PLUME Published by the Penguin Group Penguin Books USA Inc., 375 Hudson Street, New York, New York 10014, U. S.A . Penguin Books Ltd, 27 Wrights Lane, London W8 5TZ, England Penguin Books Australia Ltd, Ringwood, Victoria, Australia Penguin Books Canada Ltd, 10 Alcorn Avenue, Toronto, Ontario, Canada, M4V 3B2 Penguin Books (N. Z. ) Ltd, 182-190 Wairau Road, Auckland 10, New Zealand Penguin Books Ltd, Registered Offices: Harmondsworth, Middlesex, England Published by Plume, an imprint of New American Library, a division of Penguin Books USA Inc. 10 9876543 Copyright © 1974 by Andrea Dworkin All rights reserved Printed in the United States of America Drawing on page 98 by Jean Holabird Without limiting the rights under copyright reserved above, no part of this publication may be reproduced, stored in or introduced into a retrieval system, or transmitted, in any form, or by any means (electronic, mechanical, photocopy ing, recording, or otherwise), without the prior written permission of both the copyright owner and the above publisher of this book. BOOKS ARE AVAILABLE AT QUANTITY DISCOUNTS WHEN USED TO PROMOTE PRODUCTS OR SERVICES. FOR INFORMATION PLEASE WRITE TO PREMIUM MARKETING DIVISION, PENGUIN BOOKS USA INC., 375 HUDSON STREET, NEW YORK, NEW YORK IOOI4. Permissions are on page 218 For Grace Paley and in Memory of Emma Goldman ... Shakespeare had a sister; but do not look for her in Sir Sidney Lee’s life of the poet. She died young —alas, she never wrote a word.... Now my belief is that this poet who never wrote a word and was buried at the crossroads still lives. She lives in you and in me, and in many other wom en who are not here tonight, for they are washing up the dishes and putting the children to bed. But she lives; for great poets do not die; they are continuing pres ences; they need only the opportunity to walk among us in the flesh. This opportu nity, as I think, it is now coming within your power to give her. For my belief is that if we live another century or so—I am talking of the common life which is the real life and not of the little separate lives which we live as individuals —and have five hundred a year each of us and rooms of our own; if we have the habit of free dom and the courage to write exactly what we think; if we escape a little from the common sitting-room and see human be ings not always in their relation to each other but in relation to reality... if we face the fact, for it is a fact, that there is no arm to cling to, but that we go alone and that our relation is to the world of reality ... then the opportunity will come and the dead poet who was Shakespeare’s sister will put on the body which she has so often laid down. Drawing her life from the lives of the unknown who were her forerun ners, as her brother did before her, she will be born. As for her coming without that preparation, without that effort on our part, without that determination that when she is born again she shall find it pos sible to live and write her poetry, that we cannot expect, for that would be impos sible. But I maintain that she would come if we worked for her, and that so to work, even in poverty and obscurity, is worth while. Virginia Woolf, A Room of One's Own (1929) ACKNOWLEDGMENT Ricki Abrams and I began writing this book together in Amsterdam, Holland, in December 1971. We worked long and hard and through a lot of living and then, for many reasons, our paths separated. Ricki went to Aus tralia, then to India. I returned to Amerika. So the book, in its early pieces and fragments, became mine as the responsibility for finishing it became mine. I thank Ricki here for the work we did together, and the time we had together, and this book which came from that time and grew beyond it. Andrea Dworkin CONTENTS Introduction 17 Part One: THE FAIRY TALES 29 Chapter 1 Onceuponatime: The Roles 34 Chapter 2 Onceuponatime: The Moral of the Story 47 Part Two: THE PORNOGRAPHY 51 Chapter 3 Woman as Victim: Story of O 55 Chapter 4 Woman as Victim: The Image 64 Chapter 5 Woman as Victim: Suck 75 Part Three: THE HERSTORY 91 Chapter 6 Gynocide: Chinese Footbinding 95 Chapter 7 Gynocide: The Witches 118 Part Four: ANDROGYNY 151 Chapter 8 Androgyny: The Mythological Model 155 Chapter 9 Androgyny: Androgyny, Fucking, and Community 174 Afterword 197 Notes 205 Bibliography 211 There is a misery of the body and a misery of the mind, and if the stars, whenever we looked at them, poured nectar into our mouths, and the grass became bread, we would still be sad. We live in a system that manufactures sorrow, spilling it out of its mill, the waters of sorrow, ocean, storm, and we drown down, dead, too soon. ... uprising is the reversal of the sys tem, and revolution is the turning of tides. Julian Beck, The Life of the Theatre The Revolution is not an event that takes two or three days, in which there is shoot ing and hanging. It is a long drawn out process in which new people are created, capable of renovating society so that the revolution does not replace one elite with another, but so that the revolution creates a new anti-authoritarian structure with anti-authoritarian people who in their turn re-organize the society so that it becomes a non-alienated human society, free from war, hunger, and exploitation. Rudi Dutschke March 7, 1968
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