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The Careers of British Musicians, 1750-1850: A Profession of Artisans PDF

247 Pages·2001·1.01 MB·English
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MMMM This page intentionally left blank TheCareersofBritishMusicians,– AProfessionofArtisans The study of the social context of music must considerthe day-to-day experiencesofitspractitioners;theireconomic,social,professional,and artisticgoals;andthematerialandculturalconditionsunderwhichthese goalswerepursued. This book traces the daily working life and aspirations of British musicians during the sweeping social and economic transformation of Britainfromto.Itfeaturesworkingmusiciansofalltypesand at all levels – organists, singers, instrumentalists, teachers, composers, and entrepreneurs – and explores their educational background, their conditions of employment, their wages; the systems of patronage that supportedthem;andtheirindividualperceptions.DeborahRohrfocuses notonlyonsocialandeconomicpressuresbutalsoonarangeofnegative culturalbeliefsfacedbythemusicians.Alsoconsideredaretheimplica- tionsofsuchconditionsfortheirsocialandprofessionalstatus,andfor theirmusicalaspirations. isAssociateProfessorofMusicatSkidmoreCollegein Saratoga Springs, New York. Her research interests include the social historyofmusic,musicandgender,andrhythmintonalmusic,andshe haspublishedintheJournalofMusicologicalResearch. MMMM The Careers of British   Musicians, – A Profession of Artisans DeborahRohr           The Pitt Building, Trumpington Street, Cambridge, United Kingdom    The Edinburgh Building, Cambridge CB2 2RU, UK 40 West 20th Street, New York, NY 10011-4211, USA 477 Williamstown Road, Port Melbourne, VIC 3207, Australia Ruiz de Alarcón 13, 28014 Madrid, Spain Dock House, The Waterfront, Cape Town 8001, South Africa http://www.cambridge.org ©Deborah Rohr 2004 First published in printed format 2001 ISBN 0-511-03864-X eBook(Adobe Reader) ISBN 0-521-58095-1 hardback Tothememoryofmymother, FrancesAdamsRohr MMMM Contents Listoftables pageviii Acknowledgments ix Listofabbreviations xi Introduction   Thesocialandprofessionalstatusofmusiciansinthe eighteenthcentury   Socialprofile   Patronage   Musicaleducation   Churchmusicians   Secularmusicians:singers   Secularmusicians:instrumentalists   Teachers,composers,andentrepreneurs   Thefortunesofmusicians   Thestruggleforsocialandprofessionalstatus  Epilogue  Appendix  Notes  Bibliography  Index  vii Tables  Numberofmusiciansinthecatalogue,bydecade page  Occupationsofmusicians’relatives  a Musiciansintendedand/ortrainedfornon-musicaloccupations  b Occupationsheldbeforebecomingprofessionalmusicians   GeographicaloriginsofmusiciansinBritain   Locationsofmusicians’careers   Cross-tabulationofgeographicaloriginsandlocationsof careers   CurriculumofmusicschoolproposedbyF.W.Horncastle,    CurriculumandteachingstaffoftheRoyalAcademyof Music,   CurriculumandteachingstaffoftheRoyalAcademyof Music,   Sourcesofemploymentfororganists   Numbersofsingersinvariousemploymentsettings   FeesforsingersatPhilharmonicSocietyconcerts,   Instrumentalistsinvarioustypesofemployment   Sourcesofemploymentfororchestralinstrumentalists   WagesfororchestralmusiciansattheCoventGarden Theatre,   WagesofmusiciansinthePhilharmonicSocietyOrchestra,    WagesofmusiciansinthePhilharmonicSocietyOrchestra,    Numberofwomenmusicteachers   Numbersofmusiciansinvariousbranchesofcomposition   RSMpremiums,   Classificationofoccupationsofmusicians’relatives  viii

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The study of the social context of music must consider the day-to-day experiences of its practitioners. This book traces the daily working life and aspirations of British musicians during the sweeping social and economic transformation of Britain from 1750 to 1850. It features working musicians of a
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