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Writing Lives in China, 1600–2010 This page intentionally left blank Writing Lives in China, 1600–2010 Histories of the Elusive Self Edited by Marjorie Dryburgh and Sarah Dauncey School of East Asian Studies, University of Sheffield, UK Introduction, selection and editorial matter © Marjorie Dryburgh & Sarah Dauncey 2013 Individual chapters © Respective authors 2013 Softcover reprint of the hardcover 1st edition 2013 978-1-137-36856-0 All rights reserved. No reproduction, copy or transmission of this publication may be made without written permission. No portion of this publication may be reproduced, copied or transmitted save with written permission or in accordance with the provisions of the Copyright, Designs and Patents Act 1988, or under the terms of any licence permitting limited copying issued by the Copyright Licensing Agency, Saffron House, 6–10 Kirby Street, London EC1N 8TS. Any person who does any unauthorized act in relation to this publication may be liable to criminal prosecution and civil claims for damages. The authors have asserted their rights to be identified as the authors of this work in accordance with the Copyright, Designs and Patents Act 1988. First published 2013 by PALGRAVE MACMILLAN Palgrave Macmillan in the UK is an imprint of Macmillan Publishers Limited, registered in England, company number 785998, of Houndmills, Basingstoke, Hampshire RG21 6XS. Palgrave Macmillan in the US is a division of St Martin’s Press LLC, 175 Fifth Avenue, New York, NY 10010. Palgrave Macmillan is the global academic imprint of the above companies and has companies and representatives throughout the world. Palgrave® and Macmillan® are registered trademarks in the United States, the United Kingdom, Europe and other countries. ISBN 978-1-349-47467-7 ISBN 978-1-137-36857-7 (eBook) DOI 10.1057/9781137368577 This book is printed on paper suitable for recycling and made from fully managed and sustained forest sources. Logging, pulping and manufacturing processes are expected to conform to the environmental regulations of the country of origin. A catalogue record for this book is available from the British Library. A catalog record for this book is available from the Library of Congress. Contents List of Figures and Tables vii Preface viii Notes on Contributors x Introduction: Writing and Reading Chinese Lives 1 Marjorie Dryburgh 1 Chinese Life Writing: Themes and Variations 21 Marjorie Dryburgh and Sarah Dauncey 2 Self-representation in the Dramas of Ruan Dacheng (1587–1646) 57 Alison Hardie 3 How to Write a Woman’s Life Into and Out of History: Wang Zhaoyuan (1763–1851) and Biographical Study in Republican China 86 Harriet T. Zurndorfer 4 The Fugitive Self: Writing Zheng Xiaoxu, 1882–1938 110 Marjorie Dryburgh 5 Destabilising the Truths of Revolution: Strategies of Subversion in the Autobiographical Writing of Political Women in China 133 Nicola Spakowski 6 Zhang Xianliang: Recensions of the Self 159 Chloë Starr 7 Whose Life Is It Anyway? Disabled Life Stories in Post-reform China 182 Sarah Dauncey v vi Contents 8 A Look at the Margins: Autobiographical Writing in Tibetan in the People’s Republic of China 206 Isabelle Henrion-Dourcy Bibliography 236 Index 260 Figures and Tables Figures 7.1 ‘Study Comrade Zhang Haidi, the Lei Feng of our time’ 187 7.2 ‘Study Zhang Haidi and become a new communist with revolutionary ideals, sound morals, good education and a strong sense of discipline!’ 189 7.3 ‘The meaning of life rests with contributing and not demanding – Zhang Haidi’ 192 Tables 8.1 Comparison of the content of the Dharamsala and Beijing editions 225 vii Preface The origins of this volume lie in conversations conducted over many years that led us to consider the meanings and uses of life stories written in China or about Chinese people, past and present. Many of these conversations were not, at first, about life writing in its own right, but about the ways in which life stories of self or others featured in our work – as illustrations of social change, eye-witness accounts of historical events, challenges to hegemonic narratives or supplements to fragmentary archival records – and the challenges inherent in drawing these personal stories into understandings of wider changes. The advice offered to scholars on the use of these life narratives was often cautious, and sometimes discouraging. Life narratives – whoever their authors or intended audiences – might be of some interest, but they were to be understood as lesser sources: less robust, less objective and less ‘representative’ as historical sources than the archival record; of less ‘literary’ value and interest than fic- tion, drama or poetry; less revealing, because of distinctively Chinese generic traditions, of lives and selves than auto/biographical work produced elsewhere. However, the volume of extant works – some now available in translation, others not – pointed to powerful personal, social and political interests that underlay auto/biographical production; and the relatively recent proliferation of critical and theoretical studies of life narrative across cultures offered increasingly sophisticated tools for disentangling those interests. Despite those warnings, therefore, it seemed more productive to engage with those supposedly imper- fect auto/biographical artefacts, to understand how and why they were produced and what effects they were designed to achieve, than simply to set them aside or lament their shortcomings. The new conversation that this work stimulated led more or less directly to the interdisciplinary international workshop, Writing Lives in China, held in March 2008 at the University of Sheffield, UK, and thence to this volume. The contributions to this volume were all presented at the 2008 workshop, and we would like to express our sincerest gratitude to all viii Preface ix workshop participants for their interest in extending the boundaries of our understanding of life writing in China, and to the contribu- tors for their continued commitment to the book. The workshop was made possible by generous support from the British Academy, the Chiang Ching-kuo Foundation for International Scholarly Exchange and the White Rose East Asia Centre, as well as the School of East Asian Studies and the Humanities Research Institute at the University of Sheffield, which helped to host the workshop. In addition to the authors included in this volume, we would like to thank those workshop participants who made significant contributions to our discussions, but whose work it was sadly not possible, for a variety of reasons, to incorporate in the present vol- ume. These include Katherine Carlitz (University of Pittsburgh), Lynn A. Struve (Indiana University, Bloomington), Margaretta Jolly (Uni- versity of Sussex), Tan Tian-yuan (School of Oriental and African Studies, London), Yvonne Schulz Zinda (University of Hamburg), Sarah Schneewind (University of California, San Diego), Jennifer Eichman (Lehigh University), Yi Jolan (National Taiwan University), Karin-Irene Eiermann (acatech, Berlin), Jeremy Taylor (University of Nottingham), Lena Henningsen (University of Freiburg) and Jesse Field (University of Minnesota). Our research and ideas were further honed by discussants Tim Wright (University of Sheffield), David Pattinson (University of Leeds) and Naomi Standen (University of Birmingham). We would also like to thank Ms Mary Jo Robertiello, Professor Wu Pei-yi’s long-time companion, who made possible his attendance at the workshop. Finally, we would like to dedicate this volume to Professor Wu Pei-yi, best known for his seminal work The Confucian’s Progress, who gave a keynote paper at the workshop but unfortunately passed away a year later in April 2009. An enthusiastic participant, we remember him for the breadth and depth of his knowledge of Chinese biog- raphy and autobiography that informed our discussions and for his intellectual curiosity that stimulated further enquiry in us all. This volume is all the richer for his insight and observations, and it is a shame that he was unable to see it completed.

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