ebook img

Writing for Social Scientists: How to Start and Finish Your Thesis, Book, or Article PDF

212 Pages·2007·5.03 MB·English
Save to my drive
Quick download
Download
Most books are stored in the elastic cloud where traffic is expensive. For this reason, we have a limit on daily download.

Preview Writing for Social Scientists: How to Start and Finish Your Thesis, Book, or Article

Writing for Social Scientists On Writing, Editing, and Publishing Doing Honest Work in College Jacques Barzun Charles Lipson Telling About Society How to Write a BA Thesis Howard S. Becker Charles Lipson Tricks of the Trade Cite Right Howard S. Becker Charles Lipson Permissions, A Survival Guide: The Chicago Guide to Writing about Blunt Talk about Art as Intellectual Multivariate Analysis Property Jane E. Miller Susan M. Bielstein The Chicago Guide to Writing about The Craft of Translation Numbers John Biguenet and Rainer Schulte, Jane E. Miller editors Mapping It Out The Craft of Research Mark Monmonier Wayne C. Booth, Gregory G. Colomb, and Joseph M. Williams The Chicago Guide to Communicating Science Glossary of Typesetting Terms Scott L. Montgomery Richard Eckersley, Richard Angstadt, Charles M. Ellerston, Indexing Books Richard Hendel, Naomi B. Pascal, Nancy C. Mulvany and Anita Walker Scott Gettinginto Print Writing Ethnographic Fieldnotes Walter W. Powell Robert M. Emerson, Rachel I. Fretz, and Linda L. Shaw A Manual for Writers of Research Papers, Theses, and Dissertations Legal Writing in Plain English Kate L. Turabian Bryan A. Garner Tales of the Field From Dissertation to Book John Van Maanen William Germano Style Getting It Published Joseph M. Williams William Germano A Handbook of Biological A Poet’s Guide to Poetry Illustration Mary Kinzie Frances W. Zweifel The Chicago Guide to Collaborative Ethnography Luke Eric Lassiter Writing for Social Scientists How to Start and Finish Your Thesis, Book, or Article Second Edition Howard S. Becker with a chapter by Pamela Richards The University of Chicago Press Chicago and London Howard S. Becker is a sociologist and the author of Outsiders,Tricks of the Trade,andTelling About Society. The drawings reproduced at the chapter openings of this book are by Claire Bretécher and first appeared under the title “Création” in Les Frustrés3, © Le Nouvel Observateur. Chapter 1 appeared, in slightly different form, in The Sociological Quarterly,vol. 24 (Autumn 1983), and is reprinted here with the permission of the Midwest Sociological Society. The University of Chicago Press, Chicago 60637 The University of Chicago Press, Ltd., London © 1986, 2007 by The University of Chicago All rights reserved. Published 2007 Printed in the United States of America 16 15 14 13 12 11 10 09 08 07 1 2 3 4 5 ISBN-13: 978-0-226-04130-8 (cloth) ISBN-13: 978-0-226-04132-2 (paper) ISBN-10: 0-226-04130-1 (cloth) ISBN-10: 0-226-04132-8 (paper) Library of Congress Cataloging-in-Publication Data Becker, Howard Saul, 1928– Writing for social scientists : how to start and finish your thesis, book, or article / Howard S. Becker ; with a chapter by Pamela Richards. — 2nd ed. p. cm. — (Chicago guides to writing, editing, and publishing) Includes bibliographical references and index. ISBN-13: 978-0-226-04130-8 (cloth : alk. paper) ISBN-13: 978-0-226-04132-2 (pbk. : alk. paper) ISBN-10: 0-226-04130-1 (cloth : alk. paper) ISBN-10: 0-226-04132-8 (pbk. : alk. paper) 1. Social sciences—Authorship. 2. Sociology—Authorship. 3. Academic writing. 4. Communication in the social sciences. I. Richards, Pamela. II. Title. H61.8.B43 2007 808(cid:2).0663—dc22 2007012022 øThe paper used in this publication meets the minimum requirements of the American National Standard for Information Sciences—Permanence of Paper for Printed Library Materials, ANSI Z39.48-1992. Contents Preface to the Second Edition vii 1986 Preface ix 1.Freshman English 6.Risk,by for Graduate Pamela Richards Students 1 108 2. 7. Persona and Getting It out the Authority 26 Door 121 3. 8. One Right Way Terrorized by the 43 Literature 135 4. 9. Editing by Ear Writing with 68 Computers 150 5.Learning to 10. Write as a A Final Word Professional 90 173 References 185 Index 193 Preface to the Second Edition I wrote the first version of this book in the early 1980s. It came very easily. I had been teaching writing to grad- uate students for a few years, and that experience had given me a lot to think about and a lot of stories to tell. The stories generally had a point, a small lesson about why we have the problems we do in writing, or a pos- sibility of avoiding those problems, or a way of think- ing that would make the problem seem less problem- atic. After the first chapter appeared in a journal, and excited some discussion, I saw that that I had a begin- ning, and the rest of the book almost wrote itself. Nothing prepared me for the steady stream of mail from readers who had found the book helpful. Not just helpful. Several told me that the book had saved their lives; less a testimony to the book as therapy than a re- flection of the seriousness of the trouble writing failure could get people into. Many told me that they had taken to giving the book to friends who were having se- vii Preface to the Second Edition viii rious problems. It’s not surprising, given the degree to which our fate in the academic environments we write in as students, teachers, and researchers hangs on our ability to turn out acceptable prose on demand. When you can’t do that, your confidence goes down and that makes it harder to get the next writing chore done, and before you know it you can’t see a way out. So the book, suggesting new ways of looking at these dilemmas, gave people hope and helped at least some of them get the spiral going in the other direction. I wasn’t prepared, either, for the thank yous from people in fields far from my own discipline of sociol- ogy. Much of the analysis in the book is straightfor- wardly and unapologetically sociological, finding the roots of writing problems and the possibilities of their solution in social organization. Many of the specific problems that produce the convoluted, almost unread- able prose readers complain of as “academic” seemed to me then to arise from such specifically sociological worries as wanting to avoid making causal statements when you knew you didn’t have the proof that kind of talk required (that’s taken up in Chapter 1). I found out that people in many other fields—art history, commu- nications, literature, it was a long and surprising list— had similar difficulties. I hadn’t had them in mind, but the shoe seemed to fit. Many things haven’t changed since this book first ap- peared. But some have, which made it seem like a good idea to say something about the changes and how they affect our situations as writers. The major changes have occurred with respect to computers, which were just beginning to be the way everyone wrote when I started this book and now have become the standard; I talk about those changes in an optimistic spirit in the addi- tions to Chapter 9. And the organization of universities and academic life, about which I have less optimistic things to say, in Chapter 10. I hope these additions will make the book continue to seem relevant to your con- cerns. Howard S. Becker San Francisco, 2007 ix

Description:
Students and researchers all write under pressure, and those pressures—most lamentably, the desire to impress your audience rather than to communicate with them—often lead to pretentious prose, academic posturing, and, not infrequently, writer’s block.  Sociologist Howard S. Becker has writt
See more

The list of books you might like

Most books are stored in the elastic cloud where traffic is expensive. For this reason, we have a limit on daily download.