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A Theory of Craft: Function and Aesthetic Expression PDF

346 Pages·2007·2.633 MB·English
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(cid:174) (cid:174) A THEORY OF CRAFT üüü This page intentionally left blank HOWARD RISATTI A THEORY OF CRAFT FUNCTION AND AESTHETIC EXPRESSION foreword by kenneth r. trapp Image Not Available the university of north carolina press Chapel Hill © 2007 The University of North Carolina Press All rights reserved Manufactured in the United States of America Set in Scala and Citizen types by Tseng Information Systems, Inc. The paper in this book meets the guidelines for permanence and durability of the Committee on Production Guidelines for Book Longevity of the Council on Library Resources. Library of Congress Cataloging-in-Publication Data Risatti, Howard Anthony, 1943– A theory of craft : function and aesthetic expression / Howard Risatti ; foreword by Kenneth R. Trapp. p. cm. Includes bibliographical references and index. ISBN 978-0-8078-3135-9 (cloth : alk. paper) 1. Decorative arts—Philosophy. 2. Design—Philosophy. I. Title. NK1110.R57 2007 745.01—dc22 2007011952 11 10 09 08 07 5 4 3 2 1 For Kenneth Trapp, my nieces and nephew, and, above all, for Christina This page intentionally left blank CONTENTS üüü Foreword by Kenneth R. Trapp xi Preface xiii Introduction 1 PART I Practical-Functional Arts and the Uniqueness of Craft: Questions about Terminology 13 1. Purpose, Use, and Function 23 2. Taxonomy of Craft Based on Applied Function 29 3. Different Applied Functions: Tools and Craft Objects 41 4. Comparing Machines, Tools, and Craft Objects 48 5. Purpose and Physiological Necessity in Craft 54 6. Nature and the Origin of Craft Objects 60 PART II Craft and Fine Art 67 7. What Are the Fine Arts and What Do They Do? 71 8. Social Convention versus Physical Necessity 78 9. Craft, Fine Art, and Nature 87 10. Technical Knowledge and Technical Manual Skill 98 11. Hand and Body in Relation to Craft 108 12. Hand and Body in Relation to Fine Art 116 13. Physicality versus Opticality 127 14. Thingness of the Thing 139 PART III Issues of Craft and Design 151 15. Material and Manual Skill 157 16. Design, Workmanship, and Craftsmanship 162 17. Craftsman versus Designer 171 18. Implications of Craft and Design 182 19. Hand, Machine, and Material 194 PART IV Aesthetic Objects and Aesthetic Images 207 20. A Historical Perspective of Craft and Aesthetic Theory 209 21. Aesthetics and the Function/Nonfunction Dichotomy 219 22. Kant and Purpose in Fine Art 232 23. Fine Craft, Fine Art, Fine Design 239 24. Intentionality, Meaning, and the Aesthetic 251 25. Beauty, Contemplation, and the Aesthetic Dimension 262 26. How Aesthetic Contemplation Operates 273 27. Development of the Critical Objects of Studio Craft 281 Postscript 303 Bibliography 307 Index 317 viii Contents ILLUSTRATIONS üüü 1 Allan Rosenbaum, Tale, 2002 6 2 Apollo of Veii, Portonaccio Temple, Veii, Italy, ca. 510–500 B.C. 7 3 Marcel Duchamp, Fountain, 1917, replica 1964 11 4 Examples of use and function 28 5 Men and women of the Old Testament, ca. 1145–70, Chartres Cathedral, France 83 6 Bull and horse, cave painting, ca. 15,000–13,000 B.C., Lascaux Caves, Perigord, Dordogne, France 88 7 Drawing of abstract signs, ca. 15,000–13,000 B.C., Lascaux Caves, Perigord, Dordogne, France 89 8 Sign diagram 89 9 Iconic sign diagram 90 10 Indexical sign diagram 91 11 Duck-Shaped Pottery Ewer, Han Dynasty, 207 B.C.–220 A.D. 95 12 Cow-Shaped Creamer, twentieth century, French 96 13 Michelangelo, David, detail, 1501–4 118 14 Tony Smith, Die, 1962, fabricated 1998 121 15 Leonardo da Vinci, The Vitruvian Man, ca. 1492 122 16 Jun Kaneko, Untitled, Dango, 2003 124 17 Robert Rauschenberg, Bed, 1955 133 18 Henry Dreyfuss, 20th Century Limited Locomotive, 1938 179 19 Raymond Loewy, Teardrop Pencil Sharpener, 1933 180 20Cubic Coffeepot, 1920s–30s, German 185 21 Sam Maloof, Michael M. Monroe Low-Back Side Chair, 1995 199 22 Charles and Ray Eames, Aluminum Multiple Seating, ca. 1950 200 23 Teacup, soft drink container, and champagne flute 201 24 Ludwig Mies van der Rohe, Barcelona Chair, 1929 203 25 Charles Yaeger, Untitled Chair, 1994 228 26Chair with blue legs, New Kingdom, ca. 1570–1085 B.C., Egypt 229

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