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A re-evaluation of the vocal philosophy of Dr. James Rush as based on a study of his sources PDF

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Preview A re-evaluation of the vocal philosophy of Dr. James Rush as based on a study of his sources

MANUSCRIPT THESES Unpublished theses submitted for the master's and doctor's degrees and deposited in the Louisiana State University Library are available for inspection. Use of any thesis is limited by the rights of the author. Bibliographical references may be noted, but passages may not be copied unless the author has given permission. Credit must be given in subsequent written or published work, A library which borrows this thesis for use by its clientele is expected to malce sure that the borrower is aware of the above restrictions, LOUISIANA STATE UNIVERSITY LIBRARY 119-a A KB-EVALUATIOH OF THE VOCAL PHILOSOPHY OP DR. JAMES RUSS AS BASED ON A STUDY OF HIS SOURCES A Dissertation Submitted to the Graduate Faculty of the Louisiana State University end Agricultural and Mechanical College in partial fulfillm ent of the requirements for the degree of Dootor of Philosophy in The Department of Speech By Lester Leonard Hale E. A., University of Wisconsin, 1934 M. A., Louisiana State University, 1936 June, 1942 UMI Number: DP69243 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. UMI Dissertation Publishing UMI DP69243 Published by ProQuest LLC (2015). Copyright in the Dissertation held by the Author. Microform Edition © ProQuest LLC. All rights reserved. This work is protected against unauthorized copying under Title 17, United States Code ProQuest ProQuest LLC. 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106 - 1346 Dr* Gilev W* Gray for hie Inepiration end continual M iiB tunt in Hie preparation of tb ii Manuscripts and te Dr* Claude B, Kantner for hie eeuaeel and teaching* and for hie guidance ae ny leajer prefeeeer* "In the time of the world, a natural day (night included) is a single cadencei the setting and rising of the Sun are the thesis and arsis; seasons and years are rhythmical clauses« the real beginning and the ending of this melody are out of our sights but to human apprehension, the apparent are birth and death, and life is our part in the song*" Sir Joshua Steele* ACKNOWLEDGEMENT The author is greatly indebted to the Librarian of the Library Company of Philadelphia* Austin K. Gray* and the Assistant Librarian* Barney Chesniok* for their fu ll cooperation in making available the personal library of Dr. James Ruahj and to Dr. Giles W. Gray for furnishing many volumes from his own collection of early speech books. TABLE OF CONTENTS PART Page I INTRODUCTION...................................................................................... I Chapter I. General Aims of this Research . . • X 2. Historical and Biographical Background 6 II OF RUSH'S BASIC PHILOSOPHY . . . . . . . . . ................... 21 Chapter 3* Of His Descriptive Analysis . . . . . . 21 4* Of His Prescriptive Application . • • • 41 III OF RUSH'S ORIGINAL CONTRIBUTIONS . . . . . . . . . . . 65 Chapter 5* Of Bis Clarification of Nomenclature • 65 6* Of His Radical and Vanish Concept • • • 89 7. Of the Alphabetic Elements as Explained by Radical and Vanish . • . • • • * 100 8. Of Syllabication as Explained by Radical and Vanish. 115 9« Of the Specific Intervals of Inflection 129 IV OF THE REMAINING RUSH CONCEPTS................................................. 146 Chapter 10* Of Accent* Quantity and Rhythm • • • • 146 11* Of Cadence and Pause . . . . . . . . . 166 12* Of Pitch and Inflection • • • * • • » 182 13. Of Quality and Vocal Signs of the Passions . . . . . . . • • • • « • 208 14* Of Force • • » • • • • .......................... • 235 15* Of Em phasis........................... . . . . . . 242 V SUMMARY AND CONCLUSION ........................................................... • 252 BIBLIOGRAPHY............................................ 255 APPENDIX A . ..................... 264 APPENDIX B . . . . . . . ................................. 270 V LIST OP TABLES TABLE Page I The Tonios, according to Rush . • • . . ........................102 1Z The Sub tonic a, according to R u sh ....................................104 III The Atonies# according to flush .................. . . . . . . 106 IV Comparison of Alphabetio Elements as Considered by Steele and Rush.........................• • 109 7 Scheme of Vowels according to Sheridan . . . . . . . 110 VI Scheme of the Alphabet according to Sheridan • • . • 111 VIZ A Table of the Sixteen Simple and Diphthongal Vowel Sounds# according to Sm art.................................... . • 112 VIII A Table of Twenty-two Consonant Sounds, According to Smart ............................. 113 vi LIST OF PHOTO SMS Photostat Pago 1 Richard Cull, Oarriok^ Mode of Heading the Liturgy of the Church of England « . . . . IS 2 Richard Cull, Garrick's Mode of Reading the Liturgy of the Church of England • * . . • 14 5 John Walker, Elements of Elocution (1810) • . 22 4 Sir Joshua Steele, An Essay * ............................ 74 5 James Rush, Philosophy of the Human Voice • * 95 6 Sir Joshua Steele, An Essay................................. 140 7 John Walker, Elements of Slocution * . . . • 195 ▼ii

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