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Zygmunt Bauman: Why Good People do Bad Things (Public Intellectuals and the Sociology of Knowledge) PDF

159 Pages·2013·3.514 MB·English
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Zygmunt Bauman Public Intellectuals and the Sociology of Knowledge Series Editors Dr andreas Hess, university College Dublin, Ireland Dr neil mcLaughlin, mcmaster university, Canada the sociology of knowledge has a long and distinctive history. Its function has always been that of attempting to bridge the aspirations of the discursive and institutional founding fathers of sociology with that of modern attempts to define the discipline through the study of the emergence, role and social function of ideas. However, since Mannheim first outlined his program in the 1920s, the sociology of knowledge has undergone many changes. The field has become extremely differentiated and some of its best practitioners now sail under different flags and discuss their work under different headings. this new series charts the progress that has been made in recent times – despite the different labels. Be it intellectual history Cambridge-style, the new sociology of ideas which is now gaining strength in north america, or the more European cultural analysis which is associated with the name of Bourdieu, this series aims at being inclusive while simultaneously striving for sociological insight and excellence. All too often modern attempts in the sociology of knowledge, broadly conceived, have only looked at form while they downplayed or disregarded content, substance of argument or meaning. this series will help to rectify this. Zygmunt Bauman Why good People do Bad things SHaun BESt University of Manchester, UK First published 2013 by Ashgate Publishing Published 2016 by Routledge 2 Park Square, Milton Park, Abingdon, Oxon OX14 4RN 711 Third Avenue, New York, NY 10017, USA Routledge is an imprint of the Taylor & Francis Group, an informa business Copyright © 2013 Shaun Best Shaun Best has asserted his right under the Copyright, Designs and Patents Act, 1988, to be identified as the author of this work. All rights reserved. No part of this book may be reprinted or reproduced or utilised in any form or by any electronic, mechanical, or other means, now known or hereafter invented, including photocopying and recording, or in any information storage or retrieval system, without permission in writing from the publishers. Notice: Product or corporate names may be trademarks or registered trademarks, and are used only for identification and explanation without intent to infringe.(cid:13)(cid:10) British Library Cataloguing in Publication Data Best, Shaun Zygmunt Bauman : why good people do bad things. – (Public intellectuals and the sociology of knowledge) 1. Bauman, Zygmunt, 1925– 2. Bauman, Zygmunt, 1925– – Political and social views. 3. Sociology – Philosophy. I. title II. Series 301’.092–dc23 The Library of Congress has cataloged the printed edition as follows: Best, Shaun. Zygmunt Bauman : why good people do bad things / by Shaun Best. pages cm—(Public intellectuals and the sociology of knowledge) Includes bibliographical references and index. ISBN 978-1-4094-3588-4 (hardback)— 1. Bauman, Zygmunt, 1925- 2. Sociology. I. Title. HM479.B39B47 2013 301—dc23 2012048043 ISBN 9781409435884 (hbk) ISBN 9781315545974 (ebk) Contents Introduction 1 1 How Zygmunt Bauman became Zygmunt Bauman: History and Biography 3 2 The Unmaking of a Communist Identity 35 3 Modernity and the Holocaust 65 4 The Liquid Turn 101 Conclusion Why Good People do Bad Things 129 Bibliography 139 Index 151 This page has been left blank intentionally Introduction For Zygmunt Bauman, sociology is a product of modernity and, as such, sociology has never had the conceptual tools to provide a detached or credible evaluation of the processes of modernisation or the human consequences of modernity. Given this lack of adequate sociological conceptual tools, since the publication of Intimations of Postmodernity (1992) Bauman’s sociology has focused on reformulating the nature of sociology’s theoretical programme, redefining the discipline’s relationship with modernity, and giving the discipline a new sense of direction by presenting his own critiques of modernity. In his ‘sociology of postmodernity’ and in his ‘liquid turn’ writing, Bauman investigates key aspects of social life on the far side of modernity by the use of metaphor and poetic language. When Bauman addressed the ceremony for the Prince of Asturias Foundation prize in 2010, he described his work as a ‘discipline of humanities, whose sole, noble and magnificent purpose is to enable and facilitate human understanding and interhuman ongoing dialogue’ (Bauman 2012a: 46). This book identifies four distinct phases of Bauman’s work: phase one as a Marxist revisionist, writing about actually existing socialism in Poland; phase two as a Marxist revisionist, writing about socialism as an active utopia that could resolve the human problems facing the Western capitalist society; phase three in which Bauman loses faith in modernity in general and socialism in particular, a phase in which his work becomes associated with postmodernism, and finally; phase four as proponent of the liquid turn, in which Bauman distances himself from postmodernism and engages in an analysis of social change understood by Bauman as a process of liquefaction. The shift from phase two to phase three of Bauman’s work marks his transition from intellectual as ‘legislator’ to ‘interpreter’ and the shift from phase three to phase four was when Bauman became a public intellectual, when he attempted to engage in public rather than academic discourse. This activity was represented in Bauman’s decision to move away from producing large academic texts that explored aspects of social theory and analysis for the consumption of other sociologists to pocketbooks and interviews or conversations for a wider audience on themes as diverse as education, surveillance and identity, in which he attempts to present himself as a cultural and social critic. The principal concern of this book is to demonstrate that there are links between these phases of Bauman’s theorising and the circumstances in which he found himself and the decisions he made over the course of his life. What is knowledge and how is it acquired? There are a number of assumptions that I have made about this question that underpin the arguments developed in the book. This means that, unlike Richard Rorty (1998), who attempts to separate 2 Zygmunt Bauman Heidegger’s ‘life’ from his ‘work’, on the grounds that even though Heidegger may have been ‘a nasty figure’, this does not affect significantly the content of his work, I am of the view that life and work are linked. Knowledge is produced by people in particular historical conditions, grounded in sensory experience, exercising choice, judgement and reflection on those experiences. Knowledge is never simply the product of an ideological stamp, dominant ideology, perspective of a dominant group, a reflection of the social structure, a product of symbolic violence or reducible to power relations or structural effects. Knowledge is plastic and pliable in the hands of the human agent. The agent can decide that some ways of viewing the world or some knowledge is better or worse than the known alternatives. Contributions to knowledge are constructed by the agent with resources available to them on the basis of criteria decided by the agent themselves as significant. The standpoint of the agent will shape their own analysis, making knowledge historically situated but not determined, something that is an achievement derived from a process of active and informed reflection. The knowledge constructed by the agent is never disinterested or objective, it will always be a point of view reflecting what is important to the agent who produced the knowledge. Chapter 1 How Zygmunt Bauman became Zygmunt Bauman: History and Biography Zygmunt Bauman is one of the most talked about academic social commentators in the world today. His books and papers are widely read within the academic community and he contributes regularly to quality newspapers and other publications. In terms of his approach, when Bauman addressed the ceremony for the Prince of Asturias Foundation prize in 2010 he described his work as a ‘discipline of humanities, whose sole, noble and magnificent purpose is to enable and facilitate human understanding and interhuman ongoing dialogue’ (Bauman 2012a: 46). Tony Blackshaw has described Zygmunt Bauman as an intellectual superstar, a global phenomenon who has produced a new theory of social change and modernity with the concept of ambivalence at its centre. Blackshaw insists that Bauman is one of those sociologist whose work operates at ‘an intuitive level that does not require them to explain why they have done something “this way” rather than another’ (Blackshaw 2005: 20). Unlike Blackshaw, I am one of those sociologists who do expect authors to give such an explanation. Bauman is not a postmodernist states Blackshaw, but rather his work should be regarded as a ‘sociology of postmodernity’ that has much in common with Lyotard, Baudrillard and, in particular, Deleuze and Guattari. Blackshaw describes life in liquid modernity as ‘rhizomatic; it is in a constant state of becoming’ (2005: 93). Whatever one thinks of about the work of Zygmunt Bauman, he has led a life that cries out for biographical interpretation. Refugee, former communist, former member of the Polska Robotnicza (the Polish Workers’ Party) (PPR), Soviet ‘political instructor’, member of the Korpusu Bezpieczeństwa Wewnętrznego (KBW) an organisation that helped to establish Stalinism in Poland by ethnic cleansing, former secret police officer who fought against the Polish resistance army, academic driven out of Poland by an anti-Semitic campaign in 1968, who migrated to Israel despite his anti-Zionist leanings, and migrated to the capitalist West despite his communist leanings, and whilst in Leeds made the academic transition from Marxism and via a postmodern turn to liquid modernity and life as a respected and influential public intellectual and political commentator. All of Bauman’s commentators and, indeed, many of his critics assume that Bauman’s intellectual output is a product of his individual genius, this stance is found in both the edited volumes (Kilminster and Varcoe 1995; Beilharz 2000; Elliott 2007; Jacobsen and Poder 2008) and in the sole-authored commentaries (Smith 1999; Beilharz 2000; Tester 2004 and Blackshaw 2005).

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