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151 Pages·2010·0.85 MB·English
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WRESTLING WITH THE ANGEL Literary Writings and Reflections on Death, Dying and Bereavement Kent L. Koppelman Death, Value, and Meaning Series Series Editor: Dale A. Lund Baywood Publishing Company, Inc. AMITYVILLE,NEWYORK Copyright©2010byBaywoodPublishingCompany,Inc.,Amityville,NewYork All rights reserved. No part of this book may be reproduced or utilized in any form or by any means, electronic or mechanical, including photo- copying,recording,orbyanyinformationstorageorretrievalsystem,without permission in writing from the publisher. Printed in the United States of Americaonacid-freerecycledpaper. BaywoodPublishingCompany,Inc. 26AustinAvenue P.O.Box337 Amityville,NY 11701 (800)638-7819 E-mail: [email protected] Website: baywood.com LibraryofCongressCatalogNumber: 2009041907 ISBN:978-0-89503-392-5 ISBN: 978-0-89503-747-3 (epub) ISBN: 978-0-89503-748-0 (epdf) http://dx.doi.org/10.2190/WRE LibraryofCongressCataloging-in-PublicationData Koppelman,KentL. Wrestlingwiththeangel : literarywritingsandreflectionsondeath,dyingand bereavement / KentL.Koppelman. p. cm. -- (Death, value, andmeaningseries) Includesbibliographicalreferencesandindex. ISBN 987-0-89503-392-5 (cloth : alk. paper) 1. Death--Psychological aspects. 2. Bereavement--Psychological aspects. 3. Deathinliterature. I. Title. BF789.D4K68 2010 155.9’37--dc22 2009041907 Cover art: Gauguin, Vision of the Sermon: Used with permission from The NationalGalleryofScotland. Dedication To CraigFiedler Teacher,Scholar,Author,Advocate,Friend Youbroughtthelightofloveandthewarmthofhumorto someofthecoldestanddarkestmomentsofmylife. Nowyouareengagedinyourownfiercestrugglewitha foethatslippedinquietly,cloakedincancer. Iamnotabletohelpyouasyouhelpedme,andthathas increasedmymiseryasIwatchfromthesidelines. SoonethingIcandoistodedicatethisbooktoyouasan expressionofmygratitudeforyourfriendship. Asyoucontinueyourlonelyandexhaustingstruggle, Iwillcontinuetoapplaudyoureffortsandencourageyou; Iwillcontinuetoshoutoutwordsofloveandofhope. Andaslongasyoucanstillhearme, Iwillkeepshouting. (CraigFiedlerdiedonSunday,January4,2009.) Table of Contents BAYWOOD'SFREEGIFTTOREADERSOF WRESTLINGWITHTHEANGEL . . . . . . . . . . . . . . . . vi FOREWORD . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . vii ACKNOWLEDGMENTS . . . . . . . . . . . . . . . . . . . . . . . . xiii PART 1: Death and Loss CHAPTER1: Loss: AnUnexpectedDeath . . . . . . . . . . . . . 3 CHAPTER2: Mortality: AMatterofLifeandDeath . . . . . . . . 19 PART 2: Responding to an Unexpected Death CHAPTER3: Bereavement: BecomingaSurvivor . . . . . . . . . 51 CHAPTER4: Reconciliation: LivingwithanAbsence . . . . . . . 63 PART 3: Responding to Expected Deaths CHAPTER5: Bereavement: ExpectingDeath . . . . . . . . . . . 81 CHAPTER6: Awareness: PromotingtheQualityofLife . . . . . . 101 PART 4: Approaching the End of Life CHAPTER7: GrowingOld: WalkingthroughtheValley. . . . . . 117 CHAPTER8: Anticipation: PreparingforDeath . . . . . . . . . . 127 AFTERWORD: FinalThoughts. . . . . . . . . . . . . . . . . . . . 145 INDEX . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 147 v BAYWOOD'S FREE GIFT TO READERS OF WRESTLING WITH THE ANGEL Lucky Man: A Matter of Life and Death WrittenbyKentL.KoppelmanwithPaulDominicHeckman ProducedbyJanKoppelman Aone-actplayoriginallyperformedforthe InternationalDeath,GriefandBereavementConference atLaCrosse,Wisconsin,June2007 THEPLAYERS Death KentL.Koppelman AdamMensch PaulDominicHeckman Narrator TessKoppelman OriginalMusicalComposition JanKoppelman SYNOPSIS: A middle-aged man named Adam Mensch receives a surprise visitfromtheAngelofDeath.Menschproteststhatheisnotreadytogo,but the Angel insists that his time has come. The play presents their discussion beforeAdamagreestoleavewithhisvisitor.Toprovidesomeinsightintothe natureofthecollaborationbetweenthetwoauthorswhocreatedthisone-act play,youareinvitedtoreadeachauthor’sperspectiveontheplay. Koppelman’s Perspective: This play consists of a desperate dialogue between a man who has lived what Socrates called an “unexamined life” and an Angel of Death who has a certain amount of compassion but who has a job to do. While Adam tries to convince the Angel that he should be given more time before leaving this life, the Angel tries to explain to Adam that his arguments are pointless because death comes when it will come. Their discussion addresses questions of philosophy, theology, and religious beliefs while addressing the purpose of life, the meaning of death, the existence of a soul and, of course, God. The Angel ultimately answers one question that allowsAdamtoaccepthisfate. Heckman’s Perspective: According to several reliable reports, another man has, in the vernacular “made the grade.” Doctors Allen, Blake, Crane, Dickenson, France, Keats, Schweitzer, and Swift have all weighed in with their own unique take on the incident. One Mr. Adam Mensch had, in fact, beenjoinedindiscussionsborderingonbargaining,begging,andnegotiation, before ultimately accepting the opposition perspective. Mensch at times parried masterfully; at others he resorted to the age-old, “Wait.” Or the tired chestnut, “But I have questions.” Such attempts, as usual, designed or created, were met with amusement and satire. Mensch’s position did nothingtooverridebiologyorhistory. Format: MP3 Duration:29minutes Clickheretodownload:http://baywood.com/media/01luckyman.mp3 Foreword Withinafewmonthsaftermy19-year-oldsondiedinatrafficaccident, I began to revise my grief journal into a manuscript that became The Fall of a Sparrow: Of Death and Dreams and Healing (1994). I wrote it in part out of frustration from reading several books and finding few, especially those written by grieving fathers, that helped me to deal with this loss in any meaningful way. Writing Sparrow was in part personal therapy, and in part an attempt to offer assistance to others who were struggling with the unexpected loss of alovedone,especiallyachild. Writingthebookwashelpfulforme,butitdidnotresolvetheissues in my ongoing effort to be at peace with the absence of my son on a dailybasis.Althoughitwasmoresporadic,Icontinuedtowriteessays and some poetry about my thoughts and experiences with death—a close friend died, then my sister, and my parents. Over the years, four of myessayswere published. Inthe fall of 2006 Iwrote a one-act play about the Angel of Death coming for a man who was not ready to leave and insists that he should not be taken yet. A friend and skilled writer, Paul Dominic Heckman, assisted me in revising the play, and we performed it at an annual Death and Bereavement Conference. The audience responded enthusiastically, and after the performanceseveralpeoplerequestedcopiesofthescript.Thiswasthe genesis of the book you now have before you. I began to organize and revise my published and unpublished writing, and I worked on some new material, especially an essay with the tentative title, “Wrestling withtheAngel.” In addition to my own writing, I have collected numerous excerpts from poetry and prose over the years, which included a significant number on issues related to death, grief, and bereavement. They vii viii / WRESTLINGWITHTHEANGEL represent part of what I think of as “wisdom literature” on these topics. My interest in collecting excerpts from literature stems from growing up in rural Nebraska in the 1950s and attending a one- room school. For all its drawbacks, there were advantages for a child who loved to read. Our elementary readers included authors such as Robert Burns, Edgar Allan Poe, and William Wordsworth, who would be considered too literary (meaning too difficult for children to read) by today’s standards. Students read aloud, so when I was younger I would listen to the language of the literature being read by the older students and was captivated by these literary descriptions of human fears, joys, despairs, and triumphs. In high school and in college I continued to read compelling literature, including some that addressed human experiences and beliefs about death, grief, andimmortality. Approachingtheageof30,IenrolledinaPhDprogramineducation andbegantoreadawiderangeofnonfiction,whilecontinuingtoread literature. In addition to gaining knowledge, I also appreciated those authors who could make a comment that compelled attention. Others might have said the same thing, but this author said it in a way that madeitmemorable.Whenever Icameacrosssuchquotations,Ibegan to write them down and save them. With the advent of computers, I transferred these pages to a file that now contains over 300 pages of quotations. It was from this collection on a multitude of topics that I selected excerpts and quotations for this book, which I consider to be good examples of wisdom literature on issues of death and dying, griefandbereavement. Some of the quotations are well-known passages that are often cited, while others are relatively obscure. Some can be found in prose from which another passage is more frequently quoted. For example, most people are familiar with the phrase “for whom the bell tolls,” ifnotfromitsactualsourcethenasthetitle ofanErnestHemingway novel (that became a movie). People who recognize the phrase may know that it comes from the poet John Donne (1951); however, it is notfromapoembutfromhisMeditation17: No man is an island entire of itself; every man is a piece of the continent, a part of the main. If a clod be washed away by the sea,Europeistheless,aswellasifapromontorywere,aswellas if a manor of thy friend’s or thine own were. Any man’s death diminishes me, because I am involved in mankind, and therefore never send to know for whom the bell tolls; it tolls for thee. (pp.340-341) FOREWORD / ix Earlier in that same meditation, Donne writes another passage that is as compelling and inspirational, if not more so, than the more famouspassage: All mankind is of one author, and is one volume; when one man dies, one chapter is not torn out of the book, but translated into a better language; and every chapter must be so translated. God employs several translators; some pieces are translated by age, some by sickness, some by war, some by justice; but God’s hand is in every translation, and his hand shall bind up all our scattered leaves again for that library where every book shall lie opentooneanother.(p.340) I would like to see someone create a book filled with such wisdom literature, not merely a book of quotations (we already have those) but passages that reveal profound insights from diverse authors on human experiences and perceptions of death, grief, and bereavement. Passages like the ones above have been the catalyst for my own thinking and writing about grief and bereavement. A few scattered showersofprosebecameadownpouraftermysondied,andafterIhad written a rough draft of Sparrow, I selected quotations from my collectiontobegineachchapter. As noted earlier, four of the essays in this book were previously published, and I want to express my appreciation to the publishers forallowingtheinclusionoftheseessaysinthisbook.“Emergingfrom the Anguish: A Father’s Experience with Loss and Grief” Koppelman (2000) cited in an anthology of writing on men’s grief experiences entitled Men Coping with Grief. Two essays were published in the journal Illness,Crisis &Loss:“The Dance of Grief” Koppelman (1999) describing rituals and actions to promote healing; “The Culture of Life”Koppelman(2005)suggestedthatanawarenessofdeathmaybe necessaryforpeopletodevelopagenuinereverenceforlife.“ForThose Who Stand and Wait” Koppelman (2003) an essay selected for the anthology Making Sense of Death, describes my attempts to be recon- ciledtomyson’sdeath. In reviewing the writing to be included in this book, eight themes emerged that were related to death, grief, and bereavement, and that seemedappropriateasaframeworkforthisbook.Foreachoftheeight chapters there is an introductory essay exploring the theme, and throughout each introductory essay the reader will encounter several boxed texts with excerpts from the wisdom literature on death, grief,andbereavement. Aftereachintroductory essaythereisapoem and then another piece of writing that addresses the theme for that

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