Teenage girl icon. “Supernatural Girls” by
interview with Lukasz Ronduda). Filmmaking Initiatives for Teenage Girls” by Cinema edited by Chi-Yun Shin and Julian Kathleen Sweeney (essay). 33.5, pp. 13-16.
33.2, pp. 18-20. Kathleen Sweeney (feature). 33.3, pp. 37-42. Stringer). 33.6, pp. 50-51. Television. “Love Fest” by lan Morrison
Rosenkranz, Ericka. “Archival Sinsabaugh, Art. “Life on the Road: Art Soviet ethnographical photography. report: International Film Festival Rotterdam,
Re)Collections” by Rembert Hueser (exhibition Sinsabaugh’s Midwest Landscapes” by Stephen “From Russia With Love” by Bill Kouwenhoven The Netherlands). 33.5, pp. 7-8.
review: “Nancy Ann Coyne: Archiving Longmire (feature). 33.1, pp. 17-23 report: 6" International Photography Month Thacker, Eugene. “From Discipline To
Memory” at University of Minnesota, Elmer L. Slide projection. “Plate .( ave” by Lynn In Moscow: Photobiennale 2006, Russia). 33.6, Control” by Sharon Lin Tay (book review:
Andersen Library, Minneapolis, MN). 33.3, pp. Cazabon (exhibition review: “SlideShow” pp. 7-8. Protocol: How Control Exists After Decentralization by
47-48. at Baltimore Museum of Art, MD, and the Sperry, Chris. “Lessons in Literacy” by Karen Alexander R. Galloway). 33.6, p. 49.
Ruff, Thomas. “Getting Beyond: Is Contemporary Arts Center, Cincinatti, OH). vanMeenen (report: Literacy in the Media Thall, Bob. “Bob Thall on Art Sinsabaugh and
Photography a Lost Tradition?” by Sara L. 33.2, pp. 45-46. Age, Ithaca College, Ithaca, NY, and 2005 Photographing Chicago” by Stephen Longmire
Marion (feature). 33.6, pp. 33-35. Slide technology. “Plato's Cave” by Lynn Conference on Media Literacy, Massachusetts feature). 33.1, pp. 18-22.
Ruscha, Ed. “Out of Place” by Maria Cazabon (exhibition review: “SlideShow” Institute of Technology, Cambridge, MA). Thatcherism. “Tunnel Vision: Photographic
Antonella Pelizzari (exhibition review: “Lynne at Baltimore Museum of Art, MD, and the 33.4, p. 1. Education in Britian in the 1980s” by Simon
Cohen: Mixed Messages” at Hasted Hunt Contemporary Arts Center, Cincinatti, OH). Spirit photography. “The Medium’s Watney (feature). 33.4, p. 32.
Gallery, New York, NY). 33.6, p. 46. 33.2, pp. 45-46. Message” by Sarah Webb (exhibition review: Tintypes. “Spectral Innocence” by Claire
Ryan, Kathy. “World Press Photo 2005” by Smith, Jack. “When Art Was Fun” by Lisa “The Perfect Medium: Photography and the Sykes (exhibition review: “Susan Seubert:
Bill Kouwenhoven (news). 33.1, p. 4. Hunter (book review: Captured: A Film/Video Occult” at Metropolitan Museum of Art, New Memento Mori and Other Tintypes” at Froelick
Said, Edward. “Democracy’s Promise and the History of the Lower East Side edited by Clayton York, NY). 33.5, pp. 35-36. Gallery, Portland, OR). 33.1, pp. 38-39.
Politics of Worldliness: Implications for Public Patterson). 33.4, p. 51. Stafford, Barbara. “Pedagogy and Pluralism” TOKI. “Orientalizing Sexism: Hye Rim Lee’s
Intellectuals” by Henry A. Giroux (feature SmiJr.t, Johsep h. “Latter-Day Screens: A by Karen vanMeenen (report: 43" Society for TOKI” by Barry King (feature). 33.4, pp. 25-29.
33.6, pp. 22-24. History of Mormons and the Movies” by Peter Photographic Exiucation National Conference, Towell, Larry. “The Wall of Palestine” by
Sandison, Charles. “Computer-Based Art Wollheim (feature). 33.6, p. 26. Chicago, IL). 33.6, p. 15. Bruno Chalifour (exhibition review: “Larry
Radiates Grounded Ideas” by Seth Thompson Snapshots. “Who Wears the Pants?” by Stencil art. “Sub: ulwire Communication” by Towell: No Man’s Land” at Stephen Bulger
(exhibition review: “All Digital” at Museum Amanda Norenberg (exhibition review: “Garth Johanna Drucker (book review: Schablone Berlin Gallery, Toronto, Canada, and Henri Cartier-
of Contemporary Art Cleveland, OH). 33.5, Amundson: Home Ec.” at SHIFT Collaborative by Caroline Koebel and Kyle Schlesinger). Bresson Foundation, Paris, France). 33.1, pp.
pp. 34-35. Studio, Seattle, WA). 33.1, pp. 46-47. 33.5, p. 42. 44-45.
Sato, Tokihiro. “Hiding in Front of a Snow, Michael. “A Hunger for Images” by Stereotypes. “Orientalizing Sexism: Hye Rim Trauma. “Recourse Lost” by Seth Thompson
Camera” by Stephen Longmire (exhibition Karen vanMeenen (report: Le Mois de la Photo Lee’s TOKI” by Barry King (feature). 33.4, exhibition review: “Jeremy Blake: The
review: “Photo-Respiration: Tokihiro Sato a Montréal, Canada). 33.4, p. 14. pp. 25-26. Winchester Trilogy” at On-Site Gallery,
Photographs” at Art Institute of Chicago, IL). Sobieszek, Robert. “Robert Sobieszek: A . “Supernatural Girls” by Kathleen Sweeney Cleveland Institute of Art, OH). 33.4, pp. 40-41
33.2, pp. 53-54. Remembrance” by John Pfahl (remembrance/ essay). 33.5, pp. 13-16. . “History and Memory” by Janina A.
Scandinavian photographers. “Magnetic news). 33.2, p. 5. Stop-motion animation. “Animated Ciezadlo (film review: Burnt Oranges by Silvia
North” by Bill Kouwenhoven (report: Dokument Social catastrophe. “History and Memory” Journeys” by Jody Zellen (exhibition review: Malagrino). 33.4, pp. 46-48.
05 Photojournalism Workshop, Oslo, Norway). by Janina A. Ciezadlo (film review: Burnt Oranges “William Kentridge: 7 Fragments for Georges . “Portraits of Outrage” by Ryan Holmberg
33.4, pp. 6-7. by Silvia Malagrino). 33.4, pp. 46-48. Meéliés” at Museum of Contemporary Art at exhibition review: “Picturing Atrocity:
Scheibe, Cyndy. “Lessons in Literacy” Social documentary photography. Pacific Design Center, Los Angeles, CA). 33.6, Photography in Crisis” at City University of
by Karen vanMeenen (report: Literacy in “Meaning, Memory, and Misogyny: LJFE p. 42. New York, New York, NY). 33.5, pp. 37-38.
the Media Age, Ithaca College, Ithaca, NY, Photographer Hansel Mieth’s Monkey Portrait” Supernatural girls. “Supernatural Girls” by . “Atrocious Images” by Alexandra Neel
and 2005 Conference on Media Literacy, by Dolores Flamiano (feature). 33.2, pp. 22-30. Kathleen Sweeney (essay). 33.5, pp. 13-16. report: Picturing Atrocity: Photography in
Massachusetts Institute of Technology, . “Extending the Frame: An Interview with Surrealist photography. “The Crisis conference, City University of New York,
Cambridge, MA). 33.4, p. 11. Susan Meiselas” by Joanna Heatwole and Impermanence of Memory” by Bill New York, NY). 33.5, pp. 38-39.
Schneemann, Carolee. “A Hunger for Mariola Mourelo (feature). 33.5, pp. 17-20. Kouwenhoven (report: 3" Harnburg Tsinhnahjinnie, F h J. “A Hunger for
Images” by Karen vanMeenen (report: Le Mois Social justice. “Learning To Be Human: An Photography Triennial). 33.1, pp. 9-10. Images” by Karen vanMeenen (report: Le Mois
de la Photo 4 Montréal, Canada). 33.4, p. 13. Interview with William Pope.L” by Alisia Chase . “Mining the Beautiful” byJ ill Conner de la Photo 4 Montréal, Canada). 33.4, p. 15.
Science. “Art, Science, and Imagination” by feature). 33.4, pp. 20-23. essay). 33.6, p. 17. Turner, Peter. “Peter Turner: 1947-2005” by
Adriane Little (exhibition review: “Pluto’s C. Social radicalism. “More of What It Is: . “Truth Is Stranger Than Fiction” by David Britta: (remembrance/news). 2
Making Visible the Invisible” by ACME Phys Catching Up With Chris Marker” byJ ay Tracey Fugami (exhibition review: “Tim Roda: Urban spaces/scene. “Book Spaces City
at Big Orbit Gallery, Buffalo, NY, and New Murphy (feature). 33.2, pp. 31-37. Photographs” at Greg Kucera Gallery, Seattle, Spaces” by Johanna Drucker (book reviews:
Jersey City University Visual Arts Gallery, Jersey Society for Cinema and Media Studies WA). 33.6, p. 45. Berlin in the Time of the Wall by John Gossage and
City, NJ). 33.5, p. 41. (SCAMS). “Cinema Scope” by Alisia Chase Surveillance-related art. “Can U C Me?” by Flicker by Emily McVarish). 33.2,
Screen Tests. “15 Minutes of Frame” byJ ill (report: Society for Cinema and Media Studies Jody Zellen (book review: webAffairs by Show-n- . “Subculture Communication” by Johanna
Conner (book review: Andy Warhol Screen Tests: Conference, Vancouver, British Columbia). 33.6, tell). 33.6, p. 48. Drucker (book review: Schablone Berlin by
The Films of Andy Warhol Catalogue Raisonné, Volume p. 6. Tan, Fiona. “Inmate Intimacy” by Clayton Caroline Koebel and Kyle Schlesinger). 33.5, p.
1 by Callie Angell). 33.6, p. 47 Society for Photographic Education Campbell (exhibition review: “Fiona Tan: 42.
Scribe Video Center. “Imbedded Public (SPE). “Pedagogy and Pluralism” by Karen Correction” at UCLA Hammer Museum, Van Manen, Bertien. “Mapping the
Histories” by Patricia R. Zimmermann (film vanMeenen (report: The 43" Society for Los Angeles, CA, and New Museum of Trajectory of Vision” byJ ulia Friday (exhibition
review: Precious Places by Scribe Video Center). Photographic Education National Conference, Contemporary Art, New York, NY). 33.2, pp. review: “New Photography ’05: Carlos
33.5, pp. 51-52. Chicago, IL). 33.6, p. 15. 52-53. Garaicoa, Bertien van Manen, Philip Pisciotta,
Sculptural space. “Seeing is Believing” by Sommer, Frederick. “Photo Synthesis” Tarkovsky, Andrey. (media noted by Luke Robin Rhode” at Museum of Modern Art, New
Tracey Fugami (exhibition review: “Oliver by David L.J acobs (book reviews: The Art of Strosnider: Instant Light: Tarkosky Polaroids by York, NY). 33.6, pp. 43-44.
Venice Biennale. “Venice and the Moving Image Wrought: Historical Photographic Center for the Arts, San Francisco, Carolina, Columbia, SC. 33.6, p. 11.
Image” by Maeve Connolly (report: Venice Approaches in the Digital Age” at A). 33.3, pp. 45-46. .“From Russia with Love” 6" International
Biennale 2005). 33.1, pp. 10-11 Ransom Center Galleries, University of ‘Texas Youth. “Education for a New Millennium” Photography Month in Moscow: Photobiennale
Vernacular architecture. “The Muse of at Austin). 33.6, p. 40. by Karen vanMeenen (report: National Media 2006, Russia. 33.6, pp. 7-8.
Place and Time: An Interview with William Warhol, Andy. *|5 Minutes of Frame” byJ ill Education Conference, San Francisco, CA). .“Future Perfection” Future Perfect:
Christenberry” by Robert Hirsch (feature Conner (book review: Andy Warhol Screen Tests: 33.2, p. 11. Contemporary Chinese Art and the Question
33.3, p. 36. The Films of Andy Warhol Catalogue Raisonné, Volume . “Grrls Make Movies: The Emergence of of the Archive, Cornell University, Ithaca, NY.
Video art/artists. “Narrative Remixed” / by Callie Angell). 33.6, p. 47. Women-led Filmmaking Initiatives for Teenage 33.3, pp. 7-8.
by Tracey Fugami (exhibition review: “Doug War imagery. “World Press Photo 2005” by Girls” by Kathleen Sweeney (feature). 33.3, .“A Hunger for Images” Le Mois de la Photo
Aitken: Interiors” at Henry Gallery, Seattle, Bill Kouwenhoven (news). 33.1, p. 4 pp. 37-42. a Montréal, Canada. 33.4, pp. 13-17.
WA). 33.1, pp. 40-41. . “Archaeological Digging in the June Gloom” “Lessons in Literacy” Literacy in a Media .“The Impermanence of Memory” 3"
“Anthony, Come to Dinner’ by Emily by Roger Hallas (report: 51" Robert Flaherty Age, Ithaca College, Ithaca, NY, and 2005 Hamburg Photography Triennial, Germany.
Kuenstler (exhibition review: “Anthony Burdin™ Seminar). 33.1, pp. 7-8. Conference on Media Literacy, Massachusetts 33.1, pp. 9-10.
at CCA Wattis Institute for Contemporary Arts, . “The Impermanence of Memory” (report: Institute of Technology, Cambridge, MA. 33.4, “The Ingenuity Track” 2005 NAMAC
San Francisco, CA). 33.1, pp. 42-43. 3" Hamburg Photography Triennial) by Bill pp. 10-13. Conference, Philadelphia, PA. 33.3, p. 11.
. “Inmate Intimacy” by Clayton Campbell Kouwenhoven. 33.1, pp. 9-10. -“Lessons in Literacy” Literacy in a Media
exhibition review: “Fiona Tan: Correction” at . “Portraits of Outrage” by Ryan Holmberg Age, Ithaca College, Ithaca, NY, and 2005
UCLA Hammer Museum, Los Angeles, CA, exhibition review: “Picturing Atrocity: Conference on Media Literacy, Massachusetts
and New Museum of Contemporary Art, New Photography in Crisis” at City University of OBITUARIES Institute of Technology, Cambridge, MA. 33.4
York, NY). 33.2, pp. 52-53. New York, New York, NY). 33.5, pp. 37-38. pp. 10-13.
. “Objects of Desire” by Adi Louria-Hayon . “Atrocious Images” by Alexandra Neel “Nam June Paik: 1932-2006.” 33.5, p. 5. -“Location, Location, Location” AIPAD’s
exhibition review: “Leora Laor” at Dvir report: Picturing Atrocity: Photography in “Timo Tauno Pajunen: 1945-2005.” 33.2, Photography Show 2006, New York, NY. 33.5,
Gallery, Tel-Aviv, Israel, and “Leora Laor: Crisis conference, City University of New York, p. 4 pp. 6-7.
Images of Light” at Daiter Contemporary, New York, NY). 33.5, pp. 38-39. “Esther Parada: 1938-2005.” 33.4, -“Looking at Time” Noorderlicht 2005,
Chicago, IL). 33.3, pp. 44-45. . “Mining the Beautiful” by Jill Conner “Gordon Parks: 1912-2006.” 3: Photofestival, Groningen, The Netherlands.
. “Objects Collected, Images Understood” essay). 33.6, pp. 16-17. “Peter Pfersick: 1942-2005.” 33.4, p. 8.
by Emily Kuenstler (exhibition review: “Tony War landscapes. “Waiting in Silence” by “Robert Sobieszek: A Remembrance.” -“Love Fest” Satellite of Love International
Labat: Trust Me” at New Langton Arts, San Sarah Stanley (exhibition review: “Bart Michiels: Jo-2, i 9. Film Festival Rotterdam, The Netherlands.
Francisco, CA). 33.4, pp. 42-43. The Course of History” at Foley Gallery, New “Peter Turner: 1947-2005.” 33.2, p. 4. 33.5, pp. 7-8.
“Loose Translation” by Paola Ferrario York, NY). 33.1, pp. 41-42 -“Magnetic North” Dokument 05
exhibition review: “Shirin Neshat” at Gladstone . “The Wall of Palestine” by Bruno Chalifour NEWS Photojournalism Workshop, Oslo, Norway.
Gallery, New York, NY). 33.4, pp. 45-46. exhibition review: “Larry Towell: No Man’s 33.4, pp. 6-7.
Violence. “|()0 Suns and the Nuclear Sublime: Land” at Stephen Bulger Gallery, Toronto, .“Deep Focus: A Report on the Future of .“Media, Biases, Environments” Media
An Interview with Michael Light” by Robert Canada, and Henri Cartier-Bresson Foundation, Independent Media.” 33.1, p. 5. Ecology Association Convention, New York,
Hirsch (feature). 33.1, pp. 24-29. Paris, France). 33.1, pp. 44-45. .“Fair Use Statement Launched.” 33.4, p. 4. NY. 33.3, p. 9.
. “An Outpost of Strength’: The Las Angeles Waste. “Dichotomies Coalesce” by Tracey “Is Community TV in Jeopardy? ep. 7. “Out of the West” Galway Film Fleadh,
Times Performs Law and Order Versus Chaos Fugami (exhibition review: “Chris Jordan: .“No Strings Foundation Debuts.” 33.2, p. 6. Ireland. 33.2, pp. 16-17.
During the Watts Rebellion of 1965” by Weena Intolerable Beauty: Portraits of American “Uncertain Future for Community Access -“Pedagogy and Pluralism” 43" Society for
Perry (feature). 33.1, pp. 32-37 Mass Consumption” at Photographic Center TV.” 33.4, p. 4. Photographic Education Conference, Chicago,
. “Portraits of Outrage” by Ryan Holmberg Northwest, Seattle, WA). 33.4, pp. 38-39. -“World Press Photo 2005.” 33.1, p. 4. IL. 33.6, p. 15.
exhibition review: “Picturing Atrocity: Watts Rebellion of 1965. “An Outpost of .“Praising Postman” Perspectives on Postman:
Photography in Crisis” at City University of Strength’: The Los Angeles Times Performs Law A Symposium, New York University, New York,
New York, New York, NY). ° -5, pp. 37-38. and Order Versus Chaos During the Watts REPORTS NY. 33.6, p. 14.
. “Atrocious Images” by Alexandra Neel Rebellion of 1965” by Weena Perry (feature). -“Screenspace” Urban Screens 05, Stedelijk
report: Picturing Atrocity: Photography in 33.1, pp. 32-37. -“Activism Without Borders” RE:Activism: Museum, Amsterdam, The Netherlands. 33.3,
Crisis conference, City University of New York, Wearing, Gillian. “Getting Beyond: Is Re-drawing the Boundaries of Activism in a pp. 11-12.
New York, NY). 33.5, pp. 38-39. Photography a Lost Tradition?” by Sara L. New Media Environment, Budapest, Hungary. -“Still Kicking” The College Art Association
Virtual museum. “Foam Follows Function” Marion (feature). 33.6, p. 35. 33.3, pp. 6-7. Annual Conference, Boston, MA. 33.6, pp. 8-9.
by Bill Kouwenhoven (photo event report: Weber, Marshall. “Down Under But -“Archeological Digging in the June Gloom” .“To the Finland Station” Backlight 05,
Foam_Fusion, FotoMuseum Amsterdam, The Not Out Back” by Scott McCarney (report: The 51* Robert Flaherty Seminar, Claremont Tampere, Finland. 33.4, p. 7.
Netherlands). 33.6, p. 12. Focus on Artists’ Books III, Artspace Mackay, Colleges, Claremont, CA. 33.1, pp. 7-8. .“Venice and the Moving Image” Biennale
Visual literacy. “Lessons in Literacy” Queensland, Australia). 33.6, p. 13. -“Arles Flying High” 36" Recontres D’Arles Venice 2005: 51* International Art Exhibition,
by Karen vanMeenen (report: Literacy in Web design/ designers. “Web Design’s Long 2005, Arles, France. 33.2, pp. 13-14. Venice, Italy. 33.1, pp. 10-11.
the Media Age, Ithaca College, Ithaca, NY, First Decade: A Micro-Meta-History” by Peter -“Artists’ Book as Catalyst” Artists’ Books “Viva Madrid” PHotoEspana, Madrid,
and 2005 Conference on Media Literacy, Lunenfeld (feature). 33.5, pp. 21-24. Conference, Wellesley College, Wellesley, MA. Spain. 33.2, pp. 12-13.
Massachusetts Institute of ‘Technology, Wen Pulin Archive. “Future Perfection” SB i pr kb? -“When Research Needs Another Name”
Cambridge, MA). 33.4, pp. 10-13. by Dale Hudson (report: Future Perfect: -“At the Crossroads” Book Arts Academic Serious Knowledge 2, Solstrand, Norway. 33.5,
Vitality of images. “What WJ.T .M itchell Contemporary Chinese Art and the Question Educators Working Group Meeting, University p. 22.
Wants” by Anna Siomopoulos (book review: of the Archive, Cornell University, Ithaca, NY). of Alabama, Tuscaloosa, AL. 33.6, p. 10.
What Do Pictures Want?: The Lives and Loves of 33.3, pp. 7-8. -“Beyond CNN” * Asian Media Information
Images by WJ.T. Mitchell). 33.4, pp. 48-50. Widmer, Gwen. “Electro-fying the Midwest” and Communications Conference, Beijing, PORTRAITS
Voyeurism. “Can U C Me?” by Jody Zellen by Tate Shaw (portrait: Electromediascope, China. 33.2, pp. 15-16.
book review: webAffairs by Show-n-tell). 33.6, Kansas City, MO). 33.2, p. 21. .“Catalyzing Media” New Mexico “CCAWarsaw Beyond Ruins.” 33.2, p. 18.
p. 48. Winchester, Sarah. “Recourse Lost” by Seth Media Literary Project, Catalyst Institute, “CEPA Gallery at 30.” 33.1, pp. 13-14.
Walkup, Kathy. “At the Crossroads” by Tony Thompson (exhibition review: “Jeremy Blake: Albuquerque, NM. » pp. 12-14. -“Cross-Pollination.” 33.3, pp. 16-17.
White (report: Book Arts Academic Educators The Winchester Trilogy” at On-Site Gallery, -“Cinema Scope” Society for Cinema and .“Electro-fying the Midwest.” 33.2, p. 21.
Working Group Meeting, University of Cleveland Institute of Art, OH). 33.4, pp. 40-41. Media Studies Conference, Vancouver, British -“En Foco Celebrates 30" Year.” 33.1, pp.
Alabama, Tuscaloosa, AL). 33.6, p. 10. Womanhood. “Loose Translation” by Paola Columbia. 33.6, p. 6. 14-15.
Wall, Jeff. “Getting Beyond: Is Photography Ferrario (exhibition review: “Shirin Neshat” -“Confronting Consolidation” 2005 NAMAC “Intersection for the Arts at Forty.” 33.3,
a Lost Tradition?” by Sara L. Marion (feature). at Gladstone Gallery, New York, NY). 33.4, Conference, Philadelphia, PA. 33.3, pp. 10-11. pp. 15-16.
33.6, p. 35. pp. 45-46. “Down Under But Not Out Back” Focus .“Punching the Keys.” 33.1, pp. 18-19.
Walt Disney Productions. “Latter-Day Women filmmakers. “Grrls Make Movies: on Artists’ Books III, Artspace Mackay,
Screens: A History of Mormons and the The Emergence of Women-led Filmmaking Queensland, Australia. 33.6, pp. 13-14. ESSAYS
Movies” by Peter Wollheim (feature). 33.6, p. 27. Initiatives for Teenage Girls” by Kathleen “Education for a New Millennium” The
War. “The Impermanence of Memory” Sweeney (feature). 33.3, pp. 37-42. National Media Education Conference, San -“Mining the Beautiful” by Jill Conner. 33.6,
report: 3° Hamburg Photography Triennial) by Worldliness. “Democracy’s Promise and the Francisco, CA. 33.2, pp. 10-11. pp. 16-19.
Bill Kouwenhoven. 33.1, pp. 9-10. Politics of Worldliness: Implications for Public -“Evolution of a Photo Fair” Photo L.a., Santa .“Supernatural Girls” by Kathleen Sweeney.
- “An Outpost of Strength’: The Los Angeles Intellectuals” by Henry A. Giroux (feature). Monica, CA, 33.5, pp. 8-9. 33.5, pp. 13-16.
Times Performs Law and Order Versus Chaos 33.6, pp. 20-25. .“Festival Focus on Asia” Focus on Asia
During the Watts Rebellion of 1965” by Weena World Wide Web. “Web Design’s Long Fist Fokuoka International Film Festival, Japan;
Perry (feature). 33.1, pp. 32-37. Decade: A Micro-Meta-History” by Peter Pusan International Film Festival, South Korea; INTERVIEWS
. “Beyond CNN” by Patricia R. Zimmermann Lunenfeld (feature). 33.5, pp. 21-24. Dubai International Film Festival, United Arab
(report: Asian Media Information and Writing history through photography. Emirates; International Film Festival Rotterdam, -“100 Suns and the Nuclear Sublime: An
Communication Conference, Beijing, China). “Finding Meaning” by Sarah Webb (symposium The Netherlands. 33.5, pp. 10-11. Interview with Michael Light” by Robert
33.2, pp. 15-16. report: The Meaning of Photography, Sterling -“Finding Meaning” The Meaning of Hirsch. 33.1, pp. 24-29.
. “Representations of the Unreal: Bush’s and Francine Clark Art Institute, Williamstown, Photography, Sterling and Francine Clark Art -“Bob Thall on Art Sinsbaugh and
Orwellian Newspeak” by Henry A. Giroux MA). 33.4, pp. 9-10. Institute, Willamstown, MA. 33.4, pp. 9-10. Photographing Chicago” by Stephen Longmire.
(feature). 33.3, pp. 18-27. X-Men and X2. “Supernatural Girls” by -“Foam Follows Function” Foam_Fusion, 33.1, pp. 18-22.
. “Mining the Beautiful” byJ ill Conner Kathleen Sweeney (essay). 33.5, p. 15. Fotomuseum, Amsterdam, The Netherlands. -“Extending the Frame: An Interview with
(essay). 33.6, p. 17. Yerba Buena Center for the Arts. “A Sense 33.6, p. 12. Susan Meiselas” by Joanna Heatwole and
Ware, Mike. “The Past Is the New Future” by of Community” by Erin Garcia (exhibition -“Foundling Films” Orphans 5: Science, Mariola Mourelo. 33.5, pp. 17-20.
Marnin Young (exhibition review: “The review: “Bay Area Now 4” at Yerba Buena Industry and Education, University of South -“Hans Breder: Father of Intermedia” by
Sage Elwell. 33.5, pp. 27, 29. Arts, San Francisco, CA. 33.3, pp. 45-46. -“William Kentridge: 7 Fragments for David Hilliard, essays by Charlotte
.“Learning to be Human: An Inteview with -“Chris Jordan: Intolerable Beauty: Georges Méliés” at Museum of Contemporary Cotton, interview with Vince Aletti. 33.1, p. 48.
Portraits of American Mass Consumption” at Art at Pacific Design Center, Los Angeles, CA. -Deep South photographs and essays by Sally
Photographic Center Northwest, Seattle, WA. 33.6, p. 42. Mann. 33.2, p. 60.
-“Lukasz Ronduda: Curator of the Archive of 33.4, pp. 38-39. -Dictonary Days: A Defining Passion by Van
Polish Experimental Film” by Joanna Heatwole. -“Doug Aitken: Interiors” at Henry Gallery, Stavans. 33.1, p. 48.
33.2, pp. 19-20. Seattle, WA. 33.1, pp. 40-41. BOOK REVIEWS Documentary Now! Contemporary Strategies in
-“The Muse of Place and Time: An Interview -“Fiona Tan: Correction” at UCLA Hammer Photography, Film and the Visual Arts edited by
with William Christenberry” by Robert Hirsh. Museum, Los Angeles, CA, and New Museum Andy Warhol Screen Tests: The Films of Andy Frits Gierstberg, Maartje van der Heuvel, Hans
33.3, pp. 29-33, 36. of Contemporary, New York, NY. 33.2, pp Warhol Catalogue Raisonne, Volume I by Callie Scholten, and Martijn Verhoeven. 33.4, p. 53.
52-53 Angell. 33.6, p. 47. .é by Masao Yainamoto. 33.6, p. 52.
-“First Light: Teaching Photography in -The Art of Frederick Sommer: Photography, Essential Deren: Collected Writings on Film by
FEATURES Kabul” at School of Visual Arts, New York, NY. Drawing, Collage by Keith F. Davis, et al. 33.5, Maya Deren edited by Bruce R. McPherson
33.4, p. 41. pp. 44-45. 33.5, p. 53.
-“Democracy’s Promise and the Politics “Garth Amundson: Home Ec” at SHIFT Berlin in the Time of the Wall by John Gossage - The Europeans: Photographs by Tina Barney. 33.5,
of Worldliness: Implications for Public Collaborative Studio, Seattle, WA. 33.1, pp. 33.2, pp. 55-57 pp. 54.
Intellectuals” by Henry A. Giroux. 33.6, pp. 46-47. -Captured: A Film/Video History of the Lower -Everything I Ate: A Year in the Life of My Mouth
20-25. -“Glenn Ligon: Some Changes” at Power East Side edited by Clayton Patterson. 33.4, by Tucker Shaw. 33.5, p. 54.
-“The Ethic of the Spectator: The Citizenry Plant, Toronto, Ontario, Contemporary Art pp. 50-51. Exquisite Pain by Sopiie Calle. 33.3, p. 59.
of Photography” by Ariella Azoulay. 33.2, pp Museum Heuston, TX, and Warhol Museum, - The Corporate Eye: Photography and the -Fear This: A Nation At War by Anthony Suau.
38-44. Pittsburgh, PA. 33.3, pp. 48-49. Rationalization of American Commercial Culture, 33.2, p. 61.
.“Getting Beyond: Is Photography a Lost -“Hershmanlandia: The Art and Film of 1884-1929 by Elspeth H. Brown. 33.5. pp. -Goddess Headb y Dash Shaw. 33.6, p. 52
Tradition?” by Sara L. Marion. 33.6, pp. 32-36. Lynn Hershman Leeson” at Henry Art Gallery, 49-50. -Having Been Said: Writings and Interviews of
-“Grrls Make Movies: The Emergence of Seattle, WA. 33.4, pp. 43-45. Flicker by Emily McVarish. 33.2, pp. 55-57. Lawrence Weiner 1968-2003 edited by Gerti
Women-led Filmmaking Initiatives for Teenage “The Image Wrought: Historical Image and Imagination edited by Martha Langford. Fietzek and Gregor Stemmrich. 33.1, p. 49.
Girls” by Kathleen Sweeney. 33.3, pp. 37-42. Photographic Approaches in the Digital Age” at 33.4, p. 15. Identity: Conversations with Benedetto Vecchi by
-“Intermedia: Forty Years On and Beyond” by Ransom Center Galleries, University of Texas Interactive Realism: The Poetics of Cyberspace by Zygmunt Bauman. 33.3, p. 60.
J. Sage Elwell. 33.5, pp. 25-30. at Austin. 33.6, pp. 40-41. Daniel Downes. 33.3, pp. 53-54. Jnstalionniew by Ryan McGinness. 33.5, p. 54
-“Latter-Day Screens: A History of Mormons -“Jeremy Blake: The Winchester Trilogy” -Media Ecologies: Materialist Energies in Art and Instant Light: Tarkovsky Polaroids by Andrey
and the Movies” by Peter Wollheim. 33.6, pp. at On-Site Gallery, Reinberger Galleries, Technoculture by Matthew Fuller. 33.3, pp. 55-56. Tarkovsky. 33.6, p. 53.
26-29. Cleveland Institute of Art, OH. 33.4, pp. 40-41. -Museum Highlights: The Writings of Andrea Fraser -Language to Cover a Page: The Early Writings of
-“Life on the Road: Art Sinsabaugh’s Midwest .“Larry Towell: No Man’s Land” at Stephen by Andrea Fraser. 33.3, pp. 57-59. Vito Acconci edited by Craig Dworkin. 33.6, p. 53.
Landscapes” by Stephen Longmire. 33.1, pp. Bulger Gallery, Toronto, Ontario, and Henri -My Mother Was a Computer: Digital Subjects and A Line of Sight: American Avant-Garde Film Since
17-23. Cartier-Bresson Foundations, Paris, France Literary Texts by N. Katherine Hayles. 33.5, pp. 1965 by Paul Arthur. 33.1, p. 47.
-“Meaning, Memory and Misogyny: LIFE 33.1. pp. 44-45. 7-48. -Magnum Ireland edited by Brigitte Lardinois
Photographer Hansel Mieth’s Monkey Portrait” -“Leora Laor” at Dvir Gallery, Tel-Aviv, A New History of Documentary Film by Jack C. and Val Williams. 33.4, p. 53.
by Dolores Flamiano. 33.2, pp. 22-30. Israel, and Daiter Contemporary, Chicago, IL. Ellis and Betsy A. McLane. 33.5, pp. 43-44 ~Magara by Alec Soth. 33.5, p. 54.
-“More of What It Is: Catching Up With 33.3, pp. 44-45. ~Vew Korean Cinema edited by Chi-Yun Shin - The Nineteenth-Century Visual Culture Reader
Chris Marker” by Jay Murphy. 33.2, pp. 31-33, -“Lynne Cohen: Mixed Messages” at Hasted and Julian Stringer. 33.6, pp. 50-51. edited by Jeannene M. Przyblyski and Vanessa
36-37. Hunt Gallery, New York, NY. 33.6, p. 46. ~No Longer Innocent: Book Art in America 1960- R. Schwartz. 33.1,p . 49.
-“Orientalizing Sexism: Hye Rim Lee’s -“Nancy Ann Coyne: Archiving Memory” at 1980 by Betty Bright. 33.5, pp. 46-47. - The Ongoing Moment by Geoff Dyer. 33.4,
TOKI” by Barry King. 33.4, pp. 25-29. University of Minnesota, Elmer L. Anderson Protocol: How Control Exists After Decentralization p. 54.
-““An Outpost of Strength’: The Los Angeles Library, Minneapolis, MN. 33.3, pp. 47-48. by Alexander R. Galloway. 33.6, p. 49. Pixel Surgeons: Extreme Manipulations of the Figure
Times Performs Law and Order Versus Chaos -“New Photography ‘05: Carlos Garagicoa, -Ralph Eugene Meatyard by Ralph Eugene in Photography by Martin Dawber. 33.3, p. 60
During the Watts Rebellion of 1965” by Weena Bertien Van Manen, Phillip Pisciotta, Robin Meatyard and Guy Davenport. 33.5, pp. 44- -Recycled Realities by John Willis and Tom
Perry. 33.1, pp. 32-37. Rhode” at Museum of Modern Art, New York, Schablone Berlin by Caroline Koebel and Kyle Young. 33.6, p. 53
-“Representations of the Unreal: Bush’s NY. 33.6, pp. 43-44. Schlesinger. 33.5, p. 42. -Ron Jude: Alpine Star at George Eastman
Orwellian Newspeak” by Henry A. Giroux. -“Oliver Herring: Taking and Making” at South Korean Golden Age Melodrama: Gender, Genre, House. 33.4, p. 54.
33.3, pp. 18-27. Frye Art Museum, Seattle, WA. 33.2, pp. 48-49. and National Cinema edited by Kathleen McHugh Soft Cinema: Navigating the Database by Lev
-“Tunnel Vision: Photographic Education in -“The Perfect Medium: Photography and the and Nancy Abelmann. 33.6, pp. 50-51. Manovich and Andreas Kratky. 33.2, p. 61
Britain in the 1980s” by Simon Watney. 33.4, Occult” at Metropolitan Museum of Art, New User: Info TechnoDemo by Peter Lunenfeld. 33.3, - The Three Incestuous Sisters by Audrey
pp. 32-35. York, NY. 33.5, pp. 35-36. pp. 51-52. Niffenegger. 33.4, p. 54.
“Web Design’s Long First Decade: A Micro- -“Photo-Respiration: Tokihiro Sato Vanishingb y Antonin Kratochvil. 33.2, pp. Turning 50 by Bea Nettles. 33.5, p. 54.
Meta-History” by Peter Lunenfeld. 33.5, pp. Photographs” at Art Institute of Chicago, IL. 57-58. TV Wonderland: The Enchantment of Early
21-30. 33.2, pp. 53-54. webAffairs by Show-N-Tell. 33.6, p. 48. Television by Brad and Debra Schepp. 33.1, p. 49
-“Picturing Atrocity: Photography in Crisis” What Do Pictures Want?: The Lives and Loves of - Water Being Water by David Goldes. 33.3,
PORTFOLIOS at City University of New York, New York, NY. Images by WJ.T. Mitchell. 33.4, pp. 48-50. p. 61.
33.5, pp. 37-38. - What Good are the Arts? by John Carey. 33.6,
.“Drawn to Water” by Christine Osinski. -“Picturing Atrocity: Photography in Crisis” FILM REVIEWS p. 53.
33.1, pp. 30-31 at the Center for the Humanities at the -Toung America: The Daguerreotypes of Southworth
“Gotta Dance: The Exotic Language of the Graduate Center, City University of New York, -Burnt Oranges by Silvia Malagrino. 33.4, pp. and Hawes edited by Grant B. Romer and at
Body” by Beverley Abramson. 33.5, pp. 32-33. New York, NY. 33.5, pp. 38-39. 46-48. George Eastman House. 33.3, p. 61
-“No Time to Stand Still” by Adela Holmes. -“Pluto’s Cave: Making Visible the Invisible Precious Places by Scribe Video Center. 33.5, -lours in Food, John Baldessari by John
33.3, pp. 34-35. by ACME Physics” at Big Orbit Gallery, Buffalo, pp. 51-52. Baldessari. 33.2, p. 61.
“People I Don’t Know” by Aline Smithson. NY and New Jersey City University Visual Arts
33.2-,“ Sopup.t h 34B-r3o5.n x Diaries” by Joselyn DeJesus. Gall“eRryh,i zJoemrese y ACrittBya, seN J. 10331.”5 ,a t p.N e4w1. Museum MEDIA NOTED INKLIGHT
T3333r..a6-4n“,,sS itppeippcn..kt s ,33 L00S--at33no11dn..se cs,a peasn”d Bboyn eAsn:n etItmea geFso urfnreotm. pYopof.r --kC“,“4oS S3hn-lNit4irY4edi..nme Sp3hoN3o.rew4sa,”hr aypta p”t. ABr4atat5,l - tG4iNl6m.eao dwrs et oYonMreuk ,s GeaNulYlm.e ry3o,3f . 3N,Ae rtw, i3n3.t2-Ae,1mr 0ev0irp e.i wcA 5am9en.wr iitCchoa cnk CraoItanchdhee preipnnhdeeo nttoC ghFraiallmpmshe srb sy,b Jya esasosnandy s Woboy d B3e3a--.uPP1mhh,ooop ttnoo.t5 ,9bb. yy 3J3Do.o2hr,ni s p .L Mu6ic7ta.ss c;h ;t extte xtb yb Jyu lSieet hK ing,
MD, and Contemporary Arts Center, Cincinatti, Steve Baker, Garry Marvin and Lyall Watson. -Photo by Keith Johnson; text by Robyn
EXHIBITION REVIEWS OH. 33.2, pp. 45-46. 33.2, p. 59. Merckx, 33.3, p. 67
-“Stand and Deliver: Engineering Sculpture Archaeologies of the Future: The Desire Called -Photo by Todd Mason; text by Molly Brodak,
.“Abbas Kiarostami: Visions of the Artist” into a Book Format” at Center for Book and Utopia and Other Science Fictions by Fredric 33.4, p. 59.
at Victoria and Albert Museum, London, UK. Paper Arts, Columbia College Chicago, IL. Jameson. 33.4, p. 52. -Photo by Peter Tonningsen; text by Peter
33.2, pp. 47-48. 33.3, p. 50. Art History Versus Aesthetics edited by James Connors, 33.6, p. 59.
-“Alexandre Castonguay: Elements” at Musée -“Susan Seubert: Memento Mori and Other Elkins. 33.4, p. 53
D’Art Contemporain de Montréal, Canada. Tintypes” at Froelick Gallery, Portland, OR. Atomic Light (Shadow Optics) by Akira Mizuta
33.5, pp. 39-40. 33.1, pp. 38-39. Lippit. 33.5, p. 53.
-“All Digital” at Museum of Contemporary -“Tim Hawkinson” at Whitney Museum of Being There: Medical Student Morgue Volunteers
Art Cleveland, OH. 33.5, pp. 34-35. American Art, New York, NY, and Los Angeles Following 9-11 by Barry M. Goldstein. 33.3,
-“Anthony Burdin” at CCA Wattis Institute County Museum of Art, CA. 33.2, pp. 50-51. p. 59.
for Contemporary Arts, San Francisco, CA. -“Tim Roda: Photographs” at Greg Kucera Better Things by Douglas Holleley. 33.1, pp.
33.1, pp. 42-43. Gallery, Seattle, WA. 33.6, p. 45. 47-48.
-“Archive Fever: A Digital Wonder Room” .“Tony Labat: Trust Me” at New Langton Bettina Rheims: Female Trouble by Bettina
at Hood Museum of Art, Dartmouth College, Arts, San Francisco, CA. 33.4, pp. 42-43. Rheims. 33.1, p. 48.
Hanover, NH. 33.4, pp. 39-40. -“Tracey Moffatt: Love and Adventures” -Beyond Green: Toward a Sustainable Art by
-“Bart Michiels: The Course of History” at at Victoria Miro Gallery, London, UK, and Stephanie Smith and Victor Margolin. 33.4,
Foley Gallery, New York, NY. 33.1, pp. 41-42. -“Tracey Moffatt: Love” at Steven Kasher p. 53.
-“Bay Area 4” Yerba Buena Center for the Gallery, New York, NY. 33.6, pp. 38-39. David Hilhiard: Photographs photographs by