Contents Copyright Your Bonus Copy of Writing Online Untitled Document The Note Where We Tell You About This Book's Voice The Note Where We Talk About Fiction vs. Nonfiction The Note Where We Describe Our Evil Ulterior Motive PART One: Prefatory Matters Chapter One: Who We Are Chapter Two: Who We Think You Are Chapter Three: Terms You Should Know PART Two: Understanding the Self-Publishing Landscape Chapter Four: The Good News and the Bad News The Discoverability Shift Chapter Five: The List of Truths Chapter Six: The List of Myths PART Three: Preparing Your Books and Making Readers Love You Chapter Seven: How to Avoid Looking Like an Amateur Chapter Eight: Creating Professional Products Part 1: Pre-Production Chapter Nine: Creating Professional Products Part 2: Writing Chapter Ten: Creating Professional Products Part 3: Editing Chapter Eleven: Creating Professional Products Part 4: Post-Production PART Four: Marketing Your Work How to Market Like a Lover Chapter Twelve: Gathering Your Tribe Chapter Thirteen: Building Relationships and Having Conversations Chapter Fourteen: Understanding Funnels Chapter Fifteen: Email Marketing the Non-Sleazy Way Chapter Sixteen: All About Reviews Chapter Seventeen: Ways to Supercharge Your Marketing PART Five: Thinking Like a New Wave Publisher Go To Where the Puck Is Headed Chapter Eighteen: Mistakes That Writers Make (and That Publishers Usually Don't) Chapter Nineteen: Things You Can Probably Stop Worrying About Chapter Twenty: How To Kill It Chapter Twenty-One: Write. Publish. Repeat. Are You a Repeater? Appendix: Interviews with Successful Indie Authors Introduction Hugh Howey CJ Lyons David Gaughran Ed Robertson Joanna Penn Do You Want to Know What it Was REALLY Like? What We've Written About the Authors Your Bonus Copy of Writing Online Write. Publish. Repeat. By Sean Platt & Johnny B. Truant Copyright © 2013 by Sean Platt & Johnny B. Truant. All rights reserved. Reproduction in whole or part of this publication without express written consent is strictly prohibited. The authors greatly appreciate you taking the time to read our work. Please consider leaving a review wherever you bought the book, or telling your friends about it, to help us spread the word. Thank you for supporting our work. Your Bonus Copy of Writing Online IF YOU’RE READING THIS PAGE, you were one of the first writers to ever buy Write. Publish. Repeat. THANK YOU!!! To show our appreciation, we want to give you Sean’s freelancer’s companion book, Writing Online for free. You’ll find the link to get it on the very last page in this book. For Robin and Cindy, who made (and make) it all possible. The Note Where We Tell You About This Book's Voice AFTER A YEAR AND A half of producing the weekly Self Publishing Podcast and publishing millions of words, Sean and I (Johnny) decided we should create SPP: The Book, wherein we’d take the podcast’s core philosophies and best tips for crafting a smart, sustainable, and potentially lucrative writing career and set them down in a single bottom-line volume. Lucky you: That’s the book you’re holding. David Wright, SPP’s third host, isn’t one of this book’s primary authors, but he did contribute — and because he’s part of our story, his presence is with us on every page. But even with only Sean and I writing, trying to include multiple “voices” in this book proved immediately difficult and totally annoying. The use of “we” also got clumsy fast. To keep things simple and easy to read, I decided to arrogantly wrestle control into my corner and write with my own voice as the primary point of view. As you read this book, know that all “I” and “me” mentions are Johnny. Like in real life, Sean is all over the place and never shuts up. In this book, he shows up right in the middle of my sentences (LIKE RIGHT NOW). But that would be punishment to suffer through a see-sawing voice. I’m writing the rough draft (like always, because Sean is lazy) so we’re writing from my perspective. If you’re a podcast listener, you already know all about Sean’s slobber and can clearly see that this is for the best (Johnny’s not being mean, I’m still me). The Note Where We Talk About Fiction vs. Nonfiction WE’RE PRIMARILY FICTION AUTHORS, SO much of what we say in this book will skew toward fiction writing. But if you’re a nonfiction author, take heart! We’re nonfiction authors, too (evidence of this is in your hands or on your screen), so we have a ton to say about nonfiction as well. If you’re a nonfiction writer and find yourself in the middle of a section detailing series novels or story narrative, we suggest you keep reading. The best nonfiction is full of story. This book has plenty of story in addition to its how-to, and Sean’s book Writer Dad is nonfiction crafted around a personal narrative. Even if you ignore the story sections, everything pertaining to pre-and post- production, marketing, editing, the self-publishing process, setting goals, thinking outside the box, and so much more will still apply directly to you. And remember, if you’re having trouble researching your nonfiction book, you can always stick a unicorn somewhere inside it. That way, you can write off factual errors as part of the story. The Note Where We Describe Our Evil Ulterior Motive WE’D LOVE TO GET SOMETHING out of the way up front. This book is chock-full of our best advice on how to build a successful career in self-publishing, or “indie publishing” if you prefer (we totally do). It’s a logical, rational, workmanlike approach that has nothing to do with ninja tricks or magic beans. It’s not about gaming the system, sliming your way to the top, or getting rich quick. It is, in short, advice that will actually help you get where you most want to go, if you’re willing to wear your overalls and get to work (you don’t actually have to wear overalls, though Sean’s mom would love it if you did). This book is the written version of our Self Publishing Podcast, which we record every week and which goes out to thousands of writers who often send us beautiful e-mails about getting unstuck, fighting past their fear, publishing their best work, and starting a journey toward living their dreams. Most writing examples used throughout this book are our own. This is done for two reasons. First, these are the examples we have. If we’re going to describe a product funnel, it makes most sense to tell you how The Beam, Yesterday’s Gone and Fat Vampire are organized because we don’t know how someone else organized his or her funnel, or how well the approach worked. We also make the point throughout this book that successful indies are, above everything else, smart businesspeople. Yes, they’re artists … but if they’re not businesspeople as well, they have little chance competing against the writers who are willing to work at the intersection of art and commerce. This book will tell you everything you need to know in order to become one of those smart businesspeople, but please understand that the book in your hands — in addition to being what we hope is the most comprehensive, absolute best self-publishing guide you’ll ever read — is also a part of our business strategy. One of the things we want to do with this book is to (wait for it) raise the profile of our other books. We promise to never actively promote our stuff, and use our books only as examples. We promise to keep things informational and helpful, but as on our podcast, we will mention them. Often. Does that seem like a fair trade, using those details to explain how we published more than 1.5 million words and built three successful product lines (with our busy hands in a fourth) in this last year alone? We also discuss the same people throughout the book, either authors we’ve worked with or had on our show. We put as much of our personal experience as we could in these pages, but it isn’t a research project. The book was already sprawling enough. Our experience doesn’t begin and end with the three of us, but we can speak with most authority about those projects we know best. We also swear. Not a lot. Less than on the totally NSFW Self Publishing Podcast (someone really should stop us), and less than in most of our books, though not all of them. We don’t swear in Unicorn Western, except for our made-up word dagnit. Nor do we swear in any of the children’s literature in production (written under the pen name Guy Incognito). But we do use some four-letter favorites when it makes sense. To do our best work, this book should read as much like we’re sitting on the barstool beside you as possible. And if we were side by side, and comfortable, with our children out of the room, we would probably call an asshole an asshole, if he was being an asshole. Lastly, we will repeat ourselves. This can’t be avoided. Write. Publish. Repeat. is a reference book, and while many authors will want to read it straight through, others won’t. You might read it through the first time and then use it only as reference after that. We’ve written a book that is at least 90 percent strategies to 10 percent tactics (more later on what that means and why it absolutely matters). Each section must stand on its own without being reliant on something you may or may not have read 50 pages before. We’ve taken great care to curb this as much as possible, but if you’re reading straight through, please do expect some minor repetition. Before we delve in, we’d like to make a request: If you are the kind of person who will complain and leave bad reviews because we mention our own work in explaining how we do what we do (or swearing, which we are right now telling you we are going to very occasionally do) please close this book and return it now. If that’s not you, let’s get started. This book might make for one hell of a life-changing ride.
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