265 Bibliography 30 Rock. Television Program. Produced by Tina Fey and Lorne Michaels and created by Tina Fey. US: National Broadcasting Company (NBC), 2006-present. Ang, Ien. Desperately Seeking the Audience. New York: Routledge, 1991. __. “Feminist Desire and Female Pleasure.” In Cultural Theory and Popular Culture: A Reader, edited by John Storey, 522-531. Athens: University of Georgia Press, 1998. Arthur, Jane. “Sex and the City and Consumer Culture.” In Feminist Television Criticism: A Reader, 2nd edition, edited by Charlotte Brunsdon and Lynn Spigel, 41-56. New York: Open University Press, 2008. Avins, Mimi. "Commentary; Let's Talk About 'Sex'—They Sure Do,” Los Angeles Times, June 5, 1999, F1. Bacon-Smith, Camille. Enterprising Women: Television Fandom and the Creation of Popular Myth. Philadelphia: University of Pennsylvania Press, 1991. Barthes, Roland. The Grain of the Voice: Interviews 1962-1980. Translated by Linda Coverdale. New York: Hill and Wang, 1985. __. Image-Music-Text. Translated by Stephen Heath. New York: Hill and Wang, 1977. __. The Pleasure of the Text. Translated by Richard Miller. New York: Hill and Wang, 1975. __. Roland Barthes by Roland Barthes. Translated by Richard Howard. Berkeley: University of California Press, 1977. __. The Rustle of Language. Translated by Richard Howard. Berkeley: University of California Press, 1989. __. S/Z: An Essay. Translated by Richard Miller. New York: Hill and Wang, 1974. __. Writing Degree Zero. Translated by Annette Lavers and Colin Smith. New York: Hill and Wang, 1977. Battock, Gregory, ed. Minimal Art: A Critical Anthology. New York: E.P. Dutton and Co., Inc., 1968. Baudrillard, Jean. Simulations. New York: Semiotext[e], 1983. Bibliography 266 Baxandall, Michael. Painting and Experience in Fifteenth-Century Italy: A Primer in the Social History of Pictorial Style. Oxford: Oxford University Press, 1972. Bellafante, Ginia. “So Many Temptations to Succumb to, So Many Wandering Eyes to Track,” New York Times, January 16, 2009, http://www.nytimes.com/2009/01/16/arts/television/16word.html (accessed August 20, 2009). Benjamin, Walter. Illuminations. Edited by Hannah Arendt and translated by Harry Zohn. New York: Schocken Books, 1968. Bersani, Leo. The Freudian Body: Psychoanalysis and Art. New York: Columbia University Press, 1986. Best, Susan. “Minimalism, subjectivity, and aesthetics: rethinking the anti-aesthetic tradition in late-modern art.” Journal of Visual Art Practice 5: 3 (2006): 127- 142. Bianculli, David. Teleliteracy: Taking Television Seriously. New York: Continuum, 1992. Birnbaum, Daniel. “Best of 2003.” Artforum 42: 4 (December 2003): 124. Blake, Robin. “The model of a modern artist.” Financial Times, London (November 6, 2003): 13. Bones. Television Program. Produced by Barry Josephson and created by Daniel Cerone. US: 20th Century Fox Television, 2005-present. Bordo, Jonathan. “Picture and Witness at the Site of the Wilderness.” Critical Inquiry, 26: 2 (Winter 2000): 224-47. Boyle, Karen. “Feminism Without Men: Feminist Media Studies in a Post-Feminist Age.” In Feminist Television Criticism: A Reader, 2nd edition, edited by Charlotte Brunsdon and Lynn Spigel, 174-190. New York: Open University Press, 2008. Brunsdon, Charlotte. The Feminist, the Housewife, and the Soap Opera. Oxford: Oxford University Press, 2000. Bryson, Norman. Vision and Painting: The Logic of the Gaze. New Haven, CT: Yale University Press, 1983. Bibliography 267 Buffy the Vampire Slayer. Television Program. Produced by Fran Rubel Kuzui, Kaz Kuzui, and Joss Whedon and created by Joss Whedon. US: 20th Century Fox Television, 1997-2003. Burke, Edmond. A Philosophical Enquiry into the Sublime and the Beautiful. Oxford: Oxford University Press, 1990. Bussel, Abby. “Mist and Mirrors.” Architectural Lighting 18:7 (Nov/Dec 2003): 10. Cage, John. A Year From Monday: New Lectures and Writings. Middletown, CT: Wesleyan University Press, 1969. Cagney and Lacey. Television Program. Created by Barbara Avedon and Barbara Corday. US: Columbia Broadcasting System, 1982-1988. Caroline in the City. Television Program. Produced by Faye Oshima Belyeu and created by Fred Barron, Dottie Dartland, and Marco Pennette. US: Columbia Broadcasting System (CBS), 1995-1998. Case, Sue-Ellen. “Toward a Butch-Femme Aesthetic.” In The Feminism and Visual Culture Reader, edited by Amelia Jones, 402-413. New York: Routledge, 2003. Chaiken, Ilene. “A New Year, A New OurChart,” http://www.sho.com/site/lword/popup.do?content=ourchart_info (accessed August 26, 2009). Charlie’s Angels. Television Program. Produced by Leonard Goldberg and Aaron Spelling and created by Ivan Goff and Ben Roberts. US: American Broadcasting Company (ABC), 1976-1981. Chave, Anna. C. “Minimalism and the Rhetoric of Power,” Arts Magazine 64 (January 1990): 45-63. Christensen, Heather. “Take Your Time: Olafur Eliasson.” NYA Blog / New York Art Beat (June 6, 2008), http://www.nyartbeat.com/nyablog/2008/06/take-your- time-olafur-eliasson/ (accessed June 9, 2008). Clover, Carol J. Men, Women, and Chain Saws: Gender in the Modern Horror Film. Princeton, NJ: Princeton University Press, 1993. Colin, Anne. “Olafur Eliasson: vers une nouvelle realite / Olafur Eliasson: the Nature of Nature as Artifice.” Art Press 304 (September 2004): 34-39. Bibliography 268 Comstock, George, and Erica Scharrer. Television: What’s On, Who’s Watching, and What It Means. San Diego: Academic Press, 1999. Cork, Richard. “Look up to the sky and see.” Art Review (May 2006 supplement): 4- 7. Cotter, Holland. “Stand Still; A Spectacle Will Happen.” New York Times, April 18, 2008, http://www.nytimes.com/2008/04/18/arts/design/18elia.html?ex=1366257600 &en=079a1a680a92ead3&ei=5124&partner=permalink&exprod=permalink (accessed April 20, 2008). Cottingham, Laura. Lesbians Are So Chic. . . That We’re Not Really Lesbians at All. London: Cassell, 1996. CSI: Crime Scene Investigation. Television Program. Produced by Jerry Bruckheimer and created by Ann Donahue and Anthony E. Zuiker. US: Columbia Broadcasting System (CBS), 2000-present. CSI: Miami. Television Program. Produced by Jerry Bruckheimer and created by Ann Donahue, Carol Mendelsohn, and Anthony E. Zuiker. US: Columbia Broadcasting System (CBS), 2002-present. CSI: NY. Television Program. Produced by Jerry Bruckheimer and created by Ann Donahue, Carol Mendelsohn, and Anthony E. Zuiker. US: Columbia Broadcasting System (CBS), 2004-present. Crimp, Douglas. On the Museum’s Ruins. Cambridge, MA: The MIT Press, 1993. Daniels, Stephen. Fields of Vision: Landscape Imagery and National Identity in England and the United States. Oxford: Oxford University Press, 1994. Dargis, Manohla. “The Girls Are Back in Town.” The New York Times, May 30, 2008, http://movies.nytimes.com/2008/05/30/movies/30sex.html?ex=1332475200& en=709faf668585ee66&ei=5124&partner=permalink&exprod=permalink (accessed November 7, 2008). DeCarlo, Tessa. “Olafur Eliasson Take Your Time.” The Brooklyn Rail (Oct 2007), http://www.brooklynrail.org/2007/10/artseen/olafur (accessed June 9, 2008). De Duve, Thierry. “Performance Here and Now: Minimal Art, a Plea for a New Genre of Theatre.” Open Letter 5-6 (Summer/Fall 1983), 234-60. Bibliography 269 Derrida, Jacques. The Truth in Painting. Translated by Geoff Bennington and Ian McLeod. Chicago: The University of Chicago Press, 1987. Dexter. Television Program. Produced by Daniel Cerone and created by Jeff Lindsay. US: Showtime Networks, 2006-present. Dittmar, Linda. “The Straight Goods: Lesbian Chic and Identity Capital on a Not-so- Queer Planet.” In The Passionate Camera: Photography and Bodies of Desire, edited by Deborah Bright, 319-340. New York: Routledge, 1998. Dragnet. Television Program. Produced and created by Jack Webb. US: National Broadcasting Company, 1951-1959. Dubois, Allison. Don’t Kiss Them Goodbye. New York: Touchstone Books, 2005. Dux, Monica, “Feminist is not a dirty word,” The Age, September 15, 2008, http://www.theage.com.au/opinion/feminist-is-not-a-dirty-word-20080914- 4g8z.html?page=-1 (accessed September 30, 2008). Edelstein, David. “Now Playing at Your Local Multiplex: Torture Porn.” New York Magazine, January 28, 2006, http://nymag.com/movies/features/15622/ (accessed August 28, 2009). Eliasson, Olafur. “A Conversation with Bart Lootsma.” In Your mobile expectations: BMW H2R project, 49-64. Baden, Switzerland: Lars Müller Publishers, 1998. Everett, Karen. Framing Lesbian Fashion. Videocasette. San Francisco: Frameline, 1992. Eves, Alison. “Queer Theory, Butch/Femme Identities and Lesbian Space.” Sexualities 7: 4 (2004): 480-496. Faderman, Lillian. Odd Girls and Twilight Lovers: A History of Lesbian Life in Twentieth-Century America. New York: Penguin, 1991. Ficera, Kim “’L Word’ Co-Creators Michele Abbott and Kathy Greenberg Break Their Silence,” AfterEllen.com, April 5, 2009, http://www.afterellen.com/TV/2009/4/abbott-greenberg (accessed August 29, 2009). Foster, Hal. The Return of the Real: The Avant Garde at the End of the Century. Cambridge, MA: The MIT Press, 1996. Bibliography 270 Fowles, Jib. The Case for Television Violence. Thousand Oaks, CA: Sage Publications, Inc., 1999. __. Why Viewers Watch: A Reappraisal of Television’s Effects. London: Sage Publications, Ltd., 1992. Franklin, Nancy. “Sex and the Single Girl.” The New Yorker, 74: 18 (July 6, 1998):74-77. Freud, Sigmund. Beyond the Pleasure Principle. Translated and edited by James Strachey. New York: W.W. Norton & Company, 1961. Fried, Michael. Art and Objecthood: Essays and Reviews. Chicago: The University of Chicago Press, 1998. Friends. Television Program. Produced by Kevin Bright, David Crane, and Marta Kauffman and created by David Crane and Marta Kauffman. US: National Broadcasting Company (NBC), 1994-2004. Gallop, Jane. The Daughter’s Seduction: Feminism and Psychoanalysis. Ithaca, NY: Cornell University Press, 1984. __. Reading Lacan. Ithaca, NY: Cornell University Press, 1985. Gilbert-Rolfe, Jeremy. Beauty and the Contemporary Sublime. New York: Allworth Press, 1999. Gitlin, Todd, ed. Watching Television. New York: Pantheon, 1986. Gombrich E.H., Art and Illusion: A Study in the Psychology of Pictorial Representation. Princeton, NJ: Princeton University Press, 2000. Gossip Girl. Television Program. Produced by Josh Schwartz and created by Stephanie Savage and Josh Schwartz. US: CW Television Network, 2007- present. Gross, Michael Joseph. “The Falls Guy.” New York Magazine, June 8 2008, http://nymag.com/arts/art/features/47554/ (accessed June 12, 2008). Grynsztejn, Madeleine, ed. Take Your Time: Olafur Eliasson. New York: Thames and Hudson, 2007. Grynsztejn, Madeleine, Daniel Birnbaum, and Michael Speaks, eds. Olafur Eliasson. London: Phaidon Press Limited, 2002. Halberstam, Judith. Female Masculinity. Durham: Duke University Press, 1998. Bibliography 271 Hammond, Harmony. Lesbian Art in America: A Contemporary History. New York: Rizzoli International Publications, Inc., 2000. Hanzal, Carla. “Traversing the Worlds of Nam June Paik.” Sculpture Magazine, 20:5 (June 2001), http://www.sculpture.org/documents/scmag01/june01/paik/paik.shtml (accessed February, 17 2009). Heidegger, Martin. “The Origin of the Work of Art.” In Basic Writings: from Being and Time (1927) to The Task of Thinking (1964), edited David Farrell Krell, 139-212. New York, HarperCollins Publishers, 1993. __. The Question Concerning Technology and Other Essays. Translated by William Lovett. New York: Harper & Row, 1977. Hensley, Dennis. “Hooked on Sex.” The Advocate, November 23, 1999, 88-90. Jacobs, AJ. "The XXX files." Entertainment Weekly, August 6, 1999, 20-25. Jacobs, Jason. “Issues of Judgment and Value in Television Studies.” International Journal of Cultural Studies 4: 4 (2001): 427-447. Janku, Laura Richard. "The Anarchitectures of Matta-Clark and Eliasson." ArtUS, 21 (New Year 2008): 18-21. Jenkins, Henry. Textual Poachers: Television Fans and Participatory Culture. New York: Routledge, 1992. Jones, Amelia. “Art History / Art Criticism: Performing Meaning.” In Performing the Body / Performing the Text, edited by Amelia Jones and Andrew Stephenson, 39-55. New York: Routledge, 1999 Jones, Mike. “Your TV is Lying to You: The Principles of Visual ‘Truth’ in Media Production.” Screen Education 39 (2005): 106-109. Joselit, David. Feedback: Television Against Democracy. Cambridge, MA: The MIT Press, 2007. __. “Planet Paik.” Art in America 88:6 (June 2000): 72-6, 78-9. __. “The Video Public Sphere,” Art Journal 59: 2 (Summer 2000): 46-53. Judd, Donald. Complete Writings: 1959-1975. Halifax: Press of the Nova Scotia College of Art and Design, 2005. Bibliography 272 Kant, Immanuel. The Critique of Judgment. Translated by Werner S. Pluhar. Indianapolis: Hackett Publishing, 1987. __. Observations on the Feeling of the Beautiful and the Sublime. Translated by John T. Goldthwait. Berkeley: University of California Press, 1960. Keats, John. “Ode on a Grecian Urn,” http://www.john-keats.com/ (accessed May 5, 2008). Krauss, Rosalind. “Sense and Sensibility: Reflections on Post ‘60s Sculpture.” Artforum 12: 3 (November 1973), 43-52. L Word, The. Television Program. Produced by Ilene Chaiken and created by Michele Abbott, Ilene Chaiken, and Kathy Greenberg. US: Showtime Networks, 2004- 2009. Lacan, Jacques, Feminine Sexuality: Jacques Lacan and the école freudienne. Edited by Juliet Mitchell and Jacqueline Rose and translated by Jacqueline Rose. New York: W.W. Norton and Company, 1985. __. The Four Fundamental Concepts of Psycho-Analysis. Edited by Jacques-Alain Miller and translated by Alan Sheridan. New York: W.W. Norton and Company, 1977. __. “The Mirror Stage as Formative of the I Function, as Revealed in Psychoanalytic Experience.” In Ecrits, translated by Bruce Fink, 3-9. New York: W.W. Norton and Company, Inc., 2004. __. The Seminar of Jacques Lacan, Book I: Freud’s Papers on Technique. Edited Jacques-Alain Miller and translated by John Forrester. New York: W.W. Norton and Company, Inc., 1991. __. The Seminar of Jacques Lacan, Book II: The Ego in Freud's Theory and in the Technique of Psychoanalysis, 1954-1955. Edited by Jacques-Alain Miller and translated by Sylvana Tomaselli. New York: W.W. Norton and Company, Inc., 1991. Law and Order. Television Program. Produced and created by Dick Wolf. US: National Broadcasting Company, 1990-present. Law and Order: Criminal Intent. Television Program. Produced and created by Dick Wolf. US: National Broadcasting Company, 2001-present. Law and Order: Special Victims Unit. Television Program. Produced and created by Dick Wolf. US: National Broadcasting Company, 1999-present. Bibliography 273 Lee, Pamela M. Chronophobia: On Time in the Art of the 1960s. Cambridge: The MIT Press, 2004. Lippard, Lucy. “Homage to a Square.” Art in America 55 (July-August 1967), 50-57. Lotz, Amanda. The Television will be Revolutionized. New York: New York University Press, 2007. Lyotard, Jean François. “An Answer to the Question, What is the Postmodern?” In The Postmodern Explained: Correspondence 1982-1985, translated by Morgan Thomas, 1-16. Minneapolis: University of Minnesota Press, 1992. Mabry, Jennifer E. “Emmy-nominated ‘Sex and the City’ has new take on old issues.” San Antonio Express-News, September 11, 1999, 4E. Mack, Joshua. “Take Your Time: Olafur Eliasson.” Time Out New York 657 (Apr 30- May 6, 2008), http://www.timeout.com/newyork/articles/art/29053/take-your- time-olafur-eliasson (accessed June 9, 2008). Mad About You. Television Program. Produced by Danny Jacobsen and created by Danny Jacobsen and Paul Reiser. US: National Broadcasting Company (NBC), 1992-1999. Mann, John. “Making haze.” Nature 426 (November 2008): 123. May, Suasan, ed. Olafur Eliasson: The Weather Project. London: Tate Publishing, 2003. McCarthy, Anna. Ambient Television: Visual Culture and Public Space. Durham, NC: Duke University Press, 2001. McLuhan, Marshall and Quentin Fiore. The Medium is the Massage: An Inventory of Effects. New York: Bantam Books, 1967. Medium. Television Program. Produced by Kelsey Grammer and created by Glenn Gordon Caron. US: National Broadcasting Company (NBC), 2005-2009. US: Columbia Broadcasting System, 2009-present. Mellencamp, Patricia. “TV Time and Catastrophe, or Beyond the Pleasure Principle of Television.” In Logics of Television: Essays in Cultural Criticism, edited by Patricia Mellencamp, 240-266. Bloomington: Indiana University Press, 1990. Bibliography 274 Meyer, James. “No More Scale: The Experience of Size in Contemporary Sculpture,” Artforum 42: 10 (Summer 2004): 220-228. __. “The Writing of ‘Art and Objecthood’.” In Refracting Vision: Essays on the Writing of Michael Fried, edited by Jill Beaulieu, Mary Roberts and Toni Ross, 61-96. Sydney: Power Publications, 2000. Modleski, Tania. Feminism Without Women: Culture and Criticism in a “Postfeminist” Age. New York: Routledge, 1991. __. “The Search for Tomorrow in Today’s Soap Operas: Notes on a Feminine Narrative Form.” In Feminist Television Criticism: A Reader, edited by Charlotte Bronsdon, Julie D’Acci, and Lynn Spigel, 29-40. Oxford: Clarendon Press, 1997. Morgenthau, Joshua. “Take Your Time: Olafur Eliasson.” The Brooklyn Rail (June 2008), http://www.brooklynrail.org/2008/06/artseen/take-your-time-olafur- eliasson (accessed June 13, 2008). Morley, David. “Television: Not So Much a Visual Medium, As an Object.” In Visual Culture, edited by Chris Jenkins, 170-189. New York: Routledge, 1995. Morse, Margaret. “An Ontology of Everyday Distraction: The Freeway, the Mall, and Television.” In Logics of Television: Essays in Cultural Criticism, edited by Patricia Mellencamp, 193-221. Bloomington: Indiana University Press, 1990. Muller, John P. and William J. Richardson, eds. The Purloined Poe: Lacan, Derrida and Psychoanalytic Reading. Baltimore, MD: The Johns Hopkins University Press, 1988. Murder She Wrote. Television Program. Produced by Peter S. Fischer and Angela Lansbury and created by Peter S. Fischer, Richard Levinson, and William Link. US: Columbia Broadcasting System (CBS), 1984-1996. Nancy, Jean-Luc. Of the Sublime: Presence in Question. Translated by Jeffrey S. Librett . Albany: State University of New York, 1993. Nielsen, Kate. “Lesbian Chic, Part Deux.” The Advocate (February 17, 2004): 9. Nokia: Go Play. “4th Screen” Youtube, http://www.youtube.com/watch?v=XpeNk3E36YU (accessed August 24, 2009). Nye, David E. American Technological Sublime. Cambridge, MA: The MIT Press, 1994.
Description: