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200 Ripple Stitch Patterns: Exciting Patterns To Knit And Crochet For Afghans, Blankets And Throws PDF

68 Pages·2018·50.449 MB·English
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Preview 200 Ripple Stitch Patterns: Exciting Patterns To Knit And Crochet For Afghans, Blankets And Throws

2 0 0 R I P RIPPLE P 200 l STITCH e PATTERNS S t Jan Eaton i t c PREVIOUSLY Create beautiful fabrics with variegated zigzags of colour and pretty h RIPPLE PUBLISHED ridged effects, perfect for afghans, throws, baby blankets and even P Author of the wall hangings. This easy-to-use book features 200 colourful ripple a 200 stitch patterns to knit and crochet using a range of techniques, from t bestselling traditional Shetland lace stitches to modern textured patterns. t STITCH 200 Crochet Blocks e • Brush up on your needlework skills with a refresher course in for Blankets, r knitting and crochet, and learn how to create simple or more Throws and n complex arrangements of stitches Afghans s PATTERNS • The main part of the book is a stitch directory containing 200 patterns, each featuring a detailed photograph, clear instructions and suggested colour variations J • Includes guidance on planning your project, choosing yarns, a Exciting patterns to knit and crochet for afghans, blankets and throws making swatches, combining stitches and colours and finishing off n with decorative borders and edgings E a t Jan Eaton is a professional needlecraft and textiles designer who has worked as a freelance designer since o completing her training at Goldsmiths’ College School of n Art, London. She has published many needlecraft books, including the new edition of Mary Thomas’s Dictionary of Embroidery Stitches, The Creative Guide to Cross The world’s finest art and craft books S Stitch Embroidery, Country Crochet and Knitted Lace, www.searchpress.com e 200 Crochet Blocks and 200 Knitted Blocks. a r c UK £10.99/US $15.95/CAN $19.95 h ISBN 978-1-78221-635-3 P r N 51595> e EA ss 9 781782 216353 Untitled-2 1 07/12/2017 14:18 ripple stitch patterns Jan Eaton RRPPAA22__IINNTT__000011--000077__pprreelliimmss__UUKK..iinndddd 11 2222//1111//22001177 0078::0178 A QUARTO BOOK Contents Stitch collection 14 Published in 2018 by Search Press Ltd Introduction 8 Page Page Page Page Page Page Wellwood How to use this book 8 1 11 21 31 41 51 North Farm Road Colour 10 Blue Lagoon 16 Fiesta 20 Greenwood 25 Jolly Waves 30 Granite City 37 Spanish Steps 41 Tunbridge Wells Kent TN2 3DR Texture 11 Yarn weight 12 Copyright © 2006 & 2018 2 12 22 32 42 52 Quarto Publishing plc Surf 16 Sahara 21 Beaumont Beaumont Northern Alhambra 41 Texture 26 Lace 30 Nostalgia 37 All rights reserved. No part of this publication may be reproduced, stored in a retrieval system or 3 13 23 33 43 53 transmitted in any form or by any Scottish Mists 17 Casbah 21 Sea Spray 26 Smartie 31 Mini Chevrons 37 Hydrangea 42 means, electronic, mechanical, photocopying, recording or otherwise, without the written permission of the 4 14 24 34 44 54 copyright holder. Deep Seas 17 Neapolitan Arctic Waters 27 Morning Mist 31 Baby Chevrons 38 Raspberries ISBN: 978-1-78221-635-3 ISBN: 978-1-78221-635-3 Stripes 22 and Cream 42 eISBN: 978-1-78126-600-7 Conceived, edited and designed by 5 15 25 35 45 55 Quarto Publishing The Old Brewery Shaded Pink Parfait 22 Windermere 27 Puff Lace 34 Powder Puff 38 Narrow Lace 43 6 Blundell Street Chevrons 18 London N7 9BH www.quartoknows.com 6 16 26 36 46 56 Velvet Pink Ripple 23 Twisting Vines 28 Coral Fantasy 34 Baby Blue 38 In the Pink 43 QUAR.RPA2 Chevrons 18 Senior editor Susie May 7 17 27 37 47 57 Art editor Claire Van Rhyn Designer Donna-Marie Scrase/ Mohair Clove Pinks 23 Memphis 28 Blossom 35 Grotto 39 Soft Chevrons 44 Jill Mumford Chevrons 18 Illustrator Coral Mula Proofreader Claire Waite Brown 8 18 28 38 48 58 Indexer Pamela Ellis Art director Moira Clinch Soft Waves 19 Springtime 24 Golden Glow 29 Speckled Coral 35 Pink and Imperial Band 44 Assistant art director Penny Cobb White 39 Publisher Paul Carslake Photography Paul Forrester and 9 19 29 39 49 59 Martin Norris Monochrome 19 Leafy Panels 24 Glitterglam 29 Switchback 36 Mandarin 40 Lavender Fields 45 Printed in China 10 20 30 40 50 60 Fairground 20 Granny Lace 25 Big Ripple 29 Grey Skies 36 Marmalade 40 French Lavender 45 RRPPAA22__IINNTT__000011--000077__pprreelliimmss__UUKK..iinndddd 22 2222//1111//22001177 0078::0178 RRPPAA22__IINNTT__000011--000077__pprreelliimmss__UUKK..iinndddd 33 2222//1111//22001177 0078::0178 Page Page Page Page Page Page Page Page 61 71 81 91 101 111 121 131 Allsorts 46 Dusky Stripes 52 Ocean Spray 57 Crisp Zigzags 62 Wisteria 66 Chinese Mango 78 Pink Perfection 82 Turquoise 73 62 72 82 92 102 112 122 132 Silver Lace 46 Scandinavian Delicate Lace 57 Christabel 62 Bobble Zigzags 67 Truffle 74 Citrus Crush 78 Brighton Rock 83 Stripes 53 63 73 83 93 103 113 123 133 Storm Clouds 47 Oslo Dusk 53 Feather and Fan 58 Cool Cool Bobbles 67 Fudge 74 Warm Waves 79 Pink Marble 83 Turquoise 62 64 74 84 94 104 114 124 134 Softly Grey 47 Autumn Adagio 58 Regatta 63 Undulating Strata 75 Ruby Sparkle 79 Guppy Tails 84 Chevrons 54 Stripes 70 65 75 85 95 105 115 125 135 Sandstone 48 Cornrows 54 Lacy Bands 59 Boston Blue 63 Sea Drift 70 Triple Ripple 75 Falling Leaves 80 Tetra 84 66 76 86 96 106 116 126 136 Festoons 48 Novelty Pink Velvet 59 Mardi Gras 64 Ribby 71 Red Fox 75 Sunlit Leaves 80 Bloomsbury 85 Chevrons 54 67 77 87 97 107 117 127 137 Chocolate Autumn Granada 60 Rio 64 Ensemble 71 Dimple Shale 76 Waterbeach 81 Arabesque 85 Delight 49 Hedgerows 55 68 78 88 98 108 118 128 138 Subtle Ripples 49 Mink Sparkle 55 Morocco 60 Sunset Glow 65 Welting Russian Dance 76 Avalon 81 Coral Lace 88 Fantastic 72 69 79 89 99 109 119 129 139 Navajo 49 Crest of Terrazzo 61 Rich Reds 65 Bird of Grisaille 77 Uneven Artemis 88 the Wave 56 Paradise 72 Chevrons 82 70 80 90 100 110 120 130 140 Lavender Lace 52 Oxbridge Patience 61 Fishtail Lace 66 Vivid Chevrons 73 Soft Shells 77 Sorbet 82 Shades Stripes 56 of Coral 89 RRPPAA22__IINNTT__000011--000077__pprreelliimmss__UUKK..iinndddd 44 2222//1111//22001177 0078::0178 RRPPAA22__IINNTT__000011--000077__pprreelliimmss__UUKK..iinndddd 55 2222//1111//22001177 0078::0188 Page Page Page Page Page Page 141 151 161 171 181 191 Projects Coral Seas 89 Orlando 94 Plain Jane 99 Forest Ripples 106 Tutti Frutti 111 Glade 115 Ripple patterns for cushion covers 32 Ripple patterns for scarves 50 142 152 162 172 182 192 Ripple patterns for wraps 68 Happy Piazza 95 Pretty in Pink 99 Olive Grove 106 Gypsy Rondo 111 Frangipani 116 Ripple patterns for babies 86 Holidays 90 Ripple patterns for afghans 104 143 153 163 173 183 193 Holiday Russian Amber 95 Madeira Green Gables 107 Sweet Violets 112 Hot Stripes 116 Knitting techniques 120 Garlands 90 Sunset 100 Crochet techniques 123 Yarn directory 126 144 154 164 174 184 194 Index 128 Santa’s Stripes 91 Rainforest 96 Cascade 100 Up and Down 107 Snuggle 112 Party Time 117 Credits 128 145 155 165 175 185 195 Holiday Waves 91 Butterfly Wings 96 Bright Shells 101 Celtic Waves 108 Edwardian Pink Fizz 117 Waves 112 146 156 166 176 186 196 Speedway 92 Cluster Ripple 97 Norfolk Rhapsody 108 Amethyst Horseshoe Shells 101 Lace 113 Lace 118 147 157 167 177 187 197 Wood Pigeon 92 Scarborough 97 Bright Ridges 102 Distant Skies 109 Violet and Blue Moon 118 Pearl 113 148 158 168 178 188 198 Waterfall 93 Souvenir 98 Nocturne 102 Horizon 109 Forest Fern 114 Provence 119 149 159 169 179 189 199 Twilight 93 Anemone 98 Malibu 103 Old Shale 110 Traveller 114 Aquarius 119 150 160 170 180 190 200 Gentle Waves 94 Gary’s Ripple 99 Big Waves 103 Two-tone 110 Granny Sea and Chevrons 115 Sand 119 RRPPAA22__IINNTT__000011--000077__pprreelliimmss__UUKK..iinndddd 66 2222//1111//22001177 0078::0188 RRPPAA22__IINNTT__000011--000077__pprreelliimmss__UUKK..iinndddd 77 2222//1111//22001177 0078::0188 Preliminary pages give you advice on How to use tHIs book exploring the world of colour and texture, making a test swatch and choosing weights of yarn. american/English terminology Introduction The names of some stitches and technical terms differ in the Colour and texture US and the UK (see page 128). The patterns in this book are Colour texture Ccyarraronfct ehtroes t m aaranekd fe ak mwniiotltiniandrg ew rafiurtehl fpbaoobptrhiuc lwsa. raT yphsae so tafi cmwt eoosrf kapinnicdgk mi nagn y in mvaa osriirneegt yole fo ctfh oceloomluo rsu purrfsuiinln ggy a taor n blsief ewa ubittyhif ucslmo ymoaobrntihn, ,ib ntuegtx atmu raendy Cwaudclaadeoponrfsiioiftrofetpmde felhkeidoce cnb ri tuateane tsoimorrarnn s rot ecmcathyuc uchht cesrioant oooeoysorrd.uci nlee tcco hhmLs yeruom eoeeo tsrrthiroaue s s aalatk i r eehnanenat s .aa ltddwsvdy tv f e ilopgekpsforfa nrluayewbekliig rlate.npeeeg settFerrneiihniosnnrstee,s rtgg swpo i p soscuntal waonoaatnay ls nanldtost othtd,at ucs hgie ns,hnro eio dbenveittmn hhsiegyrr seseee desp–trr.hf si l iogT,oewacr aafhcawno ottwtendlei nroo ci khcm huwnosiionor, clah solo wh ol atfusch ut m ro e r ms a y b i ne ThAe af percIaewrna(otybir ovrhmeu eyrrbele asl aamosla tenonrhttsfhiygauwguieg crede lace r tme,atochte eo ngow lreb op erdtlncyehouer hto iebeu rmmsonns lereu sf si at ttxcaieeoacrhdiony)gnonel end aedlogcrod rt aropheatuayrwlu etrdr o dygsrrto u.pih uw vw crlioiisesohddh f )le (ese,eort telhedrwaiulende g rh e,se i s.c h Tsubtacetweom oyhysxis ee lteriotohcdnilu paohsu .grssu ptaerlSmhhserlndmef,. oag ac Tlaocisonaoennteoctdixlghdt oyt tco h u ou yhylfo-rtaar as herc cpruro dernnetarorer f st ycacxrti.neainhoctpourr eelnnpsvordttessle ur ea dilrrai ptnin,sysnp e dtcd tdpisy olte k ulca oewpnhmrd fenieo sitatnnsts roi kfd gktcanace iabrmwinh nensrgeeit og crslal ohoi lsopda nav crecrdei eorsatc l,h ,emy no prex w niawb btbsrthtierbatotnieai olrtersteckenndt heix,e nd tdgu i rne LLplaaeaccrecfee efcsatt b istsrchithcaisetw sca,lr shwe a osnpordkfa tew ttdotr ae ohpnras nn obdnselece a cauonsldeo uwbro ioltlhr d icnrra opscterhi pweete sal,ln .m d akknei t wtehqreui taUteteKns uitnso i gn‘r1ge ysdc ui taianll titoce. r nmFeoixnrt o etlrxo’a gumys,pi nwlegi, t Uh‘1 St h stcee/ rdUmcSi n infoitrlosot g nfyoe lxalton wtdr/ ed dtr ’b y uwagfrpotoe rwyrk a iarnw nglio tahinnn g dy pos ohturpoer uoshslkaaf urnoildrt y dsn aieinyse, tdtahhlneeed ssp e abe nborfduteh scs ytec trtwtialmaifntyseg sat .odre ou wsntwnea itdnoid l y stitacinhnd kpt hanaelotet veidderinorletssyc c atfooinnprdyies bhaorerfae snc . aodErl nronacuenorwg,m e pddpae attstsoeisg riinnnn sgsa, p nbtihdoree tth, e s cxttirrtteaucadrheti it.pnioagnt taae lr ns HNwatboCCoecsmetrxoeftorhenea hoaecmatliye dehmnogahr emp rehugucat mlplo ot,lbsrresh alsepm neoasm ls,o uot , muhtloh tcehcoherrn.noaenehiekenit mmdtyi o cagagoac uopra esoroeyc sluelnaoolbe o ocndccdmuosllhuuoo o rpt g u.erellucacpor on sweroaoouuerstenna shdrrynolsisrtde toa.y .)nte e oci TApa nulctgeh ourtho (eea resfrefllot copuysoh ohrml lue el u rr,es r sSCtebswexyoeca olmomoc onuiopxrdr lsinamen rt,gdyho g arycareteeo ralepllyornoreiu, wm crmw saoa.harnydildco ech bou billysuor emusm)r asiax dr(iefeno g r WWrwopcNNbacfewaeonoatilhaebdhnaacndleruaecou/ekrhmt omekutrsaultr roar l,oi armcaa tnuuosagtlconnr h psrnroicslg da eeneoocdwloec yro.dluoml l /,shioiuoAioy romnvbeseerurllilc,s rnt ledr owh yocllss couueoocwu giuowdialtolurcnlhnomleeorhm glc ,ue hywsh c els,nbracauh o .stsrsilfrd.anhnfrea , eo pdteateowrh meeymdafwe has s t c ,rhwctiht o ichahbidneifthneyt ee ugh i, l l g lo eo k CCoitstanuou poccr copbqoolhuoeuloo d soaclcil esiotoc se lcceolo oahl llouovao aaevnrullssnefodr .rdcot hugoeafr ermnrte,yh dsybe e.c lf foSuuwroneochm,thm aegsiee irnta lehp ,eba eitnnnl eu,dkn es d,, SSomfm cooooltohou-rst uhtorf asschteoidtw cr iohpfpf plteha estitritt ccehhreensv rsroe nly c oonn stthreu cctaiorenf.u l use TTicneoetxleoxtruuetrsrue;t dtrte hesxattidtut cir shes edatsc i,yct asecurnnhctsuh a cpataesan dbt atobdebydb ru lneesxissnt ragan mtde oxrirtdueg rteeh.sa,n a dodn es uyrafranc e Aa‘o1lrbt dt–bhc rae lei tnoevtrtonihAa enttree;i oxdto ndnst’rt’ turys iKtno2g t soUwgK a–p tk enbriemt t2win eoelong tyh.e U stwsl e–o os.lnipe system Ripple stitches make fabulous, colourful items, As well as instructions for working 200 stitch patterns, 10 11 beg – beginning together sl st – slip stitch whether worked in crochet or knitting. This type there are five attractive projects included, which are RRPPAA22__IINNTT__000088--001133__iinnttrroo__UUKK..iinndddd 1100--1111 2211//1111//22001177 1155::4423 BO/CO – bind/ P – purl sp(s) – space(s) cast off patt – pattern ssk – slip, slip, knit of work creates a fabric patterned with zigzags, designed to show off the variety and beauty of ripple Ripple patteRns foR scaRves ch(s) – chain(s) P2tog – purl 2 st(s) – stitch(es) ripples, waves and chevrons, often with added stitches. The projects are spaced throughout the Rfoirp pslcea pravettserns CO – cast on together tbl – through back tilHenoxsoetkuor.tr ieMo wnian no tyfh doet eff lotiohcrema t s eot iulfta crchidsy p graeoetswt eas rn nfdost rlb hoaoo bskibo sglfetr,se o aoptbr e wtnhowoer ko erokd k for cwhoordokisirniengcg tw ocrioythl oa aunlrdtse irannncadltui vydeae r snutsist ecafhsu lwp iaentltfleo arrnms ssa. utigogne satbioonust RwwaranisnKCmnynaCYmowCCmswssacnuutttooc od ueneorhariaaafaaanaoscihopnaocuuelimevsevotvysckktonyronoacdh pnc iedhi eoomiekaucwwe bbnohdmthrnl.linal s e a,rrpe enlgfesta ogitaiU es fset m noyclt ortb p ot ngt uua ln het e so wasis yot ofai s rosruxtr nyitdedhowsnealaa ciaigloifndt osi a esneg rt nnre ul tehtpfceuric emaenueortfeehigdn iemrtta rnenhgtnradssrhMse nedmno ep-gisiue s. dvots tade rx f b l gaewo tp tglp areSotrei-krt ooayy aatho ncnat- yn -auhiao haooa te cbtlpnnemaidtwoyshmstgconr n-an orl teogmrd n smeg ytlole ndyoodoigea s woaioctnse r ttnaortsh r ifktr,ha hmsanhslwonvdt skhmsl ogWtueettolciwke?reet f gehseee s l ir bfstadre iaystc y d ok e houcrtehtmatryab.fwnf aotha y d rfarerpncc tcmasAseu,trnkueipaohpdra aht eetkhntrhsifm a ilir weetsmi vn aek nwtmtres egsloaa cc iottd mytgbea or gciae oshhhnh ponewpd w l ae nh eof teowro deneisft nseartapdkantnnlahsstposou h d oc idt.ct adf o t nte,dttatt gan owe hahguhi haTthsefretnonth ttgn rr dinerioe r ae hitresstaecdyy f fatleodo hisn et prs, wil kic qiikiw srtn,a snsastc s vwr ta an bh nuoi eohc nfisie ikarlfctin6nuensedes iehn erln,oh ,nnt i l deosco f8il ut ne b wtsdretgs ttltdatc nhma oosa–oecs hzeo,eihyl. nrt rtrdiol m 6 saliihoexr n t etm Tfou osgty ie hya. r9aeor te sogs hr sniozvqtua tirtet hRn n eofyc theitbgemuaeoruo rsrhso po nayt e eo rgseprwitc torncericrea m .ri .hcdo x aht yemd sie i h rbl siYrtrp pekgaa oodnbetsah ccaeeoaeoo eemr yeof. itvuenntanas n nl ni r ruoossesys l5emad fer teodea c e uefr 1m c. ralc o sr .yart er f n,e iYdkwtytdaoiSPHnF1GomdaStsaa2WMf2Znehnhoenabori niofe1nr20ratexoazcaocfa ceualaorioeudrfu c yeiitueoonklttlo pukenctpvngudiut uun mtapcbh eglserikmhbendae hcagrerrotdntddhele er :e i naltndeatntdak tunoigiaeasx1 outh/o,dh6in nt e yct od tqt nrtnik8tetyi efmtz cewmr i1ggaoe o o amonuyns.o yonmppntch r ,8nog ihoae riamfie nnTu awropaesaagrrtre0 fprrialerhnt slhira c(eiklelsgycnqn iecnoc2ya o ou adh pn(etmeph hnsssutmshtUatggr0ussintst gaechg h.e tkierhire oeasee a y eieri,la :S r 2ana Ccfcn( n sie syn f(edwovour enotttVt8.1tks.ra:ccoa sfda st he)n r s :ft.a1or1f nsil.atTr bpm o⁄ weia2zfou ee:fnsMmzlfac9ri sh ared bee ndfdmiSbi. ikwtrw asei,l nnrsawu ,ieoe ieledYgJib xnueen uogg)oclalbswrdso oco atlegiyzti evcr corie7ituh nwusk wuc pe tka aeah,rsa1d uott g bt le bl r, ntreho ai iadweios rfr.tgfotdlsoln iipr eeaifshe eeutcgpiyzu nioh)r s nun) p ileh b aafe,s nr gnlff drit el oa tlnta nopo dAcy n et snbfande e lo f erae dr ord radein irfc n dn ,f. g F1y2CdFLsbaaUTytuyatcefeeeoaioaaahit nvnah10eusiodg xbf errreclsansddetr9cnmnehtlnnnrhiidhrnuo m sii,dnr.tyt,sssiesc an eigwlr lgw, csiGeo ney e lke dwnerte(eaavgmnfh usoesoo8r tpa.nre e ydwosea hw prifoiavirurdirn aky tx ueenn aewifni uo p ri)oid n plastlgd n nndynefso agsfuatg laftogr a gh a ttt esiit sectithh m rnnt n s y.ile hsecaoedntwet eesea’id ethacha talti.m 2h r oorf fa yhrckc onTffais0eoreporuneiahenh hnc nlk cbowarrrer a s aiedeegonsarmdetucnczrsrmost dnes v nokenfaad. rwe ;iw t tew de r(rund ogs fnym8nfr trwea bdl noehdoayooiiz eiilnenl ro se garlsmff oettelyan d ) tiehnnhet a toagi sihusxghlntd aceutsu h o.tp tedveottwf rn umlrtTnoaowkaa ee simsu rrserfg ngrn a-efysrohcmsayr eewbodoss ueawtn a rattit sn aeta oen rd .; rgnil n es g f tdhh t a2Qpa6Wys8Teho1Cbsnuta fhaorao1370hrlfsu boritecivrtoco 9pntsiisrkceGSGecoez foeks ttgptlrktaBorn, issetnrr orvasy n entudnoaeia ciert rrt inttsa uanneaia nmaeadiae wsnnnrd nal ratl tfs lnd d it odow simniasheCwvg t vrcfaw rmacgiahoko lsiisa soe orPtpeet ooo(oyhryiwp laedlkeufutaoh d e phasrtt negtrdluacyo ia otad nionuti(yist rg edtt sricoo c sawloh ).arv(toiirfrdyrnntnsc neoeoneoa t e gyrrdeadc trrckot oof anxhr ir oh(tnfw car etosc ekirunceapp.nqthn son rrs,lytue uo iree )wionwo.rkttatdctoeug) rilo)ho t n l rehw ymer t yke etou ae rat o.klhsa elie s sh5 , 1 cdcdfhdcinoorrocedoocln/uclctcc b–tr/–hh–h l ––ee ietfdn o ttr/cdt eclr–olocreo enurbhweatblaiaseinllense fue g/etreble pspsrrRsdtleecos2iiS/tpmpssudc op–s bhc –o e –l r –edo – ri –rge v pec sshpepamtriteirnosa tasacsgcsi tihslhdsne eele2i/isntp gpoevedr lttdcWYoorroO/oogdSucp tb–––hrsl eety–wot a ttgrrrroeneenbt bhoglleeve s re/irde K – knit sk – skip RRPPAA22__IINNTT__005500--005511__pprroojjeecctt__UUKK..iinndddd AAllll PPaaggeess 2211//1111//22001177 1155::5545 The directory contains a variety of ripple stitch patterns These numbers tell you how many knit Included in the directory are five inspirational to knit (left-hand pages) and crochet (right-hand pages). stitches or crochet chains to make. projects dealing with making afghans, scarves, wraps, baby items and cushion covers. understanding the symbols stitch collection stitch collection Each stitch pattern is accompanied by a symbol indicating 1611CBAot[tSiRRRhwiUWsbohonniofOOOonyfpos r tc foro1leci 1tWWWrt ainwwee,k l1=zrs tygk eoK ht c123oot s iedi:::nye1c4ntrmi d sa tkc]ua (K[caa.bR sPr eiornrt1llntBianehS2s vsn nd,c t,a,)gr taihA kotPensi[ Kanrrbn e,ePgd eago e.tlc ]2Csoeabs oxtf ,uewi ttdt e Otnmoiwil]r lt pnaseeag.b eei ts ga ]ccv[ieetssb tvP etett,ctmsyiawi w2,ihsttoi an,cantu [e i onmrihcaKdcltenngt en ;i1nsiocLb ]asp.od r . ,.yfdiefll noeanK kpecl su ani1 o ttffrb ith]ro tsi ottynet iiligmmn g ttccm gh eho] isa ols, oi nsut iroytsca,RfeRNRBcyo hrnoaOeeOrOnnl4444 radlpplWpno To/ ii eCcrrrrEs nuawR ooooal:oe4Ogroto twwwwi: tdl D nocew o.fwKssss oghsroru sein 1raiiiiin tc rnnnnldh1,n.ly ’o e tg w–gP Cyyyy lanu4ebeo aaaa ihgtps,sruRrrrrto te,hnnnn a crh o taa i ln hh wnsaABACcknregeasse c, ,,.a qntmte 4qs eerug 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l,oyaAe yycolarneo,naahrr gnukmrr.atenn rhnRBa sgACkpor,eie e,.wnq q gut uh 1eSyie rnaae cfresdone .lus:ea nfitnd.s atth ioe n CBA27 1+ 73 SSSFCDSNLAS7666666666ioaeuathlleaol054nsv1327896vfboslvtrteediltoomacgylnrserojoh tt od LGonsCltR ea ansr lirtc o epee eL yu p a d l ce s es P a 4444454444g7686728999e SSOACCNCAHMCtOSDh777787777ctt7uhohurroerusxeiae19320ii57846nlteretdbv sppnosuunWvvkkegtreed mmr irr yleDsosodSooita r nnynwpSfgnnvuo a tea esss w srv rki kp i s a l e e n s P a 5555555555g4343565624e DALPGMTPFO8988888888aeieadercno701ca2568493rtaaleirkrytineagohac naVziBnaceodcztcre a e eSoao lna v p Ldn e r a sda t c y Fe a n P a 5655656565g8077181909e SRFMRCCCTR1B999999999uiuiierhoo0scaoi3467n9152gr8hrosshr0 qisaptdtls oeau t tRi ttianZ oa leGb Gii dLBsgerelaszal lou cas we e g s P a 6666666666g2645324532e WBCUSSREWFBPV1111111111tenaaoiioi10nr00000000brviaensribdosd0pa3bei54167892 lttbdt lDadueemyi ol nsBrsil erCftsaib gi oia eft hclZ tib e ne i b g vg l zr e o a s ng ss P a 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tthl hurrin oh scateaotpwarrteco hc scii mhantehgftpieltotcgiteedd ih r, hshe fr .shl t. te e t, I awf nnyodor ukiisttenco2ti hhqtaa nefkiler tcsegonsoc thdt uoni uFr hikto literk genegncenoeshs.hehiev m d,t wtteeR eeh lts xsernea attes.yashi pekc tta cicreeheisnsetthdt a cl idqttyptlethhi ec u mosu ept hi ohib nruaen yneeeotsl.taidl t,fTl tsrfw aoornaienyna e lm voustlnsaeheotumeersinrewto rf y cbhe tout s lherhaetrnn. hrvoef d tee w , 11BWfTtoslakofrMPcsfiioirittnnohffngufogii rittthdihmiirhtt mncncatsshhlie thttKtHt hthob,s kee hhsind ,t nttos otfio seeohoi oi fniwlrifuitvytl c e ninte cfcadntuseoglb tfahfh h ehta htitrshsgustlhiting efe mhuelecomhttntrtee igs . sheah /netreen d fa ko uci l efi ( yae ge r inirlloot w swabariadersehespigt sfetrfstil ahedm tsat hnttne atk yusic)yl t tnt tnd ,nehatrr .oi wai liieo argi ndnaniietgnnInitnecsow lnrete n hddh ggodgho sa e sftt sse /bae l onpoe doscntetfrssryotrrit dphrlfate.i tit tie o dse roct hsweksftt pcetimteh htsednazhfcihiofaui;nee t i nleiet rcchr ert espg d ktslthhs fit uit ioini os oeepn npirtgrfds nfgli f t t k.cartht oonhhnIef wieed p tyr s sr2tntSnsciop ehh gtileeofuuisiverhoteepr orrce tcrrddl r uBahmneibtainllnnhggcreteeole gilhdhets .ttnuee thh. tlaoRg dndo tleTeeolon e dllnth mtdsed eoeprh/gmter.icre poe edatns fadh aacb twrgaisyilok,tkteteett a ecemi ysaada.norh t ol rn arU eofl owkouuf o otn tsunntw neoorfeegnneofodrp /s eawdwtsnttt.g hhhevh t oge Kontedeeeesf h cn tl s ifelyirlstkriiirteoidot a nicog ttfn wrerohigtnh no pg.o...tt w osf WTwiiaSMpwTsnaflnnaotonsheailooross at edsetisttcokrrpnhsrrdp hkkhnuuifi yelnroriini,iepcc nnson tkgwtpt itt ggon uie niiatifont n tnhdnsrhtrtnt n ttoheihoe debeoggtsrmege feo re ht,u smn t re l tlhtatss owys ioiahtu.leot notwh wcocetoa Urieuehhb p. lrttatl w nk ea iolcylwasop ecslrstnyiehf a fikon oadtotstwy tcn tescu lfh.hnoh o kgor eite so n toenhrt ioeshk sisspseid t s t det sbiia rlotr ntelfuehlibcirfaw tgpco ihrao sha otcm ac eo ttwyk kdhn s ls eel eo.oto fhftotoUrh efropten Tsntpo nm,hltrsoleu oiwteewrt et rooicsp llgidiloorsp hsutohetl ero ,hecsro ktc ,lpts ii p alhnsfnts oikri t onlestoenlfseiceoatfepedmio hrrstodts t t hea tip lahtb netslehtn ehl.a oi e sdtwnesscT h ttt y kbh iiiepttftott iahirc hcutpsuopcoehh or km,ia lo.e usuf twfr ssWl tts dooyet tuhikaoonhrothaennccutenpel thti e huitnrwaeonw eia nbsftgarli o dyhl sya y e .t . itnWOmT1WTsotWIionnnothhoric fa c dtooiittaakcordrss eivnneeshInn rrneniiloraaiykke anni tsisikps bew rsiiccdegeeiynn y dtrrir iidows .ee vtlatnggs s er aaeaK otatkoi isghmssnnaansrtiefmeecnkef di d pir ht etbmiatf cio otlh dnesdotilyaayw hlpseae nt lnorci.e he .hkckn o ul KsenTtrroibeteshf sen ohienf ltew ste ateti vecti othta ts ietwinciyhknrf eetsnrohtsec eneoegi shabe rhree i arrbmriathdgil kog e nseustloilosehoi utee nttin ueidrot t dg.nahi rdgbcs zhe gebat.onertoh hdny eot nedhe fapit t e nahft snur hld eobeu rke slnamenbi 2tasstncratwetian acbitkkgcarttdone cei ronln tirdItrh oewpnndknh tgK hooucd, oseo ai bneflcerpl tff aleshsba fre s yitcy taociiate itt atsiaeisthkftc tn cr terhs ct iketnnphhtso.ehhi o a.rnol fOeeaba oe rtSftst ntriegfu hhnleg lotti toig eherhef weupntnhn t etaen sesee s t sdeandatet.hxseyoh m mea cdtens t eremil thm aheene rodten a we .carln ss ne eirktntosgeied iietteti iqadic cnn et sahlhcautdee o.h.ll e e, s wisnyhdmiiccbhao tteelsc sthh:nei qdueeg riese uD●●●y osAi efeidFr ndaFdni iitfsiCfn ffeyKiU irc tcehumlyuetlt eyylpd t aoG itfta retthArneaD ta ipnnadGr taic suylmarb poal tttehrant . RRPPAA22__IINNTT__001166--003311__ssttiittcchheess__UUKK..iinndddd 1166--1177 There is a colour photograph of each stitch, 2211//1111//22001177 1155::1189 RRPPAA22__IINNTT__000011--000077__pprreelliimmss__UUKK..iinnddddT 44--55he illustrated contents list shows photographs of 2211//1111//22001177 1156::5105 12anpstneui2tdelcl0d hTnaal aere tolk.oeo ued Uom nltpsedhai sn eok,t g hefty h eyatah ear tnnerinpn erbb wiotreghif hhn rstiotgthn iu ntedicget h rhbeui dogopthlht nehte , tsahtlioetc nrhgig othhftfe n trheoeew dl.leef.t Snleiepd tlhee. Roeldp eat 2nifaninerssxdett r Oorstset ntintpit htecetcehh ah se tlt o eioartnficnstg h tnhath hebtne eeoon drvwelileegee f.hdr t e iRtlnn emente.po aeeKe iedntnadhlsitele te, the al(tre6hilgoaiehnvn st)ig ntnai gttnech edahed ptrrlaeeouim.wlll ,aot ifhcn ueai ntbt goath iuolet n t1yh at5rhorcneum g h Tiinttrnnhhioegstee ehoes dslt lre tittlnhpi eftttee ch aae nhen sde.s e tlteiPieifxdpt u.tcy l lehooslt ufiatk th tncnwhihdiseet w sororetininig st kechttnho,ht ie ntto thelifenefe f gd t l e Tiinttrnnhhioegstee ehoes dslt lre tittlnhpi eftttee ch aae nhen sde.s e tlteiPieifxdpt u.tcy l lehooslt ufiatp th tncuwhihdrseel wsororetinniig st pchetthuoh,t er ntlo hielfneefe gf d t le ulsi1attn isotdtcn eInhs nrte t ishoettechendrhe tllt e ehwts hfteftrore aonlr nektmeifdepet d d fbnro loaeeef nnte.twddth el etetoe h.r n eibP g atlfhhaictreck s et 2onfefw tKbh saentc iitltkce thflhto ionosn eps e ttardhanlened dr tis ogtl hihlpreto atnuhvegeeeh dal o lt1eh o2.ep 1 AA ●● syaPercni aclO ylaOrunr Key accompanied by pattern instructions, and difficulty all the stitch patterns in the book – they are also RRPPAA22__IINNTT__112200--112255__tteecchhnniiqquueess__UUKK..iinndddd 112200--112211 2211//1111//22001177 1155::3490 and technique symbols. Yarn colours from the cross referenced according to the techniques used The final section of the book contains a short refresher PAttern tyPe colour palette on pages 126–127 are shown and the degree of difficulty of the pattern from course on working both crochet and knitting techniques. ● Knitted (left-hand Pages) as coloured symbols; where used, textured and beginner to advanced. At the end of the section, there is a list of the actual ● crOchet (right-hand Pages) 8 novelty yarns are illustrated with a photograph. yarns used to make the 200 ripple stitch samples. 9 RRPPAA22__IINNTT__000088--001133__iinnttrroo__UUKK..iinndddd 88 2212//1111//22001177 1058::5179 RRPPAA22__IINNTT__000088--001133__iinnttrroo__UUKK..iinndddd 99 2212//1111//22001177 1058::5179 Colour and texture Colour texture Colour choice is a very personal thing – colours combine The surface of crochet and knit fabrics can be the colour wheel lace stitch patterns with each other in different ways, some of which may smooth, lacy or textured, depending on the stitch A few basic colour theory guidelines Lace stitches, worked on one colour or in stripes, make appear more or less pleasing to the eye. The colours are useful to consider at this stage. used. Smooth-surfaced ripple stitches are patterned perfect shawls and wraps because both crochet and knit used to crochet and knit the swatches shown in the Investigate the standard wheel by changing yarn colours to make stripes, while lace fabrics are soft to handle and will drape well. directory are merely suggestions and reflect colour arrangement of colours where textured and lace ripple stitches are lovely worked in the three primary colours (red, combinations that work. For colour inspiration, a single colour or in stripes of toning or contrasting yellow and blue) are divided look around you at flowers, plants, birds, animals colours. Textured yarns including mohair, ribbon, by the three secondary colours and insects. Look at paintings and other works of eyelash and other novelty yarns can add extra texture (orange, green and purple), which art in museums and galleries and investigate how are made by mixing two of the to ripple stitch patterns and work well combined different colours have been put together and what primary colours together. with smooth yarns. effects they create. smooth stitch patterns complementary colours Warm colours Smooth-surfaced ripple stitches rely on the careful use Colours that are opposite each Warm colours come from the of colour to show off their chevron construction. other on the colour wheel (for red/orange/yellow half of the example, red and green) are wheel and include shades of complementary colours. At full other colours, such as peachy strength, complementary colours pinks and lime greens, which may clash. contain some yellow. textured stitch patterns Textured stitches, such as bobbles and ridges, add surface secondary colours cool colours interest that is accentuated by using more than one yarn Colours that are made by mixing Cool colours come from the colour; textured yarns can add extra texture. two or more primary colours (for opposite half of the wheel and example, green, which is made include lavender, blue, green, by mixing yellow and blue) are turquoise and grey. Some pinks, secondary colours. such as clover and fuchsia, tend to be cool as they contain blue, a cool colour. harmonious colours neutrals Neighbouring colours on the Neutral colours include white, wheel, such as blue and purple, black, grey, brown, cream, beige are harmonious colours. They and taupe. Although rather dull tend to look good used together colours individually, they can look because they each contain some fabulous when combined with of the same colour. each other or with contrasting warm or cool colours. 10 11 RRPPAA22__IINNTT__000088--001133__iinnttrroo__UUKK..iinndddd 1100 2212//1111//22001177 1058::5179 RRPPAA22__IINNTT__000088--001133__iinnttrroo__UUKK..iinndddd 1111 2212//1111//22001177 1058::5179 Yarn weight As well as considering colour and texture, weight is another important factor that will affect your yarn choices. Fine yarns take longer to work up into a large item such as an afghan, but they have the advantage of offering a much longer yardage per ball. Medium-weight yarns are fairly quick to work up and will make a warm and cosy afghan, but the yardage is less generous. Heavy yarns are quick to work, but may make an item too solid and bulky compared to finer weights, and they also have a very short yardage per ball. In addition, a stitch pattern can look entirely different worked in a fine, medium or heavy yarn. Two pattern repeats and 13 rows of Oslo Dusk, page 53, crocheted in 1 2 three yarn weights are shown on these pages. 3 gauge/tension Work several centimetres or inches of at least two pattern comparing swatches Gauge/tension refers to the number of stitches and rows repeats and press or block. Measure how many stitches in a given area of crochet or knit fabric, and these two and rows you have made in a 10cm (4in) area at the 1 the lace stitch looks light and delicate worked in Jaeger numbers are usually quoted on the band on a ball of yarn. centre of the swatch. If your measurements are smaller matchmaker merino 4ply using a Because no two people will crochet or knit to exactly than required, make another swatch using a hook or 3mm inox hook, and would make the same gauge/tension, even working with the identical needles one size larger. Also do this when the fabric a lovely baby shawl. the swatch measures 15cm (6in) wide and yarn and hook or needle sizes, you should always make feels tight and stiff. If your measurements are larger than 16cm (6¼in) deep after blocking. a swatch before commencing a project. The swatch will required, make another swatch using a hook or needles allow you to compare your gauge/tension with the one in one size smaller. Also do this if the fabric feels loose, 2 the lace stitch still looks attractive worked in Jaeger matchmaker a pattern, if stated, and give you a good idea of how the stretchy and floppy. You may need to make several merino dK using a 4mm clover finished fabric will feel and drape. It is also the ideal way swatches using different sizes until you are happy with aluminium hook and it would be to check how your chosen colours work together. gauge/tension and feel of your crochet or knit fabric. good for making a small afghan. the swatch measures 19cm (7½in) wide and 20cm (8in) deep after blocking. measure measure 10cm 10cm (4in) (4in) vertically horizontally on your swatch 3 Worked in sirdar aran using a on your swatch and mark the 5mm inox hook, the lace stitch looks and mark the length with clumsy and far too heavy compared width with pins. count to the two previous examples. this pins. count the rows. yarn would look better worked in a the stitches. less lacy stitch pattern. the swatch measures 24cm (9½in) wide and 25cm (10in) deep after blocking. 12 RRPPAA22__IINNTT__000088--001133__iinnttrroo__UUKK..iinndddd 1122 2212//1111//22001177 1058::5179 RRPPAA22__IINNTT__000088--001133__iinnttrroo__UUKK..iinndddd 1133 2212//1111//22001177 1058::5179 Stitch collection The directory contains photographs and patterns for 200 knit and crochet ripple stitch patterns. Each pattern is graded by degree of difficulty so you can choose the ones that suit your own skill level. Five inspirational projects, two knit and three crochet, are spaced throughout the directory and include ideas for choosing yarns as well as guidance about using alternative patterns. RRPPAA22__IINNTT__001144--001155__cchh11__UUKK..iinndddd 1144 2211//1111//22001177 1155::4411 RRPPAA22__IINNTT__001144--001155__cchh11__UUKK..iinndddd 1155 2211//1111//22001177 1155::4411 stitch collection stitch collection 1 Blue Lagoon Worked in a selection of cool colours, raised ridges accentuate the 11 27 + 3 softly curving waves made by this stitch pattern. Change the look by working deep bands in the main yarn colour with narrow bands 3 Scottish of two contrasting yarns. Mists Special abbreviation ROW 4: K1, P to last st, K1. inc = increase one stitch by lifting Rep Rows 1–4, changing yarns in the This delightfully lacy crochet horizontal thread between last stitch following colour sequence and stitch makes a delicate worked and next stitch and knitting ending with a Row 4: lightweight fabric that drapes into the back of it. 4 rows in yarn A, A well for shawls and wraps. The 4 rows in yarn B, 4 Deep Seas B chevron pattern looks equally Using yarn A, CO a multiple 4 rows in yarn A, of 11 sts. 4 rows in yarn C. C effective worked in just one Using yarn A, make the foundation ROW 1: (RS) K. Repeat for length required. A B C colour or in a stripe pattern. chain and work Row 1 as left. ROW 2: K1, P to last st, K1. BO/CO. 2 Surf Rep Row 2, changing yarns in the ROW 3: [P2tog] twice, [inc, K1] FOUNDATION CHAIN: multiple of next ch-3 sp, ch 1, sk next 2 dc/tr, following colour sequence: three times, inc, ] [P2tog] four times, NOTE: Don’t break main yarn at Using yarn A, CO as left. 27 chains plus 3. [1 dc/tr into next dc/tr, ch 1] five times, 8 rows in yarn A, [inc, K1] three times, inc; rep from ] colour changes, instead carry the Rep Rows 1–4, changing yarns in the ] dc3tog/tr3tog over next dc/tr, top of 1 row in yarn B, to last 4 sts, [P2tog] twice. yarn loosely up the side of the work. following colour sequence and Using yarn A, make the required next dc3tog/tr3tog and next dc/tr, ch 1, 8 rows in yarn C. ending with a Row 4: length of foundation chain. [1 dc/tr into next dc/tr, ch 1] five Repeat for length required. 8 rows in yarn A, ROW 1: (RS) 1 dc/tr into 3rd ch from times, sk next 2 dc/tr, [3 dc/tr, ch 3, Fasten off yarn. A 1 row in yarn B, hook, ch 1, [sk next ch, 1 dc/tr into 3 dc/tr] into next ch-3 sp, ch 1, sk next B 2 rows in yarn C, next ch, ch 1] five times, sk next ch, 2 dc/tr, [1 dc/tr into next dc/tr, ch 1] C 1 row in yarn B, 3 dc/tr into next ch, ch 3, 3 dc/tr into five times; rep from ] to last 2 dc/tr, 8 rows in yarn A. next ch, ch 1, [sk next ch, 1 dc/tr into 1 dc/tr into each of last 2 dc/tr, turn. Repeat for length required. next ch, ch 1] five times, ] sk next ch, BO/CO. dc3tog/tr3tog over next 3 chs, ch 1, Rep Row 2, changing yarns in the [sk next ch, 1 dc/tr into next ch, ch 1] following colour sequence: NOTE: Don’t break main yarn at five times, sk next ch, 3 dc/tr into next 3 rows in yarn A, colour changes, instead carry the ch, ch 3, 3 dc/tr into next ch, ch 1, [sk 2 rows in yarn B, yarn loosely up the side of the work. next ch, 1 dc/tr into next ch, ch 1] five 1 row in yarn C, times; rep from ] to last 4 chs, [sk next 5 rows in yarn A, ch, 1 dc/tr into next ch] twice, turn. 1 row in yarn C, A ROW 2: Ch 3, sk first 2 dc/tr, [1 dc/tr 2 rows in yarn B. B into next dc/tr, ch 1] six times, sk next Repeat for length required. 2 dc/tr, [3 dc/tr, ch 3, 3 dc/tr] into Fasten off yarn. C 16 17 RRPPAA22__IINNTT__001166--003311__ssttiittcchheess__UUKK..iinndddd 1166 2222//1111//22001177 0077::0055 RRPPAA22__IINNTT__001166--003311__ssttiittcchheess__UUKK..iinndddd 1177 2222//1111//22001177 0077::0055

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