3-D ART LAB FOR KIDS 32 HANDS-ON ADVENTURES IN SCULPTURE AND MIXED MEDIA Susan Schwake PHOTOGRAPHY BY RAINER SCHWAKE CONTENTS Introduction Chapter 1: Setting Up Chapter 2: Tools of the Trade Chapter 3: Paper: Transformed Rain Sticks Paper Masks Paper Bead Figures Stick-Bound Sketchbook Cardboard Relief Painting Rolled Paper Relief Artist Visit: Potter Jane Kaufmann Chapter 4: Clay Play Pinch Pots Mood Masks Textures, Stamps, and Tiles Finger Puppets Shakers and Rattles Wall Pockets Pinch Pot Birds Artist Visit: Sculptor Megan Bogonovich Chapter 5: Textiles Soft Sculpture Nature Weaving Woven Wall Hanging Stitched Landscape Frozen Jute Sculpture Branch Wrapping Chapter 6: Sculpture Jumbo Masks 2-D Meets 3-D Plaster Relief Paper Merpeople Tiny Paper Animals Plaster Assemblage Little Worlds Poetry Box Artist Visit: Metal Sculptor Adam Pearson Chapter 7: Jewelry Paper Bead Necklace Modern Cameo Pin Pop Art Earrings Clay Bead Necklace Memory Wire Bracelet Artist Visit: Jeweler Jane Eslinger Resources for Materials Contributing Artists About the Author Acknowledgments INTRODUCTION This book is all about making art that pops out, stands up, swings from the ceiling, or makes you walk around it. My first real encounter with 3-D art was in a 3-D art and design class in college. My professor gave us our first assignment with paper. It was to take a flat piece of paper and make it into a sphere. I was a freshman and easily daunted—but this assignment rocked my world! (It also introduced me to the art of origami.) Since that class, and other 3-D media courses I took in college, I have had the privilege to hone my 3-D skills under the guidance of some incredible artists and instructors. I transformed some of these experiences into lessons for my students and am pleased to share some of them inside these pages. It is my sincere hope that this book will inspire you to try your hand at making three-dimensional art and nurture that part of yourself that longs to mold material into your dream object. Over the past twenty years of teaching, these lessons have emerged as the ones my students are “most likely to enjoy.” Each lesson is inspired by an artist’s work and meant to encourage each person’s own style. In our gallery, I curate ten exhibits a year with groups of contemporary artists. My students view the work on a weekly basis in their classes. Along with these exhibits, my students are introduced to a broad range of art through books, slides, posters, and the Internet. However, nothing can replace seeing the actual artwork. I recommend visiting a local gallery or museum because walking around a piece of artwork or seeing a tapestry on the wall can be life changing. 1 SETTING UP This book is for anyone interested in making art in 3-D, either with someone else or alone. There are so many materials, both found and specialty, that are perfect for art making in the round. The main point of this book is to inspire you to find new ways to use these materials and to make these lessons your own. Taking a risk is part of working three-dimensionally. It’s always a little tougher to get your art to stand up or stick out or hang from a ceiling. Go out on a limb and try your idea! It may not work the very first time, but with a little patience and a second try, it can be the best thing you have ever done. In this chapter, I outline what you will need to set up a studio and some ideas for working with others.
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