The village of Ledwardine has never been flooded in living memory, but as the river continues to rise with December rains, within days it will be an island. Electricity has been cut and the church is serving as a temporary mortuary for two people who drowned. Only one man feels safe: an aggressively atheist author who has been moved—for his own safety—into a secluded house just outside the village. Meanwhile, archaeologists—assisted by Merrily Watkins’s teenage daughter, Jane—are at work unearthing an ancient row of standing stones that some people would prefer stay buried. The atheist’s temporary home is close to the site, and his young wife is becoming conspicuously agitated. Is it the fear of discovery? With the flood water washing up Church Lane towards the vicarage and the shop running out of cigarettes, it looks to be a cold and complex Christmas for Merrily Watkins.

From Publishers Weekly

Past and present collide with fatal results in British author Rickman's unsettling 10th mystery to feature parish priest Merrily Watkins (after 2008's The Fabric of Sin). A few days before Christmas, a body with a mutilated face turns up in a ruined monastery in the Herefordshire village of Ledwardine near the Welsh border. Also casting a pall over the holiday season are the threat of a flood and a contentious debate at a town meeting about whether to build a highway through a beloved meadow. Meanwhile, the unearthing of the ancient Dinedor Serpent, a prehistoric monument, leads Merrily's aspiring archeologist daughter, Jane, into dangerous territory. A newcomer to the village, an outspoken atheist despised by fundamentalists, adds fuel to a volatile mix. Amid the mayhem, Rickman skillfully weaves together the assorted subplots. Credible characters—some down-to-earth, others lunatic—and absorbing archeological lore are a plus. (Aug.)
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Review

"Credible characters . . . and absorbing archeological lore are a plus." —Publishers Weekly

"Merrily is a most original sleuth and an interesting, sparky woman of emotional and spiritual depth. Rickman is an excellent writer, terrific on atmosphere . . . The best so far." —The Times

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