Writing against Death FAUX TITRE 262 Etudes de langue et littérature françaises publiées sous la direction de Keith Busby, M.J. Freeman, Sjef Houppermans et Paul Pelckmans Writing against Death the Autobiographies of Simone de Beauvoir Susan Bainbrigge AMSTERDAM - NEW YORK, NY 2005 Cover illustration: Simone de Beauvoir at a book signing at the Librairie française, Rio de Janeiro 1960. Photo Coll. Sylvie Le Bon de Beauvoir/Diffusion éditions Gallimard The paper on which this book is printed meets the requirements of ‘ISO 9706: 1994, Information and documentation - Paper for documents - Requirements for permanence’. Le papier sur lequel le présent ouvrage est imprimé remplit les prescriptions de ‘ISO 9706: 1994, Information et documentation - Papier pour documents - Prescriptions pour la permanence’. ISBN: 90-420-1845-3 Editions Rodopi B.V., Amsterdam - New York, NY 2005 Printed in The Netherlands Contents List of Abbreviations Acknowledgements Introduction 9 AUTOBIOGRAPHY CHAPTER I Mémoires d’une jeune fille rangée 29 The Family Romance 34 Living Others’ Deaths 40 Autobiography and Intertext 53 CHAPTER II La Force de l’âge 65 The Self in Public/Private Worlds 68 Beauvoir’s fuites: Public and Private Itineraries and Inventories 78 Writing the Fracturing Self: Rhetoric and Genres 90 CHAPTER III La Force des choses 103 The ‘Politics of Self’ 107 Beauvoir’s Rhetoric of Death: a Discourse of Ageing 116 Genres as forcés 126 CHAPTER IV Tout compte fait 133 Beauvoir as Public Persona 137 La femme privée? Death, Memory and the Past 145 Writing the Ending: Tout compte fait as testament 152 (AUTO)BIOGRAPHY CHAPTER V Une mort très douce 165 Avidité and Thanatos in the Lives of Two Jeunes filles rangées 168 Daughters, Mothers, and Sisters: Narrative Voices in Une mort très douce 173 Dialogues with Death and the Dead: (Auto)biography as Reparation 176 CHAPTER VI La Cérémonie des adieux 179 Situating Sartre in the Text: Love Story or Symbolic Violence? 181 Negotiations of Death and Mortality via the Abject Other: Double Discourses 182 Writing for Posterity 186 Conclusion 191 Bibliography 201 Index 241 List of Abbreviations Page references to frequently quoted texts by Simone de Beauvoir appear in brackets in the text preceded by the abbreviations listed below. The editions used are those listed in the bibliography. CA La Cérémonie des adieux DS Le Deuxième sexe FA La Force de l’âge FC La Force des choses MJFR Mémoires d’une jeune fille rangée MTD Une mort très douce TCF Tout compte fait LaV La Vieillesse Acknowledgements This book has been researched and written with the generous support of many people. I am indebted to Mary Orr for her guidance and unfailing enthusiasm for this project from its conception to the final stages of completion. I would also like to thank colleagues past and present of the Universities of Edinburgh, St Andrews, Exeter and Goldsmiths College for their support. Thanks are also due to the members of the Simone de Beauvoir society, and especially Elizabeth Fallaize, Alison Holland, Yolanda Patterson and Ursula Tidd, for their encouragement and feedback at various stages. For moral support my thanks go to my family and friends. I gratefully acknowledge the expert help provided by Computing services at the University of Edinburgh and the team at Rodopi. I am most grateful to the editors of L’Esprit créateur , Literature and History, Modern Language Review, and the Simone de Beauvoir Studies for granting me permission to draw on material used in the following articles in the context of this broader analysis: ‘Death of the Maidens: Mémoires d’une jeune fille rangée ’, in Simone de Beauvoir Studies, vol. 13 (1996), 126-36; ‘Le Drame personnel de l’histoire: Simone de Beauvoir’s La Force de l’âge and La Force des choses’, Literature and History, ed. by Jennifer Birkett, 10, 1 (Spring 2001), 54-69; ‘Writing the Ending: Simone de Beauvoir’s Tout compte fait as Testament’, L’Esprit créateur, Vol. XL, No. 1 (Spring 2000), 79-87; ‘La Cérémonie des adieux and Le Livre brisé: Situating Sartre in the Text’, Modern Language Review (Winter 2002), 835-49. This book is dedicated to Chris Brickley, with love. ‘Une figure, celle du Moi, cette “autre” qui est “moi”, occupe, dans le texte, le lieu indécryptable du sujet de l’énonciation, une figure qui représente cet étrange dispositif autobiothanato- graphique où, au même moment, dans le même site, un peu avant, un peu après, “je” naît à “sa” mort, “je” meurt à “sa” vie’.1 Introduction Simone de Beauvoir (1908-1986) is recognized as one of the leading intellectual figures of the 20 th century whose influence stretches far beyond the confines of France. As writer, as philosopher, as intellectual, and as feminist activist, her ideas have touched both academic and non-academic spheres of activity. The ongoing fascination with her life and writings is testimony to the important contribution which she has made to feminist thought and to the questioning and reassessment of literary and philosophical canons. Study of these writings offers the opportunity to engage with philosophical, political, literary and feminist debates and to explore a number of key preoccupations of the intellectual in post-war France. These might range from explorations of existentialism and littérature engagée to studies of the relationship between literature, politics, philosophy and feminism. However, it is specifically Simone de Beauvoir’s role as autobiographer, and the relationship of her autobiographical œuvre to autobiography studies which is the focus of this study. Close readings of Mémoires d’une jeune fille rangée , La Force de l’âge, La Force des choses, Tout compte fait, Une mort très douce and La Cérémonie des adieux explore the extent to which Beauvoir takes her own life as a case study. 2 Her energetic questioning and reassessment of her actions and the actions of others 1 Louis Marin, L’Écriture de soi: Ignace de Loyola, Montaigne, Stendhal, Roland Barthes (Paris: PUF, 1999), p. 4. 2 Page references to these texts appear in brackets in the text preceded by the following abbreviations: MJFR, FA, FC, TCF, MD, CA. The editions are those listed in the bibliography.
Description: