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Writing Reconstruction: Race, Gender, and Citizenship in the Postwar South PDF

429 Pages·2015·5.322 MB·English
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Writing Reconstruction gender and american culture Coeditors Thadious M. Davis Mary Kelley Editorial Advisory Board Nancy Cott Jane Sherron De Hart John D’Emilio Linda K. Kerber Annelise Orleck Nell Irvin Painter Janice Radway Robert Reid-Pharr Noliwe Rooks Barbara Sicherman Cheryl Wall Emerita Board Members Cathy N. Davidson Sara Evans Annette Kolodny Wendy Martin Guided by feminist and antiracist perspectives, this series examines the construction and influence of gender and sexuality within the full range of America’s cultures. Investigating in deep context the ways in which gender works with and against such markers as race, class, and region, the series presents outstanding interdisciplinary scholarship, including works in history, literary studies, religion, folklore, and the visual arts. In so doing, Gender and American Culture seeks to reveal how identity and community are shaped by gender and sexuality. A complete list of books published in Gender and American Culture is available at www.uncpress.unc.edu. Writing Reconstruction Race, GendeR, and citizenship in the postwaR south sharon d. Kennedy-nolle � The University of North Carolina Press Chapel Hill This book was published with the assistance of the Authors Fund of the University of North Carolina Press. © 2015 The University of North Carolina Press All rights reserved Designed by Michelle C. Wallen Set in Miller by codeMantra, Inc. Manufactured in the United States of America The paper in this book meets the guidelines for permanence and durability of the Committee on Production Guidelines for Book Longevity of the Council on Library Resources. The University of North Carolina Press has been a member of the Green Press Initiative since 2003. Cover illustration: Octave Thanet, “The Great Southern Problem,” from An Adventure in Photography (New York: Charles Scribner’s Sons, 1893), 155. Library of Congress Cataloging-in-Publication Data Kennedy-Nolle, Sharon D., author. Writing reconstruction : race, gender, and citizenship in the postwar south / Sharon D. Kennedy-Nolle. pages cm. — (Gender and American culture) Includes bibliographical references and index. isbn 978-1-4696-2107-4 (pbk : alk. paper) isbn 978-1-4696-2108-1 (ebook) 1. American literature—Southern States—History and criticism. 2. Reconstruction (U.S. history, 1865–1877) in literature. 3. Race awareness in literature. 4. Gender identity in literature. 5. Southern States—In literature. I. Title. ps261.k38 2015 810.9'975—dc23 2014032687 For My Family This page intentionally left blank contents Acknowledgments xi introduction. Owning Up to Citizenship 1 chapter 1. Constance Fenimore Woolson and the Tourist Outback of Florida 25 chapter 2. Sewing on the Badges of Servitude: Albion Tourgée v. North Carolina 76 chapter 3. African American Literary Activism in a Divided District: Storer College and the Pioneer Press of West Virginia 123 chapter 4. George Washington Cable and the Wages of Ventriloquized Performance in New Orleans, Louisiana 178 chapter 5. Iowa’s American Gothic in Arkansas: The Plantation Fiction of Octave Thanet 230 conclusion. The Strange Career of Reconstruction Writing 281 Notes 303 Bibliography 343 Index 377 This page intentionally left blank illustRations figure 1. William Gilmore Simms, title page, War Poetry of the South (1867) 6 figure 2. Map of Military Reconstruction: 1865–77 8 figure 3. “What Are You Going to Do About It?,” Oliver Marvin Crosby, Florida Facts Both Bright and Blue (1887) 26 figure 4. “Confederate Monument,” Harper’s New Monthly, December 1874 40 figure 5. “Uncle Jack,” Harper’s New Monthly, January 1875 42 figure 6. “A Split among the Truly Loyal Radicals!,” Greensboro Patriot, 24 September 1868 91 figure 7. “The Brand,” A Royal Gentleman (1881; 1967) 119 figure 8. “Storer College, Harper’s Ferry, West Virginia” 140 figure 9. “Group Portrait of the 46 Members of the Niagara Movement [Second Meeting] Held at Storer College, August 15–19, 1906” 154 figure 10. Joseph Pennell, “A Crevasse,” Creoles of Louisiana (1884) 188 figure 11. “ ‘Mark Twain’–Cable Readings,” programme, Brooklyn Academy of Music, 21 February 1885 212 figure 12. Octave Thanet, “The Great Southern Problem,” An Adventure in Photography (1893) 261

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