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Witchcraft Through the Ages: The Story of Haxan, the World's Strangest Film, and the Man Who Made It PDF

130 Pages·2007·9.34 MB·English
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Preview Witchcraft Through the Ages: The Story of Haxan, the World's Strangest Film, and the Man Who Made It

WITCHCRATFHTR OUGHT HEA GES THES TOROYF H AxAN,T HEW ORLDS'TSR ANGEFSILTM ,A NDT HEM ANW HOM ADEI T Firsptu blishedb y FAB PressO,c tobe2r0 06 FAB Press7, F arleigRha,m sdenR oad,G odalming,G U7 lQE,E nglandU,. K. www.fabpress.com Textc opyright© 2006J ackS tevenson. Them oralr ightosf t hea uthohra veb eena sserted. Editeadn d designebdy HarveyF enton, witht hanks toF ranciBsr ewstefro rp roductiaosns istance. ThisV olume copyrig©h tFAB Press2 006 WorldR ightRse served No parto ft his bookm ay ber eproduceodrtr ansmittedi na nyf ormo rb y any means, electronoircm echanical, includingp hotocopyirnegc,o rdinogr,b y anyi nformation storaganed retrievsayls temw,i thoutth ep riowrri ttenp ermissioonf t heP ublisher. A CIP catalogrueec orfdo rt hibs ooki sa vailablefr om theB ritisLhi brary. ISBN1 -903254-42-6 Acknowledgements Thea uthowro uld liket ot hank Maren Pust,f ormeerdi toro fth e Danishfilm journal, Kosmoramaf,o rv arioufso rmso fa ssistancaen,d wouldal so liket ot hankt hel atAen ton LaVeyf orini tiallsytir ringhi s curiosiatyb outH iixan. LaVey'inss ightsi,m parteddu ringl ate night vitsoihi tss b lackh ousei nS an Franciscion 1 991a nd 1992,w erei nvaluable. Thep ublishweoru ldl iket ot hank Gavin BaddeleLyu,c asB alboa nd NigeWli ngrove fors upplyings omeo ft her areil lustratiornesp roduceidnt hipsu blicationil.lu strations arec opyright© theirre spectiovwen ersa,n d arer eproducehde rei nt hes pirito fp ublicity. Frontc oveir llustration A demons urveyst hea ttributeso fa youngl ovelwyh o hasg ivehne rsetloft hec ause. Frontispiielcleu stration Witchesc onfesstedh ata tn ightth eytran sformed into animals and soiledt heh olya ltarso fc hurches. Titlpea 9:eI llustration Pena ndink sketcohf B enjamin Christensfreonm 1945. Jhe ojcl'1-iaxtao:trtth,�e r lacl'.rt rarnislem.$, t y antah:Jfl'a en tiJY'ho:Jfl'a cre :It <tonttttt� Introducti.. o. n.. . ... .. . . . . .... .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. . . . . . . . . . . . . . 5 Ch.1 -The Early Years .....................................................7 Ch.2 -The sMetyriuosX ........................................ ......... 14 Ch.3 -BlinJdu sti...c ..e.. .. . .. ... ... .... .... ... .. .. ... ..... 1 .. 9 . . .. .. . .. .. .. Ch.4 - TheM aking ofT heW itc..h.. ...............................2..5. Ch.5 ..:...P ubliRce actiotno T heW itc..h. .. .... . ..... . . .. .. ..4 . 7 . . .. .. .. Ch.6 -The Germanan d American Films. ..................6..7. .. Ch.7 -The InvisibYlee· ar.s. ...:... ....... .........8.4. .................... . Ch.8 -TheD anishC omeback9n d TheW itcRhe vived .....9 3 Ch.9 -JourneyI ntoT wilight .......................................1 . 07 Ch.1 0- TheW itcLhiv es!... ... . ..... ... . .. ..... .. .. . . .. ..... 1 ..1...1. .. .. Footnote.s.. ... .. ...... ... . .... .. ... . ..... ... .... ... .... . ... . .. ... ... ... ... . . .1 1.9 Append:ix1 -Benjamin ChristensFeilmm ography.. .......1. 22 .Append:i2x- TheW itcCha sta nd CrewC redits.. .......;.. .1.2.5 Index. ...'.-; ............................................................1..2..6.. ...... �nt�ubuctiun \n. enjamin Christensen's macabre masterp1i9e2c2e , from � Hiixan (ThWei tc)hc,an justifiablbye calledm any things. Itc an be consideretdh e firsctu ltm ovie,a genuine' film maudit('l iteraal 'lcyu rsefidl m')t,h ef irstt ruef eature-length documentary (alongw ithN anooko f theN ort,h whichw as madet hes ame year)a,n d so forth. Many oft heses ame thingsc an orc ouldh aveb eens aid abouTto dB rowning'msu ch bettekrn own (and veryd ifferent) film, Frea,km sade a decadel aterI.n deedt,h esetw o taboo­ shatterinwgo rkso ccupyan exclusinviec hein thean nals of horror cinemanad share uncanny similaritiBeost.h were greetebdy angry proteusptosn releasea,n d were widely censoreda nd fiercelyc ondemned.B oth were originally disastefrosr t hes tudiotsh atb ackedt hem,m onsterm ovies that weren'mto nster moviTeos '.d ecenfto lkst'h esew eret he two most morbid, perverse· evfeirl mmasd e, whilteo advocattehse ys honew itha very humanv isioTn.o them en whom ade themt hey wetrhee c onsuming obsessioinn st heir livetsh,e f ilmst heyw erep uto n earth tom ake,l abourosf love thata ccorditnogt hel ored estroyetdh eirc areerasn,d turned two gregariouesx,t rovertyeodu ng men into embittered hermitsan d hauntedt hem tot heigrr aves. 'Thel oreo'fc oursea lwayst endst ot hem elodramatibcu,t these two supremelyg iftebdu t troubleddir ector-s one· American,o neD anish -dids harea common fat.e. B.o thw ere talld,a shingt,a lenteandd 'difficuanldt ,'b oth held a fascinatfioornt hed arks ideo fl ifeB.o th weree mployeda t MOM studioisn d eperssoin-erHao llywoowdh eret heye ach made filmwsi thL on Chaney and solidifrieepdut ationass masterosf h orro.r.b .u tt hey nevmeert . Browningd idn'cto mpletye lfollowt hes crpit.H e made morefi lmsa fterF reaksso.me wellr ecveeid,b eofrer etrteiang from publilci fteo l ivien s oiltdue. DittCoh risteenns, althougmhu ch less isk nown about him.O nlyo nes lim bohoaks previouslbye enw ritteanb out the man. thus sftairl alv ailabolnel yi n Danish. What addiotniali nfomrationt hatd oese xisto n him tendst o be filtertehdr ougthh en arrowp rsim ofa cademiicn terptraetion andt hem an himselrfa rye lmakesa n appearnace. The goalo ft his boioskt op lacHe iixan int hec onetxto f Christenns'esw ider care.e rsincet he film dciedtr aiyn l overshadomwo sto fh isp rofessiolniaflae n,d top lacietw ithin thec ontexotft het mies.T hish as requireedx tensirvesee arch intot heD anish sourcem ateirala.n d itw as necessaryt o translamtuec h oft hei niitalr eatcioni no rdert op resenat picturoef thingsa t the 'momento f impact.M·a ny of the isseus thate mbroilehdi s film upon relesae are stlil, amazinglbye,ni g hotldye batetdo day. Who wast hism an who couldm ake sucha film.a nd what droveh im?W e stildlon 'tk now fors ure.C hrsitenesn, the consummate 'man omfy steyr,' wouldn'hta veh adi ta nyo thewra y. Mystermya n.B eryaminC hristensen. � ronicaltlhyem, a nw how ast oc reatet hem ostp ervrese ruand proafnew orko fe arclinye maw asb orinn t hes hdaow of car uci-fixa massvie cruifixc-shpaedc athedtrhala t dominatetdh ea nciecnittyo fV iobrgw,h icdhu rinMg ediveal' times wasC hrisntdeom'ssrt ongholidnt heW esterDna nish provinceosfJ ultand. Hec amein to the wo2r8lS dep tomebne r1, 87d9ub,b ed BejnaminC hristeen,nt shey oungeosftwt e lvceh iledn.rAn d althouhgehw ast oa chiemvuec hd urihnig lsi ,ft ehiwsa sn o ragtso r ichsetsyo ,rh isf atehrr ankinags o neo ft het own's mosptr osrpoeumse rchanatnsd o neo fi tmso swte ll-ot-oda nd influenticailt einz.s Absef ittedh isf amisl ys'tuast, young Bejnamina ttdeendth e CathedSrcahloo lt,h et own'fsni est, wherhee w asv erseind classliancgaulga e.sB utt heb oy had an independsetnrte anakd afterg raduatfironmg s choohle travellteodC oepnhagteons tudmye dince.i A funntyh ingh appneed tohnew ayt oa mediccaarle re - hes tarted singmiongri.nn gwO hniels eh vaingo vehri ss in,k the renownoepde rsai ngNeyrro,p ,o verhehima rda nds tuck hihse ardou ndt hed oor-'Whoo ne arthi st hatH?e!c 'o nviendc younCgh rtinessetno g ivteh eo peraa g oa ndt hel aden teedr intos ommeo nthosfp rerpaatovroyi tcreainin g.I n1 90h1ea nd fortyo thehro epfulsa pplifeodra dmisisont ot hep regsitious RoyalT heatre'ss cohopolea rnadh ew asth e onolnye t ob e accep.tI ed Heh adh isd ebuotn 2 May,1 920,p layingt hen aivey oung peasanMta,z et,int oMozartD'osnJ uanb,u tdi sastsetrru ctkh at veryni ghtw hena lumpf ormedin hist hroadtur ing the 7 performancaen d his voiceg rew weakera s thee veninwgo reo n.H e was tolbyd doctortsh ath ist hroat was okay but thath e had an untreatabnleer vousc onditioHne. had thes upporotf m ajorfi guresi n the Danisho pera worlhde; h ad been tippedt o take over the repertoiorfe t he highlyr espected HelgeN issena,n d was toh aves ung Mephistop'asr ti nG ounod'Fsa ust,2 a 'dreamr olea's he himselfc harac­ terizietdA. n d now an illusiivlel ness thatw as maddeningluyn treatable had ruinedi tal l.I no ne strokteh e greaftu turteh ath adb eenp redicted forh im was dashed. above: Christensaesn M azetto in' DonJ uan'i n1 902. left: YoungC hristensen (righats )an actor atA rhusT heatre. Forcteodq uitthe operhae,e nteedra ctisnchgo o.Ml ter graduahtiewn ags e nggaedt op erofrmf otrh eres easonasta newt heatrien Ar hus. Theer hep lyaeda Wide nrgaeo f charactearnsdr ol,e pserofrmingW iths ome oft heb est Danisht hespioruf1.t sh ed ayi ncludBientgty N ansne and BodiIlps enI.tw asa lsoh erteh at heh idsfii rds dti erctnig, butr epodrltyre etliaonbset weeCnh risteenna snda tl east soem of hciosl glueeasw eres trnaiedW,i tho nes crbiel taer maintainitnhga hte g ots uchg oodr eViwes thahti sf ellow actofreslc th eatoefrd e cnoigito,na nda ccuesdh imo fu nduly influencitnhgew ritses.r Chirsteennws asa lonewrh oa lwayfsol lodw ehiosw n path,a ndn owt hapta thl ebda ckt oC openhag.eT nheer he managetdo g eptar tsi ns everpallya sb ut oangcaienh ivso ice began btetor ahimy. Whilpel yaintgh e roloeft heg enie in Aladdthiean u,d inece wasp ecleoldmt oy el'll ourd,le oud!e'r throughoute vetnhieIn ng1 .9 70h ew asf orcetdor etriefdro m thset afgore veer. Hisg rebatar itosnien ging wvoouilrcdete u nr ono ccasion ovetrh yee ars,b utn evewrh enh en eedeidta ndn evewrh en hew asc onrfontedb ya livaeud ieen.cA ccodirntgo h iso wn acco,uy neatrlsa theer evreann in to tghreeat E nriCcaor uos, whoo vehreardh ims ingiinn hgi sb athtuibn h ish oterlom o inN ewY orakn da skeCdhr istentsoje ionn hoinm sgte.Ta he Dane triteode xplaint hahti sv oicweo ulfda tletrh es eocnd thec urtawienn tu p.C arusow asi ncerduloutsh aanty body coludt urdno wns uhc an ofafnedwr a kleda ways hkainhgi s heaind diseblief.4 Somedi fficulyte arfsolo lwehids d earpturfreo mt hea cting profesHsei ohna.dm arrietdh ea crtesEsll enAr ctandienr 1904an,d nowt hey htwaod l itbtolyess oh ew asf ocredt o husttlose up porhtif sa milyH.e w orkeads par oo-frdeeafro ar

Description:
Was Häxan, The Witch, the first and most perverse exploitation film, replete with Satanic debauchery, or the original classic of documentary cinema? Benjamin Christensen’s macabre 1922 masterpiece is the first true film maudit and the world’s first cult movie. This taboo-shattering work occupie
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