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Hymn singing as a catalyst for spiritual revitalization among Japanese churches PDF

230 Pages·2015·13.77 MB·English
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This material has been provided by Asbury Theological Seminary in good faith of following ethical procedures in its production and end use. The Copyright law of the united States (title 17, United States code) governs the making of photocopies or other reproductions of copyright material. Under certain condition specified in the law, libraries and archives are authorized to finish a photocopy or other reproduction. One of these specific conditions is that the photocopy or reproduction is not to be “used for any purpose other than private study, scholarship, or research.” If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of “fair use,” that user may be liable for copyright infringement. This institution reserves the right to refuse to accept a copying order if, in its judgment, fulfillment of the order would involve violation of copyright law. By using this material, you are consenting to abide by this copyright policy. Any duplication, reproduction, or modification of this material without express written consent from Asbury Theological Seminary and/or the original publisher is prohibited. Contact B.L. Fisher Library Asbury Theological Seminary 204 N. Lexington Ave. Wilmore, KY 40390 B.L. Fisher Library’s Digital Content place.asburyseminary.edu Asbury Theological Seminary 205 North Lexington Avenue 800.2ASBURY   Wilmore, Kentucky 40390 asburyseminary.edu ABSTRACT HYMN SINGING AS A CATALYST FOR SPIRITUAL REVITALIZATION AMONG JAPANESE CHURCHES: STRENGTHENING THE HEART TO PRAISE AND PROCLAIM by Hatoko Inoue Over the past several decades, the stagnation and lifelessness ofJapanese Christians' faith has been reflected in congregational hymn singing. The majority of hymnbooks contain hymns that have been written in the US and England, and people are singing the translated texts without fully understanding the meanings behind the texts. The Japanese language necessitates more syllables to say one word than the English language, and halfofthe meaning often gets lost in translation (Karatsu 33; Tenda 53; Toda and Nagafuji 115-16; Yokosaka 39-41 ). The translated hymn texts have hardly been contextualized or inculturated, and congregations are left with ambiguity and uncertainty (Kraft etal. 17). The purpose ofthe research was to evaluate the cognitive and affective changes of the workshop participants ofthe Aral Christ Church in Tokyo, Japan, as a result of six Singing God's Story workshops. The study was conducted to help Japanese Christians rediscover the significance ofmessages spoken through hymns that are often lost in translation. The triangulated, explanatory, mixed-method design utilized a series of pre- and postintervention questionnaires, a final questionnaire, semi-structured interviews, and a series of researcher field notes. The findings suggest that the participants came to have greater cognitive and affective response towards the hvmns and the messages spoken through the h\mns as a result ofthe six workshops. Participants expressed changes in their understanding ofthe h\mn l\rics that unraveled the disparities or the gaps between the original texts (genshi). the translated texts (yakushi), and the Japanese translation ofthe original texts in full (wayaku). The participants came to have a new and deeper understanding ofthe lyrics, including the theological terms and the bungo (classical Japanese) words and phrases. The increased understanding ofthe Krics enriched their understanding ofthe biblical messages, theologies, and spiritualty behind the h\ mns. In addition, the increase in the know ledge prompted them to have a desire to share the knowledge vv ith others or to hav e grow ing concern for others vv ho may not understand the meaning ofthe 1\ rics. Participants also expressed changes in their affectiv e response as a result ofthe stud} ofthe l\ rics and the stories behind the h\ mns, especially in relation to the hymn v\Titers' sufferings. The participants came to hav e a much greater affect toward the hv mns through the w-ayaku that prov ided the full translation ofthe original texts in Japanese and also through the stud) ofthe bungo words and phrases. The studv ofthe hymn writers* sufferings and crises deepened their affect towards the hymns. DISSERTATION APPROVAL This is to certify that the dissertation entitled HYMN SINGING AS A CATALYST FOR SPIRITUAL REVITALIZATION AMONG JAPANESE CHURCHES: STRENGTHENING THE HEART TO PRAISE AND PROCLAIM presented by Hatoko Inoue has been accepted towards fulfillment ofthe requirements for the DOCTOR OF MINISTRY degree at Asbury Theological Seminary March 26, 2015 Date March 26, 2015 Date March 26, 2015 Representative, Doctor ofMinistry Program Date March 26, 2015 Dean ofthe Beeson Center Date HYMN SINGING AS A CATALYST FOR SPIRITUAL REVITALIZATION AMONG JAPANESE CHURCHES: STRENGTHENING THE HEART TO PRAISE AND PROCLAIM A Dissertation Presented to the Faculty of Asbury Theological Seminary In Partial Fulfillment Ofthe Requirements for the Degree Doctor of Ministry by Hatoko Inoue May 2015 �2015 Hatoko Inoue ALL RIGHTS RESERVED TABLE OF CONTENTS Page LIST OF TABLES ix LIST OF FIGURES x GLOSSARY xi ACKNOWLEDGEMENTS xii CHAPTER 1 PROBLEM 1 Introduction I Purpose 3 Research Questions 4 Research Question #1 4 Research Question #2 4 Research Question #3 4 Research Question #4 4 Definition of Terms 4 Hymns 5 Traditional and Contemporary 5 Cognitive Response 5 Affective Response 6 Ministry Intervention 6 Context 7 Methodology 1 2 Participants 1 2 iii Instrumentation 13 Variables 13 Data Collection 14 Data Analysis 14 Generalizability 15 Biblical and Theological Foundation 15 Overview 25 CHAPTER 2 LITERATURE 26 Introduction 26 Biblical and Historical Foundations of Hymn Singing 27 Hymn Singing in the New Testament Church 27 Historical Background of Hymn Singing and Writing 30 Conclusion 33 Music in Worship 33 Congregational Songs in Worship 34 Musical Styles ofthe Congregational Songs 38 Unsettled Arguments over Musical Styles 47 Conclusion 49 Cognitive and Affective Growth through Worship and Hymn Singing 49 Worship with Spirit and Mind 51 Religious Reformation 52 Scientific Research 55 Conclusion 56 iv Spiritual Growth through Worship and Hymn Singing 57 Language of Faith 57 Influence of Repetition 58 Spiritual Discipline of Attentiveness 61 Conclusion 63 Early Methodist Hymnody 63 Historical Background ofthe Methodist Hymnody 63 Characteristics ofthe Wesleyan Hymns 66 Conclusion 73 Japanese Hymnody 73 Historical Background and Characteristics ofthe Seika 74 Critical Issues in Japanese Hymnody 77 Conclusion 82 Research Design 83 Summary 84 CHAPTER 3 METHODOLOGY 87 Problem and Purpose 87 Research Questions 87 Research Question #1 87 Research Question #2 88 Research Question #3 88 Research Question #4 89 Population and Participants 90 V

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or "anointed" if the tunes truly support the texts, and if it fits the congregations' cultural contexts (Goold; Carson 169-71 ; Tenda 90). D. A. Carson claims, texts, tunes, and all the Scottdale: Herald, 2006. Print. Endo, Masanobu et al. Reihai ni Okeru Sambi [Hymn Singing in Worship]. Tokyo: Wo
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