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Brendan Behan: An Annotated Bibliography of Criticism PDF

128 Pages·1980·9.88 MB·English
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BRENDAN BEHAN: AN ANNOTATED BIBLIOGRAPHY OF CRITICISM By the same author The Social and Cultural Setting of the I 89os John Galsworthy the Dramatist Comedy and Tragedy Sean O'Casey: A Bibliography of Criticism A Bibliography of Modern Irish Drama Dissertations on Anglo-Irish Drama The Sting and the Twinkle: Conversations with Sean O'Casey J. M. Synge: A Bibliography of Criticism Contemporary British Drama I950-I976 J. M. Synge: Interviews and Recollections W. B. Yeats: Interviews and Recollections English Drama I 90o-I 950 Lady Gregory: Interviews and Recollections Oscar Wilde: An Annotated Bibliography of Criticism A Research Guide to Modern Irish Dramatists Oscar Wilde: Interviews and Recollections The Art of Brendan Behan BRENDAN BEHAN An Annotated Bibliography of Criticism Eo H o Mikhail © E H Mikhail I g8o Softcover reprint of the hardcover 1st edition 1980 All rights reserved. No part of this publication may be reproduced or transmitted, in any form or by any means, without permission First published Ig/Jo in the U.K. and all other parts of the world excluding the U.S.A. by THE MACMILLAN PRESS LTD London and Basingstoke First published in the U.S.A. Ig/Jo by HARPER & ROW PUBLISHERS INC. BARNES & NOBLE IMPORT DIVISION British Library Cataloguing iD Publicatioa Data Mikhail, Edward Halim Brendan Behan 1. Behan, Brendan-Criticism and interpretation - Bibliography 016.822'9'14· Z8o86./ ISBN 978-1-349-05117-5 ISBN 978-1-349-05115-1 (eBook) DOI 10.1007/978-1-349-05115-1 BARNES & NOBLE ISBN o o6 4948269 LCN 79-12337 To Beatrice Behan for her immense help Contents Acknowledgements IX Priface XI I. BIBLIOGRAPHIES 1 II. PUBLISHED BOOKS BY BEHAN AND THEIR REVIEWS 7 The Quare Fellow 7 Borstal Boy 7 The Hostage 9 Brendan Behan's Island 9 Hold rour Hour and Have Another I I The Scarperer I 2 Brendan Behan's .New rork I3 Confessions of an Irish Rebel I 5 Moving Out and A Garden Party I 7 Richard's Cork Leg I 7 III. CRITICISM ON BRENDAN BEHAN I8 A) Books I8 B) Periodical Articles 30 C) Reviews of Play Productions, including Drama tisations and Films Based on Behan's Life or His Works 79 The Quare Fellow 79 The Big House 87 The .New House [Moving Out and The Garden Parry] 88 The Hostage 88 Borstal Boy 97 Richard's Cork Leg g8 Brendan IOO A Jar with Brendan Behan 1 oo VII viii CONTENTS Shay Duffin as Brendan Behan 100 D) Dissertations on Brendan Behan 101 E) Discography 103 F) Manuscripts 104 G) Letters 105 Index 106 Acknowledgements I wish to express my gratitude to Mrs. Beatrice Behan, without whose generous help and continuous cooperation this book would never have taken its present shape. She has graciously placed her husband's material at my disposal and has patiently answered all my queries. Brendan Behan scholars will undoubtedly share my appreciation of her assistance. At various stages I received useful information, comments, support, or assistance from Mr Alan Simpson; Mr Gabriel Fallon; Mr Rory Furlong; Professor Robert Hogan; Dr Olof Lagerlof; Professor Heinz Kosok; Ms Marianne Levander; Dr. Colbert Kearney; Miss Deirdre McQuillan and Miss Mary O'Neill of the National Theatre Society, Dublin; Miss Kate Mackay and Mr Nicholas Hern of Eyre Methuen Ltd., London; Mr Seamus de Burca; Mr Desmond MacNamara; the Canadian Broadcasting Corporation; Mr Catha! Goulding; Miss Alice E. Einhorn of Doubleday Publishers; Mr Louis Burke; Mrs Teresa Monaghan; Mr Brian McCoy; Radio Telefis Eireann; Mr John O'Riordan; Mrs Sharon Murphy; Mr Michael Cormican; Mr Manus Canning; Mr Brian Price; Miss Wendy Johnson; and Mr John Bennett. I am grateful to Miss Bea Ramtej for her usual skill in preparing the final typescript; to Mr Tim Farmiloe of the Macmillan Press Ltd. lor his encouragement and interest; to the late Allan Aslett and his staff of the same firm for their help in seeing the book through the press. Thanks are due to the University of Lethbridge for granting me a sabbatical leave, during which this work was completed. It is also a pleasant duty to record my appreciation to the staff of the University of Lethbridge Library; the British Library, London; the Newspaper Library, Colindale; the National Library of Ireland, Dublin; Trinity College Library, Dublin; the Bibliotheque Nationale, Paris; the National Library, Ottawa; and the New York Public Library. E.H.M. IX Preface Almost all the critical evaluations of Brendan Behan's achievement vitiate themselves in accepting biased popular judgements of the writer's personality. In recent years, however, Behan's stature has undergone novel if not radical alteration. Several full-length books have been written on his life or his writings, in addition to the large amount of material in periodicals. Dissertations have been, and are being, written on him, and his plays are consistently being revived. In years to come, therefore, people reading his works will want to know more about Behan the man than the evil tradition which his name will evoke. Hence the need for the present work. There is no full-length critical bibliography of Brendan Behan. Nor are existing bibliographical aids comprehensive in their coverage of Behan criticism. Various periodical indexes, for example, never list the large number of interviews Behan gave during his life. The Essay and General Index includes some essays on Behan in books, but neither recollections of him in books of reminiscences, nor references to him in books on dramatic literature. Another difficulty I have encountered is the vast amount of material that has been written on Behan. As a result of Behan's versatility as a writer in both English and Gaelic, his wide travels in both Europe and North America, his excessive drinking, and his popular personality, there has probably been more literature dealing with him than with any other contemporary writer who produced the same amount of work. Apart from the additional burden which this large number of items has put on me in deciding what to include and what to exclude, the entries I eventually decided to include-totalling some 2,ooo -left me no alternative but to resort to the added task of annotations as the only way in which a reader can distinguish, for example, between the several items entitled 'Brendan Behan'. The annotations, however, are not evaluative, but descriptive and indicative of the content of the material they describe. A small number of items, though, have not been annotated; in these cases I felt that the title of the entry is indicative enough of its content. Most of the annotations fall generally XI

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